Hampton's High Street offers the best of both worlds; halfway between Hampton Beach and Hampton Station, with a myriad of cafes and shops on its doorstep.

It was this unbeatable combination of convenience and connectivity that attracted Nash Project Management to secure a prime site on the corner of Hampton and Holyrood Streets several years ago.

The result is <a href="https://www.apartments.com.au/buildings/holyrood-hampton-451-461-hampton-street-hampton-vic-3188">Holyrood &amp; Hampton</a>, a newly completed residential development comprising 59 premium apartments set above a full-line Coles supermarket, enhancing the day-to-day ease for residents.

&nbsp;

[smartcode_project:default project_id=4629 project_image_fid=1530]

Those who have already moved into Holyrood &amp; Hampton have highlighted several standout features of their new home, with the location topping the list.

Hampton Station on the Sandringham line (Zone 2), is just down Hampton Street, offering regular services to Flinders Street Station. Multiple bus routes connect to Southland, St Kilda, and Berwick, while scenic cycling paths along the bay provide a relaxing alternative for commuters and weekend riders.

A short walk west leads to Picnic Point and Hampton Beach, beloved for its clean sand and family- and dog-friendly spaces. Ferdinando Gardens, near the pier, is perfect for picnics, while coastal walking trails offer peaceful views and breezes.

The surrounding green spaces—Castlefield Reserve, Triangle Gardens, and Hampton High Reserve—offer playgrounds, sports fields, and a sense of calm. Golfers have several options nearby, including Brighton Public Golf Course just a short drive away.

&nbsp;

[smartcode_project:default project_id=4629 project_image_fid=1528]

Hampton Street remains the heart of the community, with more than 50 fashion boutiques, cafés, and eateries. A Woolworths anchors the retail strip, while independent shops help maintain its village charm.

Health and community services are easily accessible, with local GPs, dental clinics, and the nearby Sandringham Community Hospital, supported by larger hospitals in Brighton and Cheltenham.

Families are well catered to, with top private and public schools within a 1–2 km radius. These include Haileybury College, St Leonards College, Firbank Grammar, Brighton Grammar, Hampton Primary, and Brighton Secondary College.

&nbsp;

[smartcode_project:default project_id=4629 project_image_fid=1532]

The apartments have been designed for longevity, with spacious, home-like layouts. Many include butler’s pantries, oversized kitchen islands, and quality finishes.

Additional features such as a rooftop terrace, EV charging, secure storage, and direct supermarket access support a highly functional and low-maintenance lifestyle.

Designed by Telha Clarke, Holyrood &amp; Hampton reflects how people want to live today—connected, walkable, and move-in ready.

[smartcode_project_cta:default project_id=4629]

Those who have already moved into Holyrood & Hampton have highlighted several standout features of their new home, with the location topping the list.

Joel Robinson

Holyrood & Hampton presents a walkable, Bayside lifestyle in the heart of Hampton

Developer Keylin is putting its mark on the booming Spring Hill property market, one of the strongest markets in Queensland which is being driven by the announcement that the heart of the Brisbane 2032 Summer Olympics will be developed in the small northern Brisbane suburb.

Well-regarded in the development industry, with several completed and planned projects across Brisbane and the Gold Coast, Keylin has just launched <a href="https://www.apartments.com.au/new-apartments/oria-spring-hill-447-gregory-terrace-spring-hill-qld-4000">Oria Spring Hill</a>, a collection of 132 residences across 15 levels in an elevated position on Gregory Terrace, directly opposite Victoria Park, the future site of the Games.

[smartcode_project:default project_id=109146 project_image_fid=1014]

<h3 data-end="628" data-start="610">The Apartments</h3>

The two, three, and four-bedroom apartments feature an Art Deco-inspired design, with curved stone kitchen islands, brass textures, and bold interior colours and patterns. Durable mineral stone benchtops come as standard, while the skyhomes feature natural stone.

[smartcode_project:default project_id=109146 project_image_fid=1078]

There are two colour schemes available for buyers to choose from: the bold Victoria scheme, or the more neutral Gregory scheme.

Each apartment offers open-plan living and dining areas, as well as a large, covered balcony to embrace Brisbane's subtropical lifestyle. The living spaces are designed with full-height glazing to maximize views over Victoria Park and the Brisbane CBD.

<h3 data-end="1305" data-start="1288">The Amenities</h3>

Leaning into its Olympic location, Keylin is introducing unique amenities that cater to changing lifestyle requirements.

[smartcode_project:default project_id=109146 project_image_fid=1018]

Much like the shift developers made during the pandemic to include study nooks and multi-purpose rooms in response to the work-from-home trend, Keylin has responded to the growing popularity of pickleball. Oria will feature a proposed private pickleball court as part of its facilities, one of the first courts in a new residential development across the country.

Pickleball participation has surged in Australia from 2023 to 2024. In 2023, Pickleball Australia Association (PAA) had over 7,300 members, with an estimated 25,000 casual players nationwide. By 2024, PAA membership had grown to 15,166, with nearly 93,000 participants across the country.

[smartcode_project:default project_id=109146 project_image_fid=1031]

In addition to the proposed pickleball court, Oria will offer a range of proposed amenities within its rooftop pool and terrace level, including a cinema, music and games room, private dining spaces, and a gym with a steam room, sauna, and yoga space, as well as an off-leash dog area.

<h3 data-end="2353" data-start="2337">The Location</h3>

Keylin understood the prime value of this location long before the announcement that Victoria Park would be the heart of the 2032 Summer Olympics.

The address at 447 Gregory Terrace provides residents with easy access to major transport links, universities, and hospitals.

Of course, the future growth of the area will be anchored by Victoria Park, the 64-hectare green space just across the road. The park will be transformed with the construction of a 63,000-seat stadium, which, after the Olympics, will become home to the Brisbane Lions, Brisbane Heat, and Queensland Bulls.

[smartcode_project:default project_id=109146 project_image_fid=1023]

Just 200 meters from Oria, the new National Aquatic Centre will replace the former Centenary Pool.

Additionally, the nearby RNA Showgrounds, just 700 meters away, will undergo an upgrade to include a 20,000-seat outdoor arena.

Keylin has already commenced construction on Oria, which is being delivered by builder CoStruct.

[smartcode_project_cta:default project_id=109146]

Keylin Group launches Oria in Victoria Park, Spring Hill Olympic precinct

<a href="https://www.apartments.com.au/developers/lendlease-development">Lendlease</a> has teamed up again with Mitsubishi Estate Asia (MEA),and Nippon Steel Kowa Real Estate (NSKRE) to deliver a luxury residential development at their recently acquired Liverpool Street site on Hyde Park.

The acquisition of the site at 175 Liverpool Street, which is subject to conditions precedent, is intended to be developed as two luxury residential towers with up to 300 apartments for sale and 2,000 square metres of retail and commercial space, subject to planning consents. It will have a development end value of more than $2.5 billion.

<img alt="175 Liverpool Street, Sydney" data-entity-type="file" data-entity-uuid="64046de8-dce1-4e7f-9505-06ef4437364c" src="https://s3.ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/inline-images/Bates%20Smart_175%20Liverpool%20Street%2006-min.jpg?VersionId=bfsiXEXMClymct.ZHzXSSnoizQ2WZZhZ" />

Under the terms of the agreement, MEA will take a ~33 per cent equity share in the joint venture, and NKSRE a ~17 per cent share.&nbsp;

Centrally located in Sydney’s CBD at the southern end of Hyde Park, residences at 175 Liverpool Street will offer north-facing expansive views across 16 hectares of green space through to the Opera House and Sydney Harbour.

<img alt="175 Liverpool Street, Sydney" data-entity-type="file" data-entity-uuid="5a4def90-5fea-4431-84b0-996d3418a601" src="https://s3.ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/inline-images/Bates%20Smart_175%20Liverpool%20Street%2005-min.jpg?VersionId=ccv3yi6X88348qBlzcJByWJXZegu.ngf" />

The project builds on Lendlease’s strong success in Sydney’s luxury residential market and marks the seventh partnership between Lendlease and MEA; previous and current projects include One Sydney Harbour, One Circular Quay and One Darling Point in Sydney, and East Tower residences at Melbourne Quarter.

It also marks the second venture between Lendlease and NSKRE, with build-to rent development 899 Collins at Victoria Harbour in Melbourne currently in delivery.

Construction of 175 Liverpool Street is targeted to commence in 2027.

Tom Mackellar, CEO Development, Lendlease,&nbsp;said the&nbsp;acquisition of 175 Liverpool Street "builds on our success in Sydney’s luxury residential market, as we continue to add to our development pipeline in Australia.”

“We look forward to working alongside our trusted development partners, Mitsubishi Estate Asia and Nippon Steel Kowa Real Estate, on this landmark development in one of Sydney’s most sought-after locations.”

Lendlease announces partners for its $2.5 billion luxury development on Hyde Park

Brisbane developer Zen Group has received development approval for its dual-tower apartment project in West End.

The approved plans for&nbsp;<a href="https://www.apartments.com.au/new-apartments/24-duncan-street-west-end-qld-4101">24 Duncan Street</a>&nbsp;are for&nbsp;two 17-storey towers comprising 202 apartments, ranging from one-bedroom plus study configurations through to three-bedrooms.&nbsp;

Designed by <a href="https://www.apartments.com.au/architects/bettspartners">Betts + Partners</a>, the development is grounded in a climate-responsive and contextually sensitive approach, aiming to reinforce the emerging identity of the West End Riverside South precinct.

<img alt="West End set for climate-responsive apartments" data-entity-type="" data-entity-uuid="" src="https://res.cloudinary.com/dz9xllyip/image/fetch/f_auto,c_limit,w_1440,q_auto/https://s3.ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/field/image/Duncan%20Street.png?VersionId=.A9VkekWac99LJ7L8mqewo7AAsg4Vwb_" />

“The contextual design strategy is to celebrate the qualities found within the established <a href="https://www.apartments.com.au/developments/west-end-qld-4101">West End</a> suburban character,” Betts + Partners noted in the Architectural Design Report, “providing elevated high-quality subtropical apartment living with exceptional communal recreational amenity.”

The project includes a 2,600 sqm rooftop offering a comprehensive suite of resident amenities: three pools, a fitness centre, cinema room, private dining rooms, lounges, a library, and wellness facilities including hot and cold plunge pools, pilates, a sauna and a contemplative garden.

On the ground plane, active retail frontages along Duncan and Rogers Streets will sleeve ground-floor services and visitor parking. The two-level podium integrates green walls, planters, and textured façades, contributing vertical greenery and softening the street interface.

<img alt="West End set for climate-responsive apartments" data-entity-type="" data-entity-uuid="" src="https://res.cloudinary.com/dz9xllyip/image/fetch/c_scale,w_580,dpr_2.0,q_auto:good/https://s3.ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/inline-images/Duncan%20Street%20rooftop.png?VersionId=MzXW0hkOghQmE0HLxzI5iUwNNY6OfrVa" />

Apartments are oriented for privacy and outlook, with operable glazing and brise soleil elements supporting passive climate control. Balconies and structural articulation are designed to optimise light, airflow and private open space. “Each quality is reinterpreted in the sectional and plan parti and manifest in the three-dimensional building expression,” the architects said.

Located within a three-minute walk of the Brisbane River and in close proximity to local amenities including ALDI and Davies Park, the project reflects West End’s growing appeal to owner-occupiers seeking proximity to lifestyle amenity and urban vibrancy.

The development also aligns with Brisbane City Council’s broader planning vision to become a “New World City” by 2031, promoting a globally recognisable subtropical lifestyle through contextually responsive design.

[smartcode_project_cta:default project_id=146254]

200 "climate-responsive" apartments set for West End as Zen Group given green light

The ever-growing Sydney developer <a href="https://www.apartments.com.au/developers/deicorp">Deicorp</a> has commenced construction on its third project this year.

The new $640 million development, <a href="https://www.apartments.com.au/new-apartments/falcon-alexander-8-alexander-street-crows-nest">Falcon &amp; Alexander</a>&nbsp;in Crows Nest, is Deicorp's&nbsp;first foray into Sydney’s Lower North Shore and will deliver 188 apartments in a new landmark building, with 48 dedicated to Affordable Housing.

Since December, <a href="https://www.apartments.com.au/builders/deicorp-construction">Deicorp</a> has commenced construction on four projects in total that will deliver over 2,000 homes, maintaining their track record of quickly converting development approvals into commencements.&nbsp;

<img alt="Falcon &amp; Alexander" data-entity-type="file" data-entity-uuid="f17b79a0-db7b-48bc-835f-e9b3e3117561" src="https://s3.ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/inline-images/Screenshot%202025-07-28%20at%203.55.13%E2%80%AFPM.png?VersionId=.UKl.uSBs9zOeElc6jNUeuBB8EMAD5HP" />

&nbsp;

Located a five-minute walk from the new Crows Nest Metro station, prominently positioned at The Five Ways on Pacific Highway, Falcon &amp; Alexander will deliver an exclusive collection of architecturally designed one, two and three-bedroom apartments, with prices starting from $1.3 million.

Conceived by award-winning architects <a href="https://www.apartments.com.au/architects/turner-studio">TURNER</a>, Falcon &amp; Alexander will create a vibrant vertical village in the heart of one of Sydney’s most connected neighbourhoods. Thoughtfully arranged around a central atrium and lush communal gardens, residences will enjoy panoramic views over Sydney Harbour and the Lower North Shore, with interiors designed for modern, light-filled living.

Residents will benefit from premium amenities, including a resident-only skygarden, and boutique retail and dining spaces on the ground floor, all integrated with the local urban fabric.

&nbsp;

With the Crows Nest Metro station just steps from home, residents will enjoy unrivalled connectivity across Sydney’s transport network, placing everything from world-class dining to premier education and healthcare within easy reach.

<img alt="Deicorp" data-entity-type="file" data-entity-uuid="292460e8-2bc9-47c5-8805-cf59570972a2" src="https://s3.ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/inline-images/Screenshot%202025-07-28%20at%203.55.22%E2%80%AFPM.png?VersionId=UUerYKJzOGzpXyDv1nMlrV_oi6lUyiMS" />

Deicorp Founder Fouad Deiri said Falcon &amp; Alexander marks an exciting new chapter for Deicorp as it expands into Sydney’s Lower North Shore.&nbsp;

“This is a community we deeply respect, and we’re proud to contribute with a project that reflects the character, energy, and potential of Crows Nest,"&nbsp;Deiri said.

“This is an iconic location, and a great location deserves a great design. With Falcon &amp; Alexander, we’re delivering more than just apartments; it will be a new landmark for Crows Next that not only delivers housing but will benefit the community with an activated retail offering."

[smartcode_project_cta:default project_id=135323]

Deicorp Founder Fouad Deiri said Falcon & Alexander marks an exciting new chapter for Deicorp as it expands into Sydney’s Lower North Shore

Deicorp breaks ground at Falcon & Alexander, Crows Nest apartments

Dream Homes

<html><body>
<img src="https://counter.theconversation.edu.au/content/72966/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1">
GUEST OBSERVER
It’s always fascinated me, the place that architecture holds in the public imagination.
I don’t mean that regular people frequently get carried away about buildings, which they generally don’t. I’m talking about the heady, even intoxicating way that architecture as a practice, and architects as practitioners, appear in popular media: on TV, in movies, in books, in toys and games, and increasingly also in art galleries.
The idea of architecture, as a constructive kind of daydreaming, remains strikingly potent in fiction and pop culture. By extension, the idea of architects themselves as feverishly creative individuals, conjuring new worlds into being, remains (sometimes quite literally) seductive.
As a result, if I had a dollar for every stranger who has confided in me (often quite shyly, perhaps a little disappointedly) that they always wanted to be an architect, I would at this moment be retired and lying on a beach.
The construction is almost entirely fantastical. Ask any architect about their actual working life and they will tell another story altogether – albeit one with its own satisfactions and fulfilments.
But the fact that these ideas are fanciful doesn’t diminish their power; and to try and debunk them would anyway be missing the point: they are whimsies, wishful thoughts, romantic reveries. People really seem to want architecture to be this otherworldly, world-making activity. Or maybe they want to believe we live in a world where such wondrous transformations and constructions are possible. Whatever the reason, architects get an awful lot of good press.
(Actually they also get a fair bit of bad press: it’s an eternal irony that architects are on the one hand charged with keeping alive all our most treasured dreams about inspiring places and ways of living, and on the other condemned as out-of-touch prima donna aesthetes who make (ugly) art with other people’s money).
I’ve written about all of these issues before (forgive the shameless self promotion): about how such ideas manifest in childrens’ books and about how the popular conception of architecture seems to link it inexorably with play – framing architectural design as the exercise of childlike creativity; architectural drawings and scale models as dramatic props; architectural instruments as toys; and the work of architects as really a frolic: hardly work at all.
Then, a few weeks back, I saw yet another example of the phenomenon – and it got me thinking again.
Imaginary Architecture
Imaginary architecture was an interactive, “all ages” installation at the Melbourne Arts Centre, which ran for several weeks in January. Conceived by artist Lara Tumak, the exhibition was commissioned by the Arts Centre, following an earlier incarnation developed with ArtPlay – the City of Melbourne’s dedicated children’s cultural centre and program of art workshops.
The installation posed the question, “is it possible to create architecture out of nothing more than dreams?”
Of course in the real world the answer is, emphatically, no. But in the realm of art, and furthermore the realm of fiction and play, of fantastical exploration and imagined occupation, then anything is possible, and architecture becomes an incredibly rich field of conjecture and concoction.
The Imaginary Architecture installation was mounted in the dim downstairs of the Arts Centre, in a space that is as much theatre as foyer, and from the outside it looked like a pile of cardboard boxes. At intervals, mysterious sounds would emerge from within, and coloured lights would flicker and flash. 
A perimeter of large appliance boxes piled up to form a loose enclosing wall, which you entered through a cardboard arch, at the scale of a child, forcing adults to bow their heads. Within, smaller boxes were stepped and stacked all over.
Each of these little boxes had been contributed by a visitor who, having been encouraged to bring a biscuit or cereal or shoe box of their own, could make their own scene inside the box, using art supplies and materials provided. They could then choose to add it to the colony.
Attendees were each given a torch to shine through a specially-made aperture in the top of each box, revealing the scene inside.
The dioramas were inventive, and evidently mostly by children. Some had set a whole house within the box/room, others created outdoor scenes – dinosaur habitats, playgrounds, cemeteries. I saw a pet adoption centre, and a room full of hanging clothes. There were of course many bedroom scenes, with little cardboard kids inside, doing their own things. The attendant told me that some of the most popular had been undersea worlds, and party scenarios.
My own little boy worked diligently to make a paper campsite inside a shoe box - a person sleeping in a tent, under a blanket, while outside a river flowed by. He specified that it was night time, and that there was a “golden night-fish” in the river. It was very serious business.
Working your way around the installation, lining up your torch at the top and illuminating each little interior in turn, was like peering into the windows of innumerable strange and wonderful buildings. But even more than that, it was like peering into other possible realities.
The city as collective space
The installation, unassuming as it was, offered some profound observations.
First was its proposition about urbanity: to me it seemed a new take on showing the human life of a city (as opposed to, say, its infrastructure or built form). It framed the city as a collection of fantastical rooms: as the stacked accumulation of many lives, a colony of people each in their own separate spaces, each engaged in their own pursuits.
Like the lit windows of apartment buildings at night, each box thus represented a life taking place: separate, distant, unknown and yet familiar. This seemed a strangely compassionate vision of cities, of the commonalities of humankind, even alongside its multitudinous, mysterious difference. The vision is humanist without being nostalgic: this is how so many of us now live, in cities, this is how we co-exist in urban space, piled neatly one upon another.
Perhaps one of the reasons that architecture and cities are so frequently appearing in art galleries these days, as an instrument of interaction and “immersive” engagement, is precisely because they represent such collective activity. Like a coral reef or an ant colony, a city is the result of thousands and millions of individual agents, coming together in cooperation.
The interior life, not the exterior form, of architecture
Another refreshing aspect of the installation was its focus on the inner life of architecture – on rooms, and what goes on inside buildings, rather than their external form. With cardboard boxes as literal building blocks, the show was not about “signature” design or buildings as novel sculptural objects.
In this sense it was the opposite of another very popular recent instance of architecture in the art gallery - Olafur Eliasson’s The cubic structural evolution project. That work, recently reprised as part of Queensland’s Gallery of Modern Art’s 10-year celebrations, involves visitors making and remaking a city of white Lego, constructing teetering towers and elaborate, lace-like forms.
I saw that same work at the City Gallery Wellington in their intriguing 2015 show Demented Architecture, and it was amazing to see adults and children alike sitting down, with such commitment and concentration, to build a city together.
But while Eliasson’s work is clearly engaging, and very well loved by public audiences, Tumak’s Imaginary Architecture is another proposition altogether. It is a show about interior space and scenography and human action - the kinds of (both possible and impossible) things that people might conceivably do in a room.
We might even say it was a show about interiority: the quality of insideness that interiors have, and the sense that buildings have a secret and perhaps completely unexpected life going on within, which can rarely be read from the façade.
In this way, the interior becomes a metaphor for imagination itself. The inner life of rooms reflects the inner life of people. Dream homes are not only made from dreams, they are homes for dreams: places where whimsical ideas can take refuge from an increasingly frightening, turbulent world.
Maybe this is why architecture still holds such a particular place in the popular consciousness: it seems to provide a shelter and occasion for the play of the imagination.
Naomi Stead is Professor of Architecture, Monash University and author for The Conversation. She can be contacted <a href="https://theconversation.com/profiles/naomi-stead-108029" target="_blank">here</a>. 
 
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