Repeat buyers are one of the strongest measures of confidence in any apartment development.

At <a href="https://www.apartments.com.au/new-apartments/era-newcastle-west-124-126-bull-street-newcastle-west-nsw-2302">ERA</a> in Newcastle West, some purchasers are returning to <a href="https://www.apartments.com.au/developers/gwh">GWH</a> after living at the developer's One Apartments. Their decision to purchase again was driven by the quality of life they found after moving into their first GWH home.

Keith Wilton had spent years living in a house in East Maitland before deciding it was time for a change. Apartment living had always been on his radar, but he was selective about what he wanted.

<iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/FH_1EzB-1vs?si=XScVlP1ERsTDJoME" title="YouTube video player" width="560"></iframe>

"I had some boxes I wanted to tick," he says.

Keith points to the open-plan design, generous outdoor areas and considered inclusions as key reasons One Apartments worked for him.

“One of those things was a nice indoor open plan area, but also I wanted a nice outdoor open area that I could entertain on in summer or Christmases or birthdays,” he says.

He also found value in the smaller details, from integrated appliances to shared resident spaces including the pool, cinema and rooftop areas.

[smartcode_project:default project_id=135096 project_image_fid=356818]

After comparing several developments, he chose One Apartments because of GWH's longstanding local reputation and his own experience working with the developer on a commercial project more than a decade earlier.

"I knew that they were local, that the quality of the build was going to be up there. I'd looked at other apartment complexes around and close by, and I just knew that here was a better decision location wise."

Today, Keith says the move has completely changed how he experiences Newcastle.

"I enjoy living in this location because it's more of a lifestyle change. That Newcastle city living where you can walk to restaurants and bars and even beaches and parks and even shopping across the road."

[smartcode_project:default project_id=135096 project_image_fid=356828]

Beyond the location, he says it's the sense of community that has surprised him most.

"Everyone loves living here because they chose to live here, but everyone looks out for each other. It's a real great community feel here."

For Aimee and Lyle Goodman, the journey started almost by chance.

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The couple happened to be having coffee in Newcastle when they noticed the site where One Apartments was about to begin construction.

"We were aware GWH was planning a development," Aimee says. "We made one phone call and things moved pretty quickly after that."

As busy business owners, they initially thought apartment living would simply reduce the maintenance that came with larger homes. Instead, it fundamentally changed how they spent time together.

"We actually catch up more as a family now," Aimee says.

"We've had homes with big yards and lots of space, but everyone ended up in different rooms. Here we'll have dinner together, the kids can play, and we spend far more quality time together."

[smartcode_project:default project_id=135096 project_image_fid=356829]

Lyle says their confidence came from GWH's reputation within Newcastle's building industry.

"I know people who've worked across different apartment projects, and whenever GWH came up the feedback was always the same. They're rock solid. They're quality."

That confidence only grew throughout the buying process.

"One of the things that really impressed us with GWH was the whole process, was the communication," Lyle says. "It was consistent, it was regular, there was no problem if we had some weird questions, there was no problems in getting answers."

[smartcode_project:default project_id=135096 project_image_fid=351104]

Aimee says one moment stood out.

"The project actually finished on time. We realised we needed to hurry up and sell our house because everything was happening exactly when they said it would."

The positive experience at One Apartments ultimately gave all three buyers the confidence to purchase again with GWH, this time at ERA.

Their confidence reflects what many buyers are seeking in today's apartment market. Location remains important, but so too does certainty around delivery, quality and long-term liveability.

[smartcode_project:default project_id=135096 project_image_fid=356822]

ERA builds on those foundations with 280 one, two and three-bedroom apartments across two landmark towers in <a href="https://www.apartments.com.au/developments/newcastle-west-nsw-2302">Newcastle West</a>.&nbsp;

Designed by <a href="https://www.apartments.com.au/architects/fk-australia">Fender Katsalidis</a>, the project will include more than 2,000 square metres of resident amenities, including a resort-style pool, gym, sauna, private cinema and rooftop entertaining spaces overlooking the harbour and coastline.&nbsp;

The development is also within walking distance of the Newcastle Interchange, Honeysuckle, Darby Street, the harbour foreshore, restaurants, retail and the city’s beaches, continuing the walkable lifestyle that existing GWH buyers say has transformed how they live.

[smartcode_project:default project_id=135096 project_image_fid=356826]

For Keith, the appeal remains straightforward.

"You feel at home even before you've moved into your home."

For Aimee, the change is measured in time.

“I just felt like I had more time,” she says.

[smartcode_project:default project_id=135096 project_image_fid=351102]

Construction at ERA is now underway, with more than half of the residences already sold and limited two and three-bedroom apartments remaining in the East Tower release. Priced from $980,000 for two-bedroom residences and $1.46 million for three-bedroom residences, buyers can secure an apartment with a 10 per cent deposit, with premium homes offering ocean views from Level 8 and harbour views from Level 10.

ERA is also backed by Resilience Insurance's 10-year Latent Defects Insurance policy, providing protection against structural or waterproofing defects for 10 years after completion. The project is anticipated to be completed in early 2028.

[smartcode_project_cta:default project_id=135096]

Joel Robinson

From ONE to ERA: Why buyers are choosing GWH again in Newcastle West

Virgate Property Group is preparing to commence construction of Verdé, its new apartment development in Melbourne's Arts Precinct at Southbank, following a strong run of sales that has seen more than half of the project's 173 apartments secured.

Verdé has attracted a broad mix of first home buyers, owner-occupiers upgrading from nearby inner-city suburbs and investors, with younger owner-occupier couples aged between 28 and 45 accounting for the strongest enquiry. Many are already living in Southbank, South Melbourne, Albert Park, Port Melbourne, South Yarra and the CBD.

"Verdé is located in one of the most desirable pockets of southern Melbourne," Blair Property Group Director Darren Blair, who is managing sales at Verdé, said.

"It's within walking distance of the Arts Centre, Royal Botanic Gardens, Albert Park Lake, and Southbank's restaurants and retail. It's a great lifestyle location with strong amenity and liveability, which made it a very attractive choice for the project."

[smartcode_project:default project_id=4661 project_image_fid=372549]

Virgate was already familiar with the precinct, having previously delivered the successful Domain House development in neighbouring South Melbourne. That experience gave the developer confidence to acquire the Coventry Street site and continue expanding its presence in Melbourne's inner south.

"We had been keeping an eye on the site and the broader precinct for a few months before deciding to move forward with the acquisition," Virgate said.

The project was ultimately secured in 2020 following feasibility studies, planning assessments and due diligence, with the brief centred on delivering "a high-quality, considered design that feels both refined and fit for purpose."

[smartcode_project:default project_id=4661 project_image_fid=314259]

Designed by <a href="https://www.apartments.com.au/architects/bruce-henderson-architects">Bruce Henderson Architects</a>, Verdé comprises 173 one, two and three-bedroom apartments priced from $599,000. The architecture is distinguished by a faceted glass façade that responds to both the site's outlook and Melbourne's changing light conditions.

According to Bruce Henderson Architects, the coloured glazing gives the building a distinctive identity while also providing privacy and solar shading, with residences oriented to capture views across the bay, city skyline and surrounding parklands.

Inside, <a href="https://www.apartments.com.au/interior-designers/designoffice">DesignOffice</a> has created interiors focused on natural light, efficient planning and enduring materials. Apartments feature engineered oak flooring, natural stone benchtops, floor-to-ceiling glazing and SMEG appliances, while a restrained material palette aims to complement the expansive outlooks rather than compete with them.

[smartcode_project:default project_id=4661 project_image_fid=372550]

Resident amenity has also been designed around everyday functionality rather than occasional use. Facilities include a concierge-serviced lobby, residents' lounge with fireplace, library and co-working space, gym, terrace garden with barbecue facilities, ground-floor café, and package delivery management.

The project's location continues to be one of its strongest drawcards. Positioned on Coventry Street, Verdé sits within walking distance of the National Gallery of Victoria, Arts Centre Melbourne, Royal Botanic Gardens and Albert Park Lake, while Southbank's dining precinct, Sturt Street trams and the new ANZAC Station are all nearby. The surrounding education catchment also includes Melbourne Grammar, Melbourne Girls Grammar, Mac.Robertson Girls' High School and several major university campuses.

The sales team says buyers have responded particularly well to the combination of location, design quality and long-term liveability.

"They're responding really positively to the quality of the design, premium resident amenities and the uninterrupted views. Many also appreciate the location and how connected it is to everything they need."

The ability to secure stamp duty savings before completion has also been a key factor for purchasers, alongside the opportunity to personalise finishes ahead of settlement.

With construction set to commence soon and more than half the apartments already sold, Verdé enters its next phase as one of the Arts Precinct's more established apartment developments, offering remaining buyers an opportunity to secure a residence before construction advances further. Expected completion is scheduled for late 2027.

[smartcode_project_cta:default project_id=4661]

Virgate's Verdé Southbank moves toward construction as sales fly past halfway stage

Downsizer-focused apartment development Kooyongkoot in Hawthorn has been recognised at the 2026 Better Future Melbourne Design Awards, taking home Gold and Silver awards in two categories.

<a href="https://www.apartments.com.au/new-apartments/kooyongkoot-hawthorn-1-kooyongkoot-road-hawthorn-vic-3122">Kooyongkoot</a>, currently being delivered by developer PQD and designed by Cera Stribley, received Gold in the Interior Design – Proposed category and Silver in the Architecture – Proposed category.

The dual recognition reflects the design approach behind the boutique development on prestigious Kooyongkoot Road, where the focus has been on creating homes for downsizers seeking the space, quality and functionality of a detached house within a low-rise apartment building.

Rather than maximising apartment numbers, <a href="https://www.apartments.com.au/developers/pqd">PQD</a> and <a href="https://www.apartments.com.au/architects/cera-stribley-architects">Cera Stribley</a> limited the development to just 18 residences, allowing for larger floorplans, greater privacy, generous landscaping and expansive communal spaces.&nbsp;The majority of the apartments also benefit from corner aspects, allowing for dual sources of natural light.

Now around 70 per cent complete and on track for completion in November 2026, Kooyongkoot will comprise a mix of garden residences, ter​race apartments, sub-penthouses, and is crowned by two half-floor penthouses with direct lift access and private rooftop terraces.

[smartcode_project:default project_id=102717 project_image_fid=355297]

The Silver Award for Architecture recognised the way the building responds to its prominent corner position at the ent​rance to Hawthorn's Scotch Hill precinct, one of Melbourne's most established residential neighbourhoods.

Rather than competing with the grand homes that line Kooyongkoot Road, the architectural approach focused on restraint and longevity, using curved brickwork, generous landscaping and carefully considered proportions to integrate with the existing streetscape.

"The form feels fluid and timeless, as though shaped by the landscape itself – architecture that belongs, rather than competes," said Chris Stribley, Co-Founder and Managing Principal of Cera Stribley.

The judging submission also highlighted practical innovations throughout the building, including lift cores servicing only nine homes each, a central landscaped lightcourt designed to bring daylight and ventilation into the building, and fully enclosed private storage rooms with lighting, power and shelving to better accommodate residents transitioning from larger family homes.

[smartcode_project:default project_id=102717 project_image_fid=355293]

The Gold Award for Interior Design recognised the project's focus on long-term liveability rather than display-home aesthetics.

According to the awards submission, the interiors were designed from the inside out, prioritising how homes would function over decades of daily use through generous proportions, practical storage, durable natural materials and flexible layouts.

The specification includes natural stone throughout, upgraded acoustic glazing, V-ZUG appliances and fully enclosed storage rooms, alongside an amenity offering focused on wellness, entertainment and everyday convenience.&nbsp;

Residents will have access to a gym and yoga studio, a wellness centre featuring traditional and infrared saunas, a cold therapy shower and treatment room, as well as a residents' lounge and golf simulator/cinema room for entertainment.&nbsp;Kooyongkoot has also considered the everyday convenience of its residents by offering a private carwash and pet wash facilities on site as well as dedicated parcel lockers and oversized fully enclosed storage rooms.&nbsp;

[smartcode_project:default project_id=102717 project_image_fid=355303]

The project's attention to detail has already resonated with buyers. Earlier this year, Kooyongkoot recorded one of Boroondara's highest apartment sales when an $8 million penthouse was purchased by a Melbourne CEO downsizing from a nearby family home.

"Every detail feels deliberate, from the overall design down to the smallest touches," the purchaser said.

"The level of quality and refinement is exceptional, but what really sold it was how liveable it felt... It felt like a place where everything had been considered, not just a luxury building."

[smartcode_project:default project_id=102717 project_image_fid=355304]

Sustainability also formed a key part of both award submissions. Kooyongkoot is targeting a minimum 7.5-star NatHERS rating across all residences, supported by passive design principles, high-performance glazing, EV charging infrastructure, water reuse systems and a wellness model focused on lower-energy dry facilities rather than pools and large wet areas.

Located within walking distance of Scotch College, Methodist Ladies' College, Koo​yong Lawn Tennis Club, Aubur​n Village and Camberwell Junction, Kooyongkoot continues to target owner-occupiers looking to remain in Melbourne's inner east without compromising on space or quality. A limited selection of two, three and four-bedroom residences remains available, with prices starting from $1.9 million.

[smartcode_project_cta:default project_id=102717]

Kooyongkoot wins Gold and Silver at Better Future Melbourne Design Awards

New apartment supply has become increasingly constrained across <a href="https://www.apartments.com.au/developments/parramatta-nsw-2150">Parramatta</a> in recent years, with fewer projects progressing through to completion as development conditions have become more challenging.

It makes <a href="https://www.apartments.com.au/developers/novm">NOVM</a>'s 2021-completed <a href="https://www.apartments.com.au/buildings/the-lennox-parramatta-12-phillip-street-parramatta-nsw-2150">The Lennox</a> one of the most recently completed residential towers on the Parramatta River, and among the newest apartment developments in Sydney's second CBD.

With the project largely completed before the sharp escalation in construction costs and inflation following the pandemic, The Lennox is now offering pricing that would be difficult to replicate in a comparable new development in Parramatta today, or across much of Western Sydney.

The majority of the 413 apartments at The Lennox sold before and shortly after completion. A limited release of the remaining apartments has recently been brought to market by capital partner <a href="https://www.apartments.com.au/project-marketer/equitifund-group">Equitifund</a>, with entry-level pricing from $700,000 and two-bedroom apartments available from under $1 million.

Rising above the Parramatta River at 12 Phillip Street, The Lennox comprises one, two, three and four-bedroom apartments, appealing to first home buyers, young professionals, families, downsizers and interstate investors seeking a completed apartment in one of Australia's fastest-growing economic centres.

[smartcode_project:default project_id=5743 project_image_fid=372394]

Rather than positioning Parramatta as an alternative to Sydney's CBD, Equitifund believes the city has reached a point where it stands on its own merits.

"Parramatta is no longer simply an alternative to Sydney CBD, it's becoming a destination in its own right," Equitifund Executive Chairman Greg Huxley said.

"The Lennox captures that evolution with a level of quality and amenity that's difficult to match at its price point."

[smartcode_project:default project_id=5743 project_image_fid=953]

Designed by <a href="https://www.apartments.com.au/architects/marchese-partners">Marchese Partners</a>, the tower responds directly to its riverfront setting through expansive glazing and open-plan layouts that maximise views across the Parramatta River and city skyline. Interiors feature engineered timber flooring, stone benchtops, stainless steel appliances and floor-to-ceiling glazing, while generous balconies extend the living spaces outdoors.

Marchese Partners says the project was conceived to balance high-quality apartment living with practical, long-term functionality, pairing larger, efficient floorplans with amenities more commonly associated with five-star hotels.

That emphasis continues through the resident facilities, which include a 20-metre rooftop swimming pool, fully equipped gym and wellness spaces, full-time concierge, a residents' lounge, function room, private lifts, secure basement parking and rooftop communal areas overlooking the Parramatta River. Ground-floor boardwalk retail and dining further activate the riverfront and integrate the building into the surrounding public realm.

[smartcode_project:default project_id=5743 project_image_fid=925]

Australian housing and finance group Equitifund has secured the remaining apartments, believing there are few completed apartment opportunities in Parramatta that offer the same combination of location, amenity and pricing.

Equitifund National Sales Director Ben Hamblett says buyers are increasingly recognising that premium apartment living no longer needs to come with Sydney CBD pricing.

"The Lennox is where aspirational living becomes attainable," Hamblett said.

"Wake to river and mountain views, step into Sydney's Second CBD, and arrive home to resort-calibre amenities, all without the harbour price tag."

Hamblett says owner-occupiers are also attracted by the convenience of having Westfield Parramatta, Church Street's dining precinct, Parramatta Park, Riverside Theatres, Western Sydney University and major transport connections all within walking distance.

"At The Lennox, lifestyle is not an afterthought, it is the foundation."

[smartcode_project:default project_id=5743 project_image_fid=5374]

The Lennox places residents within walking distance of Parramatta Square, Westfield Parramatta, Church Street Eat Street, Parramatta Station, the ferry wharf, Light Rail, the future Sydney Metro West, Parramatta Park and CommBank Stadium, reinforcing Parramatta's position as one of Australia's most connected metropolitan centres outside Sydney's CBD.

Equitifund says buyers visiting the display suite consistently comment on the quality of the finishes, generous floorplans, river and skyline views, and the walkability of the location. The project has attracted a broad mix of local professionals, upsizers, downsizers, buyers relocating from Sydney's inner suburbs and interstate investors seeking long-term growth opportunities.

That demand aligns with Parramatta's continued evolution as an economic powerhouse. Equitifund Research and Market Insights specialist John Bekiaris says sustained population growth, infrastructure investment and expanding employment opportunities continue to support long-term housing demand across the city.

"Parramatta has evolved from a satellite city into one of Australia's most important economic centres. Population growth, infrastructure investment and employment are all supporting sustained long-term housing demand."

[smartcode_project_cta:default project_id=5743]

The apartment price gap drawing Sydney buyers west

A luxury beachfront apartment at Rainbow Bay has more than doubled in value since it sold off the plan six years ago, setting a new local apartment record in the process.

The three-bedroom apartment in the Flow development on Petrie Street, the first of four new projects locally by Paul Gedoun's S&amp;S Projects, has sold for $7.4 million, after originally selling for $3.27 million when the project launched in 2020.

The seventh-floor apartment, comprising 187 sqm of internal living space and a 54 sqm balcony overlooking Froggies Beach and Snapper Rocks, was purchased by a local family.

The transaction was negotiated by Pezet Matheson director Kerry Pezet and equates to more than $30,000 per sqm.

Pezet said the sale reflected the limited opportunities to buy into the boutique beachfront development.

"The sale highlights the rarity of opportunities within the boutique beachfront development, where residences seldom become available," Pezet said.

"Flow is one of the Gold Coast's most tightly held buildings. Buyers from our database move quickly when residences become available, and achieving an off-market sale at $7.4 million demonstrates the depth of demand for property of this calibre."

<img alt="Flow" data-entity-type="file" data-entity-uuid="c585b206-2130-4eee-a50c-3f27c51a7c70" src="https://s3.ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/inline-images/Screenshot%202026-07-06%20at%208.33.25%E2%80%AFPM.png?VersionId=m3pHRDV62Y3fvN.XQuQHq.52ilTWpRLf" />

Flow was the first of four luxury apartment developments delivered by Paul Gedoun's S&amp;S Projects at Rainbow Bay and was completed in 2023.

Positioned on the beachfront overlooking Snapper Rocks, the residence includes three bedrooms, three bathrooms, a powder room and views stretching north along the coastline towards Surfers Paradise.

Pezet Matheson Residential principal Mitchell Lambert said buyers continued to prioritise quality beachfront apartments in tightly held locations.

"Flow Residences offers a rare combination of elevated beachfront positioning, architectural excellence, comprehensive resident amenity and premium finishes, which is exactly what discerning purchasers are seeking," Lambert said.

"The transaction further reinforces Rainbow Bay's reputation as one of Australia's premier coastal lifestyle destinations, where limited supply and growing demand continue to support strong market performance."

Pezet Matheson originally marketed and sold out Flow off the plan, making the latest transaction a return to one of the project's original buyers.

Paul Gedoun is selling his third project, <a href="https://www.apartments.com.au/new-apartments/radia-rainbow-bay-271-boundary-street-coolangatta-qld-4225">Radia Rainbow Bay</a>, after recently completing, and selling out, <a href="https://www.apartments.com.au/buildings/esprit-217-227-boundary-street-coolangatta-qld-4225">Esprit</a>. He has plans for a <a href="https://www.apartments.com.au/news/qld/first-look-s-s-projects-proposes-88-apartment-wellness-tower-at-coolangattas-boundary-street">fourth building</a>, 88 apartments on <a href="https://www.apartments.com.au/new-apartments/209-213-boundary-street-coolangatta-qld-4225">Boundary Street</a>.

Rainbow Bay apartment doubles in price since off the plan sale during pandemic

Architecture

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Plummeting temperatures and fluctuating Spring weather across southern Australia, bringing wild storms to Sydney and snowfalls to the Australian Alps and Blue Mountains, has left our property contrarians Jonathan Chancellor and Margie Blok yearning to be huddled by an open indoor fire. 
When the mercury plummets, there’s nothing like a cosy fireplace – wood, slow combustion or gas – to warm the body and soul.
Fireplaces have been a familiar feature for hundreds of years, however until very recently, they have undergone very little change from the traditional hearth.
Now fireplaces are again becoming the design focus for many rooms - even the bathroom - with technological advances making it possible to do more with the fireplace than ever before. At the press of a remote in many offerings.
This week Jonathan and Margie discuss fireplaces and options available.  
HE SAID <img src="/images/2014/03/28/jc-silhouette-7.jpg" style="line-height: 1.3em; float: right;"> 
I think there is always something very welcoming when approaching a house with smoke coming out of the chimney. For me, the perfect indoor fireplace is wood burning with a raised hearth, bench seating and adjacent storage for logs. Ideally, the ledge seat and bottom of the fireplace should be about 50 centimetres above the floor so it sends out its heat effectively. An excellent example of this type is in the family room of a large <a href="https://www.realestate.com.au/property-house-nsw-turramurra-117510655" target="_blank">residence at Turramurra</a>, on Sydney’s upper north shore, sold in August through Chadwick Real Estate (pictured below).
An attractive focal point of the room, this fireplace has sandstone surrounds, two wood storage niches and a long bench seat – just the spot to perch while chatting to family and friends or watching the 7pm ABC news. 
<img src="/images/2014/10/17/Turramurra%20140%20Pentecost%20Ave%20-%20Chadwick%20.jpg" alt="">
But flat screen televisions fixed to the wall above or next to a fireplace are a definite no-no. Not just a safety issues as it always looks odd and confuses the focal point of the room. This style is evident in the living room of “Jessica”, a pretty circa 1910 Edwardian residence listed for <a href="https://www.realestate.com.au/property-house-vic-st+kilda+west-118064171" target="_blank">October 25 auction</a> through Marshall White Albert Park agents, Oliver Bruce and Kayne Layton (pictured below). While the raised fireplace works, the television screen jammed up next to it doesn’t suit for mine.
<img src="/images/2014/10/17/St%20Kilda%20West%2035%20Mary%20St%20-%20fireplace%20%20tv.jpg" alt="">
Simplicity is essential with fireplace design. The antithesis of this is a confusing brick chimney in a <a href="https://www.realestate.com.au/property-house-vic-sassafras-115851903" target="_blank">cottage located on the outskirts of Sassafra</a>s, a rural hamlet about 40 kilometres east of Melbourne. Positioned at the centre of this home, it services a wood burning stove, a combustion oven as well as an open fireplace – while practical, it’s not very pretty  (pictured below).
<img src="/images/2014/10/17/Sassafras%2010%20Lennox%20Grove%20VIC-1.jpg" alt="">
For me a very simple sandstone or bluestone works. Though contestant couple, the chimneysweep, Steve and partner Chantelle on the Block Albert Park won their lounge room with a more colourful Russet stone tiling from <a href="https://www.beaumont-tiles.com.au/TileDIYInfo/Blog/tabid/87/ID/166/Steve-and-Chantelle-The-Block-Living-and-Dining-room-reveal.aspx" target="_blank" style="line-height: 1.3em;">Beaumont Tiles</a>. 
<img src="/images/2014/03/28/mb-silhouette-6.jpg" style="float: left;">SHE SAID
I love wood burning fireplaces. But having lived in a cold climate for many years, I know the practical reality of slow combustion and wood burning open fireplaces involve a lot of work: collecting kindling, carting logs, sweeping out ashes and constantly cleaning fine dust. The idea of flipping a switch to make a roaring fire appeals to me, so when it comes to a favourite for everyday use, the gas fireplace gets my vote. 
On a recent visit to one of the best houses in Paddington, I noticed a beautiful example of a gas fireplace. With an elegant stone surround and heavy timber mantelpiece, it works well practically as well as aesthetically for it serves as a focal point but doesn’t take over the living area (pictured below).
Designed by architect Alex Roth with interior design by Nellie Tilley, the house is set for <a href="https://www.realestate.com.au/property-house-nsw-paddington-118119623" target="_blank">November 3 auction</a> through Ballard Property’s William Manning.
 
<img src="/images/2014/10/17/Paddington%20108a%20Paddington%20St%20-%20gas%20fireplace.jpg" alt="">
Another fine example of a home where gas fireplaces work exceptionally is <a href="https://www.realestate.com.au/property-house-sa-glen+osmond-117584471" target="_blank">Plane Tree House</a>, a modern residence at Glen Osmond, high on the hillside above the Adelaide Plains. Listed through Ouwens Casserley agent, Alexander Ouwens (and currently under contract), the house features Escea gas fireplaces integrated with beautiful bespoke joinery. Inspired by the Japanese architect Tadao Ando, the three-level house is designed by Architects Ink (pictured below).
<img src="/images/2014/10/17/Glen%20Osmond%20Plane%20Tree%20House.jpg" alt="">
While Jonathan’s no-no is placing a television screen next to a fireplace, mine is candles on display in the hearth. This looks so silly – especially in photos of a property listing. Take for instance the fireplace of a living room in a house for sale at Latrobe in Tasmania <a href="https://www.realestate.com.au/property-house-tas-latrobe-118113663" target="_blank">listed for sale</a> through Saunders Property Group Devonport. The room would seem much cosier and more appealing if the agent has ditched the candles and lit some logs at the time of the photo shoot. 
 
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jchancellor-FAypfDUnLy

Hot trends and traditions for fireplaces: He Said She Said

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Guest observation
This year’s Australian Institute of Architects' (AIA) <a href="https://architecture.com.au/events/national/awards/national-awards">2014 National Architecture Awards</a> – to be awarded on November 6 – include a category called “Enduring Architecture”.
Where a fast-paced “build and publish” cycle often becomes an architecture firm’s mode of operation, this award gives pause to consider the slow and deliberate, the longer view, the greater good.
First appearing in 2007, this category is a relabelling of the “25 Year Award” first given in 2003. Separate from a <a href="https://theconversation.com/national-architecture-awards-2014-lets-look-at-the-heritage-finalists-31964">heritage award</a>, the institute’s policy specifically precludes adaptive reuse projects. Rather, it recognises the “enduring features” of a sufficiently aged building.
Aside from allowing the flows of fashion to pass and an award year’s stronger competition to take the recognition, 25 years tests the material endurance of the building. Some architects anticipate the slow transformation of surrounding environments and the inevitable decay of materials: raw hardwood takes months to grey, sandstone buildings can take a few years for their colour to dull, bronze roofs take years to green evenly.
Years must pass before their material intentions are apparent. Buildings where gardens are deeply integrated into their design can take a decade to mature.
Is architecture an act of public good?
Endurance is one of the classical virtues of architecture praised in the earliest architectural text by Roman architect <a href="https://en.wikipedia.org/wiki/Vitruvius">Vitruvius</a> called <a href="https://www.gutenberg.org/files/20239/20239-h/29239-h.htm">Ten Books on Architecture</a>, probably written around 15 BCE and dedicated to the Emperor Augustus.
<a href="https://62e528761d0685343e1c-f3d1b99a743ffa4142d9d7f1978d9686.ssl.cf2.rackcdn.com/files/61593/area14mp/4fjz49tn-1413249877.jpg"><img src="https://62e528761d0685343e1c-f3d1b99a743ffa4142d9d7f1978d9686.ssl.cf2.rackcdn.com/files/61593/width668/4fjz49tn-1413249877.jpg" alt=""></a>
A 1684 depiction of Vitruvius (right) presenting De Architectura to Augustus. Wikimedia Commons
Vitruvius’ often quoted triad of architectural value: beauty, commodity and firmness is augmented in the text by more subtly expressed preferences.
Possibly mirroring the architectural sensibilities of Augustus, Vitruvius clearly valued public architecture above private architecture. Although he believed that an architect should be trained to act in the public interest, Vitruvius recognised that many architects were not so generously inclined.
He even went so far as to admire householders who build their own homes rather than entrust them to a possibly self-serving and money-hungry architect.
All of the values expressed by Vitruvius 2,000 years ago have remained the principle values of the profession.
Whether or not a work of architecture acts toward the public good, however, can be rather difficult to assess at any moment in time. Innumerable projects with public components have had their public function surreptitiously removed by the building’s owners after the building’s opening.
Freed from the pressure of assessing a building only when it is new, or reviewing the function of a building in its first year, the Enduring Architecture award has consistently recognised buildings whose public functions have been retained or even enhanced in the years after their completion.
Masterful residential projects
Of the <a href="https://dynamic.architecture.com.au/awards_search">11 projects</a> that have received this award since its inception as the 25 Year Award, almost all buildings include large areas of public space.
The majority are public buildings: three theatres, two courthouses and a parliament. The two awarded commercial towers, Australia Square in Sydney’s CBD and the former BHP House in Melbourne’s CBD, both sacrificed the potential of profitable ground level rental to include large public areas, greatly improving the amenity and value of the districts they inhabit.
The exceptions to the award recognising architecture with a public spirit are three private houses.
 <img src="/images/2014/10/17/3.jpg" alt="">
Magney House at Bingie Bingie on the NSW South Coast designed by Australian Architect Glenn Murcutt. Michael Nicholson/AIA 
One is architect Glenn Murcutt’s <a href="https://architectureau.com/articles/magney-house-bingie-bingie-198284/">Magney House</a> at Bingie Bingie on the NSW South Coast, arguably the most distinctive and recognisable Australian house, it has been the subject of a unprecedentedly large amount of international media attention. As a summer retreat, the house belongs to the purely private interest that gave Vitruvius cause to doubt.
Yet the extraordinary international attention that its iconic elevation has brought to Australian architecture justifies it being considered a true exception.
This article continues on the next page. Please click below.
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The two remaining residential projects, <a href="https://architectureau.com/articles/25-year-award-2/">Glenn Murcutt’s Kempsey Farmhouse</a> in NSW and <a href="https://www.architecture.com.au/docs/default-source/act-notable-buildings/robin-boyd-house-ii.pdf?sfvrsn=0">Robin Boyd’s House II</a> in Melbourne’s South Yarra, are also exceptions. Both were designed and built for clients, then bought by the architects themselves who performed the final renovations.
Those are masterful examples of the architecture that Vitruvius deeply respected, householders building for themselves.
Considering the general trend of this award, we might congratulate the AIA for continuing to recognise architecture that produces public space not only for the attention of press releases and annual awards cycles, but maintain that public space across decades of use.
We also might suspect that those other remarkable architect’s homes, such as Richard Leplastrier’s <a href="https://www.ozetecture.org/2012/dummy-richard-leplastrier-project/">House at Lovett Bay</a> will, as they come of age, take their turn in this award.
Of this year’s shortlisted entries – the <a href="https://canberratimes.domain.com.au/architects/praise-on-high-for-enrico-tagliettis-apostolic-nunciature-in-institute-of-architects-awards-20140911-10fag1">Apostolic Nunciature</a> by Enrico Taglietti (in Canberra’s Red Hill), the <a href="https://www.theherald.com.au/story/2394441/tocal-wins-architectural-award/">CB Alexander College</a> (in Newcastle) by Ian McKay and Phillip Cox, <a href="https://www.architecture.com.au/docs/default-source/vic-notable-buildings/vic-mcintyrehouse.pdf?sfvrsn=0">McIntyre House</a> by Peter McIntyre (in Kew, Victoria) and <a href="https://architectureau.com/articles/2014-northern-territory-architecture-awards/">Troppoville</a> by Troppo Architects (in Coconut Grove, NT) – the work most in keeping with the award’s history is the house Peter McIntyre built for himself and his family (main image, courtesy of the AIA).
Like Murcutt’s houses, at first glance this extraordinary design is difficult to date. Looking many decades younger that it is, this 60-year old building still functions as both archetype and prototype of a well adapted response to the Australian climate.
Many contemporary buildings struggle to reach this level of environmental awareness, and recognition of this house may assist turning the attention of Australian residential architecture toward the enduring necessity of being placed sensibly in their landscape.
<img src="/images/2014/10/17/Enduring_TroppoArchitects_Troppoville_PatrickBinghamHall.jpg" alt="">
Troppoville by Troppo Architects. AIA. 
Vitruvius knew as much, and wrote of cities, streets, public buildings and houses arranged according to sun, wind and rain.
Yet Australian architecture has long been without this instinct for the elemental. Slowly, after the colonial style and then an <a href="https://en.wikipedia.org/wiki/International_Style_(architecture">international style</a> (characterised by unadorned geometric forms, open interiors, and the use of glass, steel, and reinforced concrete), architecture is turning to its rough ground.
<img src="https://counter.theconversation.edu.au/content/32691/count.gif" alt="The Conversation" width="1" height="1">
Simon Weir is a lecturer in architecture at the University of Sydney. He does not work for, consult to, own shares in or receive funding from any company or organisation that would benefit from this article, and has no relevant affiliations.
This article was originally published on <a href="https://theconversation.com">The Conversation</a>. Read the <a href="https://theconversation.com/enduring-beauties-when-buildings-look-good-for-their-age-32691">original article</a>.
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jrichardson-uRX5hFdKfN

Enduring beauties: when buildings look good for their age

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The Australian Institute of Architecture's inaugural People's Choice Awards will for the first time give the public the opportunity to choose the best house of the year.
The public can choose from the 13 homes shortlisted by the National Jury, with votes closing on October 29.
The short listed entries:
Bellevue Terrace Alterations + Additions – Philip Stejskal Architecture (WA)
Tamarama Semi-D – David Langston-Jones (NSW)
West End Tower – Owen and Vokes and Peters (Qld)
Griffith House – Popov Bass Architects (NSW)
Southern Outlet House – Philip M Dingemanse (Tas)
Strohmayr House – Troppo Architects (NT)
Highgate Hill House – Twofold Studio &amp; Cox Rayner Architects (Qld)
House at Hanging Rock – Kerstin Thompson Architects (Vic)
Hover House – Bower Architecture (Vic)
K House – Chenchow Little (NSW)
Lune de Sang – Stone House – CHROFI (NSW)
Oxlade Drive House – James Russell Architect (Qld)
South Yarra Warehouse – NMBW Architecture Studio (Vic) 
Property Observer has picked out five standout entries. Cast the vote for your favourite in our Property Observer poll.
<img src="/images/2014/10/3/1Res-AA_PhilipStejskalArchitecture_BellevueTerraceAlterations_BoWong.jpg" alt="">
Bellevue Terrace Alterations + Additions – Philip Stejskal Architecture (WA)
To see more of our picks, click below.
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<img src="/images/2014/10/3/2Res-New_PopovBassArchitects_GriffithHouse_SharrinRees-1.jpg" alt="">
 Griffith House – Popov Bass Architects (NSW)
To see more of our picks, click below.
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<img src="/images/2014/10/3/3Res-AA_TwoFoldsStudioCoxRaynerArchitects_HighgateHillHouse_ChristopherFrederickJones.jpg" alt="">
 Highgate Hill House – Twofold Studio &amp; Cox Rayner Architects (Qld)
To see more of our picks, click below.
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<img src="/images/2014/10/3/4Res-New_KerstinThompsonArchitects_HouseatHangingRock_TrevorMein-1.jpg" alt="">
House at Hanging Rock – Kerstin Thompson Architects (Vic)
To see more of our picks, click below.
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<img src="/images/2014/10/3/5Res-New_BowerArchitecture_TheHoverHouse_ShannonMcGrath.jpg" alt="">
Hover House – Bower Architecture (Vic)
You can see the other shortlisted entries and vote at the <a href="https://wp.architecture.com.au/news-media/peoples-choice-award/?utm_source=aia&amp;utm_medium=banner&amp;utm_campaign=peoples%20choice%20award" target="_blank">People's Choice Awards website</a>.
{mijopolls 46}
 
 
 
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Cast your vote for Australia's best home of the year

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Freiberg House, the iconic early 1960s Kew residence, has been listed for sale for the first time since its design by Chancellor and Patrick.
The property at <a href="https://www.realestate.com.au/property-house-vic-kew-116460747" target="_blank">26 Yarravale Road</a> was completed between 1958 and 1960 for Freda and Martin Freiberg set within the first entirely native garden designed by Edna Walling.
Hamish Tostevin of Marshall White, expects $2 million plus at its April 12 auction.
The Freiberg's chose the architects after finding their work to be suitably in the style of Frank Lloyd Wright for their steep 960 square metre block close to the Yarra River's Studley Park.
The three-level five bedroom home features exposed timber and brickwork, with expansive areas of glass providing a leafy outlook.
It appeared on the cover of Best Australian Houses (1961), edited by Neil Clerehan given its status as significant for its use of traditional Australian forms and materials, along with its avant-garde planning.
{qtube vid:=J__d58EdYe8}
The Melbourne based architecture firm, formed in 1953, was headed by David Chancellor (no relation) and William Patrick and became known for notable institutional buildings as well as private residential projects. 
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Freiberg House, 1960s Kew residence designed by Chancellor and Patrick listed

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The Walter Burley Griffin Castelcrag house, Creswick, aka the house of seven lanterns, has been listed for sale.
Albeit with extensions, the house retains aesthetic significance as a residence erected in 1926.
Enthusiasts says the property is an outstanding combination of house and landscape, adhering to the Griffin doctrine of organic architecture. 
The house retains many of its original design features, attributed to the innovation of Griffin, including the knitlock block and the distinctive design of the french doors and windows, incorporating timber joinery.
It is one of a group of three Griffin houses in The Barbette sited near the escarpment edge with staggered setbacks. 
Sadly the seven lanterns now long removed were evidence of Griffin's experimentation into sculptural segmental architecture.
It is one fourteen houses designed by Griffin and built in Castlecrag and one of the thirteen remaining. 
It is being marketed by the McGrath agents as "an iinspiring home that successfully unites Walter Burley Griffin's Creswick house, with a minimalist contemporary residence, delivering a marriage of effortless modern living with revolutionary, timeless design all nestled in a tranquil harbourside setting."
It is set on 891 square metres.
<a href="https://www.mcgrath.com.au/buy/house-castlecrag-nsw-2068/222771/?searchID=38078299" target="_blank">Offers are due 14 May with McGrath agents David Forrester and Grant Borley</a>. It is understood around $2.5 million is being sought.
It is offered by the architect Barbara Bunton and her husband Paul who designed and built a two-level addition to the original two-bedroom property, linking the two with a bridge.
The original flat roofed singe storey house was 82 square metres with separate living and dining rooms, two bedrooms, bathroom and small kitchen.
 Even at the time of its construction it was considered a small house and described in the Australian Home Beautiful in 1929 as a "house for elfin folk." 
The Creswick House was built in 1926 for Mrs Alice Creswick who lived in Burwood. Mrs Creswick was a member of the Theosophic Society whose meeting rooms were near Griffin's offices in Bligh Street. Both Walter and Marion Griffin were Theosophists. 
Griffin was compelled to purchase the completed house after Mrs Creswick threatened legal action based on the unhealthy environment of the house due to water penetration and damp.
Marion sold it after Griffin's death to Eric Nicolls, Griffin's architectural partner who owned it for five years until 1949.
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Creswick, Walter Burley Griffin's Castlecrag house of seven lanterns listed

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The building that housed the seventh season of The Block has won the Jury and Peer Voted awards in the Residential Mid Rise category of the Architizer A+ awards.
Designed by Australian architecture firm Brenchley Architects, the building at 142 Park Street in South Melbourne is a conversion from a 1960s motel building. Brenchley Architects pursued a high level of environmental sustainability, with a “second skin” of black aluminium and batten and vertical gardens buffering the existing walls from fluctuating environmental conditions and stabilising the building’s internal temperature.
The building also features a communal rooftop terrace area and solar energy panelling.
The five apartments sold on The Block: Sky High gathered $7.603 million on auction day collectively, with Adelaide sisters and The Block: Fans v Faves team Alisa and Lysandra selling the winning apartment.
Architizer described the building as a “prime example of the ‘adaptive re-use’ of existing, low grade building stock into high-end environmentally sustainable development.”
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The Block: Sky High building wins international architecture awards

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Describing romanticism is difficult; I seek to find beauty not only in people but in everything around me.
Behavioral studies that attempt to understand the romanticism of objects and environments are both intriguing and complex. Psychology demonstrates that to romanticize non-human entities is to render them worthy of moral care and consideration, and to find a meaningful, personal connection with them.
Neuroscience research indicates that we use the same brain regions when we are thinking about nonhuman entities as we do when thinking about human ones, and it is here that our feelings (including romance, affection and love) can be connected with the built environment.
Architecture may also be connected to brain development. Neuroscience suggests that the quality of a built environment can enhance the performance of the brain and can even generate the growth of new brain cells. During his search for a polio cure, Jonas Salk retreated to the Basilica of Assisi. He later insisted that the design of that environment had cleared his obstructed mind and led to the polio vaccine.
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		<a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/Basilica-of-Assisi-in-Italy.jpg" rel="gallery-all"><img alt="" class="image-article-full-width-580px" height="387" src="/sites/urbanmelbourne.info/files/styles/article_full_width_580px/public/pictures/article-images/Basilica-of-Assisi-in-Italy.jpg?itok=d_lQUsYW" width="580"></a>
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		Basilica of Assisi in Italy</dd>
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This experience prompted Salk to romanticize the architecture of the Basilica, and many can describe similar feelings about their built environments. This perception can drive people to consider architecture in their most important moments, both tragic and amazing.
Take Manhattan’s Empire State Building, for example. It’s a New York icon, featured in more than a hundred films including King Kong and Sleepless in Seattle. The famous building is a hotbed of romance, hosting numerous marriage proposals and even Valentine’s Day weddings. The world’s tallest building at the time of its completion in 1931, the Empire State Building sparks inspiration in those who see it (in pictures or in person) as well as those daring enough to surge to its peak via ultra-fast elevators.
Is it the height that grabs us and leaves us breathless? Or is it the fact this amazing feat of engineering, with its super-thick walls, was completed in just one year? Whatever the reason, this building dominates the skyline of New York City as well as the romantic consciousness of New York’s visitors, making it deserving of New York’s nickname (“the Empire State”).
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		<a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/The-iconic-Empire-State-Building.jpg" rel="gallery-all"><img alt="" class="image-article-full-width-580px" height="387" src="/sites/urbanmelbourne.info/files/styles/article_full_width_580px/public/pictures/article-images/The-iconic-Empire-State-Building.jpg?itok=N2SZ6biK" width="580"></a>
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	<dd>
		The iconic Empire State Building</dd>
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Another example is found in the Guggenheim Museum Bilbao, in a small city in the northeast of Spain—not a popular travel destination until Frank Gehry designed the sculptural, sparkling museum along the riverfront. Like a powerful piece of art, a building can have a strong impact on us at first sight, and Bilbao has become a household name and a tourist destination due to this mesmerizing building.
Santiago Calatrava’s airport in Bilbao should not be discounted either; Calatrava’s famous soaring ceilings and structural details sweep visitors up into the rafters and bring them gently back down to where they stand, gazing upward. It’s no wonder that these two buildings are so often the images used for regional advertisements and announcements; they’ve become iconic because of the connections that they create with visitors.
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<dt>
		<a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/Gehry%E2%80%99s-sculptural-Museum-Bilbao.jpg" rel="gallery-all"><img alt="" class="image-article-full-width-580px" height="387" src="/sites/urbanmelbourne.info/files/styles/article_full_width_580px/public/pictures/article-images/Gehry%E2%80%99s-sculptural-Museum-Bilbao.jpg?itok=B2YVtNu-" width="580"></a>
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	<dd>
		Gehry’s sculptural Museum Bilbao</dd>
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In fact, architecture is increasingly popular in all types of advertising, as ad execs take advantage of the romanticized backdrop. Take time to note the setting of any new car commercial—you’d be hard-pressed to find an ad where the location and architecture wasn’t chosen specifically to enhance the design of the car, its sweeping elegance, speed, timeless design, and beauty. This trend can be found among other types of products as well.
Unfortunately, not all architecture holds a positive meaning; we all have personal connections with spaces, places, and architecture, and sometimes they can be dark. The 2006 documentary <a href="http://www.youtube.com/watch?v=Zwl-Pa_QT0M" target="_blank">The Bridge</a> is a testament to this “other” romantic connection, highlighting San Francisco’s Golden Gate Bridge—classic, photogenic icon for most, but location of life-ending leaps for others.
The bridge has been the site of more than a thousand suicides, making it the most popular suicide location in the world. Why there? Some suggest it’s the majesty and iconicism of the structure that makes it the choice for troubled souls. Most jumpers don’t survive, making “why” a difficult question to answer, but the few survivors note the beckoning “vibrations” of the bridge.
It seems evident that our buildings do speak to us, in different ways. We must remember that when designing spaces, we are also creating a constantly evolving dialogue, open to everyone who visits.
Linda Bennett is a practising architect and founder of website <a href="http://www.archi-ninja.com/" target="_blank">Archi-Ninja</a>, a more than worthwhile read for those seeking a unique, in-depth view of architecture.
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Linda Bennett

Romanticizing Architecture

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I didn't expect to be writing about a momentous project in the municipality I spent my Secondary School days and most weekends, however this is most certainly warranted.  I must admit I was pleasantly surprised when perusing our forum and in particular a <a href="/news">thread</a> created by Apartments.com.au member Fedsquared featuring the new <a href="http://www.caseyculturalprecinct.com.au/design/design/" target="_blank">Casey Cultural Precinct</a>.
After a 6 month design competition with finalists including Ashton Raggatt McDougall, DCM and John Wardle, City of Casey have selected the winning design for the Casey Cultural Precinct.  Conceived by fjmt (<a href="http://www.fjmt.com.au/" target="_blank">Frances-Jones Morehen Thorp</a>), the cultural hub will encapsulate an 800 seat theatre, gallery and community spaces.  Further, the new centre will also function as a Library and Civic Centre replacing the existing buildings located just to the north of the site.
<a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/Image-1_external.jpg" rel="gallery-all" title="The Casey Cultural Precinct - image source: http://www.caseyculturalprecinct.com.au/design/design/"><img alt="" class="image-article-full-width-580px" height="243" src="/sites/urbanmelbourne.info/files/styles/article_full_width_580px/public/pictures/article-images/Image-1_external.jpg?itok=UfXY9iRq" title="The Casey Cultural Precinct - image source: http://www.caseyculturalprecinct.com.au/design/design/" width="580"></a>
Further to the aforementioned features of the project, the Cultural Precinct will also host a plaza, pictured at top, whilst also acting as a regional schools centre for the arts. 
Sourcing City of Casey Mayor Geoff Ablett via a <a href="http://www.caseyculturalprecinct.com.au/wp-content/uploads/2014/01/Media-Release_Contemporary-and-innovative-design-unveiled-for-125-million-Casey-Cultural-Precinct.pdf" target="_blank">media release</a>,
<blockquote>
	<div class="rtejustify">
		‘The winning design is striking, engaging and functional and will ensure the Casey Cultural Precinct will be an inviting central heart for the community that celebrates participation, belonging and civic pride. </div>
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		‘The design rises from the landscape and integrates with the surrounding environment, while the iconic roof which resembles soaring eagle wings, reaches out to create an interactive meeting space for the community. </div>
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		‘The building incorporates a blend of materials, including an impressive metal and timber roof, contemporary curved glass facade and a warm timber interior. </div>
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	<div class="rtejustify">
		‘The performing arts centre, regional art gallery, multi-purpose exhibition space, library and Civic Centre are easily accessed on the ground level through a common foyer which welcomes visitors to the precinct. </div>
	<div class="rtejustify">
		 </div>
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		‘Outdoor pathways meander through the precinct, drawing visitors to the central community plaza where people will be able to celebrate, collaborate and connect. </div>
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		‘The design is a fantastic outcome for the community and will be a welcoming place for everyone to come together when it opens in 2017’.</div>
</blockquote>
First thought to cross my mind when viewing the foyer images...drawing inspiration from the <a href="http://en.wikipedia.org/wiki/Scottish_Parliament" target="_blank">Scottish Parliament in Edinburgh</a>.
  <a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/Image-2_foyer.jpg" rel="gallery-all" title="The striking foyer in the Casey Cultural Centre - image source: http://www.caseyculturalprecinct.com.au/design/design/"><img alt="" class="image-article-full-width-580px" height="324" src="/sites/urbanmelbourne.info/files/styles/article_full_width_580px/public/pictures/article-images/Image-2_foyer.jpg?itok=mqcC8-t5" title="The striking foyer in the Casey Cultural Centre - image source: http://www.caseyculturalprecinct.com.au/design/design/" width="580"></a>
  <a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/Image-3_foyer_plaza.jpg" rel="gallery-all" title="Another view of the foyer in the Casey Cultural Centre - image source: http://www.caseyculturalprecinct.com.au/design/design/"><img alt="" class="image-article-full-width-580px" height="274" src="/sites/urbanmelbourne.info/files/styles/article_full_width_580px/public/pictures/article-images/Image-3_foyer_plaza.jpg?itok=8SJaO_GD" title="Another view of the foyer in the Casey Cultural Centre - image source: http://www.caseyculturalprecinct.com.au/design/design/" width="580"></a>
The new Cultural and Civic Centre is reportedly set to open in 2017 and is to be financed by the council itself owing to 'Many years of responsible financial management...Council can finance the Casey Cultural Precinct without an increase to rates".  The Council's own <a href="http://www.caseyculturalprecinct.com.au/project/faq/" target="_blank">FAQ</a> page states a combination of savings, a small loan and external funding will combine to finance the $125 million dollar project.  
Given a State election is due in November it might not come as a surprise to anyone that both the Government and Opposition may just pledge cash to the precinct given that, according to ABC election guru Antony Green's <a href="http://www.abc.net.au/elections/vic/2013/redistribution.htm" target="_blank">analysis</a>, both the Narre Warren North and Narre Warren South seats sit on margins of 4.8% and 7.4% after the final redistribution of seat boundaries.
<iframe allowfullscreen="" frameborder="0" height="450" mozallowfullscreen="" scrolling="no" src="//player.vimeo.com/video/83821030?byline=0&amp;portrait=0" webkitallowfullscreen="" width="100%"></iframe>
<a href="https://www.propertyobserver.com.au/http://vimeo.com/83821030">Casey Cultural Precinct Design</a> from <a href="http://vimeo.com/cityofcasey">City of Casey</a> on <a href="https://vimeo.com">Vimeo</a>.
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Alastair Taylor

Casey Cultural Precinct comes up with the goods

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Recently Apartments.com.au looked at the generally high quality of its contemporary apartment building designs throughout <a href="/news/port-melbourne-style" target="_blank">Port Melbourne</a>, but well, that was the entrée - as today we give an overview to the heavyweight that is St Kilda.  Highly popular due to its setting, a beacon for the trendy, the wealthy and the... lucky, St Kilda will always lend itself to high quality apartment projects.

Developers realise higher off the plan prices are attainable, supply is somewhat limited and the iconic bayside suburb commands quality.  Add a number of other contributing factors and architects are given greater leeway to deliver stunning, memorable designs.  That such impressive low and mid-rise apartment buildings are present throughout the suburb is a nod to Port Phillip City Council's policies, developers and architects alike.  In to particular order, here's Apartments.com.au's top three apartment building designs through St Kilda.

30 The Esplanade

<div>Michael Bialek describes this contemporary addition to St Kilda's landscape. “The prominent location of the site provided an opportunity for a sculptural expression which allows the built form to manifest its own personality within St. Kilda,” says SJB’s Michael Bialek. The striking glass - a collaboration with DigiGlass Australasia and Pixels Per Inch – actually employs a super-imposed graphic, built into the double-glazed window units, with the semi-transparent image placed between each layer to ensure it does not fade over time. “The image references several characteristics inherent to St Kilda’s cultural fabric; the fishnet stockings simultaneously speaks of sex, the seaside and the politics of the promenade,” Bialek explains.</div>

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Read more: <a href="http://www.indesignlive.com/articles/projects/30-the-esplanade#ixzz2ifjaGkOQ" target="_blank">http://www.indesignlive.com/articles/projects/30-the-esplanade#ixzz2ifjaGkOQ</a>
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<a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/Img_5389.jpg" rel="gallery-all" title="30 The Esplanade looking imperious"><img alt="" class="image-article-full-width-702px" src="http://urbanmelbourne.info/sites/urbanmelbourne.info/files/styles/article_full_width_702px/public/pictures/article-images/Img_5389.jpg?itok=1yhJK9hP" title="30 The Esplanade looking imperious" typeof="foaf:Image"></a>

Luna St Kilda

<div>In the architects words "It has inspired a dedicated fan web-site, generations of fancy-dress costumes and countless YouTube tribute videos, and now a building. That’s right, Luna, Elenberg Fraser’s new four storey residential project on Barkly Street, St Kilda, is based on Princess Leia’s infamous ‘dancing girl’ gold bikini, featured in Star Wars, Episode VI: Return of the Jedi. While Luna’s curvaceous form echoes the draping lines of Leia’s usual white robes, the shimmering gold glass and metal mesh materials are matched perfectly with the colours and textures of the gold brassiere."</div>

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<div>Read more: <a href="http://www.archdaily.com/421871/" style="text-align: justify;">http://www.archdaily.com/421871/</a>
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<a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/Img_5407_0.jpg" rel="gallery-all" title="Luna St Kilda Apartments"><img alt="" class="image-article-full-width-702px" src="http://urbanmelbourne.info/sites/urbanmelbourne.info/files/styles/article_full_width_702px/public/pictures/article-images/Img_5407_0.jpg?itok=qUv2YQZo" title="Luna St Kilda Apartments" typeof="foaf:Image"></a>

The Face (as seen below)

Architect A-R-M website provides the following description of this unique building, "By embracing the idiosyncrasies of St Kilda we have extended and reinforced this sense of civic quality in the architecture.  The building is designed as an abstract, ornate object, standing as a sculptural element in the 'plaza' of the Carlisle-Acland Streets intersection."

Read more: <a href="http://www.a-r-m.com.au/projects_TheFace">http://www.a-r-m.com.au/projects_TheFace.html</a>

Apartments.com.au has highlighted these three projects, expand the slideshow below to gain an appreciation of a cluster of other high quality residential buildings that call St Kilda home.
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silvermb

The St Kilda way

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Yesterday the Premier <a href="http://www.premier.vic.gov.au/media-centre/media-releases/7401-flinders-street-station-designs-revealed">revealed</a> the six short-listed designs in the $1million competition for Flinders Street Station's future. Despite the predictable yarn from the public transport advocates who have an inability to think beyond their next gunzelesque rant (refer to tweet) the amount of people engaging with the people's choice competition has been outstanding.

<blockquote class="twitter-tweet">
Of course, first step towards.making the trains run on time is ensuring the station has a functional ballroom. <a href="http://t.co/kxyKrqzUNJ">pic.twitter.com/kxyKrqzUNJ</a>
— Daniel Bowen (@danielbowen) <a href="https://www.propertyobserver.com.au/https://twitter.com/danielbowen/statuses/359513312146358273">July 23, 2013</a>
</blockquote>
<script async src="//platform.twitter.com/widgets.js" charset="utf-8"></script>We don't get large-scale architectural competitions all that often, well - we barely get them at all, so it was an interesting exercise watching the discussion unfold - especially on the <a href="https://twitter.com/search?q=%23voteflindersst">#voteflindersst</a> hashtag.

One thing I found quite interesting (or ironic?) in mainstream media reporting was the quote the Premier doesn't see any construction happening on site for a decade, yet the <a href="http://vote.majorprojects.vic.gov.au/">site</a> maintains 440,000 people are expected to use the station every day by 2021. That's either an extraordinary belief that Flinders Street has plenty of capacity to cope for the next 8 years (most likely does with some track reconfiguration) or just another State Government <a href="/news/how-to-ruin-an-improving-landscape-east-west-tunnel">faux pas</a>.

The people's choice is not going to affect the judgement of who will win the competition however the feedback provided by the community will be an almighty barometer into how the public thinks of Flinders Street Station as is and where they see it going.

After spending a good two hours downloading all the associated images and drawings, in all honesty, and as I posed on the dedicated <a href="/news">transport forum thread</a> we created for this discussion, I still don't have a clear favourite. There's no single proposal which encompasses all the elements I feel are really positive.

Rather than go into an in-depth proposal-by-proposal I thought I'd just point out common themes which are more positive than negative.

<h2>Tram network changes</h2>

Many of the proposals see varying degrees of network changes: be they new road bridges to fix the awkward 90 degree corner from the current northbank side of Queens Bridge or re-positioning of tram stops. The new Queens Bridge concept has the benefit of removing a left and a right hand turn from the #55 tram route which currently runs along Market Street, Flinders Lane and then onto William Street. ARM and Hadid+BVN should be commended for thinking well beyond the station site and any project, should it go ahead, I believe should incorporate this feature allowing the existing Queens Bridge to be a part of an enlarged Queensbridge Square.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/1013-images16of60a.jpg" rel="gallery-all" title="New Queens Bridge at left - image © ARM"><img alt="" class="image-article-full-width-702px" src="/sites/urbanmelbourne.info/files/styles/article_full_width_702px/public/pictures/article-images/1013-images16of60a.jpg?itok=M03_epdH" title="New Queens Bridge at left - image © ARM" typeof="foaf:Image"></a>

<figcaption>New Queens Bridge at left - image © ARM</figcaption></figure>Furthermore many of the proposals saw re-positioning of tram stops: Velasquez + Pineda + Medina and Hadid + BVN moved the main tram stop southward to be positioned on Princes Bridge and ARM moved it to the eastern side of Swanston Street. Many proposals see a complete rebuild of the Elizabeth Street tram terminus which is very welcome and special mention to the HASSELL + Herzog and Hadid+BVN proposals for depicting the underground tunnels necessary to connect with the "CBD South" Station to be built as part of the Melbourne Metro tunnel project.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/1170-image38of39a.jpg" rel="gallery-all" title="New Elizabeth Street tram terminus - image © Hadid + BVN"><img alt="" class="image-article-full-width-702px" src="/sites/urbanmelbourne.info/files/styles/article_full_width_702px/public/pictures/article-images/1170-image38of39a.jpg?itok=efzES6Im" title="New Elizabeth Street tram terminus - image © Hadid + BVN" typeof="foaf:Image"></a>

<figcaption>New Elizabeth Street tram terminus - image © Hadid + BVN</figcaption></figure><h2>The Eastern Entrance</h2>

Whether the entrants have labeled it "Federation Square" entrance or "Eastern" entrance, the clear 'winners' (for lack of a better term) are those that flatten the roadspace and remove the barriers (namely the tram stop).

Hadid + BVN are taking a really radical view. Their main entrance canopy is space-age and very [insert any new Chinese airport terminal built in the past 5 years here], but most dramatic of all looks to be, thanks to the repositioning of the tram stop to the south, even more traffic calming measures put in place on Swanston St allowing for no pedestrian crossing lights and what can only be described as complete integration with Federation Square.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/1170-image03of39a.jpg" rel="gallery-all" title="Extreme traffic calming measures to excite the urbanist in all of us - image © Hadid + BVN"><img alt="" class="image-article-full-width-702px" src="/sites/urbanmelbourne.info/files/styles/article_full_width_702px/public/pictures/article-images/1170-image03of39a.jpg?itok=zBxnT6rI" title="Extreme traffic calming measures to excite the urbanist in all of us - image © Hadid + BVN" typeof="foaf:Image"></a>

<figcaption>Extreme traffic calming measures to excite the urbanist in all of us - image © Hadid + BVN</figcaption></figure>Likewise the UniMelb students Velasquez + Pineda + Medina have also provided an excellent integration with Federation Square, again thanks to moving the tram stop further south. Yet with this proposal, we would get a double amphitheatre effect with Swanston Street becoming somewhat of a stage owing to the existing slope of Federation Square opposite and the Colombian guys' vision to have a (Canberra) Parliament House-like grass-on-roof type arrangement.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/1110-image01of43a.jpg" rel="gallery-all" title="Double amphitheatre with Swanston Street as the stage - image © Velasquez + Pineda + Medina"><img alt="" class="image-article-full-width-702px" src="/sites/urbanmelbourne.info/files/styles/article_full_width_702px/public/pictures/article-images/1110-image01of43a.jpg?itok=inpXuA-O" title="Double amphitheatre with Swanston Street as the stage - image © Velasquez + Pineda + Medina" typeof="foaf:Image"></a>

<figcaption>Double amphitheatre with Swanston Street as the stage - image © Velasquez + Pineda + Medina</figcaption></figure><h2>Central Plaza / Amphitheatre + River Stage</h2>

Hadid + BVN, HASSELL + Herzog and NH have a strong similarity in this regard. Hadid + BVN and NH feature shading utilising canopies and in Hadid+BVN's case, the join between the two main parts of superstructure canvassing the entire site appears to provide shade to their smaller amphitheatre fronting the Yarra. NH's inclusion of a new bridge (below) - piggybacking off the newly finished Hamer Hall concourse - running from St. Kilda Road to near the Western entrance / Elizabeth Street axis warrants further investigation.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/NHA001%20V04%20RETOUCHED.jpg" rel="gallery-all" title="Central plaza/concourse with canopy concept - image © NH"><img alt="" class="image-article-full-width-702px" src="/sites/urbanmelbourne.info/files/styles/article_full_width_702px/public/pictures/article-images/NHA001%20V04%20RETOUCHED.jpg?itok=OXWjVNwg" title="Central plaza/concourse with canopy concept - image © NH" typeof="foaf:Image"></a>

<figcaption>Central plaza/concourse with canopy concept - image © NH</figcaption></figure>One wonders what the plaza in HASSELL + Herzog's proposal would be like in summer. Doubtless to say it would have a lot of foot traffic, passing through but not utilising the space other than as another transit route (however Federation Square is in the same boat, so there may be some merit in it).

<h2>Integration with the Yarra</h2>

One of the strongest proposals in this area is Wardle + Grimshaw's. Bricks: love them, small spaces: check, wooden boardwalk: it's there. It appears as if this would have the effect of extending the same style of riverfront usage like on the eastern side of Princes Bridge where Riverland and the other vault businesses are located - I feel that's a big plus.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/1014%20Images%20%20%2830%29a.jpg" rel="gallery-all" title="Small spaces for small businesses - image © Wardle + Grimshaw"><img alt="" class="image-article-full-width-702px" src="/sites/urbanmelbourne.info/files/styles/article_full_width_702px/public/pictures/article-images/1014%20Images%20%20%2830%29a.jpg?itok=5KHWNcZC" title="Small spaces for small businesses - image © Wardle + Grimshaw" typeof="foaf:Image"></a>

<figcaption>Small spaces for small businesses - image © Wardle + Grimshaw</figcaption></figure><h2>Open Air platforms or Train shed?</h2>

I'm a sucker for the Victorian-era train sheds that exist all over the world, so ARM and HASSELL + Herzog's proposals caught my eye. Big Kudos to ARM for referencing the original Swanston St entrance proposal.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/1019-image25of75a.jpg" rel="gallery-all" title="Reminiscent of the train hall of old - image © HASSELL + Herzog"><img alt="" class="image-article-full-width-702px" src="/sites/urbanmelbourne.info/files/styles/article_full_width_702px/public/pictures/article-images/1019-image25of75a.jpg?itok=FN6CGU8c" title="Reminiscent of the train hall of old - image © HASSELL + Herzog" typeof="foaf:Image"></a>

<figcaption>Reminiscent of the train hall of old - image © HASSELL + Herzog</figcaption></figure><h2>I tried so hard to only be positive</h2>

The only major negative feature of any of the proposals I want to point out is with regards to NH's proposal: lose the existing canopies above platforms, they're outdated and will be out of place with the new concourse. I see them with the least amount of heritage value and actually an impediment; I much prefer an entire roof (like ARM or HASSELL+Herzog) or new canopies and if worst comes to worst incorporate the heritage platform signage. Sorry there's a second negative: Hadid+BVN's over-reliance on shopping centres should be discouraged; hotels fine, but no-one wants another Southern Cross retail outlet shop, no matter how upmarket Hadid+BVN's renders of the retail components are.

While we do have to remember this is a station and its primary function is to have the ability for trains to run more frequently over time to cater for the forecast demand (thanks Daniel), there's a heavy focus - in the imagery at least - on everything above, beside or below the tracks and platforms when the single most important thing in any new development on this site should be focusing on new or less platform space. It might not have been part of the brief, which would explain the lack of detail, but the next stage after a winner is selected (and naturally this should only occur if the State Government is serious about putting this on a long-term road map for actual construction), serious consideration needs to go into what the track and platform layout will be in future.

The primary reason why NH's retention of heritage canopies is not useful is that there are arguments to reduce the number of platforms and therefore space where 3rd overtaking lines may once have existed between two tracks with platforms as the PTV heavy rail plan is gearing itself toward focusing less on Flinders Street station. Melbourne Metro's "CBD South" will remove a large amount of trains from City Loop operations and the dwell times at Flinders Street over time are likely to disappear as driver changes will occur outside the city in future.

While yes, the Ballroom is the least of our concerns, like many have already commented on Twitter and in the mainstream press, we must plan 20 steps ahead for Flinders Street's expansion yet also open the public's mind on what else can be incorporated into the site.

<a href="http://vote.majorprojects.vic.gov.au/">See the videos, write-ups and download all the images/drawings</a> from the Flinders Street Station Design Competition.
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