Repeat buyers are one of the strongest measures of confidence in any apartment development.

At <a href="https://www.apartments.com.au/new-apartments/era-newcastle-west-124-126-bull-street-newcastle-west-nsw-2302">ERA</a> in Newcastle West, some purchasers are returning to <a href="https://www.apartments.com.au/developers/gwh">GWH</a> after living at the developer's One Apartments. Their decision to purchase again was driven by the quality of life they found after moving into their first GWH home.

Keith Wilton had spent years living in a house in East Maitland before deciding it was time for a change. Apartment living had always been on his radar, but he was selective about what he wanted.

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"I had some boxes I wanted to tick," he says.

Keith points to the open-plan design, generous outdoor areas and considered inclusions as key reasons One Apartments worked for him.

“One of those things was a nice indoor open plan area, but also I wanted a nice outdoor open area that I could entertain on in summer or Christmases or birthdays,” he says.

He also found value in the smaller details, from integrated appliances to shared resident spaces including the pool, cinema and rooftop areas.

[smartcode_project:default project_id=135096 project_image_fid=356818]

After comparing several developments, he chose One Apartments because of GWH's longstanding local reputation and his own experience working with the developer on a commercial project more than a decade earlier.

"I knew that they were local, that the quality of the build was going to be up there. I'd looked at other apartment complexes around and close by, and I just knew that here was a better decision location wise."

Today, Keith says the move has completely changed how he experiences Newcastle.

"I enjoy living in this location because it's more of a lifestyle change. That Newcastle city living where you can walk to restaurants and bars and even beaches and parks and even shopping across the road."

[smartcode_project:default project_id=135096 project_image_fid=356828]

Beyond the location, he says it's the sense of community that has surprised him most.

"Everyone loves living here because they chose to live here, but everyone looks out for each other. It's a real great community feel here."

For Aimee and Lyle Goodman, the journey started almost by chance.

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The couple happened to be having coffee in Newcastle when they noticed the site where One Apartments was about to begin construction.

"We were aware GWH was planning a development," Aimee says. "We made one phone call and things moved pretty quickly after that."

As busy business owners, they initially thought apartment living would simply reduce the maintenance that came with larger homes. Instead, it fundamentally changed how they spent time together.

"We actually catch up more as a family now," Aimee says.

"We've had homes with big yards and lots of space, but everyone ended up in different rooms. Here we'll have dinner together, the kids can play, and we spend far more quality time together."

[smartcode_project:default project_id=135096 project_image_fid=356829]

Lyle says their confidence came from GWH's reputation within Newcastle's building industry.

"I know people who've worked across different apartment projects, and whenever GWH came up the feedback was always the same. They're rock solid. They're quality."

That confidence only grew throughout the buying process.

"One of the things that really impressed us with GWH was the whole process, was the communication," Lyle says. "It was consistent, it was regular, there was no problem if we had some weird questions, there was no problems in getting answers."

[smartcode_project:default project_id=135096 project_image_fid=351104]

Aimee says one moment stood out.

"The project actually finished on time. We realised we needed to hurry up and sell our house because everything was happening exactly when they said it would."

The positive experience at One Apartments ultimately gave all three buyers the confidence to purchase again with GWH, this time at ERA.

Their confidence reflects what many buyers are seeking in today's apartment market. Location remains important, but so too does certainty around delivery, quality and long-term liveability.

[smartcode_project:default project_id=135096 project_image_fid=356822]

ERA builds on those foundations with 280 one, two and three-bedroom apartments across two landmark towers in <a href="https://www.apartments.com.au/developments/newcastle-west-nsw-2302">Newcastle West</a>.&nbsp;

Designed by <a href="https://www.apartments.com.au/architects/fk-australia">Fender Katsalidis</a>, the project will include more than 2,000 square metres of resident amenities, including a resort-style pool, gym, sauna, private cinema and rooftop entertaining spaces overlooking the harbour and coastline.&nbsp;

The development is also within walking distance of the Newcastle Interchange, Honeysuckle, Darby Street, the harbour foreshore, restaurants, retail and the city’s beaches, continuing the walkable lifestyle that existing GWH buyers say has transformed how they live.

[smartcode_project:default project_id=135096 project_image_fid=356826]

For Keith, the appeal remains straightforward.

"You feel at home even before you've moved into your home."

For Aimee, the change is measured in time.

“I just felt like I had more time,” she says.

[smartcode_project:default project_id=135096 project_image_fid=351102]

Construction at ERA is now underway, with more than half of the residences already sold and limited two and three-bedroom apartments remaining in the East Tower release. Priced from $980,000 for two-bedroom residences and $1.46 million for three-bedroom residences, buyers can secure an apartment with a 10 per cent deposit, with premium homes offering ocean views from Level 8 and harbour views from Level 10.

ERA is also backed by Resilience Insurance's 10-year Latent Defects Insurance policy, providing protection against structural or waterproofing defects for 10 years after completion. The project is anticipated to be completed in early 2028.

[smartcode_project_cta:default project_id=135096]

Joel Robinson

From ONE to ERA: Why buyers are choosing GWH again in Newcastle West

Virgate Property Group is preparing to commence construction of Verdé, its new apartment development in Melbourne's Arts Precinct at Southbank, following a strong run of sales that has seen more than half of the project's 173 apartments secured.

Verdé has attracted a broad mix of first home buyers, owner-occupiers upgrading from nearby inner-city suburbs and investors, with younger owner-occupier couples aged between 28 and 45 accounting for the strongest enquiry. Many are already living in Southbank, South Melbourne, Albert Park, Port Melbourne, South Yarra and the CBD.

"Verdé is located in one of the most desirable pockets of southern Melbourne," Blair Property Group Director Darren Blair, who is managing sales at Verdé, said.

"It's within walking distance of the Arts Centre, Royal Botanic Gardens, Albert Park Lake, and Southbank's restaurants and retail. It's a great lifestyle location with strong amenity and liveability, which made it a very attractive choice for the project."

[smartcode_project:default project_id=4661 project_image_fid=372549]

Virgate was already familiar with the precinct, having previously delivered the successful Domain House development in neighbouring South Melbourne. That experience gave the developer confidence to acquire the Coventry Street site and continue expanding its presence in Melbourne's inner south.

"We had been keeping an eye on the site and the broader precinct for a few months before deciding to move forward with the acquisition," Virgate said.

The project was ultimately secured in 2020 following feasibility studies, planning assessments and due diligence, with the brief centred on delivering "a high-quality, considered design that feels both refined and fit for purpose."

[smartcode_project:default project_id=4661 project_image_fid=314259]

Designed by <a href="https://www.apartments.com.au/architects/bruce-henderson-architects">Bruce Henderson Architects</a>, Verdé comprises 173 one, two and three-bedroom apartments priced from $599,000. The architecture is distinguished by a faceted glass façade that responds to both the site's outlook and Melbourne's changing light conditions.

According to Bruce Henderson Architects, the coloured glazing gives the building a distinctive identity while also providing privacy and solar shading, with residences oriented to capture views across the bay, city skyline and surrounding parklands.

Inside, <a href="https://www.apartments.com.au/interior-designers/designoffice">DesignOffice</a> has created interiors focused on natural light, efficient planning and enduring materials. Apartments feature engineered oak flooring, natural stone benchtops, floor-to-ceiling glazing and SMEG appliances, while a restrained material palette aims to complement the expansive outlooks rather than compete with them.

[smartcode_project:default project_id=4661 project_image_fid=372550]

Resident amenity has also been designed around everyday functionality rather than occasional use. Facilities include a concierge-serviced lobby, residents' lounge with fireplace, library and co-working space, gym, terrace garden with barbecue facilities, ground-floor café, and package delivery management.

The project's location continues to be one of its strongest drawcards. Positioned on Coventry Street, Verdé sits within walking distance of the National Gallery of Victoria, Arts Centre Melbourne, Royal Botanic Gardens and Albert Park Lake, while Southbank's dining precinct, Sturt Street trams and the new ANZAC Station are all nearby. The surrounding education catchment also includes Melbourne Grammar, Melbourne Girls Grammar, Mac.Robertson Girls' High School and several major university campuses.

The sales team says buyers have responded particularly well to the combination of location, design quality and long-term liveability.

"They're responding really positively to the quality of the design, premium resident amenities and the uninterrupted views. Many also appreciate the location and how connected it is to everything they need."

The ability to secure stamp duty savings before completion has also been a key factor for purchasers, alongside the opportunity to personalise finishes ahead of settlement.

With construction set to commence soon and more than half the apartments already sold, Verdé enters its next phase as one of the Arts Precinct's more established apartment developments, offering remaining buyers an opportunity to secure a residence before construction advances further. Expected completion is scheduled for late 2027.

[smartcode_project_cta:default project_id=4661]

Virgate's Verdé Southbank moves toward construction as sales fly past halfway stage

Downsizer-focused apartment development Kooyongkoot in Hawthorn has been recognised at the 2026 Better Future Melbourne Design Awards, taking home Gold and Silver awards in two categories.

<a href="https://www.apartments.com.au/new-apartments/kooyongkoot-hawthorn-1-kooyongkoot-road-hawthorn-vic-3122">Kooyongkoot</a>, currently being delivered by developer PQD and designed by Cera Stribley, received Gold in the Interior Design – Proposed category and Silver in the Architecture – Proposed category.

The dual recognition reflects the design approach behind the boutique development on prestigious Kooyongkoot Road, where the focus has been on creating homes for downsizers seeking the space, quality and functionality of a detached house within a low-rise apartment building.

Rather than maximising apartment numbers, <a href="https://www.apartments.com.au/developers/pqd">PQD</a> and <a href="https://www.apartments.com.au/architects/cera-stribley-architects">Cera Stribley</a> limited the development to just 18 residences, allowing for larger floorplans, greater privacy, generous landscaping and expansive communal spaces.&nbsp;The majority of the apartments also benefit from corner aspects, allowing for dual sources of natural light.

Now around 70 per cent complete and on track for completion in November 2026, Kooyongkoot will comprise a mix of garden residences, ter​race apartments, sub-penthouses, and is crowned by two half-floor penthouses with direct lift access and private rooftop terraces.

[smartcode_project:default project_id=102717 project_image_fid=355297]

The Silver Award for Architecture recognised the way the building responds to its prominent corner position at the ent​rance to Hawthorn's Scotch Hill precinct, one of Melbourne's most established residential neighbourhoods.

Rather than competing with the grand homes that line Kooyongkoot Road, the architectural approach focused on restraint and longevity, using curved brickwork, generous landscaping and carefully considered proportions to integrate with the existing streetscape.

"The form feels fluid and timeless, as though shaped by the landscape itself – architecture that belongs, rather than competes," said Chris Stribley, Co-Founder and Managing Principal of Cera Stribley.

The judging submission also highlighted practical innovations throughout the building, including lift cores servicing only nine homes each, a central landscaped lightcourt designed to bring daylight and ventilation into the building, and fully enclosed private storage rooms with lighting, power and shelving to better accommodate residents transitioning from larger family homes.

[smartcode_project:default project_id=102717 project_image_fid=355293]

The Gold Award for Interior Design recognised the project's focus on long-term liveability rather than display-home aesthetics.

According to the awards submission, the interiors were designed from the inside out, prioritising how homes would function over decades of daily use through generous proportions, practical storage, durable natural materials and flexible layouts.

The specification includes natural stone throughout, upgraded acoustic glazing, V-ZUG appliances and fully enclosed storage rooms, alongside an amenity offering focused on wellness, entertainment and everyday convenience.&nbsp;

Residents will have access to a gym and yoga studio, a wellness centre featuring traditional and infrared saunas, a cold therapy shower and treatment room, as well as a residents' lounge and golf simulator/cinema room for entertainment.&nbsp;Kooyongkoot has also considered the everyday convenience of its residents by offering a private carwash and pet wash facilities on site as well as dedicated parcel lockers and oversized fully enclosed storage rooms.&nbsp;

[smartcode_project:default project_id=102717 project_image_fid=355303]

The project's attention to detail has already resonated with buyers. Earlier this year, Kooyongkoot recorded one of Boroondara's highest apartment sales when an $8 million penthouse was purchased by a Melbourne CEO downsizing from a nearby family home.

"Every detail feels deliberate, from the overall design down to the smallest touches," the purchaser said.

"The level of quality and refinement is exceptional, but what really sold it was how liveable it felt... It felt like a place where everything had been considered, not just a luxury building."

[smartcode_project:default project_id=102717 project_image_fid=355304]

Sustainability also formed a key part of both award submissions. Kooyongkoot is targeting a minimum 7.5-star NatHERS rating across all residences, supported by passive design principles, high-performance glazing, EV charging infrastructure, water reuse systems and a wellness model focused on lower-energy dry facilities rather than pools and large wet areas.

Located within walking distance of Scotch College, Methodist Ladies' College, Koo​yong Lawn Tennis Club, Aubur​n Village and Camberwell Junction, Kooyongkoot continues to target owner-occupiers looking to remain in Melbourne's inner east without compromising on space or quality. A limited selection of two, three and four-bedroom residences remains available, with prices starting from $1.9 million.

[smartcode_project_cta:default project_id=102717]

Kooyongkoot wins Gold and Silver at Better Future Melbourne Design Awards

New apartment supply has become increasingly constrained across <a href="https://www.apartments.com.au/developments/parramatta-nsw-2150">Parramatta</a> in recent years, with fewer projects progressing through to completion as development conditions have become more challenging.

It makes <a href="https://www.apartments.com.au/developers/novm">NOVM</a>'s 2021-completed <a href="https://www.apartments.com.au/buildings/the-lennox-parramatta-12-phillip-street-parramatta-nsw-2150">The Lennox</a> one of the most recently completed residential towers on the Parramatta River, and among the newest apartment developments in Sydney's second CBD.

With the project largely completed before the sharp escalation in construction costs and inflation following the pandemic, The Lennox is now offering pricing that would be difficult to replicate in a comparable new development in Parramatta today, or across much of Western Sydney.

The majority of the 413 apartments at The Lennox sold before and shortly after completion. A limited release of the remaining apartments has recently been brought to market by capital partner <a href="https://www.apartments.com.au/project-marketer/equitifund-group">Equitifund</a>, with entry-level pricing from $700,000 and two-bedroom apartments available from under $1 million.

Rising above the Parramatta River at 12 Phillip Street, The Lennox comprises one, two, three and four-bedroom apartments, appealing to first home buyers, young professionals, families, downsizers and interstate investors seeking a completed apartment in one of Australia's fastest-growing economic centres.

[smartcode_project:default project_id=5743 project_image_fid=372394]

Rather than positioning Parramatta as an alternative to Sydney's CBD, Equitifund believes the city has reached a point where it stands on its own merits.

"Parramatta is no longer simply an alternative to Sydney CBD, it's becoming a destination in its own right," Equitifund Executive Chairman Greg Huxley said.

"The Lennox captures that evolution with a level of quality and amenity that's difficult to match at its price point."

[smartcode_project:default project_id=5743 project_image_fid=953]

Designed by <a href="https://www.apartments.com.au/architects/marchese-partners">Marchese Partners</a>, the tower responds directly to its riverfront setting through expansive glazing and open-plan layouts that maximise views across the Parramatta River and city skyline. Interiors feature engineered timber flooring, stone benchtops, stainless steel appliances and floor-to-ceiling glazing, while generous balconies extend the living spaces outdoors.

Marchese Partners says the project was conceived to balance high-quality apartment living with practical, long-term functionality, pairing larger, efficient floorplans with amenities more commonly associated with five-star hotels.

That emphasis continues through the resident facilities, which include a 20-metre rooftop swimming pool, fully equipped gym and wellness spaces, full-time concierge, a residents' lounge, function room, private lifts, secure basement parking and rooftop communal areas overlooking the Parramatta River. Ground-floor boardwalk retail and dining further activate the riverfront and integrate the building into the surrounding public realm.

[smartcode_project:default project_id=5743 project_image_fid=925]

Australian housing and finance group Equitifund has secured the remaining apartments, believing there are few completed apartment opportunities in Parramatta that offer the same combination of location, amenity and pricing.

Equitifund National Sales Director Ben Hamblett says buyers are increasingly recognising that premium apartment living no longer needs to come with Sydney CBD pricing.

"The Lennox is where aspirational living becomes attainable," Hamblett said.

"Wake to river and mountain views, step into Sydney's Second CBD, and arrive home to resort-calibre amenities, all without the harbour price tag."

Hamblett says owner-occupiers are also attracted by the convenience of having Westfield Parramatta, Church Street's dining precinct, Parramatta Park, Riverside Theatres, Western Sydney University and major transport connections all within walking distance.

"At The Lennox, lifestyle is not an afterthought, it is the foundation."

[smartcode_project:default project_id=5743 project_image_fid=5374]

The Lennox places residents within walking distance of Parramatta Square, Westfield Parramatta, Church Street Eat Street, Parramatta Station, the ferry wharf, Light Rail, the future Sydney Metro West, Parramatta Park and CommBank Stadium, reinforcing Parramatta's position as one of Australia's most connected metropolitan centres outside Sydney's CBD.

Equitifund says buyers visiting the display suite consistently comment on the quality of the finishes, generous floorplans, river and skyline views, and the walkability of the location. The project has attracted a broad mix of local professionals, upsizers, downsizers, buyers relocating from Sydney's inner suburbs and interstate investors seeking long-term growth opportunities.

That demand aligns with Parramatta's continued evolution as an economic powerhouse. Equitifund Research and Market Insights specialist John Bekiaris says sustained population growth, infrastructure investment and expanding employment opportunities continue to support long-term housing demand across the city.

"Parramatta has evolved from a satellite city into one of Australia's most important economic centres. Population growth, infrastructure investment and employment are all supporting sustained long-term housing demand."

[smartcode_project_cta:default project_id=5743]

The apartment price gap drawing Sydney buyers west

A luxury beachfront apartment at Rainbow Bay has more than doubled in value since it sold off the plan six years ago, setting a new local apartment record in the process.

The three-bedroom apartment in the Flow development on Petrie Street, the first of four new projects locally by Paul Gedoun's S&amp;S Projects, has sold for $7.4 million, after originally selling for $3.27 million when the project launched in 2020.

The seventh-floor apartment, comprising 187 sqm of internal living space and a 54 sqm balcony overlooking Froggies Beach and Snapper Rocks, was purchased by a local family.

The transaction was negotiated by Pezet Matheson director Kerry Pezet and equates to more than $30,000 per sqm.

Pezet said the sale reflected the limited opportunities to buy into the boutique beachfront development.

"The sale highlights the rarity of opportunities within the boutique beachfront development, where residences seldom become available," Pezet said.

"Flow is one of the Gold Coast's most tightly held buildings. Buyers from our database move quickly when residences become available, and achieving an off-market sale at $7.4 million demonstrates the depth of demand for property of this calibre."

<img alt="Flow" data-entity-type="file" data-entity-uuid="c585b206-2130-4eee-a50c-3f27c51a7c70" src="https://s3.ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/inline-images/Screenshot%202026-07-06%20at%208.33.25%E2%80%AFPM.png?VersionId=m3pHRDV62Y3fvN.XQuQHq.52ilTWpRLf" />

Flow was the first of four luxury apartment developments delivered by Paul Gedoun's S&amp;S Projects at Rainbow Bay and was completed in 2023.

Positioned on the beachfront overlooking Snapper Rocks, the residence includes three bedrooms, three bathrooms, a powder room and views stretching north along the coastline towards Surfers Paradise.

Pezet Matheson Residential principal Mitchell Lambert said buyers continued to prioritise quality beachfront apartments in tightly held locations.

"Flow Residences offers a rare combination of elevated beachfront positioning, architectural excellence, comprehensive resident amenity and premium finishes, which is exactly what discerning purchasers are seeking," Lambert said.

"The transaction further reinforces Rainbow Bay's reputation as one of Australia's premier coastal lifestyle destinations, where limited supply and growing demand continue to support strong market performance."

Pezet Matheson originally marketed and sold out Flow off the plan, making the latest transaction a return to one of the project's original buyers.

Paul Gedoun is selling his third project, <a href="https://www.apartments.com.au/new-apartments/radia-rainbow-bay-271-boundary-street-coolangatta-qld-4225">Radia Rainbow Bay</a>, after recently completing, and selling out, <a href="https://www.apartments.com.au/buildings/esprit-217-227-boundary-street-coolangatta-qld-4225">Esprit</a>. He has plans for a <a href="https://www.apartments.com.au/news/qld/first-look-s-s-projects-proposes-88-apartment-wellness-tower-at-coolangattas-boundary-street">fourth building</a>, 88 apartments on <a href="https://www.apartments.com.au/new-apartments/209-213-boundary-street-coolangatta-qld-4225">Boundary Street</a>.

Rainbow Bay apartment doubles in price since off the plan sale during pandemic

Architecture

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A newly built Portsea home, cantilevered on something like a lawned sand dune, has been sold.
It was listed with $3.5 million to $3.75 million hopes. 
It was sold by Simonds Group director Rhett Simonds.
<a href="https://www.realestate.com.au/sold/property-house-vic-portsea-127389710" target="_blank">The glass house</a>, mostly concealed from view, was crafted with simple clean lines to create a seemingly endless home.
It sits on land that was part of the subdivision of Tintagel Farm which dated back to the 1800s.
Designed by FGR Architects Melbourne, it is described as Portsea's own modern marvel by Kay &amp; Burton Portsea listing agents Liz Jensen and Lorna Duffy.
Close to the Back Beach with sweeping coastal views, the single level plan has five bedrooms and two bathrooms.
The sleek open plan living and kitchen areas open to a gas heated pool.
The vacant 3,460 square metre Wildcoast Road parcel sold for $1,125,000 in 2015.
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firstname1-iYD4UYzvBa

New Portsea trophy home sold by Simonds Group's Rhett Simonds

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A house designed by Alan Thomas, from the renowned Sydney School of architecture, has been sold for $1.5 million.
It sold through Kevin Dearlove of Stone Real Estate Beecroft.
The property at <a href="https://www.realestate.com.au/sold/property-house-nsw-beecroft-127477482" target="_blank">68 Bambara Crescent, Beecroft</a> has a bushland reserve location.
It sits on a 746 square metre parcel.
The home has family retreat spaces plus a home office.
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j.ballantyne1990-6AQqhLzZaK

Beecroft bushland offering with Sydney School design

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In a departure from architecture’s traditional hierarchies, the benefits of adopting a more collaborative approach to design within practices is becoming increasingly apparent.

A key part of this is mentoring which is critical to ensuring this new culture becomes a reality within architectural practice, according to Technē Architecture and Interior Design director Steve McKeag.

McKeag highlights the culture at Technē, where team leaders will often ask younger staff to identify goals and key tasks early on, as providing staff with the confidence to undertake projects of any size and budget.

The creative side of architecture can be very time exorbitant, so communicating with staff in a way that gets them to lift their heads up and identify the critical task at hand is very important.

McKeag is keen to share a number of initiatives the practice has implemented; initiatives he believes can improve culture across the sector.

Additionally, the studio follows a deliberate policy of project exposure and knowledge building. Wherever possible, junior staff are brought in on meetings with clients and contractors.

<a href="/news/technes-steve-mckeag-discusses-his-appointment-as-director-and-his-favourite-pubs">Speaking previously</a> with Apartments.com.au McKeag discussed how fellow directors Nick Travers and Justin Northrop provide a lot of autonomy which in turn fosters a supportive and nurturing workplace environment in which team members share skills, knowledge and experience.

The leadership team encourages an open dialogue between employees at all levels, creating a space where resources and knowledge can be easily shared. According to McKeag, contributing to open forum type discussions assisted his own development and progression to director. 
 

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/techne_directors-2.jpg" rel="gallery-all" title="Technē's directors (L-R) Justin Northrop, Steve McKeag, Nick Travers"><img alt="" class="image-article-full-width-580px" height="387" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/techne_directors-2.jpg?itok=bmi0fdZi" title="Technē's directors (L-R) Justin Northrop, Steve McKeag, Nick Travers" width="580"></a>

<figcaption>Technē's directors (L-R) Justin Northrop, Steve McKeag, Nick Travers</figcaption></figure><blockquote>
Across the industry we’re beginning to see inspiring outcomes that are the result of intelligent collaboration, of multiple architects and designers pooling their talents, rather than as the expression of a single architect’s ‘genius’. Such collaboration begins early with mentorship

We take a collaborative approach on our projects that is almost the reverse of the old-fashioned model. When they establish a new project, Technē founding directors Nick [Travers] and Justin [Northrop] might outline the core challenges along with the client’s needs, but from there we open it up so that whoever comes up with the best concept is given the opportunity to develop that in collaboration with the project leaders. It’s design led and not top-down. 
We give everyone as much exposure as possible to the different facets of the decision making process. It’s part of learning on the job.

Opening up a project to studio-wide feedback has the advantage of inviting a fresh perspective. Brainstorming outside the project’s known constraints can generate new ideas, which the team can then tailor within the boundaries of the brief or the client's expectations.

And if you’re retaining staff that’s a competitive advantage, because of the flow-on effects of greater corporate knowledge, which in turn leads to innovation.

These are skills so important to project communication and which senior practitioners can cultivate simply by helping their mentees.

It’s really bringing back some of those tactile processes and focusing on the concepts – then sharing that through conversation and mentoring – rather than concentrating on photo-realistic renders from the outset.

- Steve McKeag, Director Technē Architecture &amp; Interior Design
</blockquote>

Mentoring benefits both parties, McKeag stresses, and the benefits for both the mentor and the wider practice have been shown to result in a better workplace culture, improved staff morale and reduced turnover. 
For the mentee, working collaboratively has shown to improve career advancement, job satisfaction, promotion and pay increases. Additionally, those who receive mentoring are far more likely to persist with their chosen career.

The industry’s peak body, the Australian Institute of Architects (AIA), recognises the importance of mentoring, with various state chapters overseeing different schemes. Mentoring can help overcome barriers to gender diversity and, 
alongside a focus on graduates entering the industry, the AIA Victorian Chapter looks for mentors to mature-age women returning to the field after a period away, perhaps after parental leave.

Other advocacy groups such as Parlour have also long lobbied and promoted equity in the industry and fair rights for all irrespective of age or gender. Parlour is also a strong proponent and advocate of mentoring, with the topic discussed in a series of essays on their site which you can read <a href="http://archiparlour.org/topics/mentoring/">here</a>.

Other initiatives implemented at Technē which are designed to encourage collaboration and enhance project outcomes are the Friday design reviews. These present an opportunity for studio members to express their interest in joining a project team, or simply to share relevant experience or ideas.

Technē’s Carlton studio also features pin boards which run the length of the work area and exhibit projects currently in progress, encouraging staff to share their insights and experience to colleagues passing by throughout the day.

The office's workshop provides a space where physical models and prototypes can be tested and has been designed to facilitate and promote both digital design and older more traditional methods of learning, something McKeag considers to be a point of difference with many other studios.
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Laurence Dragomir

Technē's Steve McKeag discusses the importance of mentoring within architectural practice

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With more than half of Melbourne's architecture fraternity currently overseas to see <a href="http://wp.architecture.com.au/venicebiennale/">Baracco + Wright &amp; Linda Tegg's exhibition</a> at the Australian Pavilion for the Venice Biennale, the announcement of the shortlist for the 2018 Victorian Architecture Awards took a slight backseat to social media (boasts) posts all over Venice.

The 2018 awards program, run by the Victorian Chapter of the Australian Institute of Architects, saw a record 268 entries received, with the shortlist comprising a total of 108 projects across 14 categories ranging from residential to public, commercial and educational architecture.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/bunjil_place_exterior_-_fjmt_photo_glenn_hester.jpg" rel="gallery-all" title="Bunjil Place by FJMT. Photo: Glenn Hester"><img alt="" class="image-article-full-width-580px" height="189" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/bunjil_place_exterior_-_fjmt_photo_glenn_hester.jpg?itok=wiLpTSQr" title="Bunjil Place by FJMT. Photo: Glenn Hester" width="580"></a>

<figcaption>Bunjil Place by FJMT. Photo: Glenn Hester</figcaption></figure><blockquote>
Truly exceptional architecture has the power to improve how people experience life, both in their own private spaces and in the public realm. As reflected in this year’s awards, it’s been a significant year for architecture.

In Victoria we have a rich and ingrained culture supporting strong and diverse architectural endeavours. It is always so encouraging to see architects continuing to challenge the status quo in order for our cities and communities to evolve.

This shortlist defines the many forms outstanding design can take, from projects that provide innovative educational spaces offering varying ways for students to learn and engage, to new housing typologies that create a platform for better community engagement.

The common denominator in successful projects is supportive and engaged clients who acknowledge the value that quality architecture interventions can bring to building strong and successful communities.

Carefully considered buildings, urban design interventions and infrastructure projects can take many years to procure. The awards program is an opportunity to celebrate the passionate and cohesive teams of architects, clients, consultants and builders who bring them to fruition.

- Amy Muir, Victorian Chapter President
</blockquote>

The most significant themes to emerge from this year’s shortlist were the emphasis on the importance of the public realm and the far-reaching contribution that architecture makes to daily life.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/atrium_of_holy_agels_mausoleum_-_harmer_architecture_photo_jonathan_hadiprawira.jpg" rel="gallery-all" title="Atrium of Holy Angels Mausoleum by Harmer Architecture. Photo: Jonathon Hadiprawira"><img alt="" class="image-article-full-width-580px" height="385" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/atrium_of_holy_agels_mausoleum_-_harmer_architecture_photo_jonathan_hadiprawira.jpg?itok=KT5kVK-h" title="Atrium of Holy Angels Mausoleum by Harmer Architecture. Photo: Jonathon Hadiprawira" width="580"></a>

<figcaption>Atrium of Holy Angels Mausoleum by Harmer Architecture. Photo: Jonathon Hadiprawira</figcaption></figure><h2>2018 Victorian Architecture Awards Shortlist </h2>

Residential Architecture – Houses (New) 27 entries / 16 shortlisted projects 

Tucks Ridge House - Adrian Bonomi Architect | Moonah Home - Bellemo &amp; Cat | Shrouded House - BKK Architects | Humble House - Coy Yiontis Architects | DATUM HOUSE - FIGR Architecture | Park House -  Kerstin Thompson Architects Compound House - March Studio | Triangle House - Molecule Studio | Two Halves - Moloney Architects | Ross - Ola Studio | First Lessons House - Ray Dinh Architecture | House on the Coast - Sean Godsell Architects | Lauriston House - Seeley Architects | Bellerine Pavilion House - Tecture Architecture &amp; Interior Design | Matilda - Templeton Architecture | Towers Road House - Wood Marsh Architecture

Residential Architecture – Multiple Housing 25 entries / 9 shortlisted projects 

35 Spring Street - Bates Smart | Nightingale 1 - Breathe Architecture | Campbell Street - DKO Architecture and SLAB | Parkville Townhouses - Fieldwork | McAuley Community Services for Women - Hede Architects Pty Ltd | Averi - Jackson Clements Burrows | Banksia, NewQuay - McBride Charles Ryan | Elwood House - Woods Bagot | C.F. Row - Woods Bagot

Residential Architecture – Houses (Alterations &amp; Additions) 50 entries/ 11 shortlisted projects 

Hatherlie - Andrew Simpson Architects | The Kite - Architecture Architecture | King Bill - Austin Maynard Architects | St Vincents Place Residence - B.E Architecture | Old Be-al - FMD Architects pty ltd | Boneo Country House - John Wardle Architects | Dark Light House - MRTN Architects | Highbury Grove - RITZ&amp;GHOUGASSIAN |Station Street House - Robert Simeoni Architects | Fawkner Street - Workshop Architecture | Tiger Prawn - WOWOWA Architecture

Small Project Architecture 30 entries / 8 shortlisted projects 

Sound Field - BLOXAS with Arup | Campbell Street - DKO Architecture and SLAB | Gertrude Contemporary - Edition Office | Multipurpose Centre - Kosloff Architecture | Garden Wall (NGV Architecture Commission) - Retallack Thompson and Other Architects | Elgin Street Residence - Sonelo Design Studio | Koondrook Wharf - TERROIR | Sorrento Visitor Centre - Workshop Architecture

Urban Design 14 entries /5 shortlisted projects 

Monash Transport Interchange - John Wardle Architects | New Academic Street, RMIT University - Lyons with NMBW Architecture Studio, Harrison and White, MvS Architects and Maddison Architects | Caribbean Park, Public Realm Stage 1 and 2 - Peter Ryan Architects with OCULUS Landscape Architecture and Urban Design | Koondrook Wharf - TERROIR | Deakin Link - watsonarchitecture+design

Heritage Architecture 14 entries / 8 shortlisted projects 

St Vincents Place Residence - B.E Architecture | James Street Residence - B.E Architecture | Carlton Court House - HLCD Pty Ltd with Somerville Design | Longsong - Jackson Clements Burrows with John van Haandel | Elberfeld House - Jane Riddell Architects | Victorian College of the Arts former Mounted Police Stables - Kerstin Thompson Architects | North Melbourne Terrace - Matt Gibson Architecture + Design | 'Cassiope' alterations &amp; additions - RBA Architects + Conservation Consultants

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/entry-mrnlbpwx-649202.jpg" rel="gallery-all" title="Victorian College of the Arts former Mounted Police Stables by Kerstin Thompson Architects. Photo: Trevor Mein "><img alt="" class="image-article-full-width-580px" height="387" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/entry-mrnlbpwx-649202.jpg?itok=7AYYA9so" title="Victorian College of the Arts former Mounted Police Stables by Kerstin Thompson Architects. Photo: Trevor Mein " width="580"></a>

<figcaption>Victorian College of the Arts former Mounted Police Stables by Kerstin Thompson Architects. Photo: Trevor Mein</figcaption></figure>Commercial Architecture 17 entries / 5 shortlisted projects 

Jackalope - Carr | Barwon Water - GHDWoodhead | Mercedes Me - Jackson Clements Burrows | Pt Leo Estate - Jolson Architecture &amp; Interiors | GMHBA Stadium - Populous

Interior Architecture 58 entries /12 shortlisted projects

Jackalope - Carr | Henry Street House - Eugene Cheah Architecture | Passage - Honeyman + Smith | Boneo Country House - John Wardle Architects | Monash University Caulfield Library Refurbishment - John Wardle Architects | Monash University Learning and Teaching Building - John Wardle Architects | Victorian College of the Arts former Mounted Police Stables - Kerstin Thompson Architects | Our Lady of Good Counsel Church Deepdene - Law Architects | New Academic Street, RMIT University - Lyons with NMBW Architecture Studio, MvS Architecture, Harrison &amp; White and Maddison Architects | Armadale Residence - Rob Mills Architecture &amp; Interiors | Station Street House - Robert Simeoni Architects | Space &amp; Time - Russell &amp; George

Public Architecture 11 entries / 4 shortlisted projects 

Atrium of Holy Angels Mausoleum - Harmer Architecture | Bendigo Hospital - Silver Thomas Hanley with Bates Smart | Bunjil Place - fjmt | North Fitzroy Library and Community Hub - GroupGSA

Educational Architecture 21 entries / 13 shortlisted projects

Artemis Centre, Melbourne Girls Grammar School - BVN Monash University | The Sir Louis Matheson Library Refurbishment - Cox Architecture | The Geoff Handbury Science and Technology Hub, Melbourne Grammar School - Denton Corker Marshall | Monash University Learning and Teaching Building - John Wardle Architects | Monash University Caulfield Library Refurbishment - John Wardle Architects | Victorian College of the Arts former Mounted Police Stables - Kerstin Thompson Architects | 18 Innovation Walk Revitalisation Project - Kosloff Architecture + Callum Morton + MAP (Monash Art Projects) | New Academic Street, RMIT University - Lyons with NMBW Architecture Studio, Harrison and White, MvS Architects and Maddison Architects | Trinity Grammar School, Centre for Business and Social Enterprise - Mc Intyre Partnership Architects | Monash Business School Redevelopment Caulfield - NH Architecture | Camberwell Grammar School Sports Centre and Chapel - Peter Crone Architects | Ruyton Girls School, Junior School Campus - Sally Draper Architects with DP Toscano Architects | University of Melbourne Academic Services - Six Degrees Architects

Sustainable Architecture 6 shortlisted projects 

Nightingale 1 - Breathe Architecture | Barwon Water - GHDWoodhead | North Fitzroy Library and Community Hub - GroupGSA | 18 Innovation Walk Revitalisation Project - Kosloff Architecture + Callum Morton + MAP (Monash Art Projects) | New Academic Street, RMIT University - Lyons with NMBW Architecture Studio, Harrison and White, MvS Architects and Maddison Architects | Space &amp; Time - Russell &amp; George

Regional Prize 3 shortlisted projects

Barwon Water - GHDWoodhead | Koondrook Wharf - TERROIR | Sorrento Visitor Centre - Workshop Architecture

COLORBOND® Award for Steel Architecture 4 shortlisted projects 

King Bill - Austin Maynard Architects | Compound House - March Studio | Bugiga Hiker Camp, Grampians National Park - Sean Godsell Architects | Unfolding House - Sibling Architecture

Melbourne Prize 4 shortlisted projects 

Nightingale 1 - Breathe Architecture | North Fitzroy Library and Community Hub - GroupGSA | McAuley Community Services for Women - Hede Architects Pty Ltd | New Academic Street, RMIT University - Lyons with NMBW Architecture Studio, Harrison and White, MvS Architects and Maddison Architects

 
The winners of the 2018 Victorian Architecture Awards will be announced at the awards dinner on 29 June 2018. Winners of each category will then progress to compete in the National Architecture Awards program.

Lead image: New Academic Street RMIT University, Peter Bennett
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2018 Victorian Architecture Awards Shortlist announced

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DKO Architecture and SLAB Architecture's Campbell Street project in Collingwood has claimed gold in Architectural Design (Commercial and Residential), at the Good Design Awards hosted in Sydney.

The 60th Anniversary of the Awards attracted a record number of entries, with only 260 projects selected to receive a Good Design Award, after being whittled down from 536.

The jury commented that the project was a “great use of space, wonderful use of exterior, wonderful use of the metal-as decoration”, with the project's location in Collingwood playing an important role in the design approach.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/120_campbell_highres-28.jpg" rel="gallery-all" title="Campbell Street's rooftop terrace encompasses views of its Collingwood context."><img alt="" class="image-article-full-width-580px" height="387" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/120_campbell_highres-28.jpg?itok=eY6Wk8l6" title="Campbell Street's rooftop terrace encompasses views of its Collingwood context." width="580"></a>

<figcaption>Campbell Street's rooftop terrace encompasses views of its Collingwood context.</figcaption></figure>Designed by Jesse and Seada Linardi (DKO Architecture/Slab Architecture) the house is a study in pushing multi-residential architecture and vertical living to the limits, within its environment while offering an alternative typology to living in a contested urban landscape.

<blockquote>
The project provokes questioning and curiosity and challenges conventional notions of multi-residential development … if everyone was this creative in designing high density housing on small inner city sites our cities would be better places. Collingwood is almost cult-like in its community. It’s active, eclectic, unpretentious and accepting of culture, values and diversity.

- Jesse Linardi, Design Director from DKO Architecture
</blockquote>

The Campbell Street project cleverly configures this space in Collingwood into two light filled, three-bedroom vertical dwellings with footprint dimensions of 4m in width and 9m in length, totalling 36 sqm per dwelling across a site area of only 72 sqm.

Each six-level apartment features a basement, ground-floor garage and rooftop terrace plus a light well spanning the height of the property that illuminates each home. Campbell Street’s exterior has a jewel-like appearance with metal studs and a perforated, powder coated, operable steel screen.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/122_campbell_highres-14.jpg" rel="gallery-all" title="The warmth and softness of the interiors is in contrast to the dark steel exteriors."><img alt="" class="image-article-full-width-580px" height="387" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/122_campbell_highres-14.jpg?itok=zeaos21h" title="The warmth and softness of the interiors is in contrast to the dark steel exteriors." width="580"></a>

<figcaption>The warmth and softness of the interiors is in contrast to the dark steel exteriors.</figcaption></figure>The interior design of Campbell Street is a deliberate and curated juxtaposition between the bold exterior presentation, and the softness and calmness of the interior living experience.

The project represents a density of 140 dwellings per hectare compared to the average Melbourne city lot size in 2016 of 400 sqm.

Winners of the Awards will be showcased to the general public during Vivid Sydney, from 25-27 May 2018 at the Overseas Passenger Terminal, Circular Quay. DKO will display a model of Campbell Street as part of the showcase.
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DKO and Slab Architecture snare gold for Campbell Street

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Four years after a fire tore through the Stokehouse, the popular venue has reclaimed its prominent location on St Kilda's foreshore. The new design which reimagines the Stokehouse’s exterior, is the result of a collaborative effort between Sydney-based Industrial Design studio TILT, Robert Simeoni Architects and owners, the Van Haandel Group.

The building doesn’t try to imitate its predecessor, instead, the design draws on cues taken from the site's beachside context, paying homage to the jetty via a blackened timber-clad façade. Raw elements such as leather, concrete and brick form a connection between the building and the artificial sand dunes. The dunes conceal the ground floor from street level, while also raising Stokehouse and creating the sense of a floating volume.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/20170536_jg_0511.jpg" rel="gallery-all" title="The Stokehouse appears to float above the sand dunes. Image: Supplied"><img alt="" class="image-article-full-width-580px" height="387" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/20170536_jg_0511.jpg?itok=LsP8pDjR" title="The Stokehouse appears to float above the sand dunes. Image: Supplied" width="580"></a>

<figcaption>The Stokehouse appears to float above the sand dunes. Image: Supplied</figcaption></figure>The restaurant is spread over two levels, and has been provided with a fresh new look, taking advantage of the views over St Kilda beach, just a few metres away.

The new precinct also houses casual bar and grill Pontoon, and fish-and-chip kiosk Paper Fish. TILT undertook the façade design, manufacturing and installation process which is expressed as a series of horizontally bi-folding screens located outside the restaurant’s windows. The screens provide protection from the sun, and can be raised to encompass unobstructed bay views.

<blockquote>
TILT was engaged to design, manufacture and install a series of bi-folding screens for the iconic Stokehouse restaurant rebuild in Melbourne. The screens sit outside the restaurant windows and provide protection from the sun, but can be raised to highlight beautiful ocean views. The beachside location is a demanding environment for mechanical structures.

The design utilises marine grade stainless steel for the fabricated structural elements, which is paramount for longevity and reliable performance. The screens provide a distinctive yet functional façade that offers uninterrupted views. This unique design retains the character of the building, while considering the comfort of patrons – a combination that results in the greatest commercial success.

- TILT
</blockquote>

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/20170536_jg_0686.jpg" rel="gallery-all" title="The Stokehouse's operable facade controls the comfort of patrons. Image: Supplied"><img alt="" class="image-article-full-width-580px" height="387" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/20170536_jg_0686.jpg?itok=It0NELtn" title="The Stokehouse's operable facade controls the comfort of patrons. Image: Supplied" width="580"></a>

<figcaption>The Stokehouse's operable facade controls the comfort of patrons. Image: Supplied</figcaption></figure>The coastal location is a demanding environment for mechanical structures and so the use of marine grade stainless steel was used for the façade’s fabricated structural elements essential for durability and reliable performance within a beachside context.

TILT and Robert Simeoni Architects have created a new identity and recognisable aesthetic for the Stokehouse, with the operable screen, which has a practical application that considers and ensures the comfort of patrons.
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St Kilda foreshore's Stokehouse reborn

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Kerstin Thompson Architects (KTA) have transformed the former Victoria Police Mounted Branch stables on Southbank into world-class teaching and learning facilities for students of the University of Melbourne’s Faculty of Fine Arts and Music following an $18 million make-over.

The refurbishment is an exemplar of adaptive re-use and continues KTA's affinity with working with the fabric of heritage structures, since its inception in 1994. The stables were purpose-built in 1912 as part of the old Police Depot, which included a hospital, barracks and drill hall.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/the_stables_jg.jpg" rel="gallery-all" title="The Stables within its Southbank context. Image: John Gollings"><img alt="" class="image-article-full-width-580px" height="387" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/the_stables_jg.jpg?itok=3X75ARas" title="The Stables within its Southbank context. Image: John Gollings" width="580"></a>

<figcaption>The Stables within their Southbank context. Image: John Gollings</figcaption></figure>The Stables were officially open on Monday 14 May by Creative Industries Minister Martin Foley, who said the re-purposing and redevelopment of The Stables was part of a long-term plan to transform Southbank into "one of the world’s leading arts precincts."

The University of Melbourne’s acquisition of The Stables site was made possible through the significant support of the State Government, with the $18 million refurbishments undertaken through the significant support of generous philanthropists including The Ian Potter Foundation, The Myer Foundation and Martyn &amp; Louise Myer. 

The Stables feature a new visual arts wing with 170 studios and flexible exhibition spaces and the former riding school has been converted into a 260-seat multipurpose arts wing for theatre, dance, music theatre and music performances.

The heritage features of the former police stables had been maintained through the preservation of its bluestone mounting yards, red brick façade and iconic octagonal roof and skylight, formerly referred to by Mounted Branch staff as ‘The Dome’.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/the_stables_dome_tm.jpg" rel="gallery-all" title="The iconic 'dome' has been preserved within the 8m refurbishment. Image: Trevor Mein"><img alt="" class="image-article-full-width-580px" height="387" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/the_stables_dome_tm.jpg?itok=Wh65a8_B" title="The iconic 'dome' has been preserved within the 8m refurbishment. Image: Trevor Mein" width="580"></a>

<figcaption>The iconic 'dome' has been preserved within the 8m refurbishment. Image: Trevor Mein</figcaption></figure><blockquote>
The Former Mounted Police Stables and Former Riding School have been transformed to VCA’s School of Art. Once home of the horse is now home of 150 under- and post-graduate students. One of the largest metropolitan stables, this heritage-listed building is significant for its police use and distinguished by cellular organisation of its stalls, sublime repetition of structure and light-filled volumes by way of clerestory windows. Its bones formed an ideal fit with the university’s need for studios and a performing arts space.

An urban cornerstone of the university’s Southbank campus, the distinctive form of the octagon marks the intersection of Dodds and Grant Streets. It hinges the two wings of the facility into a v-formation to create the southern end of the central courtyard. The Dodd Street wing – former stables – is dedicated to studios and the Grant Street wing – former riding school – to performing arts space. It’s linked with the existing Grant Street theatre via a new steel canopy. The ground floor of the octagon forms the ceremonial entry and access to both wings and the campus courtyard. Exploiting its geometry, it can be divided into seminar, exhibition and event spaces as required through a series of sliding panels.

- Kerstin Thompson Architects
</blockquote>

KTA's transformation of the stables involved a series of interventions to the heritage fabric which required a delicate balancing act of careful conservation and restorative works to existing floor surfaces and stall fronts, and significantly more transformative changes in the sectional qualities of the space in order to accommodate new programme.

Staff offices, seminar rooms and a central conference room characterised by the now-revealed original steel trusses, are located at the first floor, with an oculus framing the structure from the entry below.

The original double-storey central void was partly in-filled to accommodate upper level studio spaces, utilising the higher ceilings and natural light afforded via the clerestory windows with circulation moved to the perimeter. 

New studio partitions provide the school with adaptable spaces which enable flexibility of use as exhibition space, for example outside of their everyday use as studio space.

According to the architects, one of the most significant challenges was the integration of building services. The adopted solution worked two-fold - it ensured minimal impact on the original heritage fabric and provided place-making opportunities for the courtyard by locating much of the plant within a series of brick-faced panel 'urban blocks'

Other key projects in the Southbank campus redevelopment include the recently-opened Buxton Contemporary, and a new state-of-the-art nine-storey building for the Melbourne Conservatorium of Music – The Ian Potter Southbank Centre – which will open in 2019.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/kerstin-thompson-banner-19tlnj5.jpg" rel="gallery-all" title="Kerstin Thompson within the refurbished Stables. Image: Giulia McGauran"><img alt="" class="image-article-full-width-580px" height="290" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/kerstin-thompson-banner-19tlnj5.jpg?itok=ynI2EPT4" title="Kerstin Thompson within the refurbished Stables. Image: Giulia McGauran" width="580"></a>

<figcaption>Kerstin Thompson within the refurbished Stables. Image: Giulia McGauran</figcaption></figure><a href="http://precinct.finearts-music.unimelb.edu.au/2018/05/11/welcome-to-the-stables-a-new-world-class-arts-facility-in-melbournes-arts-precinct/">Click here</a> for an in depth tour of the building by KTA Principal, Kerstin Thompson.

Lead image: Trevor Mein
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KTA lends its design nous to 'The Stables'

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Melbourne architect Jessica Liew is selling her innovative Armadale home that she built. 
Liew, a director at Plus Architecture, paid $762,000 for the 370 square metre property in 2010 with her husband Cavan.
Built with timber slatted walls and vast expanses of glass, the <a href="https://www.realestate.com.au/property-house-vic-armadale-128152634%20%20%20%20" target="_blank">Valentine Grove property</a> has dark grey polished concrete floors.
There's three bedrooms, three bathrooms, a library overlooking a tranquil central fish pond and a temperature controlled 1,200 bottle wine room.
A walled north east garden is lined by blackboard style walls, complete with a commissioned mural.
The home has been regularly featured in magazines.
Marshall White agents Fraser Cahill and Madeline Kennedy have a May 12 auction, with a guide of between $2.5 million and $2.75 million.
The couple, now with a young child, are looking for their next project.
This article first appeared in The Weekend Australian. 
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jonathanchancellor-7SQnKwU6yx

Architect Jessica Liew lists innovative Armadale home

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The residential Blue Mountain price record has been untouched for a decade, but that's set to change with the listing of Karoola, the 2008 Wilkinson Award-winning home in Leura.
<a href="https://www.realestate.com.au/property-house-nsw-leura-127911334" target="_blank">The striking home</a> incorporates the existing 1900s cottage in its James Stockwell-design. 
It has a price guide of $5 million through Belle Property Leura agent Matt Grima.
<img src="https://res.cloudinary.com/dz9xllyip/image/fetch/c_scale,w_580,q_auto:good/https://s3-ap-southeast-2.amazonaws.com/po.images/2018/4/27/6ae71489c964402bbbe887d50200d1f2.jpg" alt="">
It was designed for former Federal Court Judge Murray Wilcox and his wife Christine to accommodate their big family – their children, grandchildren along with friends.
Inspired by the geology and landscape of the Blue Mountains, Karoola was constructed with rammed earth, crushed sandstone, blackbutt and hoop pine timbers.
The sustainable single storey main residence was built on its 5,900 square metre Malvern Road holding.
<img src="https://res.cloudinary.com/dz9xllyip/image/fetch/c_scale,w_580,q_auto:good/https://s3-ap-southeast-2.amazonaws.com/po.images/2018/4/27/9a1a9e50124b44efb22547cc8fc855e8.jpg" alt="">
The main home has five bedrooms, each with garden and bushland views. There's granite bathrooms with Japanese inspired bathtubs.
As well as an opening verandah roof, the home was created in a solar passive design, where windows, walls, and floors are made to collect, store, and distribute solar energy in the form of heat in the winter and reject heat in the summer.
There's also a multi-purpose garden studio for painting and music.
<img src="https://res.cloudinary.com/dz9xllyip/image/fetch/c_scale,w_580,q_auto:good/https://s3-ap-southeast-2.amazonaws.com/po.images/2018/4/27/f9a8903a0e8549d98f924eaf352334f5.jpg" alt="">
The house design uses a Japanese method called discontinuous unity - developed in the 1940's by architects Yoshuzaki and Sakazura - for the incomplete separation of living spaces from one another.
The home was constructed by master builder Gerald Verhoeven, with Professor Max Irvine engineering its verandah roofing. Craig Burton's landscape design saw zoning for endemic and exotic plantings. 
The Blue Mountains price record was set in 2008 when Carramar, a 1900s weatherboard at Wentworth Falls, sold for $3.3 million.
Only four homes in the Blue Mountains region sold for over $2 million last year, although that's well up on the one sold in 2016.
This article first appeared in The Weekend Australian. 
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Award winning Karoola set to topple Blue Mountains price record

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Today Apartments.com.au turns the spotlight on Warren and Mahoney, an international architectural design practice based in Australia and New Zealand. With a 65-year history and a 300-strong team of outstanding talent, they’ve been recognised with more than 300 awards for work ranging from commercial developments to landmark public buildings.

The design-led practice offers core services including architecture, interior design and workplace design. The office has deep expertise in strategy and briefing, customer experience design, urban design, master planning and sustainable design

Warren and Mahoney strongly believes that identity matters: that projects designed to reflect their users’ shared identity are more meaningful and more enduring, both aesthetically and commercially. They have a deep awareness of cultural context that applies to their work, including indigenous, diversity and environmental considerations.

As a recognised leader in environmentally sustainable design, Warren and Mahoney places emphasis on sustainability as key to architectural excellence, and on finding practical ways to lessen environmental impacts.

Apartments.com.au recently sought to gain further insight into the architectural practice's design process, methodology, portfolio of work and aspirations for the future, summarised in the below Q&amp;A with Warren and Mahoney Principal Nick Deans. Keep an eye out for Apartments.com.au's follow up interview with Principals Nick Deans and Richard Weinman on an upcoming episode of the podcast.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/stanley_street_apartments_5_0.jpg" rel="gallery-all" title="Interiors of Stanley Street apartments in Collingwood. Image: Warren and Mahoney"><img alt="" class="image-article-full-width-580px" height="325" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/stanley_street_apartments_5_0.jpg?itok=n1RPqAk_" title="Interiors of Stanley Street apartments in Collingwood. Image: Warren and Mahoney" width="580"></a>

<figcaption>Interiors of Stanley Street apartments in Collingwood. Image: Warren and Mahoney</figcaption></figure>Apartments.com.au: How large is the practice and how many staff are based in the Melbourne office? 

Nick Deans: We are a practice of 300 staff across 7 studios in Australasia, and we currently employ 50 people across our two Australian studios. Our business model operates as one studio, as such we are able to draw on expertise across the studio network, and we are able to scale up/down very quickly in-house to meet client requirements.

UM: What projects is the studio currently working on locally in Melbourne?

ND: Our Melbourne practice is currently engaged in:

<ul style="list-style-type:circle;">
<li>La Trobe University Sports Park</li>
	<li>Deakin University Central Plaza Project</li>
	<li>6 x mid-rise residential projects for Gurner, including The Spanish Club.</li>
	<li>We completed two projects for Gurner in 2017, including Stanley Street Apartments in Collingwood, and Regent Residences in Richmond.</li>
</ul>
UM: One of the more notable projects that has been in the press recently is the former Spanish Club being developed into apartments by Tim Gurner. Can you speak a bit about this project and some of the challenges involved in working in a historically sensitive context such as Fitzroy on the site of a well-known Melbourne institution?

ND: Melbourne is a melting pot of cultural diversity and we are very proud to play a part in the continuation of ‘The Spanish Club’ which is an iconic institution on Johnston Street, representing the heart of the Hispanic Festival since its inception.

We have been working with Gurner on the Spanish Club project for the past three years from early feasibility through to the receipt of Town Planning Permit. The project consists of a seven-storey building that includes 40 apartments, and a ground floor tenancy that will become the new home to ‘The Spanish Club’.  Two levels of basement carparking are accessed via a rear lane.

The proposal fully refurbishes the original façade to pay homage to both the heritage of the site and of the Johnston Street precinct.  The massing of the apartment building is set back from the street to visually soften the interface between the old and new.  The design draws on the mass and gravitas of the original façade and reinterprets the scale and portion to create an elegant interplay between both elements.

The upper floors to the building are recessed above the main parapet and feature large terraces over Johnston Street.

We are very excited to be working directly with ‘The Spanish Club’ to create a new club and function space on the Ground Floor of the development. It is great that the iconic institution will be able to continue to operate and will have a future for years to come.

The inherent challenge an infill site is the management of the bulk and massing in the context of the streetscape. Our site sits in an immediate context of largely developed properties, as such we are creating a precedent of development for the streetscape. 

We envisage that in the future it is highly likely that the entire length of Johnston Street will be home to 7-10 storey buildings. We have the responsibility to be good neighbours.  As part of our initial investigation on the site we examined the likely pattern of development from Nicholson to Brunswick Street.  This has informed our setbacks to ensure complementary relationships will exist with a view to the future. Outlook, daylight, and ventilation are fundamentals of inner city living.

The prospect of our city fringe suburbs, Fitzroy, Collingwood, etc, becoming Parisian scale is a future we face to house a growing population. The population is already demanding access to amenity and social infrastructure, ‘The Spanish Club’ is a step toward this ideal.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/screenshot_20180411-232750.jpg" rel="gallery-all" title="Warren and Mahoney's design for The Spanish Club Image: GURNER"><img alt="" class="image-article-full-width-580px" height="427" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/screenshot_20180411-232750.jpg?itok=51obeNkz" title="Warren and Mahoney's design for The Spanish Club Image: GURNER" width="580"></a>

<figcaption>Warren and Mahoney's design for The Spanish Club Image: GURNER</figcaption></figure>UM: What are some of the critical thinking and processes behind the studio's projects? What would people identify a Warren Mahoney project with? 

ND: Our design vision is built on the understanding that the most authentic, successful and enduring projects are those that reflect the shared identity of their users. Our work strives to capture social and cultural identity in ways that resonate with communities and enhance a sense of belonging.

Our design capability is supported by sophisticated processes and technology that allow us to deliver projects of all scales and complexities. Integral to our work are best-practice documentation and quality management systems, a world-class rendering and visualisation division and an advanced Building Information Modelling (BIM) team.

UM: What are the aspirations for Warren and Mahoney in terms of growth and project sectors and typologies? Is there a desire to work on projects of a certain scale?

ND: Warren and Mahoney has been on a strong upward growth path for the previous 5 years, growing on average 20% per annum. Our business aspires to continue that growth and aims to further expand our studios in Sydney and Melbourne.

However, we’re not pursuing growth for growth’s sake. We believe we have a unique and valuable story and we’re excited to take that story into new cities, and to work with new clients. Hand in hand with our clients, we’ll explore the frontiers of sustainable, people-centred design and in doing so, both reflect and strengthen the communities we serve.

UM: Is there a particular project either here or anywhere in the world past, present or yet to be conceived that you wish the studio worked on or would like to work on?

ND: As a studio we look to projects that display an ethos that lies at the nexus of people and the culture of place.  We believe that identity matters so projects in the vein of The High Line in New York inspire us.

The High Line has not only established a successful activated public realm, it has also provided the framework for a progressive architectural and arts programs along its perimeter.  The project epitomises the strong interest of Warren and Mahoney in the creation of space that is embedded in the culture of the city that it exists in.
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