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In response to the <a href="/news/do-apartment-dwellers-want-to-entertain-guests-at-home">first research findings</a> from the <a href="/news/atelier-red-black-announce-ratemybuildingcomau">Rate My Building</a> project, journalist Nathan Johnson from Architecture &amp; Design, sent through some questions relating to minimum apartment design standards which have been much talked about since they were leaked to the media in 2014.

The original interview was posted on <a href="http://www.architectureanddesign.com.au/comment/australia-s-apartment-design-going-backwards-vic-a">Architecture &amp; Design</a>.

Nathan Johnson (NJ) – What do you think of the news that Victorian Planning Minister Richard Wynne is preparing a discussion paper on setting design standards for Melbourne apartments?

Red + Black Architect (R+BA) – I am cautious about this news. On the one hand any step towards improving the design quality of apartments is a good thing. In my view we desperately need a minimum design standard as the free market approach is failing our urban population. On the other hand apartment design standards have been talked about for a long time now and I think it is now time for action. To add in more talk about possibly taking action, one day in the future, will cause thousands of additional poorly designed homes to be built in our cities. Once they are built and sold off they are very difficult if not impossible to remedy.

NJ – What would you as an architect like to see from a set of Apartment Standards for Victoria?

R+BA – First of all we should look at what the problems people are experiencing are. As an example I can refer to some of the responses in the Rate My Building survey research which highlight some of the issues we need to solve

Example One:

“The kitchen lacks storage space for pots and pans. Cabinets are narrow and shallow. Not designed for people who cook their meals.”

<ul>
<li>Occupier of a new apartment (less than 5 years old) in NSW</li>
</ul>
Not everyone wants to use their kitchen to cook their meals. However by allowing the free market to determine adequate kitchen design, it would appear that inadequate kitchen design becomes the standard built outcome. This is particularly the case on the smaller 1 bedroom and studio apartments. This has an adverse impact on those (who are likely to be in the majority) who want to prepare their own meals. For the sake of a developer’s profit margin in a single year, a large number of residents for the lifetime of the building will have a basic human activity made very difficult.

Example Two:

“Bedroom is too small for a queen size bed.”

<ul>
<li>Occupier of a new apartment (less than 5 years old) in Victoria</li>
</ul>
Whilst not everyone wants or owns a queen sized bed, for some people, particularly those who are taller than average, a queen sized bed is the only size which will enable a good night sleep. Market conditions are therefore forcing some people to choose between living uncomfortable, unhealthy lives, or not in an apartment and therefore not in the city. I think these are precisely the types of issues that minimum apartment standards should address.

There are other issues pertaining to tower developments which also need further scrutiny. The separation or distance between apartment towers and the mix of apartment types within a tower, I think is also crying out for better oversight. Allowing the market to determine these issues has led to poor outcomes such as in Southbank where very large towers have been built with only a few metres separating them. These may be part of the Apartment Standards or they may be addressed within the planning system. Regardless of how it is done, we need to put in place a system that will get the best built outcomes, not just deliver the biggest developer profits.

NJ – What are the forces driving apartment quality down in Victoria at the moment?

R+BA – Clearly there are a few factors involved. I think a significant contributor is the large amount of foreign investment we are seeing at the moment. Foreign investment is great for our cities overall however it can cause future problems if we get swept up in the enthusiasm and fail to properly plan and design. Many of these investors will never step foot in their apartment and will either choose to rent it out or in some cases leave it unoccupied in the medium term. Just because apartment quality is not a high priority for these investors, doesn’t mean that future occupants of these apartments should be forced into living with below basic amenity.

Some would also be quick to point the finger at developers. Developers have a very strong interest in, and in many cases a duty to make the most money for the company. They are poorly placed to create any change that may have any negative impact on their current or future profits. They will comply with laws and regulations of course but will not aim for higher standards unless they come attached with higher profits.

So we have a situation where a substantial number of purchasers are not interested in quality and the developers on the supply side trying to maximise profits. So then who or what is protecting the long term interests of our built environment?

NJ – How would your version of the standards benefit apartment quality?

R+BA – In my view, a developer should be able to choose between two regulatory frameworks. Option one would be to comply with a series of mandated minimum requirements. These requirements would cover aspects such as overall apartment sizes, minimum room sizes, access to daylight and ventilation and other considerations to ensure basic suitability for a healthy living standard. As a further example, bedroom sizes must be at least a prescribed minimum size to enable a queen sized bed to be easily accommodated. This rulebook approach would enable developer’s certainty with regards to internal amenity requirements.

A second option would also be open for developers which would be more a performance based approach. To achieve compliance they would be required to satisfy the OVGA Design Review Panel that although particular sizes have not been met, amenity has not been compromised. Smaller spaces can absolutely be liveable, however in order to retain amenity, they must be designed very well.

These rules would achieve a higher standard of dwelling which would be suitable for a much wider demographic. It would give the occupiers choice over how they live on a day to day basis and not effectively decide for them.

NJ – Who should be the key parties involved in the design and application of these standards?

R+BA – The clear leaders in the area of design policy are the Office of the Victorian Government Architect. They need to be given the resources needed to finish the job they have started. Under the Napthine Government the OVGA were isolated and had their funding cut, despite delivering excellent results. The key leadership position within the OVGA, that of Victorian Government Architect, was left to sit vacant, despite the previous VGA giving six-months’ notice of his intention to leave. We need this to be addressed in the very short term if we are serious about the design quality in our cities.

As for who should be designing apartment buildings I would argue that we need to give these buildings more respect generally and mandate the use of Architects to design them. No doubt there will be some building designers who have the skills to do the job. For these people the answer is very well discussed in a previous article by the Australian Institute of Architects President, David Karotkin who noted the following:

<blockquote>
There are pathways for building designers to become registered architects to accommodate those who do not have the appropriate university degree. Building design professionals who can demonstrate the required competency standards and who are willing to commit to the professional standards and obligations of the Architects Act are able to become registered architects. There is no restriction on who can demonstrate these standards in order to become an architect.
<cite>Australian Institute of Architects President, David Karotkin</cite>
</blockquote>

As our cities grow, it is vital that we design them to be as sustainable, healthy and liveable as possible. There is very strong evidence to suggest that we are going backwards on apartment design. Our current free market approach is delivering developers higher profits but leaving an enduring legacy of poor apartments which will have very negative impacts on our future. Once individually sold off, these problems are almost impossible to fix.

As Winston Churchill once said: “We shape our buildings; thereafter they shape us.”

This post originally appeared on the <a href="https://theredandblackarchitect.wordpress.com/2015/04/23/apartment-design-standards-qa/">Red and Black Architect blog</a>. Atelier Red + Black are an Apartments.com.au Industry Hub member organisation.

Lead image courtesy slideshare.net.
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redblackarchitect

Apartment Design Standards Q&A

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Australia’s housing stock traditionally has been dominated by single detached houses. In the 2006 census data it is recorded that detached dwellings constituted 74% of all Australian homes. With continued population growth and the sensible restriction of the urban growth boundary this dominance of the detached house will continue to be reduced by the increased construction of higher density options.

As Australia becomes increasingly urban it will be imperative that our new higher density building stock meets the needs and wants of the community. High quality design will be crucial to this process.

Architects Atelier Red+Black have been undertaking an innovative research project looking at the state of Australia's current building stock. The research project involves a data collection website <a href="http://ratemybuilding.com.au/">ratemybuilding.com.au</a> which commenced in October 2014.

<figure><img alt="" class="image-article_full_width_580px" height="294" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/image15_1.jpg?itok=e_jxw2SK" title="ratemybuilding.com.au" width="580"></figure>It is a common argument put forward that due to apartment buildings being typically located near centres of urban activity, apartment dwellers do not want or require substantial living or kitchen spaces. This argument suggests that apartment residents would instead prefer to entertain guests in restaurants, pubs, cafes or public spaces.

This relatively straight forward assumption about how people want to live, is the first to be tested by the Rate My Building research project.

The hypothesis tested is as follows: is being able to entertain guests at home is as important to apartment dwellers as it is to those who live in detached houses?

<h2>Was there sufficient data?</h2>

There was sufficient data, despite the moderate sample size of 217 responses, for our independent mathematician to be highly confident that the two separate groups, house dwellers and apartment dwellers, were statistically no different in their response to this question.

We can point to the diversity of the responses as an indication of it being representative of the greater population. Responses were received from postcodes in the ACT, New South Wales, Victoria, Queensland, South Australia, and Western Australia. The most common postcodes were in Victoria. Within the apartment survey, there was generally a diverse spread of apartment types in the responses both in terms of number of bedrooms and in the estimated age of the building.

A limiting factor in this test however was the low number of respondents living in studio apartments.

<h2>Results</h2>

A Chi Square test was undertaken on the data which determined to a 95% confidence level that people living in houses and people living in apartments think the same way about entertaining guests in their home. Note this result may or may not apply to people living in studio apartments. More research would need to be undertaken to verify for this apartment type.

Figure 1. How important to your lifestyle is being able to entertain guests in your home?

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/image25_1.jpg" rel="gallery-all" title="Results for lifestyle and entertaining questions"><img alt="" class="image-article-full-width-580px" height="113" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/image25_1.jpg?itok=mbeb1n1K" title="Results for lifestyle and entertaining questions" width="580"></a>

<figcaption>Results for lifestyle and entertaining questions</figcaption></figure>For more information on our results, see our data sheet available for download at <a href="http://ratemybuilding.com.au/">ratemybuilding.com.au</a>.

This research shows that Australians want to entertain guests in their home, regardless of whether that home is a single bedroom apartment or four bedroom house. Architects, property developers and local councils need to ensure that the dwellings that they are creating are genuinely suitable for entertaining guests.

<h2>What does this mean for the design of apartment buildings in Australia?</h2>

This research shows that people living within Australian apartments consider entertaining guests in their home is no less important to them than those living in detached houses. This has important ramifications for developers who commission apartments, Architects who design them and Councils who approve them. Whilst the free market may apply significant pressure on the reduction of apartment sizes, Australians will not be satisfied with apartments where the kitchen and living spaces are so small that they cannot accommodate guests.

As Architects we would contend that best practice would allow for at least 6 people to occupy the living spaces within an apartment dwelling whilst also offering a communal entertaining area available for larger gatherings. This research also gives significant weight to the argument for minimum apartment standards to safeguard living standards in apartments.

Commenting on the debate around minimum design Standards Australian Institute of Architects Victorian President Peter Malatt strongly reiterated the position of the AIA that apartment standards, similar to SEPP 65 NSW are needed in all jurisdictions.

<blockquote>
It is not a question of whether we do or do not need these standards, the need is clear and urgent. The protection of the rights of the Australian public is our principle concern. All housing in Australia should provide for a dignified and sustainable way of life, and that includes apartment housing.
<cite>Peter Malatt</cite>
</blockquote>

The Office of the Victorian Government Architect (OVGA) has been working on the minimum apartment standards for some time. This process however has been hindered by the previous government's reduction in funding and refusal to appoint a Victorian Government Architect. This apparent apathy towards the OVGA may have been removed along with the Liberal Government last November, however we are still yet to see real changes by Labor. We need minimum standards urgently and for that we need a strong and fully funded OVGA.
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Do apartment dwellers want to entertain guests at home?

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In August 2014 during what turned out to be the last few months of the Napthine Liberal Government it had become very apparent that Victorian State politics had gone from being design smart to design stupid in a matter of a few of years.

<blockquote>
Within a single term of government from 2010 to 2014 we have gone from a design-intelligent and architecturally progressive State Government, to one which has marginalized those best able to advise it. The public who voted in the Architect Premier in 2010 have every right to feel let down by the party politics that has led to this point.
<cite>Red + Black Architect, Architecture and Politics 25 August 2014</cite>
</blockquote>

In late November, change was upon us as the a new Victorian State Government led by Daniel Andrews swept to power. It has now been over 100 days since the election which is a good time to check in with what is happening or not happening with built environment politics. The following is a report card with a score out of 10 possible marks.

<h2>Consultation with the Australian Institute of Architects</h2>

First up on the checklist is government consultation with architects and the key organisations. Last year it was quite astonishing and very concerning to report that in Matthew Guy’s 4 years as Planning Minister he had only one face-to-face meeting with the Australian Institute of Architects. It is therefore very pleasing to be able to report that within 10 days of taking his office, the new Planing Minister, Richard Wynne has already equaled Matthew Guy’s total number of AIA meetings.

Red + Black Architect (R+BA) score: 1 mark (out of 1 available)

<h2>Consultation with the Architects Registration Board of Victoria</h2>

In 2012 the Liberal Government made the unexpected announcement that the Architects Registration Board would be merged into a new body the Victorian Building Authority.

At the time The Red and Black Architect covered this most contentious issue in three posts:

<ul>
<li>Architect Registration Board to be abolished</li>
	<li>A Red and Black Investigation into the future of the Architects Registration Board of Victoria</li>
	<li>The Case To Retain the Architects Registration Board of Victoria</li>
</ul>
Despite the talk of pushing this change through, the draft legislation was never passed through the parliament, due in part to the 2014 Geoff Shaw political crisis. This has left the Architectural profession guessing as to how registration and the Architects Act will be administered in the future.

The good news however is that this uncertainty is very likely to be resolved in the next few weeks. At this stage it also appears most likely that the ARBV will retain it’s current structure as a stand alone entity as it has since its inception in 1923.

This has the additional benefit of aligning with stand alone registration boards in other States and Territories. It is sincerely hoped by R+BA that in the future a National Architects Registration Board could be developed to facilitate a more interconnected and mobile profession.

R+BA score: 1 mark (out of 1 available)

<h2>Office of the Victorian Government Architect</h2>

The next organisation to address is the Office of the Victorian Government Architect. Here there have also been very positive meetings with Richard Wynne discussing the importance of the OVGA to Victoria’s future.

First the good news. It appears likely that the OVGA will be moving back to where it belongs, reporting directly to the office of Premier and Cabinet. This is where the OVGA can undertake its best work, independent of undue influence with a direct line to the most powerful office in the government. Discussing this exact issue, Michael Bleby recently wrote <a href="http://www.afr.com/business/construction/victoria-planning-minister-wynne-hints-at-greater-authority-for-government-architect-20150311-141boa">this piece</a> for the Australian Financial Review.

<iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/JK0CbayWZDQ" width="560"></iframe>

However there is more to fixing the OVGA than just its place in the family tree of influence. It has been almost 12 months since the last Victorian Government Architect, Geoffrey London who is featured in the video interview above, gave notice of his resignation of the role. Since September 2014 the chair has been empty. Now is the time to appoint the next Victorian Government Architect. It would be a very simple step to take and would immediately help the process of finalizing the controversial yet urgently needed minimum apartment standards. The solution could even be to promote Jill Garner the (brilliant) Associate Government Architect to the position of VGA and then hire a new replacement associate.

The other urgent piece of business at the OVGA is to address the funding of the Victorian Design Review Panel. Since 1 July 2014 the OVGA has been forced to go to a watered down ‘user pays’ service which limits the availability of this important review process.

<blockquote>
While a formal cost benefit analysis has not been undertaken due to the difficulty quantifying the benefits conferred by the VDRP, where these have been able to be quantified the benefits considerably outweigh the costs. Feedback from program stakeholders and reviewed project case studies supports this assessment, with 96% of surveyed case study participants indicating that the benefits of participating in the design review process outweighed the costs.
<cite>Victorian Design Review Panel: Program Evaluation, <a href="http://www.ovga.vic.gov.au/images/VDRP_Evaluation_Report_Exec_Summary.pdf">independent review by SGS Economics and Planning</a></cite>
</blockquote>

The cost of bad design can be extreme and persists for the life of the building. If we can design buildings better by subjecting them to thorough expert scrutiny, we can substantially reduce these negative consequences.

R+BA score: 1 mark* (out of 3 available)

* This presumes the OVGA is in fact restructured into reporting directly to the office of Premier and Cabinet

<h2>Flinders Street Station</h2>

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/1160_26-07-2013_6297.jpg" rel="gallery-all" title="HASSELL + Herzog &amp; de Meuron's winning bid"><img alt="" class="image-article-full-width-580px" height="336" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/1160_26-07-2013_6297.jpg?itok=uFMSIT49" title="HASSELL + Herzog &amp; de Meuron's winning bid" width="580"></a>

<figcaption>HASSELL + Herzog &amp; de Meuron's winning bid</figcaption></figure>In 2013 Melbourne’s most important landmark was the subject of a major international architecture competition to scope the future possibilities for improving the site. This was a fantastic initiative by the Liberal government which enabled a genuine discussion about real possibilities for the future. Despite subsequent criticism from some quarters, the competition was very good value for the taxpayer and generated thousands of response from an engaged public.

Since then it has been left as an unanswered question as to if the winning design will be built. The Liberal Government never promised that there would be funds available and as time passed it seemed more and more likely that the project would not get off the ground.

With the change of government came the predictable move to permanently shelve the redevelopment plans. This decision is a real win for small picture, short term thinking. This building is not just a piece of infrastructure like a power station or toll road. It is our most iconic and identifiable piece of architecture that holds far more value as an icon than as a train station.

In the only upside to this saga the new government has committed $100 Million in funds to seal the leaking roof, restore the facade and upgrade the most talked about toilets in Melbourne. Casual observers of this announcement may have been misled into thinking that this funding would also extend to restoring the ballroom and other interior spaces. Upon reading the fine print however, this funding will only extend to preparing a business case for interior restoration.

The final point to address with Labor’s less than ideal handling of Flinders Street Station’s future are the unfortunate comments that were spoken by both Daniel Andrews and Jacinta Allan aimed to discredit the former Government.

<blockquote>
The Liberals held an indulgent colouring-in competition while the station fell apart. We’re actually getting on with the job.
<cite>Jacinta Allan Minister for transport and employment</cite>
</blockquote>

Describing the enormous effort of some of the world’s very best architects including Pritzker Prize winners as mere ‘colouring-in’ is an absurdly offensive attack on both Architects and Architecture. It is hard to recall an instance where an entire industry or profession has been so needlessly dismissed as frivolous in order to score political points.

R+BA score: 1/2 a mark* (out of 2 available)

* half a mark was deducted for the ‘colouring-in’ remarks

<h2>Infrastructure</h2>

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/western-portal-copy_1.jpg" rel="gallery-all" title="East West Link"><img alt="" class="image-article-full-width-580px" height="317" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/western-portal-copy_1.jpg?itok=67DUiq3w" title="East West Link" width="580"></a>

<figcaption>East West Link</figcaption></figure>The change of government has seen a most significant change to the State’s infrastructure policy. The 2014 Victorian State Election was described by the Prime Minister as “a referendum on the East West Link”. This has turned out to be quite true with the Labor Government standing firm on their pre-election promise of not building the toll road.

This measure alone is undoubtedly a game changer and a lifeline for Victoria. At a price of $1 million per metre and returning just 45 cents of benefit for every dollar contributed, the East West Link would have crippled Melbourne financially whilst destroying several communities and devastating Royal Park. Whilst the political decision seems to have been finalized there is still much work to be done to permanently prevent this poorly conceived project from making a comeback.

Firstly the Government is still in negotiations with the East West Consortium to cancel the contract without paying for the $1 Billion + super profits that the previous government was so happy to sign away in their morally bankrupt side letter. If this negotiation fails Daniel Andrews has implied strongly that he will take action in the Parliament to legislate a solution. Obviously the consortium should be reimbursed for expenses already incurred. As for claiming to be eligible for profits on a project that they never built, this is exactly the kind of big corporate behavior that sickens hard-working, honest individuals.

The entire East West Link saga can be traced back to politicians bypassing crucial expert analysis to fast track a project for political gain. In order to reduce the undue political interference from future infrastructure investment, the Andrews Government has already begun setting up Infrastructure Victoria. This new body was one of the six issues lobbied for by the Australian Institute of Architects Victorian Chapter prior to the election. The idea of this body will be to act as an independent adviser to the government, which will hopefully also see a logical prioritization of projects based on actual publicly released and positive business cases.

In the final piece of good infrastructure news, the Melbourne Metro Rail Tunnel has been given the new Government’s backing to proceed. According to <a href="http://www.infrastructureaustralia.gov.au/project_assessments/files/2013/VIC_Melbourne_Metro_Brief.pdf">Infrastructure Australia</a> the Melbourne Metro Rail tunnel has a Benefit Cost Ratio (BCR) of 1.2 meaning that for every dollar spent we can expect $1.20 benefit. There has also been public comment by the Premier suggesting that the preferred procurement method may also be shifting from Public Private Partnerships to having construction funded by the Government and then sold off to private operators. Given the currently very low interest rates it seems difficult to fault that logic.

R+BA score: 3 a marks (out of 3 available)

<h2>The Red + Black Scorecard</h2>

All in all it has been a solid start for the new government. Having spoken with various stakeholders who have been dealing directly with senior members of the Government it seems that there is a cautious optimism about the direction we are heading.

The Red+Black Scorecard is as follows:

<table border="1" cellpadding="1" cellspacing="1" style="width: 100%">
<thead><tr>
<th>Action</th>
			<th>Score</th>
		</tr></thead>
<tbody>
<tr>
<td>Consultation with AIA</td>
			<td>1</td>
		</tr>
<tr>
<td>Consultation with ARBV</td>
			<td>1</td>
		</tr>
<tr>
<td>OVGA reporting to Premiers Department</td>
			<td>1*</td>
		</tr>
<tr>
<td>Appoint Victorian Government Architect</td>
			<td>-</td>
		</tr>
<tr>
<td>Fund Victorian Design Review Panel</td>
			<td>-</td>
		</tr>
<tr>
<td>Funding the Restoration of Flinders Street Station</td>
			<td>1</td>
		</tr>
<tr>
<td>Flinders Street Station Design Competition</td>
			<td>-0.5</td>
		</tr>
<tr>
<td>Cancel East West Link</td>
			<td>1</td>
		</tr>
<tr>
<td>Create Independent Infrastructure Body</td>
			<td>1</td>
		</tr>
<tr>
<td>Work towards Melbourne Metro Rail Tunnel</td>
			<td>1</td>
		</tr>
<tr>
<td>Total</td>
			<td>6.5/10</td>
		</tr>
</tbody>
</table>
* This presumes the OVGA is in fact restructured into reporting directly to the office of Premier and Cabinet

<h2>Issues and questions for the next 100 days</h2>

Whilst it has been a breathe of fresh air to have a government willing to have intelligent consultation with architects, there is much work to do over the coming years to address several areas of concern. Minimum apartment standards continue to be a very hot topic which will require real leadership to see through. The OVGA will have significant role to play here, which is why the appointment of a new Government Architect must be a priority.

The Labor Government has also flagged potential changes to the Victorian Civil and Administrative Tribunal appeal process for planning decisions. This will be a very interesting discussion to have on where the line in the sand is. On the one hand is the right of an individual or company to build a project and on the other hand is the right of an individual or company to object.

Perhaps one of the biggest issues we will have to face up to is housing affordability. The current system is pricing families out of the inner and middle suburbs, pushing them to the limits and forcing a high dependence on car travel. Single people and those in creative or caring industries are also finding quality housing difficult or impossible to obtain. The last thing Melbourne needs is a city like London where only the very wealthy are welcome to reside. If the new Labor Government can make inroads with this, they will well and truly deserve a second term.

Michael Smith is Director of Melbourne architecture firm Atelier Red + Black. This article originally appeared on <a href="https://theredandblackarchitect.wordpress.com/">The Red and Black Architect blog</a>

Lead image courtesy thecourier.com.au.
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The Andrews Government, 100 Day Report Card

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Last week Moreland Council presided over one of the most important planning applications it will see all year. The project in judgement was the Nightingale Apartments, a five storey proposal in a small off-street in Brunswick Victoria. What makes this application of such importance is that it is being undertaken using the same design principles and development strategy as its neighbour across the road ‘The Commons’.

The Commons, by Breathe Architecture, is of national significance (with awards to prove it) due to its principled environmental design response combined with a unique financial model which enabled the apartments to be sold at affordable prices. In both ‘The Commons’ and ‘Nightingale’ the developers are a band of local architects who share a belief that high quality, yet affordable medium density housing can be a reality.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/img_3037.jpg" rel="gallery-all" title="The Commons apartments by Breathe Architecture"><img alt="" class="image-article-full-width-580px" height="773" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/img_3037.jpg?itok=SP-9c4bK" title="The Commons apartments by Breathe Architecture" width="580"></a>

<figcaption>The Commons apartments by Breathe Architecture</figcaption></figure>The Commons is proof of that reality. Through removing the typical ground level car park the project both promotes more environmentally friendly transport options and significantly reduces the cost per apartment. By providing a very high standard of sustainable features, running costs are kept to an absolute minimum. Laundries for the apartments are provided communally rather than individually, reallocating the space in the apartments to higher purposes and reducing the number of machines required.

The financial model is perhaps even more innovative. The profits of the developers are capped at 15%, rather than the traditional developer model which starts at 20% and then squeezes the costs and quality to get a bonus return. In the Nightingale model, Marketing costs, real estate costs and showroom costs are all eliminated completely with savings passed on to the buyers.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/nightingale-apartments-breathe-architecture.jpg" rel="gallery-all" title="Proposed design of the Nightingale Apartments by Breathe Architecture"><img alt="" class="image-article-full-width-580px" height="411" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/nightingale-apartments-breathe-architecture.jpg?itok=dEanJk5K" title="Proposed design of the Nightingale Apartments by Breathe Architecture" width="580"></a>

<figcaption>Proposed design of the Nightingale Apartments by Breathe Architecture</figcaption></figure>Typically within our planning system the number of objections to a project is a telling story. In developments of a similar scale it would not be uncommon to have 15 – 30 objections from the public submitted to council. By comparison Nightingale had just 3. It did however have an unprecedented 177 letters of support from architects and the local community wanting to see more affordable and environmentally sustainable housing.

<blockquote>
We didn’t have a column [in our internal filing system] for tallying the number of supporters
<cite>Moreland Councillor CR Samantha Ratnam</cite>
</blockquote>

Prior to last night’s meeting, the council planning officers distributed a detailed report styled agenda for the Councillors and public. In the report, the council officers noted the following:

<blockquote>
It is considered that the proposed development achieves excellent sustainability outcomes through no car parking provision, emphasis on alternative modes of transport, provision of renewable energy sources and use of passive design principles. High quality contemporary architecture has also been achieved with engaging facades, a rooftop productive garden, and ground level activities to enhance the public realm.
<cite>Moreland Council Urban Planning Committee agenda</cite>
</blockquote>

Despite this, the ultimate conclusion of the officer’s report was a recommendation that a permit should be granted subject to significant changes to the distance of the front façade to the street front at the upper levels. The justification for this recommendation was that the Nightingale project was not compliant with a new policy which, according to the applicants, had not existed at the time the planning application was originally lodged. Further to this, the planning policy in question is still yet to be adopted as an official policy of the council. The idea that a retrospective application of a yet to be adopted planning policy could be used to substantially modify a building design at the eleventh hour is ridiculous. Yet that was exactly what was proposed by the council planning department. It was then up to the elected Councillors to decide.

The Moreland Council Urban Planning Committee Meeting commenced at 6:30pm in front of a crowd so large that the furniture had to be re-arranged to allow more standing room at the back. After an introduction by CR Helen Davidson as Chair of the Committee a council planner talked through the submission.

From a more practical viewpoint, the issue in question was: should the building be allowed to overshadow the footpath on the other side of the road at the equinox? The road itself is an important pedestrian link from Sydney Road to Anstey Train Station and the pedestrian experience is a valid issue to consider.

With this issue lingering in the air, objectors were offered a chance to speak. With the brief silence that followed, it was unclear if there were none willing or just none present.

Then it was the supporters’ turn. Rather than the customary 3 minutes per person (which could have taken all night) Jeremy Mcleod, the director of Breathe Architecture, led the discussion, first introducing the people who have already been balloted to purchase and live in the apartments. There were some extraordinary comments from the new home buyers.

<blockquote>
I never thought about apartment living until I encountered The Commons.
<cite>Mim</cite>
</blockquote>

<blockquote>
I couldn’t afford anything else of that quality as a single person.
<cite>Bonnie</cite>
</blockquote>

Next to talk was a housing affordability researcher. Describing the project as a deliberative development rather than a speculative one, she strongly urged the Councillors not to reduce the building size, as it may affect the overall viability of the project. She also made the excellent point that whilst the architect developers might accept a reduction in profit, the financiers of the project would almost certainly not. After a final discussion by Jeremy Mcleod discussing and proving the very minor nature of the street overshadowing issue it was over to the Councillors to make their remarks and to vote.

Immediately CR Samantha Ratnam took the opportunity firstly to praise the project for its quality and secondly to remove the suggested design change conditions originally proposed by the planning officers. This motion was seconded by CR Lambros Tapinos who described the overshadowing concerns as “a very small price to pay for all of the benefits”. With that, the motion was passed unanimously to spontaneous cheering from the crowd.

Afterwards a jubilant Jeremy McLeod said he was “Incredibly buoyed by the support of the architectural community. The collegiate nature of the profession will hold us in good stead for the 21st Century”

As commented by others such as Stuart Harrison, this new model has the potential to change the property development industry. Nightingale style projects offer the purchaser a better quality home at a lower price. It also comes with a community centered and environmentally sustainable lifestyle as a bonus.

Massive congratulations to all of the Architects involved and in particular Breathe Architecture and Jeremy McLeod.

This piece of architecture is exactly the type of project that proves architecture is for everyone.

Michael Smith is Director of Melbourne architecture firm Atelier Red + Black. This article originally appeared on <a href="https://theredandblackarchitect.wordpress.com/">The Red and Black Architect blog</a>.
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Nightingale takes off

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Over the weekend Melbourne’s biggest celebration of art, music and architecture delighted a massive half a million people. White Night Melbourne, a one-night-only sensory spectacular, saw a diverse crowd of people flood into the central business district for the serious business of soaking up all the cultural events on offer. With over 70 events spaced over a large area it was impossible to meaningfully visit every site within the 12 hour festival, however here is a selection of the delightful experiences of 2015.

<iframe allowfullscreen="" frameborder="0" height="390" src="https://www.youtube.com/embed/Zo0huDmgcfA" width="640"></iframe>

<h2>Keyframes</h2>

This lighting exhibition used stick figure like lighting sculptures and carefully programmed lighting sequences to animate and imply movement. Watching the figures move across the NGV reflection pond brought to mind flip book style animation. The piece was put together by Groupe LAPS under the artistic directorship of Thomas Veyssiere. The quick movement and at times comedic sound track made this a crowd favorite at the southern end of the festival.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/keyframes.jpg" rel="gallery-all" title="Keyframes"><img alt="" class="image-article-full-width-580px" height="435" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/keyframes.jpg?itok=AqtRGTml" title="Keyframes" width="580"></a>

<figcaption>Keyframes</figcaption></figure><h2>4 Elements – Royal Exhibition Building</h2>

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/img_4086.jpg" rel="gallery-all" title="The Royal Exhibition Building as never seen before"><img alt="" class="image-article-full-width-580px" height="435" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/img_4086.jpg?itok=ZTxN29vm" title="The Royal Exhibition Building as never seen before" width="580"></a>

<figcaption>The Royal Exhibition Building as never seen before</figcaption></figure>This was really the biggest highlight of White Night 2015. Projected upon the World Heritage listed Royal Exhibition Building, this multimedia experience perfectly blended the art forms of animation, dance, music and architecture to create a truly memorable event. At times the facade appeared to have been overgrown by vines which then catch fire as a figure dances across the massive canvas. With artistic direction by Nuno Maya, and an original sound composition by French composer Sylvain Moreau this carefully curated projection piece was a big crowd favorite.

The Royal Exhibition Building is arguably the most significant building in Melbourne. It was design by prolific architect Joseph Reed and construction was completed in 1880. It is the only still surviving Grand Hall to house a 19th Century International Exhibition. This building was also used for the opening of the first Federal Parliament of Australia in 1901.

The original exhibition of this piece was in Cascais, Portugal on a much smaller and less ornate buildings. It is interesting to see what a difference the change in architecture makes to this piece. The scale and monumentality of The Royal Exhibition Building makes it the perfect canvas for projections. If you wanted to see 4 elements, it was best to see it in Melbourne.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/img_4111.jpg" rel="gallery-all" title="The Royal Exhibition Building as never seen before"><img alt="" class="image-article-full-width-580px" height="435" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/img_4111.jpg?itok=-SSXSRPB" title="The Royal Exhibition Building as never seen before" width="580"></a>

<figcaption>The Royal Exhibition Building as never seen before</figcaption></figure><h2>Old Melbourne Gaol</h2>

A trip to the Old Melbourne Gaol impresses upon the visitor the power that a space can possess over an individual. Matched with a sinister history of captivity and executions this building oozes an uneasy atmosphere. This atmosphere and history overwhelmed the temporary and slightly out of place art exhibition of ‘Seven Deadly Sins’ by artist Terry Taylor.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/seven-deadly-sins.jpg" rel="gallery-all" title="Seven Deadly Sins within the Old Melbourne Gaol"><img alt="" class="image-article-full-width-580px" height="773" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/seven-deadly-sins.jpg?itok=L2fpijlZ" title="Seven Deadly Sins within the Old Melbourne Gaol" width="580"></a>

<figcaption>Seven Deadly Sins within the Old Melbourne Gaol</figcaption></figure><h2>Eat Me</h2>

Inspired by the 150th anniversary of the publication of Alice in Wonderland, this multimedia projection was located within the State Library Reading Room. The striking visual experience was created by renowned French artists Antoine + Manuel and set to a beautiful soundtrack by Sui Zhen. Like the Royal Exhibition Building, the State Library of Victoria was also designed by Architect Joseph Reed. His work on the reading room created a spectacular space. To transform this iconic chamber with a projection of millions of stars is something that had to be seen to be believed.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/eat-me.jpg" rel="gallery-all" title="‘Eat Me’ Inspired by Alice in Wonderland"><img alt="" class="image-article-full-width-580px" height="394" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/eat-me.jpg?itok=q5rzN9YM" title="‘Eat Me’ Inspired by Alice in Wonderland" width="580"></a>

<figcaption>‘Eat Me’ Inspired by Alice in Wonderland</figcaption></figure><h2>Draw/Delay</h2>

This event explored the artistic methods of drawing as a performance piece. The collaboration between artist Kellie O’Dempsey and musician Mick Dick, was an action collage with sketches on paper projected on to a wall merged with simultaneous paint brushed directly upon the ‘canvas’, all set to a moody soundtrack. The live nature of this event showcased the creative process of the artist rather than just the ‘finished product’ making it an ideal inclusion in the White Night programme.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/img_4151_0.jpg" rel="gallery-all" title="Draw / Delay saw traditional drawing artwork colide with multimedia to create a performance piece"><img alt="" class="image-article-full-width-580px" height="773" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/img_4151_0.jpg?itok=L11pcvEJ" title="Draw / Delay saw traditional drawing artwork colide with multimedia to create a performance piece" width="580"></a>

<figcaption>Draw / Delay saw traditional drawing artwork colide with multimedia to create a performance piece</figcaption></figure><h2>Ghostly Machines</h2>

The experience of visiting Hamer Hall is in itself something special. The ‘Ghostly Machines’ performance was conceived by the production technicians at Arts Centre Melbourne who use the high tech Sound lighting and scenery mechanisms to deliver the venue as performance art.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/ghostly-machines.jpg" rel="gallery-all" title="Ghostly Machines"><img alt="" class="image-article-full-width-580px" height="647" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/ghostly-machines.jpg?itok=N9ZOtsVq" title="Ghostly Machines" width="580"></a>

<figcaption>Ghostly Machines</figcaption></figure>With approximately half a million people flocking into the Melbourne CBD this event really challenges the notion of what Melbourne culture is. Yes we have our sporting events, such as the Melbourne Cup or the AFL Grand Final but this event is something different. Unlike most of our sporting carnivals with long histories, this is only the third Melbourne White Night. It is also refreshing to have an event which is not associated with alcohol consumption or gambling.

White Night in many ways marks a significant step in the evolution of Melbourne from a single purpose commercial precinct to a 24 hour multipurpose hub. As a city – through creative pursuits of art, design, architecture, dance and music – Melbourne has shown of its credentials as an international city with a creative soul.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/img_4161.jpg" rel="gallery-all" title="Illumination and imagination"><img alt="" class="image-article-full-width-580px" height="435" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/img_4161.jpg?itok=EBrdpWCw" title="Illumination and imagination" width="580"></a>

<figcaption>Illumination and imagination</figcaption></figure><figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/img_4271.jpg" rel="gallery-all" title="The Crucible, fire breathing dragon"><img alt="" class="image-article-full-width-580px" height="435" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/img_4271.jpg?itok=mWZbpFq5" title="The Crucible, fire breathing dragon" width="580"></a>

<figcaption>The Crucible, fire breathing dragon</figcaption></figure><figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/flinders-st-wonderland.jpg" rel="gallery-all" title="Flinders Street Wonderland"><img alt="" class="image-article-full-width-580px" height="435" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/flinders-st-wonderland.jpg?itok=8Yydhl9M" title="Flinders Street Wonderland" width="580"></a>

<figcaption>Flinders Street Wonderland</figcaption></figure>Michael Smith is Director of Melbourne architecture firm Atelier Red + Black. This article originally appeared on <a href="https://theredandblackarchitect.wordpress.com/2015/02/23/white-night-2015/">The Red + Black Architect blog</a>.
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White Night 2015

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Over the summer months, Melbourne has been a treasure chest of extraordinary architectural experiences. In case you missed them over the break, here is a three pack of summer specials.

<h2>MPavilion, by Sean Godsell</h2>

Situated in within one of Melbourne’s much celebrated public gardens, the MPavilion was an activity hub for discussions, performances and of course, coffee consumption. The MPavilion, designed by Architect Sean Godsell, is very much in keeping with his design ethos. Refined, distilled and precise, the pavilion is cool and calculating, robust yet light.

For an excellent review of the MPavilion, check out <a href="http://thedesignfiles.net/2014/10/mpavilion/">Stuart Harrison’s piece</a> for the Design Files.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/image34_0.jpg" rel="gallery-all" title="MPavilion"><img alt="" class="image-article-full-width-580px" height="838" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/image34_0.jpg?itok=QeGLD2HI" title="MPavilion" width="580"></a>

<figcaption>MPavilion</figcaption></figure>This particular MPavilion is the first of four temporary bespoke structures which will be designed and built for a particular summer season. A substantial thank you must be given to the <a href="http://www.mpavilion.org/naomi-milgrom-foundation">Naomi Milgrom Foundation</a> who will fund these four projects. This bold financial commitment, really highlights Melbourne’s excellent design and architecture culture.

<h2>Reflection Model: Shinto Shrine of Itsukushima, by Takahiro Iwasaki</h2>

For an architectural model to be a full art exhibit in and of itself, it must be something spectacular. This is clearly the case for Takahrio Iwasaki’s Reflection Model of the Shinto Shrine of Itsukushima. This is the third and largest piece in the series of reflection models which explore the relationship between the building and the reflecting water. The scale and level of detail in this piece is extraordinary. Given the free admission price at the National Gallery of Victoria (International) it is very much a must see.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/image30_0.jpg" rel="gallery-all" title="Shinto Shrine of Itsukushima"><img alt="" class="image-article-full-width-580px" height="467" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/image30_0.jpg?itok=qFBRBH4W" title="Shinto Shrine of Itsukushima" width="580"></a>

<figcaption>Shinto Shrine of Itsukushima</figcaption></figure>The Reflection Model is open to the public at NGV International within the Asian Art Temporary Exhibitions until April 6 2015.

<h2>Exxopolis, By Architects Of Air</h2>

This piece of temporary architecture, known as a luminarium, is really something that has to be experienced rather than described. It is an inflatable maze of geometric chambers which completely immerses the occupant in an environment of pure and vibrant colours. Inspired by Gothic and Islamic Architecture, Exxopolis is one of twenty different luminaria produced by <a href="http://www.architects-of-air.com/">Architects of Air</a>.

This experience was in someways similar to the enveloping experience of the current <a href="http://www.nga.gov.au/jamesturrell/">James Turrell</a> exhibition at the National Gallery of Australia, albeit less refined and more whimsical. This whimsy and vibrancy however makes it particularly popular with young children.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/image33.jpg" rel="gallery-all" title="Exxopolis "><img alt="" class="image-article-full-width-580px" height="1225" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/image33.jpg?itok=ILIJ_2jW" title="Exxopolis " width="580"></a>

<figcaption>Exxopolis</figcaption></figure>Melbourne has become a remarkable design city in recent years. When we think of this culture we naturally think of our permanent landmarks. Sometimes however the temporary can be even more breathtaking. They feed into the idea of Melbourne as an events hub whilst providing sustenance for deep thought, or a backdrop for summer fun.

Michael Smith is Director of Melbourne architecture firm Atelier Red + Black. This article originally appeared on <a href="https://theredandblackarchitect.wordpress.com">The Red and Black Architect blog</a>.
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Melbourne's Architectural Summer

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One of the most significant additions to Melbourne’s world class Architecture in 2014 is a building full of expectation and promise. Some buildings have more expectations on them than others. When a new school of architecture such as the new Melbourne School of Design is built the design stakes are rarely higher. Every aspect of the building will be continually measured analysed, photographed, critiqued and criticized for the life of the building.

The Melbourne School of Design is the outcome from a competition process won by John Wardle Architects (Melbourne) and NADAAA (Boston). The MSD is built upon a site of high strategic importance being centrally located within Melbourne University’s Parkville campus and surrounded by a context of large educational buildings from a variety of decades.

The new building replaces the previous Architecture building by Brian Lewis that was completed in 1964 and also the Old Commerce building with the exception of the historic facade.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/img_3243.jpg" rel="gallery-all" title="MSD eastern entrance"><img alt="" class="image-article-full-width-580px" height="773" src="/sites/urbanmelbourne.info/files/styles/article_full_width_580px/public/pictures/article-images/img_3243.jpg?itok=RLabGMbB" title="MSD eastern entrance" width="580"></a>

<figcaption>MSD eastern entrance</figcaption></figure>As a side story, the historic facade of the Old Commerce building was in fact designed by one of Melbourne’s most prolific and important architects Joseph Reed. It was originally attached to the Bank of New South Wales building in Collins Street, until that building was demolished in 1932 and the facade was transplanted to the University of Melbourne site. The MSD is now the third building to be adorned with Joseph Reed’s Renaissance Revival facade.

With such high expectations what has been the result?

From the exterior this building is most defined by the curtain like facade which is crafted out of perforated zinc panels. This metallic veil is complemented by highly refined and sublimely detailed concrete panels which provide a sculpted but robust feel which is carried into the ground floor thoroughfare. It is important to note that the zinc panels are not merely decoration, they are strategically placed to work functionally as solar shading. The Architects here have resisted the temptation to create a single gesture building by continuing the veil around to the southern facade.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/img_3256.jpg" rel="gallery-all" title="Eastern stair and facade"><img alt="" class="image-article-full-width-580px" height="580" src="/sites/urbanmelbourne.info/files/styles/article_full_width_580px/public/pictures/article-images/img_3256.jpg?itok=En81ZLnB" title="Eastern stair and facade" width="580"></a>

<figcaption>Eastern stair and facade</figcaption></figure>This southern facade may be seen as the buildings greatest weakness. The pixilated window placement and the exposed concrete panels create a very flat facade composition particularly when compared with the dynamic zinc veil. This is not to say that this is bad architecture rather that it is less potent than the rest of the building.

To some degree the subdued Southern facade is made up for by the interesting intersection between wall and landscape at ground level. A continuous glazed wall playfully evokes a fabric skirt which is having a Marilyn Monroe moment, interrupting the vertical of the wall.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/img_3233.jpg" rel="gallery-all" title="Southern facade at dusk"><img alt="" class="image-article-full-width-580px" height="435" src="/sites/urbanmelbourne.info/files/styles/article_full_width_580px/public/pictures/article-images/img_3233.jpg?itok=d-OJ-hHc" title="Southern facade at dusk" width="580"></a>

<figcaption>Southern facade at dusk</figcaption></figure>If the Southern Facade is the greatest weakness, undoubtedly one of the greatest strengths is the dramatic atrium space. This has to be one of Melbourne’s very best interior spaces.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/img_0339.jpg" rel="gallery-all" title="A stunning interior"><img alt="" class="image-article-full-width-580px" height="870" src="/sites/urbanmelbourne.info/files/styles/article_full_width_580px/public/pictures/article-images/img_0339.jpg?itok=rGmmv14m" title="A stunning interior" width="580"></a>

<figcaption>A stunning interior</figcaption></figure>The centre piece of this architectural composition is the floating stalactite like structure which dramatically descends from the coffered ceiling. Housing a single classroom space on each level this timber sculpture is exquisite in its precision and form. The impressive timber volume hovers tantalizing close to the work space below it, inviting the occupier to reach out instinctively.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/image31.jpg" rel="gallery-all" title="Various internal aspects"><img alt="" class="image-article-full-width-580px" height="631" src="/sites/urbanmelbourne.info/files/styles/article_full_width_580px/public/pictures/article-images/image31.jpg?itok=jxw4bETl" title="Various internal aspects" width="580"></a>

<figcaption>Various internal aspects</figcaption></figure>One of the more unusual design decisions within this building is the widespread use of wire mesh which clings to the periphery of the atrium. Used on mass, this wire takes on a net like character that at times seem at odds with the precision of the timber panels. The benefit of this wire is that it does not reflect sound the way a glass balustrade might. It also allows a greater felling of openness and connection from the circulation spaces to the atrium which is unparalleled in Melbourne.

Ultimately this building must be a building about learning in order to be a success. It is in this regard that the building must have it’s greatest impact.

The more formal studio spaces have been placed along the southern side of the building to get the most use from the gentle southern daylight. Vertical surfaces throughout this zone have been naturally equipped to double as pin boards to facilitate work to be displayed and reviewed. Whilst the building may not have the variety of learning spaces of say the Swanston Academic Building, there are several options for the type of spaces students can occupy.

The opportunity for students to learn from the building itself has also been a strong consideration. Structural elements at several points have been left exposed to be studied by curious observers.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/img_3548.jpg" rel="gallery-all" title="Library with expressed ‘wishbone’ concrete beams"><img alt="" class="image-article-full-width-580px" height="773" src="/sites/urbanmelbourne.info/files/styles/article_full_width_580px/public/pictures/article-images/img_3548.jpg?itok=D-fQHs3p" title="Library with expressed ‘wishbone’ concrete beams" width="580"></a>

<figcaption>Library with expressed ‘wishbone’ concrete beams</figcaption></figure>A building such as this demanded excellence and it is hard to argue that this building is anything other than successful. What has been delivered is a hardworking piece of architecture which is in places exquisite and dramatic whilst at others is stripped-back and experimental. It is not a single idea but a collection of ideas to be read interpreted and analysed for years to come.

Michael Smith is Director of Melbourne architecture firm Atelier Red + Black. This article originally appeared on <a href="http://theredandblackarchitect.wordpress.com/">The Red and Black Architect blog</a>..
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Red + Black Review: Melbourne School of Design

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In an eight-page, plastic-wrapped newsletter released late last week, the Linking Melbourne Authority announced amongst spin and puff that the development plans required as the final step of the planning permit had been endorsed by the Planning Minister. On any other planning permit these development plans, or ‘endorsed drawings’ as they are also known, will detail all the design modifications from the permit conditions and essentially finalize the design which has been approved.

Whilst they will not detail the construction engineering aspects they typically cover such things as final finishes, proposed overall dimensions and all the features and aspects of the design proposal related to planning. In any other project, be it a 100 storey tower or a minor residential extension, these plans are public documents. However such is the secrecy around the East West Link that, like the ‘business case’, these documents are under lock and key away from public scrutiny.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/western-portal-copy_0.jpg" rel="gallery-all" title="The western portal"><img alt="" class="image-article-full-width-580px" height="317" src="/sites/urbanmelbourne.info/files/styles/article_full_width_580px/public/pictures/article-images/western-portal-copy_0.jpg?itok=A6X4r73M" title="The western portal" width="580"></a>

<figcaption>The western portal</figcaption></figure>As a consequence of this veil of secrecy very simple questions pertaining to what has been approved cannot be answered. In Parkville, seven tollway flyovers cut through a residential precinct. The animation gives perhaps the best indication of what residents should prepare themselves for. It is very difficult to determine if sound and privacy barriers will be installed, what height and form they will take and how effective they will be.

Other basic questions include how tall are these flyovers? How far away are they exactly? How will the road be lit at night?

This situation leads to only two possible conclusions. The first possibility is that these issues have been resolved in the development plans, as they should have. These details are then being deliberately withheld from public scrutiny, for the benefit of the Liberal Party election prospects and public relations.

The second possibility is that these details have not been finalised and are therefore not part of the development plans which were endorsed by the Planning Minister. This would be an absolute disaster as the controls for what constitutes an acceptable design response would be transferred to either the LMA or the construction consortium who would be entitled to build whatever was expedient and cheap for them to construct.

<h2>Secret Property Reports</h2>

The Victorian Government’s dungeon of secret documents has also been expanded to include the Property Impact Reports which were required as a condition of the planning permit. These reports supposedly document local properties which will be impacted and were used to determine which properties would be offered voluntary acquisition. Was it comprehensive? Which properties were reported upon? What did it take into consideration?

Only very few guards within the secret dungeon have access to this document, so it is impossible to say. Despite this, from media reports it is possible to draw a rough map of which properties have and have not been offered acquisition. Whilst any number of government ministers can trot out the catch phrase ‘the line had to be drawn somewhere’ it is clear from this rough map that the line that was actually drawn does not treat properties fairly based on distance.

The line that separates between an optional exit and 5+ years of misery prioritises houses over others and does not use logical features such as existing laneways to determine its location.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/acquisition-map-copy.jpg" rel="gallery-all" title="Acquisition map"><img alt="" class="image-article-full-width-580px" height="595" src="/sites/urbanmelbourne.info/files/styles/article_full_width_580px/public/pictures/article-images/acquisition-map-copy.jpg?itok=jNdxxRTR" title="Acquisition map" width="580"></a>

<figcaption>Acquisition map</figcaption></figure><h2>Purpose of mystery buildings confirmed</h2>

In a previous post discussing the then newly released final design, two newly proposed ‘mystery’ buildings in Parkville were highlighted by a freeze frame shot on the official video. At the time with no announcement or description of what they were, we were left to guess the purpose. After a subsequent twitter exchange and a discussion with the Linking Melbourne Authority, it has been confirmed that these two buildings will be the new 24 hour Freeway Control Centre and the Operations and Maintenance Management Facilities.

These buildings should have been included within the Comprehensive Impact Statement and public hearings process but were omitted. In order to make this location work for the emergency operations vehicles an additional ground level road through Royal Park will also be required. The alternative fastest route into the tunnel is a 3.5KM trip via Brunswick road.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/east-west-link-ops-maintenance-centre.jpg" rel="gallery-all" title="East West Link operations maintenance centre"><img alt="" class="image-article-full-width-580px" height="310" src="/sites/urbanmelbourne.info/files/styles/article_full_width_580px/public/pictures/article-images/east-west-link-ops-maintenance-centre.jpg?itok=986DeHBM" title="East West Link operations maintenance centre" width="580"></a>

<figcaption>East West Link operations maintenance centre</figcaption></figure>Planning details such as the number of car parks for these facilities, shadowing impacts, building form, window location and overall dimensions are all either secret or as yet un-designed. The design should have been finalised in order to have been included on the development plans for endorsement.

<h2>West Parkville to be cut off</h2>

Another detail which has snuck through broader analysis is the road connection between West Parkville and the western and southern suburbs. In order to facilitate large traffic volumes exiting Citylink from the north, the only connection via Lennon Street will be entirely cut off. This will add over 2.5 kilometres to any trip going west via racecourse road or south via boundary road or Citylink.

Linking Melbourne Authority is aware of this problem and have verbally agreed to investigate possible solutions.

<h2>Real life ‘Utopia’ spin</h2>

In a case of life mimicking art it seems that the PR department at the LMA has taken a leaf out of the fictional ‘Nation Building Authority’ depicted by the ABC comedy/documentary Utopia. In order to sell the extension of the wetlands (at the expense of Royal Park’s Ross Straw Field) the glossy brochure announced the following:

<blockquote>
The wetlands will be accessible by a series of high quality boardwalks and complemented by a significant water themed playground, a new education and interpretative centre, and community facilities including barbecues, seating and shelters.
<cite>Linking Melbourne Authority, Western Gateway Brochure (page 2)</cite>
</blockquote>

This description was accompanied by an artist impression indicating a vague building within a park setting.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/fictional-park-impression.jpg" rel="gallery-all" title="Fictional park impression"><img alt="" class="image-article-full-width-580px" height="295" src="/sites/urbanmelbourne.info/files/styles/article_full_width_580px/public/pictures/article-images/fictional-park-impression.jpg?itok=8T7cVvMS" title="Fictional park impression" width="580"></a>

<figcaption>Fictional park impression</figcaption></figure>Naturally the education and interpretive centre was not included in the consultation process, Comprehensive Impact Statement or in the public hearings. It was therefore a big surprise that it was included as part of the ‘final design’. There has been no discussion about how this centre would operate, if there would be buses dropping off school groups or the design location or footprint of any of these buildings.

Furthermore it is not entirely clear if the Linking Melbourne Authority even has a planning permit to construct these buildings as they are not ‘normal’ to the purpose of providing a transport link. In response to being pushed on these questions, the LMA reportedly told the City of Melbourne (on October 7) that the Education Centre would not be a staffed centre but a series of interpretive signs around the wetlands. Perhaps the LMA should tell that to their media spin unit.

The issues highlighted here are a summary of some of the known unknowns. The Liberal Government would have you believe that this project is ready to start in a few weeks yet the public has very little idea of what has even been approved. With such a secretive process the question is: what else is being kept in the secret dungeon of documents with the business case, property reports, signed construction contract and the development plans?

The public deserves to know. Architecture is for Everyone.

This article originally appeared on the <a href="http://theredandblackarchitect.wordpress.com/2014/10/22/east-west-link-and-the-secret-development-plans/">Red and Black Architect's blog</a>.
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East West Link and the Secret Development Plans

<html><body>
How would you rate the quality of your apartment? What about the quality of your office? Architects Atelier Red + Black together with media partner Apartments.com.au want you to tell us!

A new website <a href="http://ratemybuilding.com.au/">RateMyBuilding.com.au</a> has been set up as a portal for the general public to participate in research relating to the quality of our houses, townhouses, apartments and offices. Whilst these buildings are being designed for everyone to use and hopefully love, a large question remains over what people like and dislike about their current buildings. Are they the right size? Are they functional? What functions do they perform well and how can they be improved?

The Rate My Building project has already been operating for a few days and whilst it is far too early to draw specific conclusions about what the research will find, the initial data received raises some interesting questions that will hopefully be answered in time.

Over half of the respondents who have so far rated their house have indicated that their home size is either too big or small for their needs. By contrast a greater percentage of the initial respondents living in apartments were satisfied with the size of their dwelling.

<figure><a href="http://ratemybuilding.com.au/" title="Visit the Rate My Building website."><img alt="" class="image-article-full-width-580px" height="167" src="/sites/urbanmelbourne.info/files/styles/article_full_width_580px/public/pictures/article-images/stats2.jpg?itok=lLRdS2wD" width="580"></a></figure>In offices the initial responses suggest that there may be an issue with the percentage of workers who are unsure about the availability of important Health and Safety equipment such as first aid kits and defibrillators. Further responses will be required to determine if this is statistically significant, however the example highlights the value of undertaking such research.

<blockquote>
Architects are always concerned with how occupants will use their buildings. This research will shed further light on what is working and what isn’t. This can then enable us to design better performing buildings that actively respond to the end user requirements.
<cite>Sonia Sarangi, Co-Director of Atelier Red + Black</cite>
</blockquote>

Once sufficient responses are collected and the data analysed, Atelier Red + Black hope to share the insights of the project with Apartments.com.au and architects across Australia in a bid to improve future buildings and make them more responsive to the needs of the end user.

So go check out the website today! The more survey responses received, the better the picture we will have about the quality of our built environment.

<a href="http://ratemybuilding.com.au/">RateMyBuilding.com.au</a>
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Atelier Red + Black announce RateMyBuilding.com.au

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Former Victorian Premier Jeff Kennett has expressed his disappointment about the negative impacts that the proposed East West Link design will have on the Melbourne gateway landmark. Tweeting in response to my questions, Mr Kennett sees the value of the cheese sticks being lost by the new flyovers.

<blockquote class="twitter-tweet" lang="en">
<a href="https://twitter.com/jeff_kennett">@jeff_kennett</a> what do you think about the domination and obscuring of the gateway cheese stick by the East West Link design?
— Red+Black Architect (@Red_Black_Archi) <a href="https://www.propertyobserver.com.au/https://twitter.com/Red_Black_Archi/status/517075700881178624">September 30, 2014</a>
</blockquote>

<blockquote class="twitter-tweet" data-conversation="none" lang="en">
<a href="https://twitter.com/Red_Black_Archi">@Red_Black_Archi</a> I do not like or agree with losing the value of cheese sticks which form a gateway into the wonderment of Melbourne
— Jeff Kennett (@jeff_kennett) <a href="https://www.propertyobserver.com.au/https://twitter.com/jeff_kennett/status/517078492886753280">September 30, 2014</a>
</blockquote>

<blockquote class="twitter-tweet" data-conversation="none" lang="en">
<a href="https://twitter.com/jeff_kennett">@jeff_kennett</a> me either! The proposed EWlink design dilutes the potency and value of our city's unique and iconic gateway
— Red+Black Architect (@Red_Black_Archi) <a href="https://www.propertyobserver.com.au/https://twitter.com/Red_Black_Archi/status/517080359666581504">September 30, 2014</a>
</blockquote>

<blockquote class="twitter-tweet" data-conversation="none" lang="en">
<a href="https://twitter.com/Red_Black_Archi">@Red_Black_Archi</a> Agreed
— Jeff Kennett (@jeff_kennett) <a href="https://www.propertyobserver.com.au/https://twitter.com/jeff_kennett/status/517083942688526336">September 30, 2014</a>
</blockquote>

This is in reference to my article published on <a href="http://theredandblackarchitect.wordpress.com/">The Red and Black Architect blog</a> yesterday, as seen below.

<h2>State Government Reveals Final East West Link Design</h2>

This week the Napthine Victorian Government signed a secret contract worth $6.8 Billion, with the Lend Lease led consortium to build the eastern stage of the East West Link toll road. In what has now become the standard approach from this Government, the public were left in the dark with regards to almost every detail. From financial business case to the property impact reports, the actual route of the road and the physical design of it.

If you are joining this story just now there is some important back reading for you to do.

<ul>
<li><a href="http://theredandblackarchitect.wordpress.com/2013/07/22/east-west-tollway-to-trash-an-inner-city-oasis/">East West Tollway to Trash an Inner City Oasis</a></li>
	<li><a href="/news/atelier-red-black-reveals-a-better-east-west-link-design">A Better East West link Design Revealed</a></li>
	<li><a href="/news/planning-to-fail-east-west-link-part-1">Planning to Fail: East West Link (Part 1)</a></li>
	<li><a href="/news/planning-to-fail-east-west-link-part-2">Planning to Fail: East West Link (Part 2)</a></li>
	<li><a href="http://theredandblackarchitect.wordpress.com/2014/07/27/saving-west-parkville/">Saving West Parkville</a></li>
</ul>
A day after signing the State into a massive financial black hole, the government has revealed the final design to be constructed. This is of course pending the outcome of the two separate court actions and a probable change in government. So what have we just bought, is the design any good and were there any surprises?

<h2>Eastern Portal</h2>

The Eastern portal road design was one of the few known outcomes from the planning permit approval. This road design tears up heritage streets and imposes the visual bulk of a flyover upon the surrounding residential areas.

The good news however is the demise of the ridiculous vertical ‘feature’ on the bridge which detracted from the heritage listed Clifton Hill Shot Tower. This design element was completely superfluous and caused additional negative impacts for zero positive gain. It will not be missed by anyone other than perhaps the Planning Minister Matthew Guy, who in his planning approval deliberately and recklessly contradicted the Assessment Committee who had found it to be unacceptable. Clearly wiser more educated heads have prevailed in this case.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/eastern-portal-copy.jpg" rel="gallery-all" title="View of the Eastern Portal (Clifton Hill and Collingwood)"><img alt="" class="image-article-full-width-580px" height="326" src="/sites/urbanmelbourne.info/files/styles/article_full_width_580px/public/pictures/article-images/eastern-portal-copy.jpg?itok=9SBAHRCE" title="View of the Eastern Portal (Clifton Hill and Collingwood)" width="580"></a>

<figcaption>View of the Eastern Portal (Clifton Hill and Collingwood)</figcaption></figure>Significant emphasis has been placed upon the acoustic tube refered to as the ‘Sound Wave. On the positive side it looks like it could be a dynamic and interesting form. It does seem however that the residential areas in most need of the noise protection (on the left of the picture above) seem to miss out all together. Hopefully this can be resolved to the satisfaction of those unfortunate residents.

<h2>Western Portal</h2>

Up until the point at which the design was released on Tuesday, the suburb of West Parkville was in limbo. Whilst the project had for weeks already been approved, no one could be sure where the roads would go, which properties would be demolished and how badly residents would be affected.

The bizarre situation for residents was that they would need to look in the newspapers or catch a TV news bulletin to determine if they would have a home in 6 months time. It was a public game of spot your home, with the winners getting to see their neighborhood be ripped apart over the 5 year construction period whilst the losers lost their home all together.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/western-portal-copy.jpg" rel="gallery-all" title="The Western Portal"><img alt="" class="image-article-full-width-580px" height="317" src="/sites/urbanmelbourne.info/files/styles/article_full_width_580px/public/pictures/article-images/western-portal-copy.jpg?itok=J0QXjqdi" title="The Western Portal" width="580"></a>

<figcaption>The Western Portal</figcaption></figure>The outcome was disastrous for West Parkville. Any hopes of a better design which could save the 55 homes, Ross Straw Playing Fields and the White’s Skink habitat were dashed. The planning permit recommendation to investigate relocating the portal west of Oak street was clearly too soft to have any impact on the design. The work done by Safety Net on an alternative which was proven to be feasible by traffic engineers commissioned by the City of Melbourne, was largely ignored. One aspect of this design that was not ignored was the provision of the Flemington Road access at the Citylink interchange, rather than within Royal Park itself. This will help save a section of Royal Park that would have otherwise been lost forever.

The overall news for Royal Park is however, far from good. As well as the permanent loss of virtually all of the parkland west of the Upfield Train line, there was the added bad news of a large electrical substation which is now required to power the tunnel boring machines. Yet again a significant impact on the environment and the public that was not accounted for in the Comprehensive Impact Statement (CIS).

Whilst discussing Royal Park it is also important to note that this project will be the third incursion into our largest public urban park in a decade. The Commonwealth Games village, the Royal Children’s Hospital and now East West Link have all eaten significant portions of the park. This is incredibly short sited of a city claiming to be the worlds most livable. All levels of government need to be looking at ways to permanently protect our rapidly shrinking urban parkland. It is too important to lose.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/green-cheese.jpg" rel="gallery-all" title="The new green cheese stick"><img alt="" class="image-article-full-width-580px" height="314" src="/sites/urbanmelbourne.info/files/styles/article_full_width_580px/public/pictures/article-images/green-cheese.jpg?itok=_HBf46PY" title="The new green cheese stick" width="580"></a>

<figcaption>The new green cheese stick</figcaption></figure>Perhaps the most intriguing aspect of the proposed design is how the Linking Melbourne Authority and the Lend Lease consortium would address the connection with the Melbourne Gateway and the yellow ‘cheese stick’. The answer is with the use of mimicry. Not content to leave the iconic work of Denton Corker Marshall remain the cohesive entry for Melbourne, the new proposal is a classic case of ‘my project is bigger than yours’. The Cheese Stick has been duplicated, enlarged and set closer to vertical as a beacon to all who drive by. In a way green is a fitting colour for a yellow cheese stick gone bad. Not content with being taller and larger, the new triple decked flyovers are likely to substantially block the views of the original landmark, damaging its original purpose. This outcome, in my view at least, is unacceptable.

With the radical changes to West Parkville that are proposed, two mystery buildings were also subtly included into the scheme without explanation or clarification. Located beneath one of the seven new flyovers, are two new buildings built upon the land currently occupied with townhouses. Neither of these were within the reference design and therefore they were not discussed in the CIS or hearings either.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/mystery-buildings.jpg" rel="gallery-all" title="It's a mystery!"><img alt="" class="image-article-full-width-580px" height="209" src="/sites/urbanmelbourne.info/files/styles/article_full_width_580px/public/pictures/article-images/mystery-buildings.jpg?itok=9E_v29kA" title="It's a mystery!" width="580"></a>

<figcaption>It's a mystery!</figcaption></figure><h2>Debney’s Park</h2>

Another surprise inclusion is a new road through Debney’s Park between Mount Alexander Road and Racecourse Road, under the existing sound tube. Whilst this is a substantial blow to the Debney’s Park area which is currently a playground for a community of disadvantaged children, the silver lining is the $15 Million allocated for planning and implementing a new master plan for the area.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/new-road.jpg" rel="gallery-all" title="The new road as rendered"><img alt="" class="image-article-full-width-580px" height="314" src="/sites/urbanmelbourne.info/files/styles/article_full_width_580px/public/pictures/article-images/new-road.jpg?itok=OBaY3ajB" title="The new road as rendered" width="580"></a>

<figcaption>The new road as rendered</figcaption></figure><h2>The Northern Interchange (Formerly the Ormond Road Off Ramp)</h2>

Residents in Moreland now have more reason to feel cheated as the Ormond Road off ramp has been unexpectedly expanded to include an on ramp from Brunswick Road. One has to seriously wonder what the point of all the discussion surrounding traffic modeling at the public hearings was for, given the substantial last minute changes to the proposed connections.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/surprise-brunswick-road-onramp.jpg" rel="gallery-all" title="A new on ramp from Brunswick Road"><img alt="" class="image-article-full-width-580px" height="320" src="/sites/urbanmelbourne.info/files/styles/article_full_width_580px/public/pictures/article-images/surprise-brunswick-road-onramp.jpg?itok=dkXYWlzW" title="A new on ramp from Brunswick Road" width="580"></a>

<figcaption>A new on ramp from Brunswick Road</figcaption></figure>The Northern Interchange has now also been given a replica set of red matchsticks. This is a desperate attempt to salvage something of the entry gateway that will be dominated by this project. The new sticks are clearly too far away to be read cohesively with the existing ones whilst simultaneously blurring the ability to navigate via these landmarks.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/new-red-matchsticks.jpg" rel="gallery-all" title="New Red Matchsticks"><img alt="" class="image-article-full-width-580px" height="321" src="/sites/urbanmelbourne.info/files/styles/article_full_width_580px/public/pictures/article-images/new-red-matchsticks.jpg?itok=6cXbI8PJ" title="New Red Matchsticks" width="580"></a>

<figcaption>New Red Matchsticks</figcaption></figure>All in all, the design will not rescue this project. All to often where impacts could have been reduced, they haven’t been. Royal Park will be permanently scarred with a portion amputated completely. West Parkville will be sliced and segmented with the loss of 55 homes unnecessarily. The iconic Melbourne Gateway experience will be lost among flyovers and diluted by a new green parody.

As well as being the most expensive urban project in the state’s history, it will also be among it’s most destructive. Terrible politics, a rushed process, a secret business case, poor planning have all led to a mistake of mammoth proportions.

What do you think about the impact of the East West Link design on the Melbourne Gateway? Have your say below.
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Jeff Kennett voices concerns over East West Link design

Builder-developer&nbsp;<a href="https://www.apartments.com.au/developers/graya">Graya</a> has secured a prime Newstead site from fellow developer Fraser, subsequently lodging plans for The Silo, a major mixed-use residential project in Newstead designed around a new public laneway linking the James Street precinct with the wider Gasworks and Newstead neighbourhood.

Proposed for the corner of Chester and Morse streets, the <a href="https://www.apartments.com.au/architects/bureauproberts">Bureau^Proberts</a>-designed project places its strongest emphasis at ground level, where retail, landscaping and a new cobblestone pedestrian connection would open the site to the surrounding neighbourhood. The design team describes The Silo as “more than a residential building”, positioning the development as an extension of Newstead’s public realm rather than a standalone apartment tower.

“A new cobblestone laneway and landscaped connection between James Street and Gasworks unlock a missing pedestrian link, improving walkability and stitching together two of Brisbane’s significant urban destinations,” Bureau Proberts said in its Urban Design Report.

<img alt="First look: Graya plans The Silo as new pedestrian link between James Street and Gasworks" data-entity-type="file" data-entity-uuid="0ea1b06a-75f5-40a5-b2c5-33c97bc86052" src="https://s3.ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/inline-images/silo%20bldg.png?VersionId=KmjsAtNePu57_B31EM_DJ5T6KPJHtcmo" />

The Silo is planned as a mixed-use development incorporating apartments alongside a bar and centre activities including food and drink outlets, indoor sport and recreation, office and retail uses.

Architecturally, Bureau Proberts has conceived the building as a collection of vertically expressed, stepping forms rather than a single uniform tower. The composition rises from an articulated podium before being broken by a triple-height landscaped recreation level, with the upper section becoming more compact before terminating in a landscaped rooftop garden.

The project's name and architectural language draw directly from Newstead's industrial history. Patterned off-form concrete is proposed as the principal façade material, complemented by slender metal rod balustrades and extensive planting. The cylindrical and vertically ribbed elements give the building its silo-like expression, while curved balconies and planted edges introduce a softer subtropical layer.

“The Silo reinterprets its robust forms, scale and materiality through a contemporary subtropical architectural expression, creating a building that acknowledges its industrial legacy, while responding to the way the precinct is occupied today,” Bureau^Proberts said.

The recreation level is one of the defining breaks in the tower. Plans include a lap pool, mature subtropical planting and shared resident facilities within an elevated communal garden. Landscaping continues through the podium and onto the rooftop, where a further garden forms what the architects describe as a “subtropical crown” to the building.

<img alt="First look: Graya plans The Silo as new pedestrian link between James Street and Gasworks" data-entity-type="file" data-entity-uuid="f8451036-35a4-49a9-8d88-2ef4438eba3d" src="https://s3.ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/inline-images/Silo%20Lane.png?VersionId=h8N31_rYmCEqoNrpt4kbYVQhJGZn60LH" />

At street level, the development has been designed to establish a more permeable block. Retail and hospitality tenancies address the public realm, while landscaped pedestrian spaces lead into the new laneway connection. Renders in the design report show the proposed “Silo Lane” as a substantial opening through the podium, framed by cylindrical concrete forms with cascading planting above.

The Silo continues Graya's move into larger apartment developments after building its reputation across high-end residential projects in Brisbane and the Gold Coast.

Joel Robinson

Graya buys Frasers Newstead site, plans The Silo between James Street and Gasworks precincts

<a href="https://www.apartments.com.au/developers/wickton">Wickton</a>’s completed Linacre Rise development in Hampton is giving Bayside downsizers the opportunity to move into a spacious apartment near the beach, with the developer covering stamp duty for a limited time.

The 27-residence development has been designed for buyers who want to simplify their living arrangements without giving up the space, warmth and quality associated with a long-term family home. Most apartments have already been secured by Bayside locals, leaving a select collection of two and three-bedroom residences and penthouses available.

Two-bedroom apartments are priced from $1.275 million, three-bedroom residences from $2.25 million and penthouses from $3.375 million, with the completed homes available to inspect and move into now.

[smartcode_project:default project_id=95289 project_image_fid=366760]

<a href="https://www.apartments.com.au/buildings/linacre-rise-hampton-8-10-linacre-road-hampton-vic-3188">Linacre Rise</a> occupies an elevated position on one of <a href="https://www.apartments.com.au/developments/hampton-vic-3188">Hampton</a>’s quiet, tree-lined streets, around 250 metres from the bay and 500 metres from Hampton’s village centre. Its setting gives residents access to the beach, local cafés, shops and Hampton Train Station while retaining the feel of an established residential neighbourhood.

Architecture and interiors by <a href="https://www.apartments.com.au/architects/ewert-leaf">Ewert Leaf</a> draw on the warmth and permanence of traditional brickwork, with the building integrated into terraced landscaping by <a href="https://www.apartments.com.au/landscape-architect/john-patrick-landscape-architects">John Patrick</a>. Ground-floor apartments are elevated above the street and include private garden courtyards, while several upper-level residences have generous balconies and outlooks toward the bay.

Inside, the residences favour natural materials and generous proportions. Herringbone-pattern European oak flooring, natural stone benchtops, premium joinery and Swiss V-ZUG appliances are among the key inclusions, while integrated storage has been incorporated across kitchens, bathrooms, studies and living areas.

The kitchens have been planned as practical spaces for both everyday use and entertaining, with substantial island benches, detailed cabinetry and adjoining dining and living zones. Full-height wardrobes, plush bedroom carpeting and carefully considered lighting reinforce the residential character Wickton sought to retain for buyers moving from larger homes.

[smartcode_project:default project_id=95289 project_image_fid=366769]

A Linacre Rise purchaser said the completed apartment had delivered the space, outlook and construction quality they had been seeking.

“The unit is very light, has views to die for over the bay, all construction materials and fittings are premium quality, we have secure parking for three cars, EV charging at very competitive rates, the neighbours are friendly and there is just a lovely ambiance about the place,” the purchaser said.

Environmental features include solar panels, shared electric vehicle charging stations, rainwater harvesting for toilet flushing and landscape irrigation, double-glazed windows and water-efficient fixtures and appliances.

[smartcode_project:default project_id=95289 project_image_fid=366762]

The development was built by Balmain &amp; Co, with Wickton managing the broader development process through its in-house team.

For downsizers, the project’s completed status removes much of the uncertainty associated with buying off the plan. Purchasers can inspect the finished apartments, understand their outlook and proportions, and move in without waiting for construction to conclude.

The remaining selection includes north-oriented balconies, corner configurations and penthouses with elevated bay views. The developer-paid stamp duty initiative is available for a limited time, with potential savings of up to $200,000 depending on the residence purchased.

[smartcode_project_cta:default project_id=95289]

Limited-time stamp duty offer at completed Linacre Rise apartments in Hampton

Luxury apartment buyers have long prioritised design, space and finishes, but increasingly they're placing equal importance on something less tangible: how easily they can live without relying on a car.

At <a>Richmond Square</a>, <a href="https://www.apartments.com.au/developers/fortis">Fortis</a> believes that convenience begins beyond the apartment itself, with the mixed-use precinct earning a near-perfect Walk Score of 99.

The development has been planned around the idea that some of the most valuable amenities aren't contained within a building, they're the restaurants, cafés, parks, transport connections and daily conveniences that can all be reached on foot.

Located just behind Swan Street and Church Street, <a href="https://www.apartments.com.au/new-apartments/richmond-square-1-wiltshire-street-richmond-vic-3121">Richmond Square</a> places residents within one of Melbo​u​rne's most established lifestyle precincts while offering a quieter residential setting removed from the busiest thoroughfares. East Richmond Station is moments away, trams run along both Swan and Church Streets, and the MCG, Melb​​ourne Park, Yarra River trails and the CBD are all within walking distance. At the same time, the precinct itself will introduce a curated mix of dining, retail, hospitality and wellness offerings, creating a destination that extends well beyond its residential buildings.

[smartcode_project:default project_id=13181 project_image_fid=348530]

For Fortis, that combination of location and scale was what made the site unique.

"<a href="https://www.apartments.com.au/developments/richmond-vic-3121">Richmond</a> is one of Melb​o​urne's most established and distinctive inner-city neighbourhoods, with a rare combination of dining, culture, recreation, public transport and proximity to the CBD," the developer said.

"The opportunity at Wiltshire Street was particularly compelling because the site sits slightly removed from the activity of Swan and Church Streets while remaining only moments from everything that makes the area desirable."

Rather than developing a standalone apartment building, Fortis consolidated 15 individual properties to create one of the larger development parcels assembled on Mel​b​ourne's city fringe in recent years. That allowed the team to deliver a genuine mixed-use precinct comprising 107 residences across Wiltshire House and Carmine House, premium office space, hospitality venues, retail, wellness offerings and a future 57-room hotel.

"The scale of the site allowed Fortis to think beyond a standalone apartment building," the developer said.

"Richmond Square could be planned as a complete lifestyle precinct, bringing homes, workplaces, dining, retail, hospitality and wellness together around a series of activated public spaces. The aim was to create a destination that feels connected to Richmond rather than separate from it."

[smartcode_project:default project_id=13181 project_image_fid=348533]

The emphasis on walkability has also resonated with buyers.

Interest has been strongest from established owner-occupiers, particularly downsizers from Richmond and Melb​ourne's inner east who want to remain close to familiar restaurants, workplaces, family and social networks while moving into a more secure, lower-maintenance home. The project is also attracting Mornington Peninsula and interstate buyers seeking a Melb​ourne residence they can lock up and leave between visits.

Many are looking for generous living spaces, room to entertain, quality finishes and confidence in the project team, but location remains one of the biggest deciding factors.

"For many buyers, Richmond Square provides a way to simplify the practical side of home ownership without reducing the quality of their lifestyle," the sales team said.

"Location is also a major driver of interest. Buyers can remain connected to the CBD, major sporting events, the arts centres, local restaurants, cafes and bars and their family while living in a private and secure residence that is easy to lock up and leave for weekends or longer periods away."

[smartcode_project:default project_id=13181 project_image_fid=348549]

The residences themselves have been designed with that buyer in mind. Award-winning architecture practice SJB and interior designers Hecker Guthrie have created spacious two and three-bedroom apartments and penthouses that prioritise generous living areas, natural light, bespoke joinery and private terraces. Above, a rooftop sanctuary by Acre includes landscaped lawns, bookable dining rooms, barbecue facilities, wellness spaces and panoramic views across the CBD, the MCG and Port Phillip Bay.

Fortis believes Richmond Square reflects a broader evolution in apartment living, where the surrounding neighbourhood becomes just as important as the residence itself.

"Richmond Square introduces a different proposition: generously proportioned residences within a genuinely mixed-use, hospitality-led destination," the developer said.

"The project's location and Walk Score of 99 further support a lifestyle where residents can complete many everyday journeys without relying on a car."

Fortis has assembled an experienced team that includes <a href="https://www.apartments.com.au/architects/sjb-architects">SJB</a>, <a href="https://www.apartments.com.au/interior-designers/hecker-guthrie">Hecker Guthrie</a>, <a href="https://www.apartments.com.au/landscape-architect/acre">Acre</a> and builder <a href="https://www.apartments.com.au/builders/hacer-group">Hacer Group</a>, reflecting the developer's commitment to creating projects with enduring design quality and meaningful connections to the communities in which they sit.&nbsp;

Richmond Square is an expression of that philosophy, bringing together homes, workplaces, hospitality and wellness within one of Me​lb​ourne's most walkable neighbourhoods.&nbsp;

Construction is now almost complete, providing purchasers with growing confidence ahead of its expected September 2026 completion.

[smartcode_project_cta:default project_id=13181]

Walk Score of 99 places Richmond Square at the heart of Melbourne's most connected lifestyle

<h3 data-end="19" data-section-id="1dvgwoe" data-start="0">Summary</h3>

<ul data-end="634" data-start="21">
	<li data-end="170" data-section-id="1o77v31" data-start="21">Walker Corporation has lodged plans for a second major residential development in the Maroochydore City Centre, a 29-storey tower known as Celeste.</li>
	<li data-end="327" data-section-id="1lb0y6t" data-start="171">The Plus Studio-designed proposal at Lot 30 Sunshine Coast Parade would deliver 208 apartments, including four four-bedroom sub-penthouses and penthouses.</li>
	<li data-end="487" data-section-id="za720" data-start="328">The application comes as Walker doubles down on Maroochydore following the strong sales campaign at SOL by Walker, where the first tower is nearing sell-out.</li>
	<li data-end="634" data-section-id="5sovec" data-start="488">Walker is a key partner in the transformation of the Maroochydore City Centre, which is expected to ultimately deliver at least 4,000 new homes.</li>
</ul>

Walker Corporation is doubling down on Maroochydore following the successful sales campaign at its first residential project in the emerging CBD.

The national developer has filed plans for <a href="https://www.apartments.com.au/new-apartments/celeste-30-sunshine-coast-parade-maroochydore-qld-4558">Celeste</a>, a new 29-storey apartment tower at Lot 30 Sunshine Coast Parade, just metres from its under-construction SOL by Walker development.

The plans, prepared by Plus Studio, would see 208 apartments delivered across a 100-metre tower on the 2,376 sqm site, which fronts Sunshine Coast Parade, First Avenue and Future Way within the Maroochydore Priority Development Area.

<img alt="Walker" data-entity-type="file" data-entity-uuid="17038209-6fea-4ed2-855d-fd4df65b3d02" src="https://s3.ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/inline-images/Screenshot%202026-08-10%20at%2010.24.16%E2%80%AFAM.png?VersionId=iZD.oVXcQn.aLpUytDAW.CWjxP4puWMy" />

The proposed apartment mix comprises 36 one-bedroom apartments, 48 two-bedroom apartments, 72 two-bedroom apartments with an additional multipurpose space, and 48 three-bedroom apartments.

The upper levels would be capped by two four-bedroom sub-penthouses and two four-bedroom penthouses, taking the total apartment count to 208. The preliminary yield study also provides 262 car spaces, 114 resident bicycle spaces and storage for each apartment.

It represents Walker's next major residential move in the new Maroochydore CBD after the success of SOL by Walker, its $220 million two-tower project nearby.

SOL launched to market in early 2025 and has since seen strong demand, particularly from local owner-occupiers. By February this year, Walker said the first SOL tower was nearing sell-out, with a strong waitlist also emerging for its recently released penthouse collection.

Construction is already underway on SOL, with the first tower expected to be completed in late 2027 and the second to follow in early 2028.

[smartcode_project:default project_id=147777 project_image_fid=319846]

<h2 data-end="2518" data-section-id="1b2dyo5" data-start="2459">Celeste to rise 100 metres over Maroochydore City Centre</h2>

Celeste would take a different form to the twin 19-storey buildings at SOL.

Plus Studio has designed a single 100-metre tower above an activated podium, with the architecture responding to the site's prominent position and three street frontages.

The podium would incorporate commercial tenancies and public art, with sweeping façade elements wrapping the street edges. The scalloped concrete podium has been inspired by the patterns created in sand at low tide, while extensive landscaping would continue vertically through the tower.

The ground level plans show three commercial tenancies addressing Sunshine Coast Parade alongside the residential lobby and landscaped public realm. The podium would then accommodate several levels of car parking before the residential tower rises above.

<img alt="Celeste" data-entity-type="file" data-entity-uuid="121f77b1-71c5-46d7-9b36-0a7d474211ca" src="https://s3.ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/inline-images/Screenshot%202026-08-10%20at%2010.24.47%E2%80%AFAM.png?VersionId=MGrg9Hb7HgzLN0Lelq_xrXNAruVl77ia" />

Plus Studio said the tower had been designed to maximise views from each apartment, taking in the Maroochy River, Sunshine Coast hinterland, Cotton Tree and Maroochydore Beach and ocean.

Those views have also shaped one of the project's key features, with Walker proposing to put the primary resident amenity on Level 29 rather than lower within the building.

The rooftop would feature a 284.9 sqm pool area with an infinity edge, along with a cold pool, spa, sauna, 93.2 sqm gym, sunset lounge, BBQ and dining areas, pool deck and private dining space. Cabanas and day beds are also shown across the recreation level.

The two penthouses would extend across the upper levels and each feature private terraces and plunge pools.

<h2 data-end="4202" data-section-id="v5f4ix" data-start="4160">Walker's growing Maroochydore footprint</h2>

Celeste further reinforces Walker's commitment to the transformation of Maroochydore City Centre.

Walker is one of the key partners delivering the new CBD alongside Sunshine Coast Council and SunCentral Maroochydore, with the broader 62-hectare Priority Development Area occupying the former Horton Park Golf Course and surrounding land.

The precinct is ultimately expected to accommodate at least 4,000 new homes as Maroochydore evolves into the Sunshine Coast's principal commercial and residential centre.

When SOL secured approval in February 2025, Walker Managing Director and CEO David Gallant described it as the "first of many residential projects" the company planned for the Maroochydore City Centre.

Celeste now provides the clearest indication yet of what comes next.

The site sits immediately within the new CBD, with the design report identifying Sunshine Plaza and surrounding parkland within walking distance and Maroochydore Beach around a five-minute drive away.

For Walker, the timing of the application comes as its first residential bet on the new CBD appears to have been vindicated.

SOL has progressed from planning approval to construction while its first release has approached sell-out, giving Walker confidence to push ahead with another 208 apartments and take its residential pipeline in the Maroochydore City Centre to around 450 dwellings across the two projects.

Celeste remains subject to planning approval, with the architectural material describing the scheme as a preliminary yield study that may change through the assessment process.

Walker doubles down on Maroochydore with 29-storey Celeste apartment tower

For most Australians, buying an apartment is one of the biggest financial decisions they'll ever make

The location, floorplan and price are often the first considerations, but in recent years another question has become increasingly important: who is actually delivering the project?

A series of high-profile builder collapses, construction delays and defect concerns have fundamentally changed how many Victorians approach buying off the plan. The collapse of Porter Davis in 2023, which reportedly left around 1,700 homes unfinished, became one of the most visible examples of the risks that can emerge when a construction company fails. <a href="https://www.equifax.com.au/sites/default/files/lpassets/pdf/Final-Business-Market-Pulse-June-Sector-Deep-Dive-Report-2.pdf">Similar challenges across the broader construction sector</a> have left buyers asking more questions before signing a contract.

As Victoria continues encouraging higher-density housing to address supply shortages, transparency is becoming just as important as location or price.

One tool increasingly entering the conversation is the <a href="https://icirt.com/">Independent Construction Industry Rating Tool (iCIRT)</a>, an independent assessment framework designed to help buyers better understand the developer or builder behind a project. Originally developed by Equifax in consultation with government and industry as part of NSW's Construct NSW reforms, the system has since expanded nationally.

<h2 data-end="1519" data-section-id="7nmx3" data-start="1492">What is an iCIRT rating?</h2>

Most Australians are familiar with independent ratings in everyday life.

We compare ANCAP safety ratings before buying a car. We look at Health Star Ratings in supermarkets. Banks rely on credit assessments when lending money.

Until recently, however, there has been very little independent information available to help apartment buyers assess the business responsible for delivering a residential project.

That gap is what iCIRT was designed to address.

Builders, developers and other construction professionals with an iCIRT rating have demonstrated high-trust characteristics through an independent, evidence-based assessment across six criteria: Character, Capability, Conduct, Capacity, Capital and Counterparties. This involves a rigorous review of financial health, past project track record, and ethical conduct. Crucially, an iCIRT rating could help provide property buyers with confidence that they are working with a professional who has demonstrated the capability, capacity, and willingness to return and rectify issues.

Importantly, iCIRT is not a recommendation to purchase a particular property, nor is it a traditional credit rating. It is an independent assessment framework designed to provide objective information about a construction business using a <a href="https://icirt.com/sites/default/files/2025-08/iCIRT-Methodology-Issue1-May-2021.pdf">published methodology</a>.

The system has been widely adopted in New South Wales, where more than one-third of medium and large residential builders and developers now hold an iCIRT rating, representing over two-thirds of the state's residential building market by value as of 2025/26.

<h2 data-end="3126" data-section-id="h6ohtj" data-start="3084">Why buyers are doing more due diligence</h2>

For many buyers, particularly those purchasing off the plan, the biggest risk isn't whether they'll like the kitchen finishes.

It's whether the project will be delivered on time, to the expected quality, and by a company capable of completing the development.

<a href="https://icirt.com/sites/default/files/2026-07/iCIRT%202025%20Consumer%20Survey%20Report%20v05.pdf">Consumer research commissioned by iCIRT</a> found more than half of respondents believed current protections do not adequately safeguard buyers from builder insolvencies or defective projects. Other research found 88 per cent of prospective buyers would seek independent ratings or due diligence before purchasing, while 90 per cent said trust in construction professionals is essential.

That doesn't mean buyers should rely on a single rating alone.

Independent legal advice, understanding the contract, and seeking financial advice all remain important parts of the due diligence process.

However, an independent assessment can provide another source of information alongside those traditional checks.

<h2 data-end="4138" data-section-id="pquzxc" data-start="4094">Trust is becoming a competitive advantage</h2>

The conversation isn't only changing for buyers.

Developers are also recognising that trust has become an increasingly important part of the sales process.

Five years ago, purchasers typically asked about floorplans, finishes and settlement dates.

Today, sales teams are increasingly being asked about the developer's experience, financial stability, previous projects and construction partners.

For companies with strong governance and established delivery records, an independent iCIRT rating provides another way to demonstrate those credentials before buyers even visit a display suite.

According to Equifax, the assessment can also help businesses drive sales and <a href="https://icirt.com/resources-for-business/icirt-rating-helps-scion-secure-high-value-projects">secure high-value projects</a>, as well as identify operational improvements and <a href="https://icirt.com/resources-for-business/mirvac-reinforces-brand-trust-and-quality-independent-icirt-rating">attract top talent</a>.

<h2 data-end="4962" data-section-id="1j54ng5" data-start="4912">Beyond buyers: lenders are paying attention too</h2>

The influence of independent construction ratings is also extending beyond consumers.

According to Stamford Capital's Real Estate Debt Capital Markets Survey, an increasing number of lenders now incorporate iCIRT ratings into their due diligence processes when assessing residential development finance applications.

The survey found lender adoption has continued to rise, with many respondents saying independent assessments provide additional insight into governance, counterparties and delivery capability beyond traditional financial analysis. Some lenders also reported declining funding applications where businesses had poor or no ratings.

As construction costs remain elevated and access to development finance becomes more selective, demonstrating credibility is becoming increasingly valuable.

<h2 data-end="5801" data-section-id="1qazuxs" data-start="5772">What it means for Victoria</h2>

Victoria's apartment market is entering a new phase.

The state is seeking to accelerate higher-density housing while simultaneously introducing reforms aimed at improving confidence in residential construction.

For buyers, that means there are more tools available than ever before to research the businesses behind a project.

For developers, it signals that transparency is becoming another point of differentiation in an increasingly competitive market.

Buyers are asking more questions than ever before and increasingly expecting independent information, not just marketing material, before making one of the biggest financial commitments of their lives.

Find out how to get iCIRT rated <a href="https://www.icirt.com/sites/default/files/2025-08/iCIRT-Infographic-Assessment-Process-Final.pdf">here</a>.

<hr data-end="6469" data-start="6466" />
The information contained in this article is general in nature and does not constitute personal, financial, legal or tax advice. It does not take into account your personal objectives, financial situation or needs. Therefore, you should consider whether the information is appropriate to your circumstances before acting on it and, where appropriate, seek independent professional advice.

This article contains links to third-party websites. These links are provided for convenience only. Equifax Australia does not control and is not responsible for the content, accuracy or privacy practices of external sites.

Copyright © 2026 Equifax Australia Information Services and Solutions Pty Ltd. All rights reserved.

Michael Smith

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