The residential transformation of St Kilda Road is set to continue into with more new apartment plans for the sought-after boulevard.

Wing Tai Asia has lodged plans for a major residential tower at 464-466 St Kilda Road, replacing the former VACC House with an 18-storey mixed-use development designed around a retained heritage podium and a sculpted contemporary tower.

The proposal, prepared under Victoria’s Significant Residential Development with Affordable Housing pathway, would deliver 325 apartments and ground-floor retail across the prominent 4,653 sqm boulevard site in Melbourne’s St Kilda Road North Precinct.

The project centres on the adaptive reuse of the site’s heritage-listed VACC Building, an eight-storey office designed by Bernard Evans that has occupied the address for decades. Planning documents state the development would involve “carefully dismantling and conserving off-site the original metal fabric of the podium visible from St Kilda Road,” before reinstating it as the defining frontage of the new scheme.

Above the restored podium, Wing Tai is proposing a curvilinear residential tower. The scheme includes 172 one-bedroom apartments, 63 two-bedroom apartments, 66 three-bedroom apartments, and 24 four-bedroom apartments, alongside two ground-floor food and beverage tenancies fronting St Kilda Road.

The tower has been designed with substantial articulation and variable setbacks to minimise perceived bulk and maintain view corridors along the boulevard. Urbis, which prepared the planning report, said the design “has been significantly articulated through a curvilinear design” with “an interplay with materials, façade expression and depth” to create visual separation and visual interest.

The proposal also includes 254 basement car spaces, landscaped pedestrian links connecting St Kilda Road and Queens Lane, and a biophilic landscape strategy featuring canopy trees, raised planters, cascading greenery and a glass oculus pool overlooking the eastern frontage.

Planning documents confirm the $270.1 million development will contribute 3 per cent of project costs to the Social Housing Growth Fund as part of the application process.

Wing Tai acquired the St Kilda Road property in 2018 alongside Abacus Property Group for $95.38 million, before later consolidating ownership of the site. The property previously served as the Victorian Automobile Chamber of Commerce headquarters for around 60 years.

The transformation of the St Kilda Rd boulevard is already beginning to materialise, with a number of high-profile projects recently completed, launched, or approaching launch as developers continue to back the long-term appeal of the precinct.

Among the most notable recent completions is Louise by Samuel Property Group, just off the strip on Queens Lane, the same pocket Hirsch &amp; Faigen recently launched The Queensbury. Mirvac is too on the same street with The Albertine, which is approaching completion.

Dexus recently secured approval for its slice of St Kilda Road, while Gurner also has approved plans for the precinct.

Joel Robinson

Wing Tai unveils 325-apartment St Kilda Road tower on former VACC House site

Malaysian developer <a href="https://www.apartments.com.au/developers/s-p-setia">SP Setia</a> is the latest to jump into St Leonards booming Transport Oriented Development precinct.

The developer, which has previously delivered Sapphire by the Gardens apartment development in Melbourne, identified the Atchison Street site in 2023. It filed a Scoping Report around 12 months ago, and now has revealed the designs for the new&nbsp;40-storey mixed-use tower.

The State Significant Development Application covers <a href="https://next-portal.urban.com.au/projects/14650/summary">20-22 Atchison Street</a>, a 1,374 sqm site positioned between St Leonards Station and the new Crows Nest Metro station.

Designed by <a href="https://www.apartments.com.au/architects/cox-architecture">COX Architecture</a>, the project would deliver 181 apartments, above a four-storey commercial podium, five basement levels, and new public domain works along Mitchell Street. The apartment mix comprises 35 one-bedroom apartments, 39 one-bedroom-plus-study apartments, 85 two-bedroom apartments, and 22 three-bedroom residences.

The proposal has been lodged as a shop-top housing development under the NSW Government’s TOD planning pathway, which allows increased density around key transport infrastructure. The site sits within the recently rezoned Crows Nest Accelerated TOD Precinct.

<img alt="First look: SP Setia targets St Leonards skyline with 40-storey TOD tower" data-entity-type="file" data-entity-uuid="b799673d-48e2-46b0-801a-0e33a9330100" src="https://s3.ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/inline-images/atchinson%20site.png?VersionId=dPh0UfwfaHpbFL1R7H1cbZNbIW0CHbCC" />

SP Setia acquired the Atchison Street site as part of its continued expansion into the Australian apartment market. In comments made to City &amp; Country (The Edge Malaysia) in 2023, SP Setia President and CEO Datuk Choong Kai Wai described the acquisition as “a strategic move” aligned with the group’s post-pandemic market recovery strategy.

“Our target for this exceptional development is local and overseas buyers, including first-home buyers, downsizers and investors,” Choong said.

The tower has been designed as a slender vertical form rising from a mixed-use podium, with COX Architecture positioning the development as a response to the evolving St Leonards and Crows Nest skyline.

“The purpose of the project is to facilitate the delivery of high-quality housing at a strategically located site and deliver a built tower outcome that is consistent with the desired future character of St Leonards and aligns with the TOD controls,” the design report stated.

<img alt="First look: SP Setia targets St Leonards skyline with 40-storey TOD tower" data-entity-type="file" data-entity-uuid="b1a85eee-76f7-436c-a6da-73ba827b9b13" src="https://s3.ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/inline-images/atchinson%20entry.png?VersionId=dA9jHGPMcm.dDbwk4QfxqWiY5bfh3UVt" />

The podium would incorporate retail uses fronting Atchison Street, commercial tenancies, landscaped communal areas, and pedestrian improvements along Mitchell Street. Vehicle access and loading would be consolidated via Atchison Lane.

Residents would have access to more than 665 sqm of communal indoor and outdoor spaces, while the development proposes 96 parking spaces across five basement levels.

The proposal also includes a commitment for 10 per cent of residential floor space to be allocated toward affordable housing through a monetary contribution.

COX said the tower form responds directly to the emerging high-density character of the precinct while seeking to maximise solar access, cross ventilation, and outlook from apartments.

<img alt="First look: SP Setia targets St Leonards skyline with 40-storey TOD tower" data-entity-type="file" data-entity-uuid="2163f85c-f63b-4be3-aafa-f8763976cec5" src="https://s3.ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/inline-images/Article%20Feature%20Image%20%28Grid%29_5.png?VersionId=WiAmtIKJ6.ZQ41EtYEQ1fol7AeorKBlL" />

“The building is orientated towards north,” the Apartment Design Guide compliance report noted, adding that the tower’s slim form was driven by the constrained inner-urban site dimensions.

The design also incorporates landscaped setbacks and communal open space at podium level, intended to soften the interface with surrounding streets and improve pedestrian amenity.

The project adds to a growing wave of redevelopment proposals reshaping St Leonards and Crows Nest following the opening of the Sydney Metro City line and the NSW Government’s push for higher-density housing around major transport nodes.

Last week Stockland filed plans just down the road. They want to build a <a href="https://www.apartments.com.au/new-apartments/601-pacific-highway-st-leonards-nsw-2065">52-storey tower on Pacific Highway</a>.

Read more:&nbsp;<a href="https://www.apartments.com.au/news/nsw/first-look-stockland-plans-52-storey-538-apartment-st-leonards-tower">First look: Stockland plans 52-storey, 538-apartment St Leonards tower&nbsp;</a>

First look: SP Setia targets St Leonards skyline with 40-storey TOD tower

<a href="https://www.apartments.com.au/developers/urban-property-group">Urban Property Group</a> has revealed plans for a new mixed-use tower at 10 Dangar Street, Wickham, advancing a proposal that would reshape the southern gateway to Newcastle’s city centre with one of the city’s tallest residential buildings.

The State Significant Development proposal, now on exhibition, seeks approval for a <a href="https://www.apartments.com.au/new-apartments/bowline-10-dangar-street-wickham-nsw-2293">43-storey tower</a> immediately adjacent to the Newcastle Interchange. The project would deliver around 200 apartments, including 42 affordable housing dwellings, alongside 99 co-living units, a 171-room hotel, retail space, and new public domain integrated through the site.

The scheme marks a significant escalation of plans previously approved for the site. Urban Property Group took over the prominent 2,904 sqm parcel, where excavation and demolition had already commenced under an earlier consent for a 14-storey mixed-use development.

<img alt="First look: Urban Property Group unveils Newcastle’s next supertower at Wickham interchange" data-entity-type="file" data-entity-uuid="58a96dd9-407f-4d20-86b4-94e4bfeef74b" src="https://s3.ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/inline-images/wickham%20podium.png?VersionId=LGlf08pdFGAZDzvx_CXC4XakHNZRuEE0" />

Designed by <a href="https://www.apartments.com.au/architects/sjb-architects">SJB</a>, the tower has been conceived as a landmark transit-oriented development anchored to the Newcastle Interchange precinct. The proposal includes 245 build-to-sell apartments across a mix of one, two, and three-bedroom residences, as well as two penthouses. Fifteen apartments and one operational unit are earmarked for NDIS housing. The co-living component would add a further 99 units, while the podium would accommodate retail uses and hotel facilities.

SJB said the site presents “a valuable opportunity to anchor the precinct by setting the standard for design, active ground planes and character at the key southern gateway.”

The architecture responds directly to the site’s position beside major transport infrastructure and within one of Newcastle’s fastest-evolving urban renewal precincts. The tower form sits above a sculpted podium designed to frame new public spaces, including a through-site pedestrian link connecting Station Street to Hannell Street, landscaped plazas, and activated retail edges.

<img alt="First look: Urban Property Group unveils Newcastle’s next supertower at Wickham interchange" data-entity-type="file" data-entity-uuid="a7bd6ff0-f7db-4ce8-a6dc-ea56e72c6149" src="https://s3.ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/inline-images/wickham%20lanne.png?VersionId=xzf39VADyhj7zBQY2I9fx9vI62u2tuSb" />

The design report describes the project as part of the broader transition of Wickham into “a vibrant, high-quality mixed-use urban precinct” that leverages proximity to the station, open space, and regional connectivity.

A detailed public art strategy has also been prepared for the development. The strategy positions the project as “a transit-oriented development of state significance at the gateway to Newcastle’s city centre” and outlines a series of integrated artworks responding to Newcastle’s industrial and transport heritage.

Creative Road’s curatorial framework for the project, titled Unveil, draws on “stratified surfaces, carved volumes, and light-filled apertures” while referencing Newcastle’s transformation from an industrial city into a contemporary education and technology hub.

<img alt="First look: Urban Property Group unveils Newcastle’s next supertower at Wickham interchange" data-entity-type="file" data-entity-uuid="77a882bb-14b1-4d28-99ff-9438e39508c0" src="https://s3.ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/inline-images/wickham%20site.png?VersionId=cevgo_vN0eKPK78P8YcEu3mKPLkpFqE7" />

The proposal is being advanced through the NSW Housing Delivery Authority pathway after being declared State Significant Development in June 2025. The accompanying scoping report states the development aims to “maximise the site’s proximity to the Newcastle Interchange by delivering transit-oriented development” while increasing housing supply and affordable housing provision within the Newcastle LGA.

Urban Property Group’s plans align with the long-term strategic vision established under the Wickham Master Plan, which identified the interchange precinct as suitable for substantial uplift in height and density. The current proposal would significantly intensify that vision, positioning the tower among the tallest developments proposed for Newcastle.

The site sits immediately north of the Newcastle Interchange, bounded by Dangar Street, Hannell Street, and Charles Street. It is surrounded by a rapidly growing cluster of residential towers and mixed-use projects that have emerged following the completion of the light rail and transport interchange.

First look: Urban Property Group unveils Newcastle’s latest tower at Wickham interchange

Bottega House has completed settlement of a landmark riverfront site in Macquarie Street, St Lucia, representing its first major Brisbane development.&nbsp;

Positioned on the banks of the Brisbane River, the <a href="https://www.apartments.com.au/new-apartments/180-macquarie-street-st-lucia-qld-4067">premium site at 180 Macquarie Street</a> features uninterrupted river frontage in one of Brisbane’s most tightly held residential precincts.&nbsp;

The proposed development, currently under assessment with Brisbane City Council, has been designed by <a href="https://www.apartments.com.au/architects/plus-studio">Plus Studio</a> with interiors by <a href="https://www.apartments.com.au/interior-designers/mim-design">Mim Design</a> and will deliver a boutique collection of premium residences positioned specifically for owner occupiers and downsizers.&nbsp;

The residences are set to redefine luxury apartment living in the area, with a focus on architectural quality, refined finishes, landscape integration and elevated amenities including curated wellness facilities, resort-style pools and recreation spaces rarely seen in the local market.&nbsp;

Exclusive sales for the project will be led by Keenan &amp; Byrne, ahead of an anticipated launch later this year.&nbsp;

Bottega House Managing Director Nick Malloch said the project reflects the group’s ambition to deliver a highly curated residential offering within one of Brisbane’s most tightly held precincts.&nbsp;

“This is an incredibly rare riverfront opportunity and one we have approached with a long-term perspective,” Malloch said.&nbsp;

“Our vision from the outset was to create a boutique collection of residences that feel more like private homes than traditional apartments, with generous proportions, refined finishes and exceptional amenity throughout."

Malloch says there is a&nbsp;lack of premium owner-occupier stock of this quality in the market, particularly for downsizers wanting space, privacy and a true lifestyle offering without compromise.&nbsp;

"Demand is expected to be strong given the scarcity of premium riverfront opportunities of this nature within Brisbane’s inner-west."&nbsp;

Bottega House secures landmark riverfront site in St Lucia 

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The arrival of the first piling rig officially marks the commencement of construction at SIERA’s new beachside apartment development, Exhale, in Northcliffe.

<a href="https://www.apartments.com.au/new-apartments/exhale-surfers-paradise-8-enderley-avenue-surfers-paradise-qld-4217">Exhale</a>, a glass-encased tower featuring 54 large-scale apartments at 8 Enderley Avenue, is SIERA’s third Gold Coast development. It follows the recently completed PIPIS Bilinga beachfront project, which achieved suburb-record prices, and the soon-to-be-completed Chevron Island development, Tapestry.

[smartcode_project:default project_id=112661 project_image_fid=359603]

<a href="https://www.apartments.com.au/developers/siera">SIERA</a> Founder and Managing Director Brent Thompson said the arrival of the piling rig represented a significant milestone for the development, which is scheduled for completion in late 2028.

Over the next month, around 260 piles are expected to be installed as work progresses on the basement structure. The building is anticipated to rise above ground level early next year, before unveiling its sculptural glass curtain wall, developed in collaboration with specialist façade engineers.

“The façade was designed to maximise panoramic coastal views while creating a distinctive architectural identity,” Thompson said.

[smartcode_project:default project_id=112661 project_image_fid=355935]

Designed by BDA Architecture, Exhale will comprise just 54 two- and three-bedroom residences across 26 levels, a level of low-density living rarely delivered in this beachside pocket between Surfers Paradise and Broadbeach.

The project has been conceived as a resident-only building, with no short-stay accommodation permitted. SIERA says the model is intended to appeal to long-term owner-occupiers rather than transient holiday demand.

[smartcode_project:default project_id=112661 project_image_fid=361052]

Residences have been designed with large-format layouts and expansive glazing, with most apartments featuring more than 30 metres of glass frontage to maximise natural light and ocean views.

The amenity offering spans two levels and centres on wellness and lifestyle, including a heated magnesium pool, sauna, yoga and Pilates studio, gymnasium, private dining facilities, cinema lounge, and dedicated surfcraft storage.

[smartcode_project:default project_id=112661 project_image_fid=359607]

More than half of the apartments have already sold. SIERA has also opened a sales gallery for Exhale at its Chevron Island commercial premises, near its Tapestry tower and the site of its second Chevron Island apartment development, which is slated to launch in early 2027.
</section>
</section>

[smartcode_project_cta:default project_id=112661]

SIERA kicks off construction at Northcliffe tower Exhale

Architecture

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A newly built Portsea home, cantilevered on something like a lawned sand dune, has been sold.
It was listed with $3.5 million to $3.75 million hopes. 
It was sold by Simonds Group director Rhett Simonds.
<a href="https://www.realestate.com.au/sold/property-house-vic-portsea-127389710" target="_blank">The glass house</a>, mostly concealed from view, was crafted with simple clean lines to create a seemingly endless home.
It sits on land that was part of the subdivision of Tintagel Farm which dated back to the 1800s.
Designed by FGR Architects Melbourne, it is described as Portsea's own modern marvel by Kay &amp; Burton Portsea listing agents Liz Jensen and Lorna Duffy.
Close to the Back Beach with sweeping coastal views, the single level plan has five bedrooms and two bathrooms.
The sleek open plan living and kitchen areas open to a gas heated pool.
The vacant 3,460 square metre Wildcoast Road parcel sold for $1,125,000 in 2015.
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firstname1-iYD4UYzvBa

New Portsea trophy home sold by Simonds Group's Rhett Simonds

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A house designed by Alan Thomas, from the renowned Sydney School of architecture, has been sold for $1.5 million.
It sold through Kevin Dearlove of Stone Real Estate Beecroft.
The property at <a href="https://www.realestate.com.au/sold/property-house-nsw-beecroft-127477482" target="_blank">68 Bambara Crescent, Beecroft</a> has a bushland reserve location.
It sits on a 746 square metre parcel.
The home has family retreat spaces plus a home office.
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j.ballantyne1990-6AQqhLzZaK

Beecroft bushland offering with Sydney School design

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In a departure from architecture’s traditional hierarchies, the benefits of adopting a more collaborative approach to design within practices is becoming increasingly apparent.

A key part of this is mentoring which is critical to ensuring this new culture becomes a reality within architectural practice, according to Technē Architecture and Interior Design director Steve McKeag.

McKeag highlights the culture at Technē, where team leaders will often ask younger staff to identify goals and key tasks early on, as providing staff with the confidence to undertake projects of any size and budget.

The creative side of architecture can be very time exorbitant, so communicating with staff in a way that gets them to lift their heads up and identify the critical task at hand is very important.

McKeag is keen to share a number of initiatives the practice has implemented; initiatives he believes can improve culture across the sector.

Additionally, the studio follows a deliberate policy of project exposure and knowledge building. Wherever possible, junior staff are brought in on meetings with clients and contractors.

<a href="/news/technes-steve-mckeag-discusses-his-appointment-as-director-and-his-favourite-pubs">Speaking previously</a> with Apartments.com.au McKeag discussed how fellow directors Nick Travers and Justin Northrop provide a lot of autonomy which in turn fosters a supportive and nurturing workplace environment in which team members share skills, knowledge and experience.

The leadership team encourages an open dialogue between employees at all levels, creating a space where resources and knowledge can be easily shared. According to McKeag, contributing to open forum type discussions assisted his own development and progression to director. 
 

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/techne_directors-2.jpg" rel="gallery-all" title="Technē's directors (L-R) Justin Northrop, Steve McKeag, Nick Travers"><img alt="" class="image-article-full-width-580px" height="387" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/techne_directors-2.jpg?itok=bmi0fdZi" title="Technē's directors (L-R) Justin Northrop, Steve McKeag, Nick Travers" width="580"></a>

<figcaption>Technē's directors (L-R) Justin Northrop, Steve McKeag, Nick Travers</figcaption></figure><blockquote>
Across the industry we’re beginning to see inspiring outcomes that are the result of intelligent collaboration, of multiple architects and designers pooling their talents, rather than as the expression of a single architect’s ‘genius’. Such collaboration begins early with mentorship

We take a collaborative approach on our projects that is almost the reverse of the old-fashioned model. When they establish a new project, Technē founding directors Nick [Travers] and Justin [Northrop] might outline the core challenges along with the client’s needs, but from there we open it up so that whoever comes up with the best concept is given the opportunity to develop that in collaboration with the project leaders. It’s design led and not top-down. 
We give everyone as much exposure as possible to the different facets of the decision making process. It’s part of learning on the job.

Opening up a project to studio-wide feedback has the advantage of inviting a fresh perspective. Brainstorming outside the project’s known constraints can generate new ideas, which the team can then tailor within the boundaries of the brief or the client's expectations.

And if you’re retaining staff that’s a competitive advantage, because of the flow-on effects of greater corporate knowledge, which in turn leads to innovation.

These are skills so important to project communication and which senior practitioners can cultivate simply by helping their mentees.

It’s really bringing back some of those tactile processes and focusing on the concepts – then sharing that through conversation and mentoring – rather than concentrating on photo-realistic renders from the outset.

- Steve McKeag, Director Technē Architecture &amp; Interior Design
</blockquote>

Mentoring benefits both parties, McKeag stresses, and the benefits for both the mentor and the wider practice have been shown to result in a better workplace culture, improved staff morale and reduced turnover. 
For the mentee, working collaboratively has shown to improve career advancement, job satisfaction, promotion and pay increases. Additionally, those who receive mentoring are far more likely to persist with their chosen career.

The industry’s peak body, the Australian Institute of Architects (AIA), recognises the importance of mentoring, with various state chapters overseeing different schemes. Mentoring can help overcome barriers to gender diversity and, 
alongside a focus on graduates entering the industry, the AIA Victorian Chapter looks for mentors to mature-age women returning to the field after a period away, perhaps after parental leave.

Other advocacy groups such as Parlour have also long lobbied and promoted equity in the industry and fair rights for all irrespective of age or gender. Parlour is also a strong proponent and advocate of mentoring, with the topic discussed in a series of essays on their site which you can read <a href="http://archiparlour.org/topics/mentoring/">here</a>.

Other initiatives implemented at Technē which are designed to encourage collaboration and enhance project outcomes are the Friday design reviews. These present an opportunity for studio members to express their interest in joining a project team, or simply to share relevant experience or ideas.

Technē’s Carlton studio also features pin boards which run the length of the work area and exhibit projects currently in progress, encouraging staff to share their insights and experience to colleagues passing by throughout the day.

The office's workshop provides a space where physical models and prototypes can be tested and has been designed to facilitate and promote both digital design and older more traditional methods of learning, something McKeag considers to be a point of difference with many other studios.
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Laurence Dragomir

Technē's Steve McKeag discusses the importance of mentoring within architectural practice

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With more than half of Melbourne's architecture fraternity currently overseas to see <a href="http://wp.architecture.com.au/venicebiennale/">Baracco + Wright &amp; Linda Tegg's exhibition</a> at the Australian Pavilion for the Venice Biennale, the announcement of the shortlist for the 2018 Victorian Architecture Awards took a slight backseat to social media (boasts) posts all over Venice.

The 2018 awards program, run by the Victorian Chapter of the Australian Institute of Architects, saw a record 268 entries received, with the shortlist comprising a total of 108 projects across 14 categories ranging from residential to public, commercial and educational architecture.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/bunjil_place_exterior_-_fjmt_photo_glenn_hester.jpg" rel="gallery-all" title="Bunjil Place by FJMT. Photo: Glenn Hester"><img alt="" class="image-article-full-width-580px" height="189" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/bunjil_place_exterior_-_fjmt_photo_glenn_hester.jpg?itok=wiLpTSQr" title="Bunjil Place by FJMT. Photo: Glenn Hester" width="580"></a>

<figcaption>Bunjil Place by FJMT. Photo: Glenn Hester</figcaption></figure><blockquote>
Truly exceptional architecture has the power to improve how people experience life, both in their own private spaces and in the public realm. As reflected in this year’s awards, it’s been a significant year for architecture.

In Victoria we have a rich and ingrained culture supporting strong and diverse architectural endeavours. It is always so encouraging to see architects continuing to challenge the status quo in order for our cities and communities to evolve.

This shortlist defines the many forms outstanding design can take, from projects that provide innovative educational spaces offering varying ways for students to learn and engage, to new housing typologies that create a platform for better community engagement.

The common denominator in successful projects is supportive and engaged clients who acknowledge the value that quality architecture interventions can bring to building strong and successful communities.

Carefully considered buildings, urban design interventions and infrastructure projects can take many years to procure. The awards program is an opportunity to celebrate the passionate and cohesive teams of architects, clients, consultants and builders who bring them to fruition.

- Amy Muir, Victorian Chapter President
</blockquote>

The most significant themes to emerge from this year’s shortlist were the emphasis on the importance of the public realm and the far-reaching contribution that architecture makes to daily life.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/atrium_of_holy_agels_mausoleum_-_harmer_architecture_photo_jonathan_hadiprawira.jpg" rel="gallery-all" title="Atrium of Holy Angels Mausoleum by Harmer Architecture. Photo: Jonathon Hadiprawira"><img alt="" class="image-article-full-width-580px" height="385" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/atrium_of_holy_agels_mausoleum_-_harmer_architecture_photo_jonathan_hadiprawira.jpg?itok=KT5kVK-h" title="Atrium of Holy Angels Mausoleum by Harmer Architecture. Photo: Jonathon Hadiprawira" width="580"></a>

<figcaption>Atrium of Holy Angels Mausoleum by Harmer Architecture. Photo: Jonathon Hadiprawira</figcaption></figure><h2>2018 Victorian Architecture Awards Shortlist </h2>

Residential Architecture – Houses (New) 27 entries / 16 shortlisted projects 

Tucks Ridge House - Adrian Bonomi Architect | Moonah Home - Bellemo &amp; Cat | Shrouded House - BKK Architects | Humble House - Coy Yiontis Architects | DATUM HOUSE - FIGR Architecture | Park House -  Kerstin Thompson Architects Compound House - March Studio | Triangle House - Molecule Studio | Two Halves - Moloney Architects | Ross - Ola Studio | First Lessons House - Ray Dinh Architecture | House on the Coast - Sean Godsell Architects | Lauriston House - Seeley Architects | Bellerine Pavilion House - Tecture Architecture &amp; Interior Design | Matilda - Templeton Architecture | Towers Road House - Wood Marsh Architecture

Residential Architecture – Multiple Housing 25 entries / 9 shortlisted projects 

35 Spring Street - Bates Smart | Nightingale 1 - Breathe Architecture | Campbell Street - DKO Architecture and SLAB | Parkville Townhouses - Fieldwork | McAuley Community Services for Women - Hede Architects Pty Ltd | Averi - Jackson Clements Burrows | Banksia, NewQuay - McBride Charles Ryan | Elwood House - Woods Bagot | C.F. Row - Woods Bagot

Residential Architecture – Houses (Alterations &amp; Additions) 50 entries/ 11 shortlisted projects 

Hatherlie - Andrew Simpson Architects | The Kite - Architecture Architecture | King Bill - Austin Maynard Architects | St Vincents Place Residence - B.E Architecture | Old Be-al - FMD Architects pty ltd | Boneo Country House - John Wardle Architects | Dark Light House - MRTN Architects | Highbury Grove - RITZ&amp;GHOUGASSIAN |Station Street House - Robert Simeoni Architects | Fawkner Street - Workshop Architecture | Tiger Prawn - WOWOWA Architecture

Small Project Architecture 30 entries / 8 shortlisted projects 

Sound Field - BLOXAS with Arup | Campbell Street - DKO Architecture and SLAB | Gertrude Contemporary - Edition Office | Multipurpose Centre - Kosloff Architecture | Garden Wall (NGV Architecture Commission) - Retallack Thompson and Other Architects | Elgin Street Residence - Sonelo Design Studio | Koondrook Wharf - TERROIR | Sorrento Visitor Centre - Workshop Architecture

Urban Design 14 entries /5 shortlisted projects 

Monash Transport Interchange - John Wardle Architects | New Academic Street, RMIT University - Lyons with NMBW Architecture Studio, Harrison and White, MvS Architects and Maddison Architects | Caribbean Park, Public Realm Stage 1 and 2 - Peter Ryan Architects with OCULUS Landscape Architecture and Urban Design | Koondrook Wharf - TERROIR | Deakin Link - watsonarchitecture+design

Heritage Architecture 14 entries / 8 shortlisted projects 

St Vincents Place Residence - B.E Architecture | James Street Residence - B.E Architecture | Carlton Court House - HLCD Pty Ltd with Somerville Design | Longsong - Jackson Clements Burrows with John van Haandel | Elberfeld House - Jane Riddell Architects | Victorian College of the Arts former Mounted Police Stables - Kerstin Thompson Architects | North Melbourne Terrace - Matt Gibson Architecture + Design | 'Cassiope' alterations &amp; additions - RBA Architects + Conservation Consultants

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/entry-mrnlbpwx-649202.jpg" rel="gallery-all" title="Victorian College of the Arts former Mounted Police Stables by Kerstin Thompson Architects. Photo: Trevor Mein "><img alt="" class="image-article-full-width-580px" height="387" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/entry-mrnlbpwx-649202.jpg?itok=7AYYA9so" title="Victorian College of the Arts former Mounted Police Stables by Kerstin Thompson Architects. Photo: Trevor Mein " width="580"></a>

<figcaption>Victorian College of the Arts former Mounted Police Stables by Kerstin Thompson Architects. Photo: Trevor Mein</figcaption></figure>Commercial Architecture 17 entries / 5 shortlisted projects 

Jackalope - Carr | Barwon Water - GHDWoodhead | Mercedes Me - Jackson Clements Burrows | Pt Leo Estate - Jolson Architecture &amp; Interiors | GMHBA Stadium - Populous

Interior Architecture 58 entries /12 shortlisted projects

Jackalope - Carr | Henry Street House - Eugene Cheah Architecture | Passage - Honeyman + Smith | Boneo Country House - John Wardle Architects | Monash University Caulfield Library Refurbishment - John Wardle Architects | Monash University Learning and Teaching Building - John Wardle Architects | Victorian College of the Arts former Mounted Police Stables - Kerstin Thompson Architects | Our Lady of Good Counsel Church Deepdene - Law Architects | New Academic Street, RMIT University - Lyons with NMBW Architecture Studio, MvS Architecture, Harrison &amp; White and Maddison Architects | Armadale Residence - Rob Mills Architecture &amp; Interiors | Station Street House - Robert Simeoni Architects | Space &amp; Time - Russell &amp; George

Public Architecture 11 entries / 4 shortlisted projects 

Atrium of Holy Angels Mausoleum - Harmer Architecture | Bendigo Hospital - Silver Thomas Hanley with Bates Smart | Bunjil Place - fjmt | North Fitzroy Library and Community Hub - GroupGSA

Educational Architecture 21 entries / 13 shortlisted projects

Artemis Centre, Melbourne Girls Grammar School - BVN Monash University | The Sir Louis Matheson Library Refurbishment - Cox Architecture | The Geoff Handbury Science and Technology Hub, Melbourne Grammar School - Denton Corker Marshall | Monash University Learning and Teaching Building - John Wardle Architects | Monash University Caulfield Library Refurbishment - John Wardle Architects | Victorian College of the Arts former Mounted Police Stables - Kerstin Thompson Architects | 18 Innovation Walk Revitalisation Project - Kosloff Architecture + Callum Morton + MAP (Monash Art Projects) | New Academic Street, RMIT University - Lyons with NMBW Architecture Studio, Harrison and White, MvS Architects and Maddison Architects | Trinity Grammar School, Centre for Business and Social Enterprise - Mc Intyre Partnership Architects | Monash Business School Redevelopment Caulfield - NH Architecture | Camberwell Grammar School Sports Centre and Chapel - Peter Crone Architects | Ruyton Girls School, Junior School Campus - Sally Draper Architects with DP Toscano Architects | University of Melbourne Academic Services - Six Degrees Architects

Sustainable Architecture 6 shortlisted projects 

Nightingale 1 - Breathe Architecture | Barwon Water - GHDWoodhead | North Fitzroy Library and Community Hub - GroupGSA | 18 Innovation Walk Revitalisation Project - Kosloff Architecture + Callum Morton + MAP (Monash Art Projects) | New Academic Street, RMIT University - Lyons with NMBW Architecture Studio, Harrison and White, MvS Architects and Maddison Architects | Space &amp; Time - Russell &amp; George

Regional Prize 3 shortlisted projects

Barwon Water - GHDWoodhead | Koondrook Wharf - TERROIR | Sorrento Visitor Centre - Workshop Architecture

COLORBOND® Award for Steel Architecture 4 shortlisted projects 

King Bill - Austin Maynard Architects | Compound House - March Studio | Bugiga Hiker Camp, Grampians National Park - Sean Godsell Architects | Unfolding House - Sibling Architecture

Melbourne Prize 4 shortlisted projects 

Nightingale 1 - Breathe Architecture | North Fitzroy Library and Community Hub - GroupGSA | McAuley Community Services for Women - Hede Architects Pty Ltd | New Academic Street, RMIT University - Lyons with NMBW Architecture Studio, Harrison and White, MvS Architects and Maddison Architects

 
The winners of the 2018 Victorian Architecture Awards will be announced at the awards dinner on 29 June 2018. Winners of each category will then progress to compete in the National Architecture Awards program.

Lead image: New Academic Street RMIT University, Peter Bennett
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2018 Victorian Architecture Awards Shortlist announced

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DKO Architecture and SLAB Architecture's Campbell Street project in Collingwood has claimed gold in Architectural Design (Commercial and Residential), at the Good Design Awards hosted in Sydney.

The 60th Anniversary of the Awards attracted a record number of entries, with only 260 projects selected to receive a Good Design Award, after being whittled down from 536.

The jury commented that the project was a “great use of space, wonderful use of exterior, wonderful use of the metal-as decoration”, with the project's location in Collingwood playing an important role in the design approach.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/120_campbell_highres-28.jpg" rel="gallery-all" title="Campbell Street's rooftop terrace encompasses views of its Collingwood context."><img alt="" class="image-article-full-width-580px" height="387" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/120_campbell_highres-28.jpg?itok=eY6Wk8l6" title="Campbell Street's rooftop terrace encompasses views of its Collingwood context." width="580"></a>

<figcaption>Campbell Street's rooftop terrace encompasses views of its Collingwood context.</figcaption></figure>Designed by Jesse and Seada Linardi (DKO Architecture/Slab Architecture) the house is a study in pushing multi-residential architecture and vertical living to the limits, within its environment while offering an alternative typology to living in a contested urban landscape.

<blockquote>
The project provokes questioning and curiosity and challenges conventional notions of multi-residential development … if everyone was this creative in designing high density housing on small inner city sites our cities would be better places. Collingwood is almost cult-like in its community. It’s active, eclectic, unpretentious and accepting of culture, values and diversity.

- Jesse Linardi, Design Director from DKO Architecture
</blockquote>

The Campbell Street project cleverly configures this space in Collingwood into two light filled, three-bedroom vertical dwellings with footprint dimensions of 4m in width and 9m in length, totalling 36 sqm per dwelling across a site area of only 72 sqm.

Each six-level apartment features a basement, ground-floor garage and rooftop terrace plus a light well spanning the height of the property that illuminates each home. Campbell Street’s exterior has a jewel-like appearance with metal studs and a perforated, powder coated, operable steel screen.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public//pictures/article-images/122_campbell_highres-14.jpg" rel="gallery-all" title="The warmth and softness of the interiors is in contrast to the dark steel exteriors."><img alt="" class="image-article-full-width-580px" height="387" src="/sites/urban.melbourne/files//styles/article_full_width_580px/public/pictures/article-images/122_campbell_highres-14.jpg?itok=zeaos21h" title="The warmth and softness of the interiors is in contrast to the dark steel exteriors." width="580"></a>

<figcaption>The warmth and softness of the interiors is in contrast to the dark steel exteriors.</figcaption></figure>The interior design of Campbell Street is a deliberate and curated juxtaposition between the bold exterior presentation, and the softness and calmness of the interior living experience.

The project represents a density of 140 dwellings per hectare compared to the average Melbourne city lot size in 2016 of 400 sqm.

Winners of the Awards will be showcased to the general public during Vivid Sydney, from 25-27 May 2018 at the Overseas Passenger Terminal, Circular Quay. DKO will display a model of Campbell Street as part of the showcase.
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DKO and Slab Architecture snare gold for Campbell Street

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Four years after a fire tore through the Stokehouse, the popular venue has reclaimed its prominent location on St Kilda's foreshore. The new design which reimagines the Stokehouse’s exterior, is the result of a collaborative effort between Sydney-based Industrial Design studio TILT, Robert Simeoni Architects and owners, the Van Haandel Group.

The building doesn’t try to imitate its predecessor, instead, the design draws on cues taken from the site's beachside context, paying homage to the jetty via a blackened timber-clad façade. Raw elements such as leather, concrete and brick form a connection between the building and the artificial sand dunes. The dunes conceal the ground floor from street level, while also raising Stokehouse and creating the sense of a floating volume.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/20170536_jg_0511.jpg" rel="gallery-all" title="The Stokehouse appears to float above the sand dunes. Image: Supplied"><img alt="" class="image-article-full-width-580px" height="387" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/20170536_jg_0511.jpg?itok=LsP8pDjR" title="The Stokehouse appears to float above the sand dunes. Image: Supplied" width="580"></a>

<figcaption>The Stokehouse appears to float above the sand dunes. Image: Supplied</figcaption></figure>The restaurant is spread over two levels, and has been provided with a fresh new look, taking advantage of the views over St Kilda beach, just a few metres away.

The new precinct also houses casual bar and grill Pontoon, and fish-and-chip kiosk Paper Fish. TILT undertook the façade design, manufacturing and installation process which is expressed as a series of horizontally bi-folding screens located outside the restaurant’s windows. The screens provide protection from the sun, and can be raised to encompass unobstructed bay views.

<blockquote>
TILT was engaged to design, manufacture and install a series of bi-folding screens for the iconic Stokehouse restaurant rebuild in Melbourne. The screens sit outside the restaurant windows and provide protection from the sun, but can be raised to highlight beautiful ocean views. The beachside location is a demanding environment for mechanical structures.

The design utilises marine grade stainless steel for the fabricated structural elements, which is paramount for longevity and reliable performance. The screens provide a distinctive yet functional façade that offers uninterrupted views. This unique design retains the character of the building, while considering the comfort of patrons – a combination that results in the greatest commercial success.

- TILT
</blockquote>

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/20170536_jg_0686.jpg" rel="gallery-all" title="The Stokehouse's operable facade controls the comfort of patrons. Image: Supplied"><img alt="" class="image-article-full-width-580px" height="387" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/20170536_jg_0686.jpg?itok=It0NELtn" title="The Stokehouse's operable facade controls the comfort of patrons. Image: Supplied" width="580"></a>

<figcaption>The Stokehouse's operable facade controls the comfort of patrons. Image: Supplied</figcaption></figure>The coastal location is a demanding environment for mechanical structures and so the use of marine grade stainless steel was used for the façade’s fabricated structural elements essential for durability and reliable performance within a beachside context.

TILT and Robert Simeoni Architects have created a new identity and recognisable aesthetic for the Stokehouse, with the operable screen, which has a practical application that considers and ensures the comfort of patrons.
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St Kilda foreshore's Stokehouse reborn

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Kerstin Thompson Architects (KTA) have transformed the former Victoria Police Mounted Branch stables on Southbank into world-class teaching and learning facilities for students of the University of Melbourne’s Faculty of Fine Arts and Music following an $18 million make-over.

The refurbishment is an exemplar of adaptive re-use and continues KTA's affinity with working with the fabric of heritage structures, since its inception in 1994. The stables were purpose-built in 1912 as part of the old Police Depot, which included a hospital, barracks and drill hall.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/the_stables_jg.jpg" rel="gallery-all" title="The Stables within its Southbank context. Image: John Gollings"><img alt="" class="image-article-full-width-580px" height="387" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/the_stables_jg.jpg?itok=3X75ARas" title="The Stables within its Southbank context. Image: John Gollings" width="580"></a>

<figcaption>The Stables within their Southbank context. Image: John Gollings</figcaption></figure>The Stables were officially open on Monday 14 May by Creative Industries Minister Martin Foley, who said the re-purposing and redevelopment of The Stables was part of a long-term plan to transform Southbank into "one of the world’s leading arts precincts."

The University of Melbourne’s acquisition of The Stables site was made possible through the significant support of the State Government, with the $18 million refurbishments undertaken through the significant support of generous philanthropists including The Ian Potter Foundation, The Myer Foundation and Martyn &amp; Louise Myer. 

The Stables feature a new visual arts wing with 170 studios and flexible exhibition spaces and the former riding school has been converted into a 260-seat multipurpose arts wing for theatre, dance, music theatre and music performances.

The heritage features of the former police stables had been maintained through the preservation of its bluestone mounting yards, red brick façade and iconic octagonal roof and skylight, formerly referred to by Mounted Branch staff as ‘The Dome’.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/the_stables_dome_tm.jpg" rel="gallery-all" title="The iconic 'dome' has been preserved within the 8m refurbishment. Image: Trevor Mein"><img alt="" class="image-article-full-width-580px" height="387" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/the_stables_dome_tm.jpg?itok=Wh65a8_B" title="The iconic 'dome' has been preserved within the 8m refurbishment. Image: Trevor Mein" width="580"></a>

<figcaption>The iconic 'dome' has been preserved within the 8m refurbishment. Image: Trevor Mein</figcaption></figure><blockquote>
The Former Mounted Police Stables and Former Riding School have been transformed to VCA’s School of Art. Once home of the horse is now home of 150 under- and post-graduate students. One of the largest metropolitan stables, this heritage-listed building is significant for its police use and distinguished by cellular organisation of its stalls, sublime repetition of structure and light-filled volumes by way of clerestory windows. Its bones formed an ideal fit with the university’s need for studios and a performing arts space.

An urban cornerstone of the university’s Southbank campus, the distinctive form of the octagon marks the intersection of Dodds and Grant Streets. It hinges the two wings of the facility into a v-formation to create the southern end of the central courtyard. The Dodd Street wing – former stables – is dedicated to studios and the Grant Street wing – former riding school – to performing arts space. It’s linked with the existing Grant Street theatre via a new steel canopy. The ground floor of the octagon forms the ceremonial entry and access to both wings and the campus courtyard. Exploiting its geometry, it can be divided into seminar, exhibition and event spaces as required through a series of sliding panels.

- Kerstin Thompson Architects
</blockquote>

KTA's transformation of the stables involved a series of interventions to the heritage fabric which required a delicate balancing act of careful conservation and restorative works to existing floor surfaces and stall fronts, and significantly more transformative changes in the sectional qualities of the space in order to accommodate new programme.

Staff offices, seminar rooms and a central conference room characterised by the now-revealed original steel trusses, are located at the first floor, with an oculus framing the structure from the entry below.

The original double-storey central void was partly in-filled to accommodate upper level studio spaces, utilising the higher ceilings and natural light afforded via the clerestory windows with circulation moved to the perimeter. 

New studio partitions provide the school with adaptable spaces which enable flexibility of use as exhibition space, for example outside of their everyday use as studio space.

According to the architects, one of the most significant challenges was the integration of building services. The adopted solution worked two-fold - it ensured minimal impact on the original heritage fabric and provided place-making opportunities for the courtyard by locating much of the plant within a series of brick-faced panel 'urban blocks'

Other key projects in the Southbank campus redevelopment include the recently-opened Buxton Contemporary, and a new state-of-the-art nine-storey building for the Melbourne Conservatorium of Music – The Ian Potter Southbank Centre – which will open in 2019.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/kerstin-thompson-banner-19tlnj5.jpg" rel="gallery-all" title="Kerstin Thompson within the refurbished Stables. Image: Giulia McGauran"><img alt="" class="image-article-full-width-580px" height="290" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/kerstin-thompson-banner-19tlnj5.jpg?itok=ynI2EPT4" title="Kerstin Thompson within the refurbished Stables. Image: Giulia McGauran" width="580"></a>

<figcaption>Kerstin Thompson within the refurbished Stables. Image: Giulia McGauran</figcaption></figure><a href="http://precinct.finearts-music.unimelb.edu.au/2018/05/11/welcome-to-the-stables-a-new-world-class-arts-facility-in-melbournes-arts-precinct/">Click here</a> for an in depth tour of the building by KTA Principal, Kerstin Thompson.

Lead image: Trevor Mein
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KTA lends its design nous to 'The Stables'

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Melbourne architect Jessica Liew is selling her innovative Armadale home that she built. 
Liew, a director at Plus Architecture, paid $762,000 for the 370 square metre property in 2010 with her husband Cavan.
Built with timber slatted walls and vast expanses of glass, the <a href="https://www.realestate.com.au/property-house-vic-armadale-128152634%20%20%20%20" target="_blank">Valentine Grove property</a> has dark grey polished concrete floors.
There's three bedrooms, three bathrooms, a library overlooking a tranquil central fish pond and a temperature controlled 1,200 bottle wine room.
A walled north east garden is lined by blackboard style walls, complete with a commissioned mural.
The home has been regularly featured in magazines.
Marshall White agents Fraser Cahill and Madeline Kennedy have a May 12 auction, with a guide of between $2.5 million and $2.75 million.
The couple, now with a young child, are looking for their next project.
This article first appeared in The Weekend Australian. 
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jonathanchancellor-7SQnKwU6yx

Architect Jessica Liew lists innovative Armadale home

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The residential Blue Mountain price record has been untouched for a decade, but that's set to change with the listing of Karoola, the 2008 Wilkinson Award-winning home in Leura.
<a href="https://www.realestate.com.au/property-house-nsw-leura-127911334" target="_blank">The striking home</a> incorporates the existing 1900s cottage in its James Stockwell-design. 
It has a price guide of $5 million through Belle Property Leura agent Matt Grima.
<img src="https://res.cloudinary.com/dz9xllyip/image/fetch/c_scale,w_580,q_auto:good/https://s3-ap-southeast-2.amazonaws.com/po.images/2018/4/27/6ae71489c964402bbbe887d50200d1f2.jpg" alt="">
It was designed for former Federal Court Judge Murray Wilcox and his wife Christine to accommodate their big family – their children, grandchildren along with friends.
Inspired by the geology and landscape of the Blue Mountains, Karoola was constructed with rammed earth, crushed sandstone, blackbutt and hoop pine timbers.
The sustainable single storey main residence was built on its 5,900 square metre Malvern Road holding.
<img src="https://res.cloudinary.com/dz9xllyip/image/fetch/c_scale,w_580,q_auto:good/https://s3-ap-southeast-2.amazonaws.com/po.images/2018/4/27/9a1a9e50124b44efb22547cc8fc855e8.jpg" alt="">
The main home has five bedrooms, each with garden and bushland views. There's granite bathrooms with Japanese inspired bathtubs.
As well as an opening verandah roof, the home was created in a solar passive design, where windows, walls, and floors are made to collect, store, and distribute solar energy in the form of heat in the winter and reject heat in the summer.
There's also a multi-purpose garden studio for painting and music.
<img src="https://res.cloudinary.com/dz9xllyip/image/fetch/c_scale,w_580,q_auto:good/https://s3-ap-southeast-2.amazonaws.com/po.images/2018/4/27/f9a8903a0e8549d98f924eaf352334f5.jpg" alt="">
The house design uses a Japanese method called discontinuous unity - developed in the 1940's by architects Yoshuzaki and Sakazura - for the incomplete separation of living spaces from one another.
The home was constructed by master builder Gerald Verhoeven, with Professor Max Irvine engineering its verandah roofing. Craig Burton's landscape design saw zoning for endemic and exotic plantings. 
The Blue Mountains price record was set in 2008 when Carramar, a 1900s weatherboard at Wentworth Falls, sold for $3.3 million.
Only four homes in the Blue Mountains region sold for over $2 million last year, although that's well up on the one sold in 2016.
This article first appeared in The Weekend Australian. 
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Award winning Karoola set to topple Blue Mountains price record

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Today Apartments.com.au turns the spotlight on Warren and Mahoney, an international architectural design practice based in Australia and New Zealand. With a 65-year history and a 300-strong team of outstanding talent, they’ve been recognised with more than 300 awards for work ranging from commercial developments to landmark public buildings.

The design-led practice offers core services including architecture, interior design and workplace design. The office has deep expertise in strategy and briefing, customer experience design, urban design, master planning and sustainable design

Warren and Mahoney strongly believes that identity matters: that projects designed to reflect their users’ shared identity are more meaningful and more enduring, both aesthetically and commercially. They have a deep awareness of cultural context that applies to their work, including indigenous, diversity and environmental considerations.

As a recognised leader in environmentally sustainable design, Warren and Mahoney places emphasis on sustainability as key to architectural excellence, and on finding practical ways to lessen environmental impacts.

Apartments.com.au recently sought to gain further insight into the architectural practice's design process, methodology, portfolio of work and aspirations for the future, summarised in the below Q&amp;A with Warren and Mahoney Principal Nick Deans. Keep an eye out for Apartments.com.au's follow up interview with Principals Nick Deans and Richard Weinman on an upcoming episode of the podcast.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/stanley_street_apartments_5_0.jpg" rel="gallery-all" title="Interiors of Stanley Street apartments in Collingwood. Image: Warren and Mahoney"><img alt="" class="image-article-full-width-580px" height="325" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/stanley_street_apartments_5_0.jpg?itok=n1RPqAk_" title="Interiors of Stanley Street apartments in Collingwood. Image: Warren and Mahoney" width="580"></a>

<figcaption>Interiors of Stanley Street apartments in Collingwood. Image: Warren and Mahoney</figcaption></figure>Apartments.com.au: How large is the practice and how many staff are based in the Melbourne office? 

Nick Deans: We are a practice of 300 staff across 7 studios in Australasia, and we currently employ 50 people across our two Australian studios. Our business model operates as one studio, as such we are able to draw on expertise across the studio network, and we are able to scale up/down very quickly in-house to meet client requirements.

UM: What projects is the studio currently working on locally in Melbourne?

ND: Our Melbourne practice is currently engaged in:

<ul style="list-style-type:circle;">
<li>La Trobe University Sports Park</li>
	<li>Deakin University Central Plaza Project</li>
	<li>6 x mid-rise residential projects for Gurner, including The Spanish Club.</li>
	<li>We completed two projects for Gurner in 2017, including Stanley Street Apartments in Collingwood, and Regent Residences in Richmond.</li>
</ul>
UM: One of the more notable projects that has been in the press recently is the former Spanish Club being developed into apartments by Tim Gurner. Can you speak a bit about this project and some of the challenges involved in working in a historically sensitive context such as Fitzroy on the site of a well-known Melbourne institution?

ND: Melbourne is a melting pot of cultural diversity and we are very proud to play a part in the continuation of ‘The Spanish Club’ which is an iconic institution on Johnston Street, representing the heart of the Hispanic Festival since its inception.

We have been working with Gurner on the Spanish Club project for the past three years from early feasibility through to the receipt of Town Planning Permit. The project consists of a seven-storey building that includes 40 apartments, and a ground floor tenancy that will become the new home to ‘The Spanish Club’.  Two levels of basement carparking are accessed via a rear lane.

The proposal fully refurbishes the original façade to pay homage to both the heritage of the site and of the Johnston Street precinct.  The massing of the apartment building is set back from the street to visually soften the interface between the old and new.  The design draws on the mass and gravitas of the original façade and reinterprets the scale and portion to create an elegant interplay between both elements.

The upper floors to the building are recessed above the main parapet and feature large terraces over Johnston Street.

We are very excited to be working directly with ‘The Spanish Club’ to create a new club and function space on the Ground Floor of the development. It is great that the iconic institution will be able to continue to operate and will have a future for years to come.

The inherent challenge an infill site is the management of the bulk and massing in the context of the streetscape. Our site sits in an immediate context of largely developed properties, as such we are creating a precedent of development for the streetscape. 

We envisage that in the future it is highly likely that the entire length of Johnston Street will be home to 7-10 storey buildings. We have the responsibility to be good neighbours.  As part of our initial investigation on the site we examined the likely pattern of development from Nicholson to Brunswick Street.  This has informed our setbacks to ensure complementary relationships will exist with a view to the future. Outlook, daylight, and ventilation are fundamentals of inner city living.

The prospect of our city fringe suburbs, Fitzroy, Collingwood, etc, becoming Parisian scale is a future we face to house a growing population. The population is already demanding access to amenity and social infrastructure, ‘The Spanish Club’ is a step toward this ideal.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/screenshot_20180411-232750.jpg" rel="gallery-all" title="Warren and Mahoney's design for The Spanish Club Image: GURNER"><img alt="" class="image-article-full-width-580px" height="427" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/screenshot_20180411-232750.jpg?itok=51obeNkz" title="Warren and Mahoney's design for The Spanish Club Image: GURNER" width="580"></a>

<figcaption>Warren and Mahoney's design for The Spanish Club Image: GURNER</figcaption></figure>UM: What are some of the critical thinking and processes behind the studio's projects? What would people identify a Warren Mahoney project with? 

ND: Our design vision is built on the understanding that the most authentic, successful and enduring projects are those that reflect the shared identity of their users. Our work strives to capture social and cultural identity in ways that resonate with communities and enhance a sense of belonging.

Our design capability is supported by sophisticated processes and technology that allow us to deliver projects of all scales and complexities. Integral to our work are best-practice documentation and quality management systems, a world-class rendering and visualisation division and an advanced Building Information Modelling (BIM) team.

UM: What are the aspirations for Warren and Mahoney in terms of growth and project sectors and typologies? Is there a desire to work on projects of a certain scale?

ND: Warren and Mahoney has been on a strong upward growth path for the previous 5 years, growing on average 20% per annum. Our business aspires to continue that growth and aims to further expand our studios in Sydney and Melbourne.

However, we’re not pursuing growth for growth’s sake. We believe we have a unique and valuable story and we’re excited to take that story into new cities, and to work with new clients. Hand in hand with our clients, we’ll explore the frontiers of sustainable, people-centred design and in doing so, both reflect and strengthen the communities we serve.

UM: Is there a particular project either here or anywhere in the world past, present or yet to be conceived that you wish the studio worked on or would like to work on?

ND: As a studio we look to projects that display an ethos that lies at the nexus of people and the culture of place.  We believe that identity matters so projects in the vein of The High Line in New York inspire us.

The High Line has not only established a successful activated public realm, it has also provided the framework for a progressive architectural and arts programs along its perimeter.  The project epitomises the strong interest of Warren and Mahoney in the creation of space that is embedded in the culture of the city that it exists in.
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