<html><body>
Following the announcement of all the award winners during Friday night's Victorian Architecture Awards dinner, Apartments.com.au concludes series: The Road to the Victorian Architecture Awards.

Today we speak to Genevieve Brannigan, Director of Communications Collective, to explore the importance of communications in architecture and design.

Throughout her career, Genevieve has worked with a number of leading architects and design practices, advising them on good communications strategies. Here she shares her insights on why communications and architecture are inextricably linked.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/nightingale_1_peter_clarke.jpg" rel="gallery-all" title="Nightingale 1 by Breathe Architecture. Image: Peter Clarke"><img alt="" class="image-article-full-width-580px" height="387" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/nightingale_1_peter_clarke.jpg?itok=mRRmWuyj" title="Nightingale 1 by Breathe Architecture. Image: Peter Clarke" width="580"></a>

<figcaption>Nightingale 1 by Breathe Architecture. Image: Peter Clarke</figcaption></figure>Apartments.com.au: What is the main function of communicating architecture?

Genevieve brannigan: As communications professionals, we promote beautiful projects, create thought leaders and provoke discussion and debate on what’s happening in the industry. Architecture always tells a story and it’s our job to ensure this is communicated effectively within and beyond the industry.

The rapid evolvement of technology means communication needs to sit in more than one place to effectively engage with diverse stakeholder groups and show how design is deeply functional beyond visual elements. This involves educating audiences to help people who visit buildings understand and appreciate how they were conceived.

For example, sustainability measures incorporated into a building aren’t always visible yet are increasingly prevalent and a hugely valued component of each project. The need to communicate this is important, but often hidden, aspect of building design opens up an opportunity for architects to become thought leaders by sharing their design processes, ideas and projects.

U: What do you like most about working with architects and designers?

GB: Working in communications for the built environment intertwines two of my passions, design and communications. It allows me to explore the work from an aesthetic or visual perspective as well as to identify the messaging ingrained in a project in order to communicate it to a wider audience.

I feel lucky to play an influential role in shaping trends that affect the design of the cities in which we live and help to break down barriers by educating architects so they can speak to different audiences.

Communications Collective takes a creative approach with each of our campaigns to develop unique content that engages with different audiences through different touch points, whether that be through the media, digital communications, content marketing or event management. Communications – along with the architecture and design industries – is a constantly changing landscape, so it’s an exciting time for us to be involved.

U: What role do awards play in communicating architecture? 
GB: Awards promote milestones, acknowledging the best work and sharing this not only within the industry but among broader audiences, unpacking emerging trends and telling the stories behind projects. Receiving accolades in the industry helps architects establish a name for themselves and opens the opportunity for the reach of their work to be dramatically extended.

We worked with the Australian Institute of Architects for the 2018 Victorian Architecture Awards, which took place last night on Friday 29 June. Seeing the incredible buildings in our state that have featured on the shortlist is inspiring and insightful, such as Bunjil Place in Narre Warren by fjmt and Bargoonga Nganjin North Fitzroy Library and Community Hub by Group GSA, both paying homage to Australia’s Indigenous heritage while acting as vibrant community centres enhanced by their building designs.

The Bendigo Hospital by Silver Thomas Hanley with Bates Smart, for instance, is inspiring by showing the impact good design can have on health and recovery while Monash University buildings show how the education sector is at the cutting-edge of architecture and technology.

We have also seen fantastic projects that focus on sustainability including Nightingale 1 by Breathe Architecture and the complete re-purposing of spaces such as the Victorian College of the Arts renovations in the former Mounted Police Stables by Kerstin Thompson Architects.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/stables_kta.jpg" rel="gallery-all" title="Former Mounted Police Stables by Kerstin Thompson Architects."><img alt="" class="image-article-full-width-580px" height="387" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/stables_kta.jpg?itok=yOsTKI_H" title="Former Mounted Police Stables by Kerstin Thompson Architects." width="580"></a>

<figcaption>Former Mounted Police Stables by Kerstin Thompson Architects.</figcaption></figure>U: What have you noticed about changes to the way architecture is being communicated?

GB: Since I started working in communications 15 years ago, I have seen the interest in the built environment grow dramatically, particularly as Australia is a very design literate country. This has been driven by the densification of cities and the role of design as a key differentiator in residential, commercial and other types of developments.

Buildings serve a whole range of purposes – functional, aesthetic, narrative, conceptual - and with the cultural, technological and societal changes that are constantly occurring in our fast-evolving world, there are more stories to tell and so many ways we can communicate the latest developments in building design.

U: How can communications help increase interaction with buildings and architecture?

GB: Communications plays a vital role in shaping the way people perceive buildings, whether it be on an aesthetic, functional or sentimental level. People are much more likely to visit and even appreciate a building if they have heard about it from a credible source, which demonstrates the power of communications in architecture.

Establishing a dialogue around architecture is all the more important for public projects – to ensure that they can be enjoyed by as many people as possible. Communications, in this sense, simply means allowing architecture to most fully serve its intended purpose.
</body></html>

Laurence Dragomir

The Victorian Architecture Awards 2018 wrap: Communications Collective's Genevieve Brannigan

<html><body>
In today's piece as part of Apartments.com.au's Road to the Victorian Architecture Awards series, in the lead up to the awards dinner on Friday 29th June, we speak to Hamish Lyon, Director of Architecture and Design at NH Architecture. Leading the design direction of the firm, Hamish is an advocate for architecture, regularly engaging in public debate.

Hamish and the NH Architecture team have worked on the Monash Business School redevelopment, shortlisted in the educational architecture category at this year’s Victorian Architecture Awards. Giving us an insight into the project which brings the corporate environment into the classroom, he also shares his perspective on architecture in Melbourne more broadly.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/entry-zvrmkqnw-644346.jpg" rel="gallery-all" title="NH Architecture's Monash Business School redevelopment. Image: Peter Bennetts"><img alt="" class="image-article-full-width-580px" height="326" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/entry-zvrmkqnw-644346.jpg?itok=Luj6tdhJ" title="NH Architecture's Monash Business School redevelopment. Image: Peter Bennetts" width="580"></a>

<figcaption>NH Architecture's Monash Business School redevelopment. Image: Peter Bennetts</figcaption></figure>Apartments.com.au: How did you tailor this project specifically for business students? 

Hamish Lyon: Designed exclusively for postgraduate and executive business students the project transcends the traditional stereotype of cellular learning and delivers a high quality environment which bridges the gap between executive-level education and a corporate environment.

Planning and design acknowledged the necessity to transform spaces from a teaching lead environment to one appropriate for executive style events requiring high-quality presentations, function facilities and corporate hospitality.

U: What challenges did the existing building pose?

HL: The new Monash Business School project is a combination of a three-level fit-out of an existing 1990s speculative office building coupled with a small addition of new work.

The specification and environmental performance criteria of the original building was extremely poor, offering little opportunity to achieve many of the now accepted initiatives of sustainable design. Despite these limitations, the school consciously fulfilled the requirements for a high performing education space with enhanced acoustic façade treatment, lighting and building services.

U: Where do you see the trend moving forward for educational architecture?

HL: In reaching out to the global community the Business School acknowledged the expectations of the local and international market, placing emphasis on the student staff experience and connecting corporate industry with education, mixing and blending private with public.

The demand on space will continue to ensure buildings will extend beyond their traditional hours of operation providing facilities for aligned industries outside the core business of education.

An attitude of “one size does not fit all” means the relationship between program and space has become more challenging.

U: The Monash Business School redevelopment bridges the gap between executive-level education and the corporate environment. What elements of both the education and corporate spheres were integral in your design?

HL: The traditional segregated office style floor plates were transformed with the introduction of two interconnecting stairs: one within the existing building structure and the other in the new adjoining Pavilion, built on the existing external terrace and housing a state of the art auditorium and function facility.

The distinct Pavilion visible from both Dandenong Road and the local train station is an asset for both the Business School and the broader University community; for corporate and dignitary functions throughout the year. Providing a flexible and accessible reception and student staff lounge area adjacent to the pavilion offer a public area for an expanded conferencing and function facility available to the wider corporate community.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/entry-zvrmkqnw-644353.jpg" rel="gallery-all" title="The interior of the Monash Business School redevelopment. Image: Peter Bennetts"><img alt="" class="image-article-full-width-580px" height="373" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/entry-zvrmkqnw-644353.jpg?itok=UFfvjJOe" title="The interior of the Monash Business School redevelopment. Image: Peter Bennetts" width="580"></a>

<figcaption>The interior of the Monash Business School redevelopment. Image: Peter Bennetts</figcaption></figure>U: You have worked on some high profile Melbourne projects including Margaret Court Arena and QV. What elements of ‘Melbourne’ do you strive to embody in your projects?

HL: Our approach to design has been formed by the city in which we reside. Melbourne’s high quality of public amenity underwrites the moniker of “world’s most liveable city”.

In its built form the city has many lessons to teach and as a practice we actively research its public spaces, institutions and businesses to understand its particular vibe – we see it as a world-class laboratory of buildings and space.
</body></html>

Road to the Victorian Architecture Awards 2018: NH Architecture's Hamish Lyon

<html><body>
In today's instalment of the Road to the Victorian Architecture Awards series, Apartments.com.au shines the torch on one of the more unique buildings featured in this year's shortlist of entries, with the winners announced at the awards dinner on 29 June 2018.

Harmer Architecture's Atrium of Holy Angels Mausoleum for client Greater Metropolitan Cemeteries Trust (GMCT) represents a prime example of a piece of public architecture that engages with a wide audience in fulfilling their role, while providing a service to a specific community.

The mausoleum creates a dialogue between architecture, landscape and the role of memorial in the form of a striking circular structure comprising eight separate blocks that are arranged around a central landscaped courtyard providing above ground burial for 672 people.

The Victorian Chapter of the AIA cites the mausoleum as an example of the diverse and innovative contemporary design interventions that Victoria has to offer, in particular, the approach to public architecture and its role.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/atrium_of_holy_angels_-_jonathan_hadiprawira.jpg" rel="gallery-all" title="Atrium of Holy Angels Mausoleum. Image: Jonathon Hadiprawira"><img alt="" class="image-article-full-width-580px" height="385" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/atrium_of_holy_angels_-_jonathan_hadiprawira.jpg?itok=XmWtgWk_" title="Atrium of Holy Angels Mausoleum. Image: Jonathon Hadiprawira" width="580"></a>

<figcaption>Atrium of Holy Angels Mausoleum. Image: Jonathon Hadiprawira</figcaption></figure>GMCT sought a design which offered longevity while reflecting the overarching purpose of the mausoleum. Harmer Architecture responded to this desire via a design which provides longevity to visitors who will continue to visit their loved ones.

The architecture which incorporates the crypts into the design via the circular shape and internal and external landscaping provides people with a variety of options when they are purchasing, claim the architects.

<h2>What they say...</h2>

<blockquote>
As a profession it’s important we continue to challenge the norm, and allow architectural interventions to evolve and create new cultural relationships and understandings.

Architecture is something that should be enjoyed and add value to the public realm, and the mausoleum does just that. The mausoleum acts as a pavilion, creating a welcoming and open space that families can visit and honour the passing of a relative, whilst allowing for life to be celebrated and remembered in a sensitive and meaningful way.

- Amy Muir,Victorian Chapter President
</blockquote>

<blockquote>
This is a logical extension of the other types of work we do which involves public spaces. It’s an active public space that people visit, it isn’t just about death.

There is a large community of Italian heritage who live in Melbourne’s North, many of whom want significant memorials such as community mausoleums. Many people in the local community visit their deceased relatives regularly and for long after they have gone.

It’s all about the landscape and giving people choice by facing every direction of the compass. It becomes more of a pavilion than a building.

- Philip Harmer,  Managing Director of Harmer Architecture
</blockquote>

<blockquote>
Design ambitions for our Atrium of Holy Angels Mausoleum was to create a building that was classic and enduring, yet bold and innovative. We wanted to provide families with a beautiful and high quality environment – a fitting tribute and final resting place for loved ones.

- Jacqui Weatherill, CEO of The Greater Metropolitan Cemeteries Trust (GMCT)
</blockquote>

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/atrium_of_holy_angels_-_trevor_mein.jpg" rel="gallery-all" title="Atrium of Holy Angels Mausoleum. Image: Trevor Mein"><img alt="" class="image-article-full-width-580px" height="435" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/atrium_of_holy_angels_-_trevor_mein.jpg?itok=uXVoh3bl" title="Atrium of Holy Angels Mausoleum. Image: Trevor Mein" width="580"></a>

<figcaption>Atrium of Holy Angels Mausoleum. Image: Trevor Mein</figcaption></figure>Lead Image: Trevor Mein 
</body></html>

Road to the Victorian Architecture Awards 2018: Harmer Architecture's Atrium of Holy Angels Mausoleum

<html><body>
Urban.com.au's coverage of the 2018 Victorian Architecture Awards continues today with a look at two of the shortlisted entries in the public architecture category and the positive contributions they make to their respective communities.

According to the Victorian Chapter of the Australian Institute of Architects, the growing role of social sustainability is one of the themes to emerge in this year's shortlist of projects.

Additionally, to ensure the continued viability and longevity of public spaces, architects in Victoria are increasingly designing projects which are both socially and environmentally conscious.

A well designed public project should engender positive social outcomes, create active spaces, encourage interaction and enrich lives claims the Vic Chapter of the AIA.

One of the challenges of sustained population growth is ensuring access to and provision of quality space within communities, thus making it an increasingly valuable commodity. To address this issue numerous public projects across Victoria have been designed to accommodate a variety of diverse program within buildings, to appeal to different members of the community or community groups.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/bunjilplace2.jpg" rel="gallery-all" title="Fjmt's Bunjil Place. Image: John Gollings"><img alt="" class="image-article-full-width-580px" height="327" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/bunjilplace2.jpg?itok=JgD3cvm5" title="Fjmt's Bunjil Place. Image: John Gollings" width="580"></a>

<figcaption>Fjmt's Bunjil Place. Image: John Gollings</figcaption></figure>Bunjil Place has been shortlisted in this year’s architecture awards for demonstrating a new form of community and civic building. It incorporates a library, theatre, function centre and a multipurpose studio, an art gallery and the City of Casey customer service centre, all in the one building. 

According to its architects fjmt, Bunjil Place has been designed as an inclusive, hybrid form of public building, reflecting and embracing the diversity of its community.

Similarly, Bargoonga Nganjin North Fitzroy Library, which has been shortlisted for three awards, provides more to its community than a traditional library.

Designed by GroupGSA, Bargoonga Nganjin – which, appropriately, means ‘gather everybody’ in Woiwurrung, the language of the Wurundjeri people – is a 6 star green star building that is home to a library, maternal child health service, playgroup spaces, the customer service centre for the City of Yarra, community meeting rooms, an exhibition space and a spectacular rooftop garden.

Designed to provide a suite of services to people of all ages, from newborns to seniors, the building is intended to support the wellbeing of its community for decades to come.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/north_fitzroy_library.jpg" rel="gallery-all" title="Bargoonga Nganjin North Fitzroy Library by GroupGSA. Image: Tom Hutton"><img alt="" class="image-article-full-width-580px" height="387" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/north_fitzroy_library.jpg?itok=L3wcF-2I" title="Bargoonga Nganjin North Fitzroy Library by GroupGSA. Image: Tom Hutton" width="580"></a>

<figcaption>Bargoonga Nganjin North Fitzroy Library by GroupGSA. Image: Tom Hutton</figcaption></figure><blockquote>
It comes down to design resilience and proper consultation processes – this lies at the heart of making buildings socially sustainable. Both architects and an ever better informed client sector now see the benefit of hosting extensive conversations and workshops prior to work commencing. Determining how spaces should be used, these processes are valuable to the design of quality architecture. Quick-fix solutions or less-than-rigorous design processes cost more in the long run, by creating expensive ‘white elephants’ that do not reach the potential of their purpose.

As architects we are building for people and ultimately the public realm is about social connection. Providing a conduit for people to interact is incredibly important when it comes to strategic and effective urban planning. Architecture and design’s public sphere nurtures communal responsibility defining an enriched city governed by more than what one might read as simple form making. The instigation of building sustainable communities is an imperative condition for successful architectural and urban planning outcomes.

- Amy Muir, Victorian Chapter President of the Australian Institute of Architects
</blockquote>

The winners of the 2018 Victorian Architecture Awards will be announced at the awards dinner on 29 June 2018. Winners of each category will then progress to compete in the National Architecture Awards program.
</body></html>

Road to the Victorian Architecture Awards 2018: Social sustainability and public architecture

<html><body>
This week I chat with Tim Leslie, studio director at Bates Smart about the upcoming Open House Melbourne, ICI House and Bates Smart's work on the new Australian embassy in Washington.

Tim joined Bates Smart in 2006 working across a broad range of sectors, after gaining experience as an architect in Australia and abroad over 20 years. In 2013 he became the Melbourne office's first Studio Director.

He founded Open House Melbourne in 2008, a not for profit event promoting architecture and buildings of significance to the public.

For more details on the '165 Years of Enduring Architecture' exhibition at Orica House and the guided tour of Orica House as part of OHM2018, check out our previous article <a href="/news/bates-smart-to-celebrate-two-key-milestones-in-july">here</a>.

 

<iframe allow="autoplay" frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/463447554&amp;color=%23ff5500&amp;auto_play=true&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true" width="100%"></iframe>
</body></html>

Weekly Podcast: Episode 20 - Bates Smart Studio Director Tim Leslie discusses Open House 2018

<html><body>
The second in Apartments.com.au's Road to the Victorian Architecture Awards series in the lead up to the awards dinner which take place on 29 June and recognises the achievements of architects' contributions to our built environment.

John Wardle Architects is one of the most recognised practices in this year’s 2018 Victorian Architecture Awards, shortlisted for 7 awards ranging from residential architecture, urban design, interior architecture and educational architecture.

Apartments.com.au took the opportunity to speak to Meaghan Dwyer, Principal at John Wardle Architects, about how to respond to the many changes faced by the built environment. Meaghan also discusses some of the projects the practice has been shortlisted for.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/jwa_caulfield_library.jpg" rel="gallery-all" title="John Wardle Architects' Caulfield Library shortlisted in these year's awards. Image: Dianna Snape"><img alt="" class="image-article-full-width-580px" height="387" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/jwa_caulfield_library.jpg?itok=zn2tnkSy" title="John Wardle Architects' Caulfield Library shortlisted in these year's awards. Image: Dianna Snape" width="580"></a>

<figcaption>John Wardle Architects' Caulfield Library shortlisted in these year's awards. Image: Dianna Snape</figcaption></figure>Apartments.com.au: The way we work, live and play continues to constantly evolve. As an architect, how do you design buildings and spaces that will stand the test of time?

Meaghan Dwyer: Firstly, designing for change requires us to drop past assumptions and explore new potentials. We employ a number of strategies to create buildings and spaces that will stand the test of time.

We begin by firmly anchoring our design response in place. We do this through forming a deep understanding of the context within which we design and we respond to this in a nuanced way. We create flexible buildings that can respond to change. We apply the principles of good design – orientation, natural daylight, accessibility, and the like.

We select enduring materials and detail our buildings to last.

U: Tell us about some of the projects you’ve been working on that have been shortlisted in the 2018 Victorian Architecture Awards

MD: We have been fortunate to be the architects for two buildings for Monash University as part of their $750 million spend to upgrade their educational infrastructure. The Learning and Teaching Building and the refurbishment of the Caulfield Library are both shortlisted in the educational and interiors categories.

The transport interchange that formed part of our commission at the Clayton Campus is also shortlisted in the urban design category. These projects all follow the university’s aspiration to create vibrant settings for university life.

In addition, our Main Ridge House is shortlisted in the residential alterations and additions category. This is an existing house that has been completely reimagined as part of a larger plan for the rural site where it is located.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/jwa_tl_clayton.jpg" rel="gallery-all" title="The Learning and Teaching Building at Monash Clayton also shortlisted. Image: Trevor Mein"><img alt="" class="image-article-full-width-580px" height="575" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/jwa_tl_clayton.jpg?itok=fpaKOLWd" title="The Learning and Teaching Building at Monash Clayton also shortlisted. Image: Trevor Mein" width="580"></a>

<figcaption>The Learning and Teaching Building at Monash Clayton also shortlisted. Image: Trevor Mein</figcaption></figure>U: With the student experience being at the centre of your approach to educational architecture, how do you design for millennials and cater to the university of tomorrow?

MD: One thing for certain is that the higher education sector continues to experience rapid change. Just this week we have seen the University of Adelaide and the University of South Australia announce that they are considering the merits of a merger.

Consequently, there is much speculation as to what the future university will look like. We understand that while every university is unique, they are all tackling the challenges of increased student numbers and the introduction of online learning.

This requires an intimate understanding of the organisational strategy, pedagogical approach and the characteristics of the student body. We certainly appreciate that millennials engage with technology in a very intuitive way.

They appreciate the flexibility to work anywhere they like, and are used to accessing all kinds of information and services at any time they like. They also tend to be very connected with their peers.

For these reasons the university campus needs to be a vibrant and activated place that supports peer to peer learning in any location. This impacts both the classroom setting, and also the spaces and places around the campus that support university life.

U: When approaching public projects, how important is it to design spaces that mean many things to many people?

MD: We believe that the public realm is experienced by all and so should be responsive to a broad range of aspirations and requirements. In our view it is highly desirable that every project display civic generosity, or make a positive contribution to the public realm, rather than reflect the interests of one stakeholder, or another.

U: In your opinion, do you think the education sector is leading the way in dealing with the design challenges presented by our changing environment (e.g. population growth, technology etc)?

MD: Universities have been subject to rapid growth in student numbers for many years now. They have also been grappling with the impacts of technology on learning and teaching. As there are a relatively large number of universities in Australia, and while each of them has invested substantial funds, there has been a constant iteration of responses to these circumstances.

Other public institutions that build less often have been slower to respond to the challenges resented by rapid population growth and technology. Our recent work with the justice system suggests that the courts are beginning to tackle these challenges. Likewise, our recent work in the cultural sector suggests the same.

In some ways, these organisations have a lot to learn from the higher education system.

U: Do you think architects need to play an increasingly collaborative role with clients to ensure their vision aligns with creating spaces that are future-proofed?

MD: We certainly pride ourselves on our ability to work with a client to understand their strategic requirements. We also appreciate that many clients are navigating change in the way that their organisations are offering services.

We believe that there is a place for spatial problem solving and we feel very able to join with our clients to align their strategy with their built environment. We also believe that their objectives can be supported by good design.

U: How important is it to engender communities through the built environment and how can this be achieved?

MD: We are firm believers that a good public realm is essential for the public life of a city. A good public realm is achieved through creating civic generosity, that is a built environment that responds to a broad range of aspirations and requirements, rather than responding to the interests of one stakeholder, or another.

This approach underpins all our project work, be it in the education sector, commercial, or any other sector.

U: Why do John Wardle Architects work on such a diverse portfolio of projects?

MD: We often describe ourselves as fabulous generalists. Our ability to move across project types comes from our curiosity to explore unrealised potential, rather than rest on past assumptions. Our ability to problem solve and design at all scales stands us in good stead, and nothing delights us more than a fresh challenge.
</body></html>

Road to the Victorian Architecture Awards 2018: Q&A with Meaghan Dwyer of John Wardle Architects 

<html><body>
In the lead up to the Victorian Architecture Awards dinner, to be held on Friday 29th June, Apartments.com.au will be profiling a number of architects who have had projects shortlisted for the awards, in addition to commentary on current issues and challenges within our built environment.

Kerstin Thompson Architects (KTA) - where I worked for five years and continue to admire from afar - has been shortlisted for four awards this year ranging from residential, heritage, interior and educational architecture.

The practice is highly regarded amongst peers for its continued contribution to the built environment, which is not only reflected in the impressive body of work completed to date but also the office's success in consistently recognised for its achievements, particularly over the last 4 years for the following projects:

<ul>
<li>2017 AIA Commercial Architecture Award, Victorian Chapter for TarraWarra Cellar Door</li>
	<li>2017 AIA Residential Architecture Award – New, Victorian Chapter for Seaberg</li>
	<li>2016 Eat Drink Design Awards TarraWarra Estate – Highly Commended</li>
	<li>2016 IDEA Interior Design Excellence Awards TarraWarra Estate – Highly Commended</li>
	<li>2014 AIA National Architecture Awards, Robin Boyd Award for Residential Architecture – Houses (New) for House at Hanging Rock</li>
	<li>2014 AIA Harold Desbrowe Annear Award for House at Hanging Rock</li>
	<li>2014 AIA Heritage Award for Wertheim Factory Convrsion – Studio 9</li>
	<li>2014 AIA Public Alterations &amp; Additions for Birralee Primary School</li>
</ul>
Apartments.com.au caught up with KTA founder and Principal, Kerstin Thompson to discuss how the studio continues to design a diverse portfolio of projects, which draw on and make meaningful connections to their context.

Apartments.com.au: KTA has worked on a diverse range of projects and typologies over the years - how do you continue to develop original and creative work?

Kerstin Thompson: We approach every project from first principles which is easy when it’s a project type you haven’t worked on before because you don’t have rote thinking to fall back on, but even with repeat project types like our police stations, the combination of a generic brief with wild variations in context and community provides plenty of opportunity for original thinking on each project.

We certainly value the fact that KTA doesn’t specialise but rather maintains a curiosity for any kind of project assuming an alignment between the client’s aspirations and KTA’s core values.

U: The Victorian College of the Arts former Mounted Police Stables is a highly recognised project in the Victorian Architecture Awards shortlist this year. How do you achieve leading design across different realms such as outstanding heritage architecture and interior architecture?

KT: Every project starts with pre-conditions. Even a site without any built form will have strength of context whether this is its ecology, cultural history, patterns of use etc. Our work with heritage buildings is simply engaging with the richness of existing built form and for us this presents a fascinating launching pad for transformation to enable new uses and understandings around a site.

Also, we always approach every project through a clear conceptual intent that guides our thinking across landscape interior, architecture &amp; site infrastructure. For us boundaries between interior and exterior architecture are false.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/vca_stables.jpg" rel="gallery-all" title="Victorian College of the Arts Former mounted Police Stables. Image: Trevor Mein"><img alt="" class="image-article-full-width-580px" height="387" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/vca_stables.jpg?itok=6ANpN67s" title="Victorian College of the Arts Former mounted Police Stables. Image: Trevor Mein" width="580"></a>

<figcaption>Victorian College of the Arts Former mounted Police Stables. Image: Trevor Mein</figcaption></figure>U: How have you balanced maintaining what was existing in the space while entirely changing the purpose of the building?

KT: With VCA, as with much of our work on heritage or adaptive re-use projects, we strive for an ease of fit between old forms &amp; new uses. In this case the already cellular nature of the stables as collection of horse stalls, their remarkable light-filled double height voids was a superb fit with studios for 165 arts students; two art students for one horse.

Similarly, with the former riding school this beautifully proportioned and generous space is now a performing arts space which can accommodate a range of performance practices and formats.

U: What was it like working on an education project that is also expected to serve various other functions such as studio and performing arts spaces?

KT: The Stables and entry octagon needed to serve many purposes. Primarily the school’s studio-based philosophy required mixed-mode spaces that could easily switch from studio to exhibition areas. So the design incorporates a series of sliding panels that enable the school to reconfigure itself – for events, exhibitions, seminars and working studios for a range of art practices as required.

U: When working on a new residential project such as Park House, what influence does the existing streetscape and surrounding architecture have on the design?

KT: Of course, all projects need to be responsive to the people and the place for which they are designed. As a counter to the bland contemporary style of much new one-off housing, KTA uses the architecture of new residential projects to reinforce some valued aspect of the locale to achieve a distinctly local character.

In this instance, its location on the edge of a suburban park influenced its form. In its gradual shift of scale from street to rear, Park House wavers between a suburban modesty and grandeur. The house has an enigmatic neighbourly presence and its low-key street façade belies its size.

The draped roof over the length of the plan creates a gentle silhouette beside the park to the east. Holding the eastern façade together is a veil of woven mesh, which softens morning light and allows daytime views out to the park while maintaining privacy.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/kta_park_house.jpg" rel="gallery-all" title="The Park House has been shortlisted in the Residential (New) category for the 2018 Vic Awards. Image: Trevor Mein"><img alt="" class="image-article-full-width-580px" height="387" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/kta_park_house.jpg?itok=8HwOx3SY" title="The Park House has been shortlisted in the Residential (New) category for the 2018 Vic Awards. Image: Trevor Mein" width="580"></a>

<figcaption>The Park House has been shortlisted in the Residential (New) category for the 2018 Vic Awards. Image: Trevor Mein</figcaption></figure>U: Can you provide an insight into some of the other projects you are working on at the moment?

KT: In line with my earlier comment, our current range of projects are across many different sectors. We are making a foray into the commercial one with a major redevelopment on a prime Melbourne city block. We’ve also recently started work with Royal Botanic Gardens Victoria, Melbourne on imagining what a new herbarium as part of a nature &amp; science precinct might be like.

It’s fascinating to be working with RBGV again in such a different setting to our former work for the Cranbourne Visitor Centre. Our work on the Riversdale site, part of the Bundanon Trust, for a new gallery celebrating Arthur Boyd’s legacy is another project through which we can pursue our commitment to a more integrated vision for buildings and landscapes in sensitive cultural and environmental settings.

We are also working on a number of multi-residential projects in Melbourne’s inner-north which are exciting for their precinct-wide impact and opportunity. Parallel to that, our ongoing interest in civic projects includes Broadmeadows Town Hall, currently under construction, which will repair and revitalise the currently car park-dominated town centre.

We’ve just received planning support for the Jewish Holocaust Centre in Elsternwick, which aside from being a very interesting program, also sets a precedent for alternative ways in which heritage buildings can be embedded within new architecture.

U: Through your projects you’re known for breaking new ground. Do you think the intention to break new ground is becoming increasingly common across Australian architecture today?

KT: Depends what we mean by breaking new ground. Sometimes formal gymnastics and façade flamboyance can be mistakenly construed as this, especially in the housing sector, a dress-up of otherwise conventional apartments.

We like to think that it can be more about the invention of new typologies and the sometimes invisible but potent spatial connections that can be forged within our cities and suburbs to create a sense of place and opportunity for many.
</body></html>

Road to the Victorian Architecture Awards 2018: Kerstin Thompson Architects

<html><body>
Construction of the first stage of the Southbank Boulevard and Dodds Street transformation project will begin this month. The project which will be undertaken in stages will create 2.5 hectares of new public open space on Southbank Boulevard and Dodds Street, with the first stage expected to take 18-months to complete.

Located in the heart of Melbourne’s Arts Precinct, City of Melbourne's aspirations for Southbank Boulevard are to transform it into one of Australia’s most pedestrian-friendly places. The Concept Plan was drafted to recognise the history of the site and is based on extensive community and stakeholder engagement.

The transformation project will provide Southbank, which is Melbourne’s most densely populated suburb with critical public open space.

Beginning on 16 July, 2018, Southbank Boulevard will be closed to all traffic between St Kilda Road and Sturt Street. Trams will continue to operate and the precinct will remain open to pedestrians.

As a part of stage 1 works 39 trees will require removal however, over 65 new trees will be planted, along with approximately 300 new trees across the entire project.

The Concept Plan, which was adopted by the  Council in 2017, outlines a new vision for Southbank that will:

<ul>
<li>Create 2.5 hectares of new public open space;</li>
	<li>Prioritise pedestrians, public transport and cyclists;</li>
	<li>Deliver a new, accessible tram stop on Sturt Street;</li>
	<li>Enhance the gateway into the Arts Precinct;</li>
	<li>Create a living link, connecting the Domain Parklands to the Yarra River;</li>
	<li>Create a ‘Melbourne Experience’ for Southbank;</li>
	<li>Build a new civic square for the precinct;</li>
	<li>Deliver a series of new neighbourhood parks for the community.</li>
</ul>
Additionally, the project will weave together other projects mooted for Southbank including the upgrade of City Road, Sturt Street Civic Spine as part of the <a href="/news/back-to-the-noughties-melbournes-arts-precinct-set-to-get-a-major-makeover">Arts Precinct Master Plan</a>, <a href="/buildings/australia-108-southbank-70-southbank-boulevard-southbank">Australia108</a>, the Queensbridge Square upgrade as part of Crown &amp; Schiavello's One Queensbridge development, and <a href="/news/southbank-by-beulah-designs-to-be-revealed-via-a-public-symposium">Beulah International's $2bn 58 Southbank Boulevard</a>.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/southbank_boulevard_project_staging.png" rel="gallery-all" title="Southbank Boulevard Project Staging Plan. Image: City of Melbourne"><img alt="" class="image-article-full-width-580px" height="408" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/southbank_boulevard_project_staging.png?itok=1wvNGCNY" title="Southbank Boulevard Project Staging Plan. Image: City of Melbourne" width="580"></a>

<figcaption>Southbank Boulevard Project Staging Plan. Image: City of Melbourne</figcaption></figure>Upcoming works include:

<ul>
<li>Early works construction from July involving the removal of 39 trees to enable construction of the new carriageway, tram line, and tram stop.</li>
	<li>Main tram construction period from 22 to 30 September 2018 this requires the demolition of existing tram infrastructure, construction and recommissioning of new tram line and tram stop on Sturt Street.</li>
	<li>Civil construction works from October 2018 to August 2019</li>
</ul>
For more information visit <a href="https://participate.melbourne.vic.gov.au/southbankboulevard">participate.melbourne.vic.gov.au</a>

<iframe allow="autoplay; encrypted-media" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/iiQVS9jbZO4" width="560"></iframe>
</body></html>

Stage 1 of Transforming Southbank Boulevard and Dodds Street commencing this month

<html><body>
Earlier this week Watpac announced that it was successful in winning a $110 million contract to design and build the new Deakin Law School building at the Burwood Campus.

The nine level building, designed by Woods Bagot will comprise 20,000 sqm of teaching and learning spaces, student support and wellbeing spaces, staff workspaces and basement car parking.

The Law School building will provide a hub for meeting, learning, networking, student wellbeing and student services that caters to the needs of next generation learners beyond the classroom. This holistic approach is intended to create a vibrant and engaging interactive campus for students.

Additionally, other innovative features have been incorporated into the design with spaces that facilitate and encourage interactive modern learning and enhance the overall student experience.

Principles of environmentally sustainable design have also been embedded within the design including;

<ul>
<li> Rooftop solar panels</li>
	<li>High efficiency HVAC and lifts</li>
	<li>Rainwater harvesting</li>
	<li>Glare control systems </li>
	<li>Connection to end-of-trip facilities.</li>
</ul>
According to Watpac, the company is looking forward to delivering its first project for Deakin University, while this continues Woods Bagot's relationship with the University at its Burwood Campus. The firm has previously designed the Burwood Highway Frontage Building which accommodates the Faculty of Health, and Deakin University Building I which connects two existing theatres and provides internal and external gathering spaces for students. 
 

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/a-lc-entry_view.jpg" rel="gallery-all" title="Deakin's new Law School Building designed by Woods Bagot. Image: Supplied"><img alt="" class="image-article-full-width-580px" height="504" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/a-lc-entry_view.jpg?itok=CYa8oh-2" title="Deakin's new Law School Building designed by Woods Bagot. Image: Supplied" width="580"></a>

<figcaption>Deakin's new Law School Building designed by Woods Bagot. Image: Supplied</figcaption></figure>The contract builds on Watpac's national pipeline of projects which includes specialised university buildings including Port Macquarie’s Charles Sturt University Campus and the University of New South Wales Joint Health Education Facility.

Watpac anticipates site works to commence on the Law School building by the end of the month, and says its project team is well-placed to deliver a leading education facility for Deakin University.

<h2>What they say</h2>

<blockquote>
Watpac understands the specific requirements of creating modern learning environments that embrace the changing way students engage with learning and we are excited to work with our new client in delivering this innovative building.

The Group has the desirable combination of education sector and sustainability experience having delivered almost $1 billion of education infrastructure since 2016 underpinned by our commitment to environmentally sustainable design and building practices.

- Martin Monro, Watpac Limited Managing Director
</blockquote>

 

<blockquote>
Thanks to our integrated approach to design and construction, and our diverse experience in the education sector, this state-of-the-art facility will provide Deakin with an exceptional learning space for years to come.

We anticipate peak workforce numbers to reach 230 people and estimate the project will be completed by mid-2020.

- Nick Pavlovic, Watpac Construction Victoria State Manager  
</blockquote>
</body></html>

Watpac wins first contract for Deakin University

<html><body>
Heavyweight GPT is progressing with plans for a substantial overhaul of the lobby of its Melbourne Central Tower. 

Designed by COX Architecture, the $35m upgrade would re-instate the corner of Elizabeth and Little Lonsdale Streets as one of the primary points of access into the building, removing interventions introduced during upgrades to the centre over a decade ago.

The upgrade will dramatically change the Elizabeth Street streetscape and how people move in and around the site, while also retaining and celebrating the 90's architecture, characterised by the space frame canopy.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/mct-render-5-tmb.jpg" rel="gallery-all" title="Melbourne Central's reconfigured retail laneway. Image: Scharp"><img alt="" class="image-article-full-width-580px" height="387" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/mct-render-5-tmb.jpg?itok=7VlTMeKY" title="Melbourne Central's reconfigured retail laneway. Image: Scharp" width="580"></a>

<figcaption>Melbourne Central's reconfigured retail laneway. Image: Scharp</figcaption></figure>Included as part of the works are the following key elements:

<ul>
<li>The realignment of the entry, and the creation of new retail opportunities and a 'third space' to refresh and reset.</li>
	<li>Interactive media &amp; LED walls streaming live content and multimedia artwork, as part of the welcome experience for visitors.</li>
	<li>An amphitheatre designed for collaboration, the exchange of business ideas, or a space to enjoy a morning coffee.</li>
	<li>A flexible working hub that is envisaged as a dynamic place to meet with connections to the amphitheatre and supplemented by business facilities.</li>
	<li>Providing an expanded and consolidated premium retail offering catering to new retail operators, in addition to a high-quality lobby barista on-site at the Tower.</li>
</ul>
The existing 65,000 sqm tower - designed by the late Kisho Kurokawa in association with Bates Smart - was completed in 1991, and currently accommodates major tenants including ME Bank and NBN Co, who account for approximately 40% of the office space.

GPT is also seeking a pre-commitment for an office tower at 300 Lonsdale Street, estimated to be worth around $100m.

The 13-storey development has been designed by Woods Bagot to provide 26,000 sqm NLA of A Grade office space, to be built above the existing Melbourne Central retail centre.

Whether the design as illustrated in the renders below is still current hasn't been confirmed, they at least provide a good indication of the location and breadth of development expected.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/300lonsdale.jpg" rel="gallery-all" title="300 Lonsdale Street awaiting a pre-commitment. Images: Point Polaris + Equity DM"><img alt="" class="image-article-full-width-580px" height="336" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/300lonsdale.jpg?itok=vfO9uwNd" title="300 Lonsdale Street awaiting a pre-commitment. Images: Point Polaris + Equity DM" width="580"></a>

<figcaption>300 Lonsdale Street awaiting a pre-commitment. Images: Point Polaris + Equity DM</figcaption></figure>Combined, these projects would form the basis of a projected $200m capital works program that GPT are embarking on at its retail and commercial asset.

The lobby upgrade represents a growing trend among owners seeking to refresh existing commercial assets in response to the latest and emerging trends within workplace design and a competitive commercial office market.

Additionally, the new wave of CBD commercial office developments such as 477 Collins Street, 80 Collins Street, Collins Arch and 405 Bourke Street is putting further pressure on existing stock to remain relevant.

Other commercial buildings set for major upgrades to their lobbies and foyers include 100 Queen Street (upon ANZ 's relocation to Docklands next year), 35 Collins Street, 459 Collins Street and 530 Collins Street to name a few.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/18_collins-place-banner.jpg" rel="gallery-all" title="35 Collins Street lobby upgrade. Image: Armitage Jones"><img alt="" class="image-article-full-width-580px" height="326" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/18_collins-place-banner.jpg?itok=evy05jOr" title="35 Collins Street lobby upgrade. Image: Armitage Jones" width="580"></a>

<figcaption>35 Collins Street lobby upgrade. Image: Armitage Jones</figcaption></figure>There is an increasing focus on maximising street presence and retail opportunities, improving the arrival and welcome experience, and providing quality end-of-trip and business facilities.

Works are due to commence on the Melbourne Central Tower lobby upgrade this year with completion slated for 2019.

Lead Image: Scharp
</body></html>

It's Back to the Future for Melbourne Central Tower's lobby upgrade

<a href="https://www.apartments.com.au/developers/s-p-setia">SP Setia</a> has lodged plans for a $750 million, three-tower mixed-use precinct that would complete the long-running redevelopment of Carlton's former Carlton United Breweries site.

The proposal at <a href="https://www.apartments.com.au/new-apartments/185-195-queensberry-street-carlton-vic-3053">46-78 Bouverie Street and 185-195 Queensberry Street</a> spans a 6,468 sqm site, the last remaining undeveloped parcels within the former brewery's 2007 masterplan.

Designed by <a href="https://www.apartments.com.au/architects/cox-architecture">COX Architecture</a>, the development will comprise two purpose-built student accommodation towers and a third build-to-sell apartment tower above a shared commercial podium and basement.

Across the three towers, SP Setia is proposing 606 build-to-sell apartments and 1,499 student accommodation units containing 2,009 beds.

The apartments will sit in the tallest tower, which will rise nearly 200m and 55 storeys. It will become&nbsp;one of the more substantial new build-to-sell apartment projects at the northern edge of Melbourne's CBD.

The apartment mix is weighted toward smaller inner-city product, with 188 studios, 206 one-bedroom apartments, 192 two-bedroom apartments and 20 three-bedroom apartments

<img alt="First look: SP Setia plans three-tower finale for Carlton’s former CUB precinct" data-entity-type="file" data-entity-uuid="8271bc87-1b0a-41b7-ac73-a425ee375261" src="https://s3.ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/inline-images/3_2.png?VersionId=G4lw23o90B1boX4k4dj7rdz2ZEajS9wy" />

Part of the precinct will be a large-scale&nbsp;3,684 sqm supermarket and a further 2,198 sqm of speciality retail, creating close to 5,900 sqm of new commercial space within the precinct.

But one of the biggest components of the proposal is what sits between the buildings.

Around 4,650 sqm, or roughly 72 per cent of the site, will be publicly accessible open space, incorporating plazas, pedestrian connections, landscaped laneways and retail spill-out areas.

The ground plane is intended to finally complete pedestrian connections envisaged when the CUB masterplan was first approved nearly two decades ago, stitching together Victoria Street, Queensberry Street, Bouverie Street and Swanston Street through the former brewery precinct.

Urbis said the development would "complete the CUB precinct", with the public realm providing important north-south and east-west connections through what is currently the final undeveloped portion of the masterplanned site.

SP Setia is also exploring a new linear park within the Bouverie Street road reserve, with the concept to be developed further with the City of Melbourne through the planning process.

The proposal is being pursued through the Victorian Government's Development Facilitation Program under Clause 53.23 for significant residential development with affordable housing.

The planning report acknowledges the proposed heights exceed those contemplated under the original Comprehensive Development Plan and masterplan, but argues the built-form context has changed considerably over the past two decades.

Urbis said the three towers would instead create a stepped transition between Carlton and the Hoddle Grid, rising progressively from the 94.1-metre Tower One along the Queensberry Street edge to the 199.44-metre Tower Three closer to the established CBD-scale buildings to the south.

<img alt="SP Setia" data-entity-type="file" data-entity-uuid="e885a07a-592c-40fc-bf82-e6dbaf32da54" src="https://s3.ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/inline-images/Screenshot%202026-08-21%20at%208.52.24%E2%80%AFAM.png?VersionId=7s_ErUkSKAdY1mAWp3GRZgMNCGtwhk5m" />

SP Setia plans to deliver the development across three stages.

Stage One would deliver the basement, podium and retail areas for the entire precinct alongside the first student tower. Tower Two would follow in Stage Two, before the 606-apartment Tower Three is delivered as the final stage.

If approved and delivered, the project would close out a redevelopment process that has been underway since the former brewery masterplan was approved in 2007, adding more than 2,600 student beds and apartments to a precinct already home to Swanston Central, the Barak Building, RMIT Design Hub and several large student accommodation developments.

&nbsp;

&nbsp;

Joel Robinson

SP Setia plans three-tower finale for Carlton’s former CUB precinct

Melbourne developer Lowe Living is seeking to add to its growing bayside apartment pipeline, filing plans for a boutique eight-residence development in tightly held Middle Park.

Lowe Living, which has built much of its development portfolio across Melbourne's affluent bayside and south-east suburbs, is behind the plans for the 730 sqm site at <a href="https://www.apartments.com.au/new-apartments/123-125-erskine-street-middle-park-vic-3206">123-125 Erskine Street</a>, just off Armstrong Street and within the Armstrong Street Neighbourhood Activity Centre.

The developer is seeking approval for a five-storey residential building above two basement levels, with just eight large-format apartments and 18 car spaces.

“This is a deliberately very different proposition for us,"&nbsp;Tim Lowe, Co-Founder of Lowe Living, said.

"Eight residences is exceptionally boutique, but that's precisely what this site calls for.

“There is a strong community in Middle Park and the surrounding suburbs who have spent decades building a life here. They no longer want the maintenance of a large period home, but they aren't prepared to compromise on space, quality or location. We think there is a real opportunity to capture that hyper local market. A site like this rarely comes to market.”

<img alt="Lowe " data-entity-type="file" data-entity-uuid="875fe572-0f14-4d90-9e11-55b28dd07731" src="https://s3.ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/inline-images/Screenshot%202026-08-21%20at%208.42.49%E2%80%AFAM.png?VersionId=GDNQRv9BfpR9r1zkZ5UDyUM4ZvpIksut" />

The low-density proposal has been designed by Cera Stribley and is being progressed through the Victorian Government's Great Design Fast Track pathway, having already secured eligibility from the Minister for Planning.

The Office of the Victorian Government Architect supported its eligibility after finding the proposal demonstrated consistency with the program's seven design principles, while the project's financial feasibility has also been independently confirmed by Invest Victoria.

The project is targeting the downsizer market, with the planning documents describing the homes as larger-format residences and noting the two penthouses could otherwise have been configured as four separate apartments.

<img alt="Lowe 2" data-entity-type="file" data-entity-uuid="60ab0987-2da6-4175-adac-315dcf6053c6" src="https://s3.ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/inline-images/Screenshot%202026-08-21%20at%208.43.15%E2%80%AFAM.png?VersionId=bOCPH0B2MFwlmaRW.TTCF9TzyifgVoQI" />

The site has dual frontage to Erskine Street and Canterbury Place and currently comprises a collection of commercial buildings used as offices, including a former heritage bakehouse, a former stable, a later gabled addition and a central courtyard.

It sits within the Commercial 1 Zone and the Armstrong Street Commercial Precinct heritage overlay, with the existing property classified as a contributory heritage place.

Heritage has subsequently played a significant role in Cera Stribley's design.

The front section of the former bakehouse facing Erskine Street will be retained, including its return walls, street-facing hipped roof and chimneys, while the Erskine Street façade and part of the western return wall of the former stable will also be incorporated into the new development.

Levels four and five will be set back five metres from the retained stable façade, while bricks removed through demolition are proposed to be salvaged and reused within the new building where possible.

<img alt="Lowe 3" data-entity-type="file" data-entity-uuid="e97927a9-a2de-4a0f-83b6-65451238abfa" src="https://s3.ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/inline-images/Screenshot%202026-08-21%20at%208.43.06%E2%80%AFAM.png?VersionId=VR44AChLrX9q1XPB9GvVQV.ALXXbe4gC" />

Rather than presenting as a single five-storey building to Erskine Street, Cera Stribley has broken the development into a series of distinct forms.

A three-storey infill element will sit between the retained bakehouse and stable façades, with the upper levels recessed behind the heritage fabric. Canterbury Place will similarly feature two three-storey podium forms, separated by a central pedestrian accessway, before the upper two levels step back from the street.

A pedestrian through-link will run through the centre of the project between Erskine Street and Canterbury Place, creating entrances from both sides of the site and introducing landscaping and communal areas through the ground plane.

Landscape architect Acre has designed planting across the ground level, private terraces and upper levels, including a feature canopy tree at level three and integrated planting and arbours across the level four terraces. Five existing Erskine Street trees are proposed to be retained.

Sustainability is also a significant component of the Great Design Fast Track application. The apartments are targeting an average eight-star NatHERS rating, with no residence below 6.5 stars, while the project has achieved a 75 per cent BESS score. Seven of the eight apartments are designed for cross-ventilation, with the remaining residence using mechanically assisted natural ventilation.

The plans also incorporate an 8kWp rooftop solar system, a 5,000-litre rainwater tank and infrastructure allowing future electric vehicle charging for every residence.

Lowe has a strong portfolio across Melbourne's blue-chip suburbs. They recently launched <a href="https://www.apartments.com.au/new-apartments/jardin-house-by-lowe-living-camberwell-335-camberwell-road-camberwell-vic-3124">Jardin House by Lowe Living</a> in Camberwell, their first development in the Stonnington LGA.

Lowe Living unveils Middle Park apartment development

Article summary

<ul data-end="888" data-start="289">
	<li data-end="442" data-section-id="8tsh6o" data-start="289">DVB Projects is preparing to launch its second Gold Coast apartment development, with demolition now underway at 137 Old Burleigh Road, Broadbeach.</li>
	<li data-end="573" data-section-id="1nyxl3e" data-start="443">The 34-level tower will comprise just 49 ultra-luxury residences, including half-floor, full-floor and penthouse apartments.</li>
	<li data-end="717" data-section-id="oiyimj" data-start="574">The launch follows strong demand at DVB's nearby Sea Glass project, which is more than 50 per cent sold and currently under construction.</li>
	<li data-end="888" data-section-id="epk9o9" data-start="718">The development adds to the transformation of Old Burleigh Road, with premium beachfront apartment projects continuing to reshape the tightly held Broadbeach strip.</li>
</ul>

<a href="https://www.apartments.com.au/developers/dvb-projects">DVB Projects</a> is preparing to launch its second Gold Coast apartment development, with demolition now underway on the Broadbeach site as the Sydney developer moves closer to bringing the ultra-luxury project to market.

The 34-level tower at <a href="https://www.apartments.com.au/new-apartments/137-old-burleigh-road-broadbeach-qld-4218">137 Old Burleigh Road</a> will comprise just 49 residences, ranging from half-floor apartments through to full-floor homes and a penthouse. The launch follows the strong sales performance of DVB's nearby Sea Glass development. More than half of the apartments at Sea Glass, on the other side of Broadbeach, have been snapped up, well ahead of its late 2027 completion

<img alt="DVB Projects to commence demolition on $320m Broadbeach luxury tower" data-entity-type="file" data-entity-uuid="2944b4be-c84e-4b54-8dc1-c712e76704c0" src="https://s3.ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/inline-images/E02_Exterior_Street%20Level%20Entrance.jpg?VersionId=YoNig7pRdrE3HCue7sUj78LzJteeQf3H" />

The start of demolition at 137 Old Burleigh Road signals DVB Projects’ underlying confidence in the Gold Coast’s luxury beachside apartment sector.

“We see the Gold Coast as one of the most compelling lifestyle markets in Australia, particularly at the premium end where demand continues to deepen,” said Dean Brown, Managing Director of DVB.&nbsp;

“This project has been carefully designed to respond to that demand - delivering large-format residences with a level of quality, privacy and amenity that is still relatively rare in the apartment market on the beachside."

Brown says the site itself is "exceptional."

"Old Burleigh Road is one of the most tightly held beachfront strips, and opportunities to deliver a project of this scale and calibre in this location are extremely limited.”

<img alt="DVB Projects to commence demolition on $320m Broadbeach luxury tower" data-entity-type="file" data-entity-uuid="398f377a-c037-455e-9250-0c5e0d84c35b" src="https://s3.ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/inline-images/I12_FF%20Balcony.jpg?VersionId=NwOiRWGMubR1c8wthuEfggklcja7al9." />

The project will comprise 40 half-floor residences of approximately 260 sqm, alongside eight full-floor residences spanning around 524 sqm.

A single penthouse will crown the building, featuring a private pool, barbecue area, indoor gym and dedicated entertaining spaces.

Residents will have access to a resort-style suite of amenities, including a 20-metre pool with daybeds, a gymnasium, hot and cold plunge pools, a sauna, and private residents’ lounge and dining facilities.

<img alt="DVB Projects to commence demolition on $320m Broadbeach luxury tower" data-entity-type="file" data-entity-uuid="d1642bb0-9a66-4427-a022-dfc0988c6287" src="https://s3.ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/inline-images/A02_Pool%20to%20View.jpg?VersionId=c0IXPyn_Gp_Kn3XCwzMrqIVkAdCEwVXP" />

Sales agent Todd Matheson, of <a href="https://www.apartments.com.au/project-marketer/pezet-matheson">Pezet Matheson</a>, which is marketing both 137 Old Burleigh Road and Sea Glass, said 137 Old Burleigh Road would address a clear gap in the market for genuine luxury products.

“There are very few opportunities on the Gold Coast where buyers can secure a residence of this size and quality in a new building,” Matheson said.

“What we’re seeing is a growing cohort of downsizers and interstate buyers who still want space - they’re not willing to compromise on living area, entertaining or finishes.

“This project has been designed with that buyer in mind. It offers the scale of a home, combined with the convenience and security of apartment living, in one of the coast’s most desirable positions.”

<img alt="DVB Projects to commence demolition on $320m Broadbeach luxury tower" data-entity-type="file" data-entity-uuid="59aae0ca-5639-4320-8aca-d0bf60f48e43" src="https://s3.ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/inline-images/E01_Exterior%20Hero.jpg?VersionId=DS8Zfy2WtgUEtdfe0TEUuf1W1GfcZq8S" />

Located on a 1,156 sqm site one block from the beachfront, the development will replace an ageing walk-up building and is expected to contribute to the ongoing transformation of the Old Burleigh Road strip into one of the Gold Coast’s most prestigious residential corridors.

With the development moving into the delivery phase, 137 Old Burleigh Road is slated to hit the market later this year.

[smartcode_project_cta:default project_id=145141]

DVB Projects to launch second Broadbeach apartment tower as demolition commences

<a data-end="327" data-is-only-node="" data-start="250" href="https://www.apartments.com.au/developers/norus-projects" rel="noopener" target="_new">Norus Developments</a> has lodged plans for a new apartment development in Clayton that would add further momentum to the suburb's emerging Green Street corridor.

Plans have been lodged for the consolidated site at <a href="https://www.apartments.com.au/new-apartments/1359-1365-centre-road-clayton-vic-3168">1359-1365 Centre Road</a>, where Norus is seeking approval for 218 apartments across a 12-storey apartment building designed by <a href="https://www.apartments.com.au/architects/life-architecture-and-urban-design">Life Architecture</a>.

The proposal sits within the Clayton Major Activity Centre at the threshold of the planned Green Street corridor, a landscaped pedestrian connection intended to improve links through the precinct towards Clayton Railway Station.

The development would replace the site's existing collection of low-scale residential and commercial buildings with a single consolidated building, introducing significantly greater housing density to this part of Centre Road.

A retail tenancy is proposed at ground level to activate the Centre Road frontage, accompanied by transparent street interfaces and landscaping intended to create a more pedestrian-focused edge to the development.

<img alt="First look: Norus Developments plans landscape-led apartment project for Clayton’s emerging Green Street" data-entity-type="file" data-entity-uuid="0a5a763a-d9e9-4253-af2f-88008de27ebf" src="https://s3.ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/inline-images/Clayton%20a.png?VersionId=S2WJJbat1XVkZwB9SnYtygirXgWHiklX" />

The building has been designed with stepped massing and upper-level setbacks to manage its transition towards surrounding residential properties. The planning report describes the approach as one that integrates the building into the landscape rather than treating landscaping as a secondary element.

"A strong landscape and public realm strategy underpins the proposal," Urbis states in the planning report.

"Public benefits include an affordable housing contribution, a new pocket park, generous landscaped setbacks, deep soil planting and integrated Water Sensitive Urban Design."

The report adds that these elements are intended to create "a permeable, pedestrian-focused ground plane that enhances walkability, supports urban cooling and reinforces the emerging Green Street character."

Biophilic and passive design principles extend through the residential levels, with planting, daylight, natural ventilation and views towards landscaped areas forming part of the amenity strategy.

Parking would be concentrated away from the public realm, with 145 car spaces proposed from the rear laneway rather than dominating the Centre Road frontage.

The proposal follows an extensive pre-application process with the City of Monash. Three formal meetings were held between the project team and Council from December 2025 to March 2026, with the scheme evolving through several concept iterations before the current design was lodged.

The project arrives as Clayton prepares for substantial change around its established activity centre and the wider Suburban Rail Loop precinct. Its position on Centre Road places the development within an existing concentration of shops, services and public transport, while the Green Street connection is intended to strengthen pedestrian access towards Clayton Railway Station.

First look: Norus plans landscape-led apartment project for Clayton’s emerging Green Street

<a href="https://www.apartments.com.au/developers/gardner-vaughan-group">Gardner Vaughan Group</a> has officially commenced construction on Bronze on Chevron, celebrating the sod turning of its first-ever Gold Coast development and marking a significant milestone in the company's continued expansion across South East Queensland.&nbsp;

Following the successful delivery of premium residential developments throughout Brisbane and the Sunshine Coast, <a href="https://www.apartments.com.au/new-apartments/bronze-on-chevron-8-mawarra-street-chevron-island-qld-4217">Bronze on Chevron</a> represents Gardner Vaughan Group's entry into the Gold Coast market. Bronze will deliver 119 one, two, three and four-bedroom apartments above two ground-level retail tenancies.

[smartcode_project:default project_id=107520 project_image_fid=367193]

The recent sod turning ceremony was attended by Deputy Mayor Mark Hammel, President of the Surfers Paradise Surf Life Saving Club, Cassandra Sedgman, project consultants, purchasers, project partners and invited guests to celebrate the commencement of construction.&nbsp;

Gardner Vaughan Group Chief Executive Officer Simon Betteridge said Bronze on Chevron represented an exciting new chapter for the business.&nbsp;

"We've spent almost four decades building homes that respond to the way people want to live, and we're excited to bring that experience to <a href="https://www.apartments.com.au/developments/chevron-island-qld-4217">Chevron Island</a>," Betteridge said.

"Bronze on Chevron is particularly significant because it marks Gardner Vaughan Group's first development on the Gold Coast following many successful projects across Brisbane and the Sunshine Coast."

[smartcode_project:default project_id=107520 project_image_fid=367183]

Betteridge said the ground breaking is a proud moment for the&nbsp;team and their purchasers, who can now see their future homes beginning to take shape.&nbsp;

"As both developer and builder, we're able to oversee every aspect of the project from design through to construction, ensuring the quality and attention to detail Gardner Vaughan Group has become renowned for."&nbsp;

Designed by acclaimed architectural practice <a href="https://www.apartments.com.au/architects/cottee-parker-architects">Cottee Parker</a>, Bronze on Chevron has been thoughtfully designed to complement Chevron Island's evolving streetscape while embracing its relaxed coastal lifestyle.

The development will offer generous residences with refined interiors, premium finishes and resort-style amenities, with completion anticipated in early 2029.&nbsp;

[smartcode_project_cta:default project_id=107520]

The development will offer generous residences with refined interiors, premium finishes and resort-style amenities, with completion anticipated in early 2029

Laurence Dragomir

Editor's Picks

Have something to contribute?

Developments

New apartments

New townhouses

News

Laurence Dragomir

Editor's Picks

Receive the latest news stories to your inbox

Have something to contribute?

Developments

New apartments

New townhouses

News