Perth’s new apartment market recorded its strongest quarter of sales since Q4 2021, with 412 apartments sold in Q1 2026 and a record quarterly sold value of $537 million, according to Urbis’ latest Apartment Essentials results.

Urbis said the March quarter result reflects strong, highly product‑specific demand across both ends of the market, from more attainable projects delivering at scale, through to premium stock being absorbed by equity‑rich downsizers.&nbsp;

David Cresp, Partner at Urbis, said the key story in Perth is not demand, it is the market’s ability to convert demand into delivered housing.&nbsp;

“This is the strongest sales quarter since Q4 2021, and it reinforces that demand in Perth is real and it’s local,” David Cresp said. “But the task now is delivery, turning that demand into projects that can actually be built and completed.”&nbsp;

[smartcode_project:default project_id=110291 project_image_fid=302785]

<h2>Affordable product leads, premium demand remains resilient</h2>

Sales in Q1 were led by more affordable projects, with The Boulevard (SKS Group) recording 115 sales in the quarter, the presentation noting this is only the second time a single project has surpassed 100 quarterly sales. The project was able to offer more affordable housing product right next to a train station.&nbsp;

Palmyra West (Finbar) also delivered strong results with 28 sales in Q1, following 84 sales in Q4, with an average price of under $800,000, underscoring depth of demand for well‑located, attainable new stock.&nbsp;

At the premium end, Urbis said downsizer demand is continuing, with the results highlighting Romeo (Applecross, Finbar) recording 75 sales and reaching almost 50% sold in one quarter.

Jual (Shenton Park, Celsius Property) also posted a strong quarter with 28 sales, reaching 39% sold in one quarter.

Urbis noted that Perth apartment demand is not speculative, not investor‑led, and not uniform, describing it as localised, often equity‑driven and highly product‑specific, a pattern reflected in the polarisation between strong “attainable” performers and premium downsizer product.&nbsp;

[smartcode_project:default project_id=148957 project_image_fid=364102]

<h2>Prices underpinned by costs, and the delivery risk is growing</h2>

Urbis said pricing pressure is cost not demand‑driven: construction costs and delivery risk are now a central constraint, with the results noting build costs remain elevated and volatile, and that energy, fuel and labour uncertainty weigh on feasibility.

David Cresp said a growing challenge for private Build‑to‑Sell developers is simply securing a builder in the current environment.

“Developers are really feeling the pressure from a building market that was operating at capacity and securing a builder is challenging,” David Cresp said, adding that even where a builder can be secured, “trying to get to the price that makes the development financially viable is incredibly challenging in the current market.”&nbsp;

Urbis’ broader WA commentary also notes that industry remains at or above capacity with lot and housing creation, and that many builders are limiting new sales to manage stretched workforces and fixed‑price contract pressures, conditions that flow directly into apartment feasibility and delivery timing.

[smartcode_project:default project_id=108869 project_image_fid=317905]

<h2>Supply: improving later, but still constrained, and Perth lags eastern benchmarks</h2>

While near‑term supply remains constrained, Urbis’ forecast shows completions lifting “Supply is forecast to be back above 1,500 apartments per annum for the first time since 2019”, with 1,775 completions forecast for 2026, and volumes remaining above that level over the following years.&nbsp;

Looking further ahead, completions are forecast to reach 2,500 in 2028, with the report noting 32% of that total is social/affordable, reflecting the role of government‑supported delivery in rebuilding the pipeline.&nbsp;

However, Urbis said Perth remains behind comparable markets on pipeline scale. In a national comparison of projects under construction, the report shows under construction Perth Build‑to‑Sell (BTS) at 3,446 apartments versus the Gold Coast at 7,922. Mr Cresp said “The challenge for Perth is how to we grow the delivery pipeline”.

Urbis’ conclusion is that Perth’s market is increasingly defined by product discipline and delivery certainty, with the research identifying “delivery certainty is key” and calling out builder risk and procurement models as core success factors, alongside “timing and staging”.&nbsp;

Joel Robinson

Perth apartment sales hit strongest pace since late 2021 as builder capacity tightens

<a href="https://www.apartments.com.au/developers/sammut-developments">Sammut Group</a> has secured development approval for its latest Brisbane apartment project, marking the Sydney developer’s next step in expanding its Queensland pipeline following the success of its debut Gold Coast development, Coast.

The approved project at <a href="https://www.apartments.com.au/new-apartments/44-glen-road-toowong-qld-4066">44 Glen Road, </a><a href="https://www.apartments.com.au/developments/toowong-qld-4066">Toowong</a> will deliver a 15-storey riverfront apartment building with 42 residences, significantly increasing the scale of the site’s previous approval for a smaller luxury scheme. Designed by Bureau^proberts, the development will comprise a mix of predominantly four-bedroom and two-bedroom apartments positioned to maximise Brisbane River and city views.

Sammut Director Julian Sammut said the group had been actively searching Brisbane for several years before identifying Toowong as the right fit.

“Brisbane was the right step for Sammut,” Sammut said.

“With the success of Coast we thought we should definitely look to do more in Queensland alone. We then pushed up to look at Brisbane. We've been looking for I'd say two to three years actually and it was hard to find the right location.”

<img alt="Sammut makes Brisbane apartment play" data-entity-type="" data-entity-uuid="" src="https://res.cloudinary.com/dz9xllyip/image/fetch/f_auto,c_limit,w_1440,q_75/https://s3.ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/field/image/Screenshot%202025-12-23%20at%203.27.14%E2%80%AFPM.png?VersionId=dYAVIL7qdcGA8ojvkslSrLjczXFejSSx" />

Sammut said suburbs including New Farm and Teneriffe were considered before the group ultimately focused on Toowong due to its strong downsizer demographic and limited supply of developable riverfront land.

The site was acquired off-market after what Sammut described as a lengthy negotiation and planning process, with the developer pursuing an uplift to the original approval.

“We are DA approved now which is very exciting,” Sammut said.

“We've had our change approval come through and we've obviously doubled the height, 15 storeys plus rooftop. We've got 42 amazing apartments that are going to be coming to market soon.”

<img alt="Sammut makes Brisbane apartment play" data-entity-type="" data-entity-uuid="" src="https://res.cloudinary.com/dz9xllyip/image/fetch/c_scale,w_580,dpr_2.0,q_auto:good/https://s3.ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/inline-images/Screenshot%202025-12-23%20at%203.27.26%E2%80%AFPM.png?VersionId=ohkRkY0dIZlqdfME2EZePsCQavRiBadE" />

Bureau^proberts said the design responds to Toowong’s evolving urban character, balancing contemporary apartment living with the area’s established residential identity.

“A place where traditional Queensland living has taken place for centuries; Toowong is seeing a shift of contemporary influence, commercial and retail hubs mixed with well-considered residential offerings – all the while maintaining its character and charm,” the architect noted in planning documents submitted to Brisbane City Council.

The architecture practice said the project’s form was shaped by its riverfront setting, flood considerations, neighbouring building scales, and view corridors.

“They said the mix of four and two-bedroom apartments capture the ‘fundamental qualities of Queenslander living,’ translated into the context of a contemporary subtropical building.”

The development sits just off Coronation Drive within walking distance of Toowong’s retail precinct and the upgraded Regatta ferry terminal, while also benefiting from proximity to the incoming green bridge connection to West End. Sammut said the accessibility and amenity offering were central to the site’s appeal.

The approval adds to growing residential activity along the Toowong riverfront, joining nearby projects including Consolidated Properties’ Monarch Residences and Spyre Group’s ARC Residences.

Sammut secures approval for debut Brisbane apartment development in Toowong

Developer Lanevick is heading back into Sydney’s apartment market after focusing more heavily on the luxury townhouse and terrace sector in recent years.

Lanevick, founded and directed by Steve Maroun, is expecting to receive approval in the coming months for a new apartment development in Gladesville, with the aim to launch it to the market later this year.

The 51-apartment project, designed by Studio Johnston, will comprise a mix of one-, two-, and three-bedroom apartments positioned toward the Hunters Hill downsizer market.

“Traditionally it’s been difficult for people in that market to downsize because there just hasn’t been the right product available,” Maroun said.

“We’re targeting buyers who might have 30 to 40 per cent of their house value sitting in the bank after downsizing.

“They still want good spacious entertaining areas, they still want quality design, but they also want flexibility and the ability to enjoy life a bit more after working hard for a long time.”

The project sits near Boronia Park and within close proximity to the Parramatta River foreshore, an area Maroun says offers more of a Hunters Hill lifestyle than a traditional apartment precinct.

“From a lifestyle perspective, it’s really more Hunters Hill than Gladesville,” Maroun said. “You’re close to the foreshore, close to parklands, and still connected back into the village precinct.”

From level four and above, apartments will capture water views&nbsp;toward Sydney Harbour. Communal amenity will include rooftop entertaining areas, wellness spaces, and a gym tailored toward owner-occupier buyers.

“We’ve really designed these apartments around that buyer coming from the Hunters Hill LGA and what they’re actually looking for in their next chapter.”

The proposed development has also been designed to respond to the changing character of the broader Gladesville town centre, where a growing number of mixed-use and residential proposals are expected to emerge over the coming years.

“Gladesville presented a rare opportunity to deliver a genuinely design-led residential project within an evolving lifestyle precinct, just moments from the growing Gladesville town centre, and we’ve approached the project with a strong focus on architecture, liveability and long-term community value,” Maroun said.

Maroun said Lanevick saw a first-mover advantage within the precinct as planning controls continue to evolve to accommodate greater housing density.

“We think there’s a real opportunity there that hasn’t really been serviced properly yet,” he said.

“There’s going to be a broader evolution of the whole Gladesville village precinct over time, particularly with more activation and mixed-use outcomes.”

The Venus Street proposal will include a commercial and retail component at ground level designed to contribute to that evolving streetscape activation.

“A big part of the thinking was how do you activate that area properly and create more vibrancy and amenity, which is what Hunters Hill has been looking for,” Maroun said.

Lanevick’s focus since 2020 has largely been on smaller-scale luxury townhouse and terrace developments. The developer recently completed Royale Randwick, also designed by Studio Johnston, where prices reached $3.65 million. The project was featured in the UDIA NSW 2026 Professional Development Prospectus and was also named a finalist for Development of the Year.

&nbsp;

Lanevick to cater for Hunters Hill downsizers with new Gladesville apartment development

Property developer One Living, backed by former Macquarie banker turned investment manager Chris Green’s investment firm, has unveiled plans to bring more institutional capital into housing to help address the national supply crisis.

The New York-based investor has focused his firm, GreenPoint Partners, on addressing the supply shortage hitting middle market housing in Australia.

It is backing the new One Living business to develop more than 1000 units along the eastern seaboard. The new firm is starting with a development on Mona Vale Road, on the border of Mona Vale and Pymble, in Sydney’s Northern Beaches, with around 140 apartments planned. They are eyeing off more sites across the city.

With cost pressures rising in the industry, One Living’s model is to be a vertically integrated developer-builder, so it can respond directly to the housing gap by removing the cost inefficiencies embedded in traditional residential delivery.

“We are building a platform designed to operate at scale and starting in a market where there’s a clear need for quality, attainable housing,” One Living joint managing director Joseph Scuderi said.

“It’s that missing middle – it’s that attainable end of housing… that’s what most Australians invest into and what Australians can actually afford.”

<img alt="Mona Vale" data-entity-type="file" data-entity-uuid="798dfa93-4941-4db6-a696-31e9dc18e81c" src="https://s3.ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/inline-images/Screenshot%202026-05-28%20at%202.31.50%E2%80%AFPM.png?VersionId=mKBqi5C_DmeiXS.AtJkcR8LQIxqCqmFi" />

GreenPoint Partners brings years of experience assembling and scaling real estate operating businesses across major markets. And Green sees a big opportunity in Australia.

“For its size, sophistication and importance to the community, Australia’s living sector has remained largely under-institutionalised, which represents significant opportunity,” Green said. “GreenPoint identified that gap, assembled the right team, and is backing One Living to build a platform that is aligned to market needs.”

Green said being a builder-developer would give the company the capacity and flexibility it required to deliver reasonably-priced homes.

“We want it to be at that attainable level; not super high end luxury but at that attainable level,” he said.

<img alt="Mona Vale" data-entity-type="file" data-entity-uuid="74a5344a-4b26-4d4a-ada3-056b1220be77" src="https://s3.ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/inline-images/Screenshot%202026-05-28%20at%202.32.15%E2%80%AFPM.png?VersionId=vY8hXHO4reBMdO8ZXMWCNtGZJofUPQ3j" />

&nbsp;

One Living will undertake a component of affordable housing in its schemes, which it will own and operate, and it could also run build-to-rent on some sites.

Green praised local policy settings.

“The NSW government is being very supportive, strategic and pragmatic in terms of how do we generate more supply of housing,” he said. “We think it’s actually positive for development and the bit that’s been lacking at that attainable level is that it’s lots of relatively small private developers, whereas we want to create an institutional platform.”

One Living is also&nbsp;looking at high-density projects and could take on more institutional funding in the future.

“The way we will be able to achieve economies of scale is through size,” Green added.

One Living enters Sydney's new apartment market with Northern Beaches site acquisition

It's been several years since there's been an opportunity to buy a brand new townhome in Melbourne's coastal suburb of Mordialloc. Even apartment developments in recent times have been few and far between in the area.

Local developer LDS Property identified the gap in new housing, securing a site on White Street, directly opposite&nbsp;Woodlands Golf Club Mordialloc. They've recently launched&nbsp;<a href="https://www.apartments.com.au/new-townhouses/wm-residences-mordialloc-102-white-street-mordialloc-vic-3195">WM Residences</a>, just 13 townhouses which they have already started building.

Projects by Buxton Director Heath Thompson, who is selling WM Residences, says the townhouses x that perfect middle ground be

"Mordialloc residents have had limited options to downsize within the suburb, often forcing them to look elsewhere despite long-standing ties to the area," Thompson says.

"With very little comparable new supply coming to market, projects like WM Residences are well placed, particularly as buyers look to capitalise on current conditions amid constrained supply."

[smartcode_project:default project_id=134646 project_image_fid=6109]

The development, designed by regarded architecture firm&nbsp;<a href="https://www.apartments.com.au/architects/ewert-leaf">Ewert Leaf</a>,&nbsp;adopts a deliberately restrained architectural approach, focusing on simplicity, durability and liveability rather than overt design gestures.

The boutique scale is central to the offering. With only 13 three-bedroom residences, each home is configured to prioritise functional layouts and everyday use, supported by private terraces and secure two-car garages.

Ewert Leaf’s design response leans into a calm, neutral material palette. Interiors are defined by oak flooring, white walls and soft finishes, creating a consistent and understated backdrop. The approach avoids trend-driven detailing in favour of longevity, with an emphasis on natural light and spatial clarity.

[smartcode_project:default project_id=134646 project_image_fid=6110]

Beyond aesthetics, the homes are designed to meet contemporary performance expectations. Each residence targets a minimum 6-star energy rating, incorporating double glazing, comprehensive insulation and all-electric Bosch appliances.

The project’s location supports a walkable coastal lifestyle, sitting within close proximity to Mordialloc’s foreshore, Main Street retail strip and the train station. Local cafés and dining venues, including Suburbia Deli and Hendriks Café, are within a short walk, reinforcing the area’s established neighbourhood character.

[smartcode_project:default project_id=134646 project_image_fid=6116]

While <a href="https://www.apartments.com.au/developments/mordialloc-vic-3195">Mordialloc</a> is often defined by its beach and pier, the project taps into other areas of day to day living, offering easy access to local food, casual dining and transport, rather than positioning itself purely as a lifestyle retreat.

WM Residences reflects a continued trend across Melbourne’s coastal suburbs towards smaller-scale, design-led townhouse developments, particularly on infill sites where proximity to amenity is already established.

With construction commenced prior to its market entry, the project aligns with a growing preference among buyers for developments with visible progress and defined delivery timeframes.

[smartcode_project_cta:default project_id=134646]

WM Residences fills gap in Mordialloc townhouse market

Southbank by Beulah

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This week's episode of the Apartments.com.au podcast comes to you from the Harbour City, where I sat down with Atelier Ten Director Paul Stoller in the company's Sydney office on Pitt Street.

Paul tells me about the genesis of Atelier Ten and its history in Australia as well as Paul's own history working on Federation Square some 20 years ago. We also discuss a few of the projects Atelier Ten are currently involved with and the office's involvement in the winning design for the Southbank by Beulah competition. 

 

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Laurence Dragomir

Weekly Podcast - Episode 42: Atelier Ten’s Paul Stoller

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I recently caught up with Founding Directors of <a href="http://www.odo.co/">One Design Office</a>, Samson Tiew and Jon Liow to discuss the cross-disciplinary approach of their office and their work, in addition to the ability to offer a comprehensive suite of services from architecture to marketing and branding.

We also chat about the office's involvement in the Southbank by Beulah competition and how that whole process came together, culminating in the Future Cities Symposium.

The topic of prototyping and the important role it can play in the design is also raised. Please note, the podcast was recorded on the 13th of September. And remember to subscribe to our <a href="/guides">weekly podcast</a> through your favourite podcast app.

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Weekly Podcast: Episode 34 - One Design Office

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While the Southbank by Beulah competition has been run and won, with the pairing of <a href="/news/southbank-by-beulah-the-winning-design-for-australias-tallest-tower-revealed">COX Architecture and UN Studio claiming the spoils</a> via their <a href="/news/southbank-by-beulah-un-studio-cox-architecture-the-green-spine">'Green Spine' submission</a>, the hard work of realising the vision for the 118 City Road site has only really just begun.

With that in mind Urban.com.au asked UN Studio Founder and Principal, Ben van Berkel, to provide some valuable insight into the office's collaboration with COX Architecture in conceiving The Green Spine as well as the design merits of the scheme.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/un_studio_green_spine_body.jpg" rel="gallery-all" title="The Green Spine in-situ on the Southbank skyline. Image: UN Studio"><img alt="" class="image-article-full-width-580px" height="580" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/un_studio_green_spine_body.jpg?itok=hWf3xcVU" title="The Green Spine in-situ on the Southbank skyline. Image: UN Studio" width="580"></a>

<figcaption>The Green Spine in-situ on the Southbank skyline. Image: UN Studio</figcaption></figure>Urban.com.au: How early in the design process was the idea of the Green Spine conceived? And how much did the design evolve from the mid-term review?

Ben van Berkel: We decided to develop the two tower proposal after the mid-term review. It was essential to create a scheme that fulfilled the requirements for both programmatic diversity and a high level of pedestrian connectivity, especially in relationship to Southbank Boulevard. But we also wanted to create something novel for the skyline of Melbourne.

So we experimented for a while with dualities of facade expression that would support the different functionalities of the building. The studies that we did for this gradually turned into a unified strategy that supported the landing of the tower onto the City Road, as well as the composition of the two towers that twist toward the Botanical Gardens and the CBD.

We then solidified the facade language into a series of stepped ‘drawers’ that housed the greenery, amenity spaces and sustainable features of the towers and added public terraces in the podium. After these stages, it wasn’t long before we began referring to the design as the Green Spine - an architectural element that incorporates a multitude of functions in one fluid gesture.

U: The design team took a different approach to some of the other entrants in opting for a dual tower scheme which allows for greater solar permeability to City Road and would also allow for the possibility for a staged construction programme. How much do you think this was factored into why your scheme was chosen as the winning design?

BvB: As soon as we began studying the two volumes emerging from a podium, we could see that there were many advantages from the standpoint of urban integration, daylight penetration and creating an elevated ground area on top of the podium.

The singular volume scheme always appeared very heavy and somewhat out of place in relation to the neighbouring towers. For this reason, we felt the split tower scheme also offered a better overall balance in the city skyline and created a strong identity for both the towers and the podium.

Whilst you always strive to highlight all the different aspects of your reasoning during the competition process, you can only hope (and perhaps trust) that the clarity, consistency, strength and advantages of your proposal will resonate both with the client and the jury, and lead toward your design being selected.

U: And why do you believe Green Spine was chosen over some of the other schemes?

BvB: After the publication of all the competition schemes, we were somewhat surprised to see that we were the only ones to have proposed a two tower scheme. But in a way, this also set us apart from the other competitors.

As for why I think Green Spine was selected, I would have to say this must have been based on the strengths of the scheme and how it responded to the client’s and the city’s requirements.

The Green Spine design gives a lot back to the city. It incorporates 1.5 times the plot area of public amenities, including an extension of the Southbank Boulevard into and on top of the building - in the form of a marketplace and terraces, as well as a set of gardens and observatories on top of the two towers.

The podium design is terraced toward the street and connects the retail and entertainment programmes across multiple levels, which continue all the way up to the new elevated public area that tops the podium. This way, the facades along City Road and Southbank Boulevard are fully activated. Green Spine is a unifying concept.

It is a straightforward, yet robust idea that brought together the entire development into a cohesive whole. It is all of these design solutions that we hope played a part in the jury’s decision.

U: What was the process like collaborating with COX Architecture and how did you end up pairing up with them?

BvB: COX has an impressive track record of work in Melbourne and we had, in fact, partnered with them previously for a project in Canberra. Based on that experience, we asked them if they would like to partner with us again for the Southbank project.

The process was defined as a partnership from the very beginning, with both sides having equal input with their respective expertise. At all times it was a true team effort and we trust this collaborative spirit was evident to the client and the jury also.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/04_sbb_southbank_boulevard_view.jpg" rel="gallery-all" title="The Green Spine at street level. Image: UN Studio"><img alt="" class="image-article-full-width-580px" height="409" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/04_sbb_southbank_boulevard_view.jpg?itok=cMxraifT" title="The Green Spine at street level. Image: UN Studio" width="580"></a>

<figcaption>The Green Spine at street level. Image: UN Studio</figcaption></figure>U: What are your ambitions for the Green Spine and the impact it can have on Southbank, not just within the skyline but also at the street interface?

BvB: Our hope for Green Spine is that it becomes the epicenter of retail, entertainment, lifestyle and cultural events in Southbank, providing world-class and future-proof public and private amenities. Having an open and lively interface to the street draws the public character deep into the development, throughout the podium and up into the towers too.

Working with Futurecity, our cultural placemaking consultants, our ambition was to ensure from the early design phases that Green Spine has a strong connection to cultural and art institutions around the city, acting as a partner in providing a lively venue for exhibitions and events.

We imagine an active and programmed podium that engages the local community of artists and provides public terraces for the display of art, installations and performances. Beyond this, the mix of programmes and the way in which they are distributed around the building provides an unprecedented amount of retail space, leisure and entertainment facilities, relevant not only to the immediate Southbank neighbourhood, but also to Melbourne as a whole.

U:  UNStudio has also been involved in the 80 Collins Street project in Melbourne with Woods Bagot. Do you expect to have a greater presence in Melbourne moving forward?

BvB: We were somewhat overwhelmed by the degree of positive reception and support Green Spine has received from the local and international architectural community. We are also proud of the strong resonance the project has gathered with the general public in Melbourne.

Both projects are, so far, the result of the great partnerships we have with Cox and Woods Bagot, as well as our own sensibility and deep appreciation of Melbourne that only grows stronger with time. We would very much like to expand our presence further and will certainly continue to seek out the right opportunities to do so in the future.

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UN Studio's Ben van Berkel discusses the Green Spine

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The long-awaited winning design for the <a href="/news/southbank-by-beulah-designs-revealed-at-future-cities-symposium">"Southbank by Beulah" </a>design competition has been revealed - The Green Spine - a collaborative effort between UN Studio and COX Architecture.

Set to become Australia’s tallest tower at 356.2m, the winner was announced following an exhaustive six-month global search, which involved six of the world’s best architectural firms; BIG, Coop Himmelb(l)au, MAD Architects, MVRDV, OMA and UN Studio.

All partnered with local firms to propose varying and dramatic designs. UN Studio and COX Architecture's scheme is now likely to head toward planning.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/uns_green-spine_view-aerial.jpg" rel="gallery-all" title="The Green Spine in the Southbank skyline. Image: UN Studio and COX"><img alt="" class="image-article-full-width-580px" height="580" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/uns_green-spine_view-aerial.jpg?itok=cd6BtLfL" title="The Green Spine in the Southbank skyline. Image: UN Studio and COX" width="580"></a>

<figcaption>The Green Spine in the Southbank skyline. Image: UN Studio and COX</figcaption></figure>Beulah International purchased the 6,061 sqm BMW Southbank site in 2017, with a vision to create an exemplar mixed-use development that would include retail, hotel, residential, commercial, cultural and public spaces of international standard. 

The six shortlisted designs were revealed at the Future Cities Symposium last month, and judged by seven highly regarded jury members including key figures from Australia’s architectural community and chaired by Victorian Government Architect Jill Garner.

To view each of the design entries in greater detail, please click through the links below to their respective articles on Apartments.com.au:

<ul>
<li><a href="/news/southbank-by-beulah-un-studio-cox-architecture-the-green-spine">UN Studio + COX - The Green Spine</a></li>
	<li><a href="/news/southbank-by-beulah-mvrdv-woods-bagot-the-stack">MVRDV + Woods Bagoot - The Stack</a></li>
	<li><a href="/news/southbank-by-beulah-mad-architects-elenberg-fraser-the-urban-tree">MAD Architects + Elenberg Fraser - The Urban Tree</a></li>
	<li><a href="/news/southbank-by-beulah-big-fk-the-lanescraper">BIG + Fender Katsalidis - The Lanescraper</a></li>
	<li><a href="/news/southbank-by-beulah-coop-himmelblau-architectus-the-beulah-propeller-city">Coop Himmelb(l)au + Architectus - The Beulah Propeller City</a></li>
	<li><a href="/news/southbank-by-beulah-oma-conrad-gargett-the-base">OMA + Conrad Gargett - The Base</a></li>
</ul>
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Southbank by Beulah: The winning design for Australia's tallest tower revealed

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Urban.com.au today takes a closer look at the penultimate entry in the <a href="/news/southbank-by-beulah-designs-revealed-at-future-cities-symposium">"Southbank by Beulah"</a> design competition - Beulah Propeller City - by Coop Himmelb(l)au and Architectus.

According to the architects, The Propeller City has been designed as a recognisable architectural landmark which attempts to redefine the residential, commercial, retail and public open-space environments of Melbourne via a new high-rise typology.

As part of this strategy, the design boasts a dramatic silhouette and formal composition unlike the typical extruded podium-tower typology prevalent throughout Melbourne's Southbank.

The public space is shared between an outdoor cinema and a huge public space which is called the "Red Carpet Area", which functions programatically as the reception area for the building.

The Red Carpet Area has been designed in the round with an access ramp which leading visitors along a double cone to reach the reception hall. Each of the two areas are capped with monumental roofs - the largest measuring 60 x 120m and cantilevering 85m.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/cooparchitectus_hero.jpg" rel="gallery-all" title="The Beulah Propeller City proposal as viewed from City Road. Image: Coop Himmel(b)lau + Architectus"><img alt="" class="image-article-full-width-580px" height="773" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/cooparchitectus_hero.jpg?itok=Ykwbeftw" title="The Beulah Propeller City proposal as viewed from City Road. Image: Coop Himmel(b)lau + Architectus" width="580"></a>

<figcaption>The Beulah Propeller City proposal as viewed from City Road. Image: Coop Himmelb(l)au + Architectus</figcaption></figure><blockquote>
Our vision for BEULAH PROPELLER CITY is the creation of a vertical city composed of multiple functions intertwined in a fluid gesture of vertically linked public spaces. The “Gestalt” of the structural, material and functional components of the design will create a memorable and unmistakable icon in the city-scape.

The concept of “public benefits”, which in the traditional sense generates the creation of a multifunctional building, is further developed and expanded: we create real public spaces within a multifunctional structure.

More than a tower. Its time to design a new typology for a highrise. 

- Coop Himmelb(l)au
</blockquote>

The design team approached the building form in the same manner an artist would a sculpture;  Beginning with the maximum possible building envelope, the client’s brief, planning regulations, the existing urban form, climate and views to and from site were all considered and informed the specific 'carvings' and manipulations which collectively resulted in the dynamic urban form.

The Propeller City is characterised by different districts which reflect their respective programmatic functions, with interfaces created  between these areas to promote and facilitate connections and shared spaces, which provides legibility and an identifiable trait.

Atria, terraces, community facilities and amenity spaces such as recreational and public areas for leisure, pleasure and circulation are all accommodated with the building envelope.

These spaces provide points of orientation or landmarks for visitors and residents within the building, encouraging interactions to assist in promoting the concept of community. 

The result of this approach is a unified composition of identifiable building elements comprising low, mid an high-rise volumes created by dividing the program of the building into its four main functional parts; public podium, office, hotel and apartment tower.

Through the design of the external primary structure, the internal construction elements are optimised and reduced to enable maximum flexibility for current uses as well as allowing for potential adaptability in the future.

This structure for future adaptability is a primary expression of the architectural design and one of the identifiable features of the building.

At its summit the tower is crowned with a propeller like structure accommodating the building's communal facilities, providing a unique visual element on Melbourne's skyline and representing a departure from the traditionally flat roof forms found throughout the city.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/coop_architectus_street_level.jpg" rel="gallery-all" title="The Propeller City at street level. Image: Coop Himmel(b)lau + Architectus"><img alt="" class="image-article-full-width-580px" height="773" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/coop_architectus_street_level.jpg?itok=Px20jcdH" title="The Propeller City at street level. Image: Coop Himmel(b)lau + Architectus" width="580"></a>

<figcaption>The Propeller City at street level. Image: Coop Himmelb(l)au + Architectus</figcaption></figure><h2>PROJECT DETAILS:</h2>

<ul>
<li>Value: AUD 2 billion</li>
	<li>GFA/ Area: 248,410 sqm</li>
	<li>Height: 92-storeys / 335m</li>
</ul>
<h2>CONSULTANT TEAM:</h2>

<ul>
<li>Structural Engineering: B+G Ingenieure, Bollinger und Grohmann GmbH​​</li>
	<li>Urban Planning: Ethos Urban</li>
	<li>Engineering/Structural Design/MEP: ARUP</li>
	<li>Energy Design: Brian Cody</li>
	<li>Placemaking: Village Well</li>
	<li>Landscape: TCL</li>
	<li>Retail: Benoy</li>
	<li>Cultural Consultant: Timmah Ball</li>
	<li>Urban Art: UAP</li>
	<li>Wayfinding: Büro North</li>
	<li>Cost Management: Rider Levett Bucknall</li>
	<li>Building Surveyor: du Chateau Chun</li>
</ul>
The winning design for the “Southbank by Beulah” competition will be announced on August 8th, 2018.

<iframe allow="autoplay; encrypted-media" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/ttLOdA04WK0" width="560"></iframe>
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Southbank by Beulah: Coop Himmelb(l)au & Architectus - The Beulah Propeller City

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As Apartments.com.au's series looking at each entry in the <a href="/news/southbank-by-beulah-designs-revealed-at-future-cities-symposium">"Southbank by Beulah"</a> design competition draws to a close, the announcement of the winning design is expected to be imminent.

With that in mind let's take a look at OMA and Conrad Gargett's entry - The Base. As the name suggests the design has avoided the temptation of other designs in providing the tower with a crowning feature, instead opting to focus attention at its base.

According to the architects, The Base has been designed to function as a 24/7 mixed-use vertical city accommodating cultural, commercial, educational and social programmes supported by retail, and food and beverage tenancies. 

The Base follows the the site footprint and then tapers inwards to a slab 100m above the city. Within this volume, different programs are distributed strategically to create dynamic vertical movement, and are rendered distinguishable from both inside and outside through façade elements.

Open arches at street level, provide a contemporary re-interpretation of Melbourne's arcades, inviting the public into a sheltered extension of both the street life surrounding the building, and of Melbourne itself.

<blockquote>
The Base of the building is a 24/7 mixed-use vertical city in which many cultural, commercial, educational and social program elements have their unique spot bound together by the more generic program of retail and food &amp; beverage. In this vertical city, there are highways of movement through the large express escalators, shortcuts by elevators, and laneways to wander on through the normal escalators, stairs, and voids. The planning of the Base builds on the principle of large scale public invitation and open arcades after which a vertical wonderland of discovery awaits. It is a vertical sheltered extension of both the streetscape surrounding the building, and Melbourne itself.

The Base is the foundation of the project, giving it its 24/7 livelihood. It represents the urban experiment Melbourne is looking for – an urban living lab. We have deployed a strategy to stretch the boundaries of current policies in the Base for the benefit of the public good. The Base starts as the site and tapers back to a slab 100m above the city. In this tapered volume, the different program elements, clearly readable behind the facade, are distributed strategically to create large vertical movement.

- OMA
</blockquote>

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/oma_conrad_gargett_01.jpg" rel="gallery-all" title="The Base would rise to a height of 345m. Image: OMA + Conrad Gargett"><img alt="" class="image-article-full-width-580px" height="870" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/oma_conrad_gargett_01.jpg?itok=GygnQi7h" title="The Base would rise to a height of 345m. Image: OMA + Conrad Gargett" width="580"></a>

<figcaption>The Base would rise to a height of 345m. Image: OMA + Conrad Gargett</figcaption></figure>The Base also includes the BMW Experience Centre which has been positioned on the corner of Southbank and City Road to mark the corner and due to its high visibility.

Although elevated above the ground to fit within the Base concept of providing a permeable and public street level, the BMW Experience Centre boasts an iconic feature – a cylindrical glass car lift – piercing through the ground and connecting the 1400 sqm basement storage and the mezzanine experience.

As one of the “special volumes” in the design team's concept, the experience centre is clad in a special façade – a dichroic glazing in the iconic BMW blue shade. The BMW logo appears in the moving lift platform that shuttles between basement and mezzanine levels. 

Moving upwards, the tower has been divided into three sections - office, hotel and residential. The office block comprises a variety of flexible floorplates that range between 1800-2200sqm  and sits right above the Base so that a significant number of lift banks are no longer required for the vertical transport in the hotel and apartments. The floor plates provide views of Southbank and City Road and include green areas on each floor on the corners facing the east and west ends which also act as visual buffers to future development at Hanover House.

The hotel block sits just above the office block and is the first upper tower programmatic segment twisting around the core. It consists of 17 floors including two amenity levels at the top and bottom of the block.

Two amenity levels at the top and bottom of the hotel block offer a variety of wellness, food and beverage, and recreational facilities, and the lower one also houses the check-in. Hotel guests can arrive at the drop off at ground level, be quickly escorted to the hotel lift bank in the central core in order to get to the calm and spacious atmosphere of the lower amenities/sky lobby for checking in. 

The residential portion of the tower has been strategically located at the top to maximise outlook and natural daylight. The gentle twist at the top of the residential component not only provides the tower with an iconic and elegant silhouette but also enhances the quality of the residences with views towards Port Philip Bay and the Royal Botanic Gardens.

The residential segment of the tower boasts particularly efficient floorplates due to the compact core layout – the efficiency of this part of the tower is 81%. Smaller units are fitted with winter gardens as extra amenity and daylight.

In response to the ambitious brief, the residential component is complemented by amenities ranging from fine dining, private party rooms, VIP movie theater, fitness, recreation, a wellness center, creche, gardens, and a pool at the base of the residential block.

An iconic feature for the entire tower, the side cuts in the residential block reveal double curved facades through the two glazed triangular skylights above the swimming pool and the gardens in the bottom amenity level. 

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/oma_conrad_gargett_0.jpg" rel="gallery-all" title="The Base at street level. Image: OMA + Conrad Gargett"><img alt="" class="image-article-full-width-580px" height="385" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/oma_conrad_gargett_0.jpg?itok=8Inyuffz" title="The Base at street level. Image: OMA + Conrad Gargett" width="580"></a>

<figcaption>The Base at street level with its sweeping arches. Image: OMA + Conrad Gargett</figcaption></figure><h2>PROJECT DETAILS:</h2>

<ul>
<li>Value: AUD 2 billion</li>
	<li>GFA/ Area: 255,000 sqm</li>
	<li>Height: 345m</li>
</ul>
<h2>CONSULTANT TEAM:</h2>

<ul>
<li>Engineering Consultant:  ARUP</li>
	<li>Traffic Engineer: AECOM</li>
	<li>Quantity Surveyor:  Rider levett Bucknail</li>
	<li>Visualisations:  MR.P</li>
</ul>
The winning design for the “Southbank by Beulah” competition will be announced on August 8th, 2018.
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Southbank by Beulah: OMA & Conrad Gargett - The Base

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As the announcement of the winning design in the <a href="/news/southbank-by-beulah-designs-revealed-at-future-cities-symposium">"Southbank by Beulah"</a> design competition draws closer, Apartments.com.au is continuing its series looking at each entry, and today it's BIG and Fender Katsalidis turn with the aptly names 'Lanescraper'.

The design of the Lanescraper has been conceived as an evolution of the skyscraper beyond the notion of simply a vertical village by imbuing it with a local context and something uniquely Melburnian.

According to the design team, the high aspect ratio of the site indicated a dual core strategy would provide the greatest efficiency in terms of layout and reduce travel distances from the core to apartments - particularly at the upper floors.

The other benefit of splitting the cores is the opportunity for a finer-grained vertical subdivision of the programme, creating new possibilities for programmatic relationships within a single tower.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/lanescraper_hero.jpg" rel="gallery-all" title="The Lanescraper takes the idea of a vertical village one step further. Image: BIG + FK"><img alt="" class="image-article-full-width-580px" height="580" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/lanescraper_hero.jpg?itok=jTwmddp0" title="The Lanescraper takes the idea of a vertical village one step further. Image: BIG + FK" width="580"></a>

<figcaption>The Lanescraper takes the idea of a vertical village one step further. Image: BIG + FK</figcaption></figure><blockquote>
Our proposal is borne from a series of pragmatic responses to programmatic needs and constraints of context – and the opportunity to give form to a potential game changing building and experience in Southbank. We propose architecture as social infrastructure, a framework for the life and experiences that happen within and without.

- Bjarke Ingels, BIG
</blockquote>

The stacked blocks between the cores extend upwards and interlock to provide connectivity and structural rigidity, while allowing for shared spaces and relationships between various programmes. The result is a built form which appears as a zipper of diverse programmatic functions that setback from Southbank Boulevard and Power Street.

The tower tapers inwards and negotiates the space between the surrounding buildings, minimising adjacencies at the top and overshadowing of the public realm below.

As the name suggests, a series of laneways are distributed up the building between the two cores, each with a unique identity and experience based on its specific role and function, providing a continuous three-dimensional promenade of interconnected and multi-tiered public and social spaces for exploration and discovery.

The Lanescraper has been designed based on BIG &amp; FK's desire an architectural outcome that provides social infrastructure to the city both within the building and without.  

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/06_big_fender_katsalidis_sbank_streetview_image_by_big-bjarke_in.jpg" rel="gallery-all" title="The Lanescraper along the City Road streetscape. Image: BIG + FK"><img alt="" class="image-article-full-width-580px" height="399" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/06_big_fender_katsalidis_sbank_streetview_image_by_big-bjarke_in.jpg?itok=7Haz6ew_" title="The Lanescraper along the City Road streetscape. Image: BIG + FK" width="580"></a>

<figcaption>The Lanescraper along the City Road streetscape. Image: BIG + FK</figcaption></figure><h2>PROJECT DETAILS:</h2>

<ul>
<li>Value: AUD 2 billion</li>
	<li>GFA/ Area: 238,000 sqm</li>
	<li>Height: 356m</li>
</ul>
<h2>CONSULTANT TEAM:</h2>

<ul>
<li>Jan Gehl</li>
	<li>ARUP</li>
	<li>GTA Consultants</li>
	<li>Bloomimages</li>
	<li>Brick Visual</li>
</ul>
The winning design for the “Southbank by Beulah” competition will be announced on August 8th, 2018.

<iframe allowfullscreen="" frameborder="0" height="360" mozallowfullscreen="" src="https://player.vimeo.com/video/282865992" webkitallowfullscreen="" width="640"></iframe>

<a href="https://www.propertyobserver.com.au/https://vimeo.com/282865992">BIG &amp; Fender Katsalidis, 'The Lanescraper', Southbank, Melbourne</a> from <a href="https://vimeo.com/user1395824">BIG</a> on <a href="https://vimeo.com">Vimeo</a>.
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Southbank by Beulah: BIG & FK - The Lanescraper

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The next entry in the <a href="/news/southbank-by-beulah-designs-revealed-at-future-cities-symposium">"Southbank by Beulah"</a> design competition that Apartments.com.au will be putting under the spotlight is MAD Architects and Elenberg Fraser's "Urban Tree" proposal.

Rejecting the typical notion of the Melbourne skyscraper found within the central city, MAD and EF's design instead favours an organic design which introduces a silhouette of natural forms – mountain, tree and cloud – into a dense urban environment.

According to the architects, the Urban Tree provides a distinct and iconic scheme for the Melbourne skyline, and one which celebrates Melbourne's parks and gardens by allowing citizens to connect with nature.

The design was informed by carefully studying the tower’s site and composition, and rather than maxing out the planning envelope, instead proposes a single tower strategy to avoid over-crowding and to maintain and allow sightlines from the surrounding high-rises while also maximizing the views from the residential and hotel programs on the upper floors.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/06_mad_southbank-by-beulah.jpg" rel="gallery-all" title="The podium is envisaged as a 'mountain village'. Image: MAD Architects and Elenberg Fraser "><img alt="" class="image-article-full-width-580px" height="583" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/06_mad_southbank-by-beulah.jpg?itok=JKAZU960" title="The podium is envisaged as a 'mountain village'. Image: MAD Architects and Elenberg Fraser " width="580"></a>

<figcaption>The podium is envisaged as a 'mountain village'. Image: MAD Architects and Elenberg Fraser</figcaption></figure><blockquote>
The future of our cities needs to have an emotional connection between humanity and nature.

Urban Tree will feature small, green foothills that lead pedestrians up to the ‘mountain village’, with amenities along Southbank Boulevard including a children’s playground, public artwork and a water feature.

- Ma Yansong, Founder &amp; Principal Partner, MAD Architects
</blockquote>

The podium is envisaged as a ‘mountain village’, with the typical massing of a retail/mall space reduced and a more intimate human-scale introduced. 

The urban spaces are stacked vertically and landscaped with lush green walls and trees to give visitors and residents alike, the feeling that they are in nature, rather than in the middle of a dense urban environment.

The tower rises up out of the mountain village like a tree, to a maximum height of 360m - hence the Urban Tree moniker.

Clad in transparent glass, it employs an innovative Glulam timber façade structure that mimics tree roots twisting upwards, reinforcing the tower’s organic shape. Sky gardens are interspersed throughout that vertically extend the urban green up the height of the tower.

The pinnacle of the tower is ‘the cloud’ - a cantilevered structure that accommodates the public amenities for the hotel including lobby, restaurant, bar, and observation deck, and offering expansive and all-encompassing views of Melbourne.

Composed of an ETFE membrane façade, it is lightweight and features varying degrees of transparency. Towards the edges, ‘the cloud’ becomes translucent, emulating a real cloud so that it gives the sensation of air and lightness, becoming a blur as it blends into the sky.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/09_mad_southbank-by-beulah.jpg" rel="gallery-all" title="The Urban Tree will be topped at its pinnacle with 'the cloud' housing public amenities. Image: MAD Architects and Elenberg Fraser"><img alt="" class="image-article-full-width-580px" height="367" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/09_mad_southbank-by-beulah.jpg?itok=sEl4y_nn" title="The Urban Tree will be topped at its pinnacle with 'the cloud' housing public amenities. Image: MAD Architects and Elenberg Fraser" width="580"></a>

<figcaption>The Urban Tree will be topped at its pinnacle with 'the cloud' housing public amenities. Image: MAD Architects and Elenberg Fraser</figcaption></figure>At street level, the tower maintains a cohesive design language drawing on and responding to the Southbank Boulevard transformation project.

The design team have proposed an inviting plaza landscape that integrates urban activation spaces, and revitalizes the street level in a way that encourages people to gather and linger. Conceived as a series of small, green foothills that lead pedestrians up to the ‘mountain village’, the scheme seeks to link the ground plane to the building.

MAD and EF introduce nature into the urban context, by remodelling the typical high-rises typically found in cities.

Materializing as a ‘mountain in the city’, the design establishes open connections between the interior and exterior spaces in the form of large terraces, gardens, and public art zones.

The winning design for the “Southbank by Beulah” competition will be announced on August 8th, 2018.
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Southbank by Beulah: MAD Architects & Elenberg Fraser - The Urban Tree

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<a href="/news/southbank-by-beulah-designs-revealed-at-future-cities-symposium">Following last Friday's big reveal</a> of the six competing designs for Southbank by Beulah at the 'Future Cities' Symposium, Apartments.com.au will this week focus on each individual entry.

First up is MVRDV and Woods Bagot who believe the competition represents a shakeup for development in cities which are under increasing pressure to deliver good higher density living.

For those unfamiliar with MVRDV, the practice was founded in 1993 by Winy Maas, Jacob van Rijs and Nathalie de Vries in the Netherlands. 

For their entry in the Southbank by Beulah competition, the MVRDV and Woods Bagot team have proposed "The Stack"  which has been designed as "a new kind of skyscraper” for Southbank. 

Disregarding the traditional tower and podium typology prevalent throughout Southbank, the Stack instead proposes a confident prism with public interface on all sides, according to the design team.

The strength of the MVRDV and Woods Bagot partnership has been described by the team as the main factor in the innovation and design quality of the Stack.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/mvrdv_wb_sbb_media_image_02.jpg" rel="gallery-all" title="The Stack's programme is expressed externally. Image: Woods Bagot + MVRDV"><img alt="" class="image-article-full-width-580px" height="820" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/mvrdv_wb_sbb_media_image_02.jpg?itok=eLjUHx4x" title="The Stack's programme is expressed externally. Image: Woods Bagot + MVRDV" width="580"></a>

<figcaption>The Stack's programme is expressed externally. Image: Woods Bagot + MVRDV</figcaption></figure>MVRDV and Woods Bagot assert that the “next” skyscraper should be beautiful, if not wonderful, with the Stack described by the team as “mind-blowing and elegant”.

From the edge of the Yarra River, Southbank Boulevard will be transformed into an urban promenade. A wide pedestrian area with greenery, cafes and terraces becomes the welcoming heart of the district. The new building, the Stack, is located right at the starting point of this urban promenade. Footpaths are wide so that people can walk, wait and sit on the terraces to become "....a nice street.”

From the street all the way to the seventy-sixth floor, the site will be developed as a lifestyle precinct, with apartments, offices, a hotel, entertainment centre, technological display centres, retail, cultural precinct and public green spaces.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/mvrdv_wb_sbb_media_image_04.jpg" rel="gallery-all" title="Sky high amenities with the Stack. Image: MVRDV + Woods Bagot"><img alt="" class="image-article-full-width-580px" height="410" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/mvrdv_wb_sbb_media_image_04.jpg?itok=feWzHqjE" title="Sky high amenities with the Stack. Image: MVRDV + Woods Bagot" width="580"></a>

<figcaption>Sky high amenities with the Stack. Image: MVRDV + Woods Bagot</figcaption></figure><h2>What they say:</h2>

<blockquote>
Stacked neighbourhoods are connected from the bottom to the top and vice versa by lifts, stairs and escalators – these interconnections create a true vertical city. It’s diverse, mixed, green, sustainable, human, open. The Stack is a manifesto that shows that urban density is great and can contribute to our planet's survival.

The single mono typology towers that have plagued Southbank don’t offer the richness that Melbourne is known for. We’ve endeavoured to unlock that, infusing the public offering as an extension of our city to dramatically enhance and future proof high rise living.

-  Winy Maas, Co-Founder MVRDV
</blockquote>

<blockquote>
What makes our proposal different is how we’ve created a Melbourne-centric vertical urbanity. All of Melbourne’s great qualities and amenities are integrated through a sequence of interconnected public spaces, from the ground level all the way to its 359-metre peak.

- Will Hosikian, Woods Bagot Principal 
</blockquote>

<blockquote>
In another magnificent example of international collaboration, our studios have worked together with a spirit of generosity and mutual respect.

-  Ivan Turcinov, Woods Bagot Design Leader
</blockquote>

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/mvrdv_wb_sbb_media_image_03.jpg" rel="gallery-all" title="Interior image of the public realm along City Road. Image: Woods Bagot + MVRDV"><img alt="" class="image-article-full-width-580px" height="410" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/mvrdv_wb_sbb_media_image_03.jpg?itok=pekffAxq" title="Interior image of the public realm along City Road. Image: Woods Bagot + MVRDV" width="580"></a>

<figcaption>Interior image of the public realm along City Road. Image: Woods Bagot + MVRDV</figcaption></figure><h2>Project details:</h2>

<ul>
<li>Value: AUD 2 billion</li>
	<li>GFA/ Area: 265,000 sqm</li>
	<li>Height: 77-storeys / 359m</li>
</ul>
<h2>Consultant team:</h2>

<ul>
<li>Arup: Structures, Sustainability, Vertical Transportation, Traffic, Services, Fire Engineering, Wind, Geotechnical</li>
	<li>Ratio: Planning</li>
	<li>Slattery: Quantity Surveyor</li>
	<li>McGregor Coxall: Landscape Architect</li>
</ul>
The winning design for the “Southbank by Beulah” competition will be announced on August 8th, 2018.
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Southbank by Beulah: MVRDV & Woods Bagot - The Stack

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The second instalment in Apartments.com.au's Southbank by Beulah series highlights UN Studio and COX Architecture's entry dubbed "The Green Spine" which celebrates and contributes to Melbourne's parklands and gardens.

The collaborative design proposal aims to establish the site as a new destination within Southbank, which forms part of the linear part network being delivered via the Southbank Boulevard project, connecting the Botanical Gardens with the Yarra River.

The project is both characterised and organised around the ‘Green Spine’ of vertically networked of cascading platforms, terraces and verandas, which begin at street level and wind their way up the tower's extremities.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/uns_green-spine_view-cityroad.jpg" rel="gallery-all" title="To maximise solar permeability to City Road, the scheme is split into two towers. Image: UN Studio and COX Architecture"><img alt="" class="image-article-full-width-580px" height="822" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/uns_green-spine_view-cityroad.jpg?itok=Vrhg2ZlP" title="To maximise solar permeability to City Road, the scheme is split into two towers. Image: UN Studio and COX Architecture" width="580"></a>

<figcaption>To maximise solar permeability to City Road, the scheme is split into two towers. Image: UN Studio and COX Architecture</figcaption></figure>COX Architecture and UN Studio’s distinct design considers nature, culture and well-being within the urban framework and is the product of the two firms’ collaborative, conceptual thinking of future living.

In addition to being fully integrated within the existing Melbourne network of cultural, entertainment, leisure and commercial venues on offer, with its variety of programmes and connectivities, the design further proposes a mixed-use building that is a city in itself.

The Green Spine is conceived as an environmental tool, adding a distinctly contemporary, Australian vernacular and striking presence to Melbourne’s skyline.

The Green Spine is created by splitting a single mass of the planning envelope to create two separate towers of varying height, revealing the "almost geological strata of their core layers as they rise above a light-filled canyon."

The towers that result on either side benefit from city views, access to daylight, strong permeability and vastly improved contextual links. The orientation of the Green Spine enables an extension of the public realm from the podium, sweeping up the towers, oriented towards the CBD and the Botanical Gardens at the top of the towers.

A host of programmes, including recreation, retail, offices, residential, hotel and exhibition spaces are integrated into the vertically stepped public infrastructure – an infrastructure that is formed by indoor-outdoor spatial frames that embed nature, public space and culture.

On a local level, the aim of the design is to provide porousness at street level, whilst simultaneously connecting the upper floors with the streetscape by expanding the public realm.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/unstudiocox_corner.jpg" rel="gallery-all" title="The Green Spine as viewed from City Road &amp; Southbank Boulevard. Image: UN Studio and COX"><img alt="" class="image-article-full-width-580px" height="410" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/unstudiocox_corner.jpg?itok=tMrk8Qjz" title="The Green Spine as viewed from City Road &amp; Southbank Boulevard. Image: UN Studio and COX" width="580"></a>

<figcaption>The Green Spine as viewed from City Road &amp; Southbank Boulevard. Image: UN Studio and COX</figcaption></figure><h2>What they say:</h2>

<blockquote>
What I thought was so great about the location is that on one hand it is closely related to the botanical garden and inner city and will be seen from so many parts of the city, but also that it so nicely connects to all this liveliness of Melbourne.

- Ben van Berkel, Founder UN Studio
</blockquote>

<blockquote>
Everywhere really, you continuously see this green, and it's a lively green - it twists around.

- Caroline Bos, Co-Founder UN Studio
</blockquote>

<blockquote>
Through the exploration of a series of massing forms, we came to the realisation that a singular tower form was going to be a serious impediment on the precinct and the connections from Southbank to the CBD.

So we evolved the design to look at the idea of two towers, with a great separation between those two towers, creating a permeability of light and views through the Southbank precinct.

- Pete Sullivan, Director COX   
</blockquote>

<blockquote>
The other key component to this is the way we integrate the Southbank Boulevard and the importance, I think, within this precinct creating amenity for the area is key.

- Phillip Rowe, Director COX
</blockquote>

<h2>PROJECT DETAILS:</h2>

<ul>
<li>Value: AUD 2 billion</li>
	<li>GFA/ Area: 253,485 sqm</li>
	<li>Height: 360m + 246m</li>
</ul>
<h2>CONSULTANT TEAM:</h2>

<ul>
<li>Future City, London: Cultural Placemaking</li>
	<li>Studio Drift, Amsterdam: Lead Artist</li>
	<li>Atelier 10, Melbourne: Sustainability and Well-being</li>
	<li>Grant Associates: Landscape Architect</li>
	<li>GTA Consultants: Traffic &amp; Accessibility </li>
	<li>ARUP, Melbourne: Engineering</li>
</ul>
The winning design for the “Southbank by Beulah” competition will be announced on August 8th, 2018.

<iframe allowfullscreen="" frameborder="0" height="360" mozallowfullscreen="" src="https://player.vimeo.com/video/281931532" webkitallowfullscreen="" width="640"></iframe>

<a href="https://www.propertyobserver.com.au/https://vimeo.com/281931532">Southbank by Beulah, UNStudio, Green Spine</a> from <a href="https://vimeo.com/unstudio">UNStudio</a> on <a href="https://vimeo.com">Vimeo</a>.
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Southbank by Beulah

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