Melbourne developer Spacious Group has completed Voyage Altona, one of the closest new apartment developments to Altona Beach.

Off the plan purchasers have started moving into the 49-apartment project on Pier Street, with the remaining move-in-ready one-, two- and three-bedroom apartments starting from just over $500,000.

Display apartments have now been fitted out, allowing prospective buyers to inspect the completed residences by appointment.

[smartcode_project:default project_id=112195 project_image_fid=372638]

The completed apartments feature open-plan living and dining areas which extend onto private balconies and terraces, while full-height glazing maximises natural light throughout the interiors.&nbsp;

Hybrid timber-look flooring, stone benchtops, Miele appliances, porcelain-tiled bathrooms and generous storage feature throughout the building which also features landscaped communal areas, expansive shared terraces, lift access and secure on-grade parking.

Drawing inspiration from its bayside setting, Voyage adopts a restrained palette of warm neutral tones and textured finishes. Many of the apartments take advantage of views across Port Phillip Bay, while the indoor-outdoor living spaces have been designed to make the most of the coastal outlook.

[smartcode_project:default project_id=112195 project_image_fid=3286]

Voyage was developed to address what Spacious Group identified as an undersupply of higher-quality apartment product in Altona, with a focus on owner-occupiers looking to remain within the bayside community.

"Voyage responds to very strong local buyer demand for quality, owner-occupier-focused product," says Barry Plant Projects Director Jarrod Farey, who has handled sales since the project's launch.

"The project delivers an elevated lifestyle proposition, with its design and quality of finish far exceeding anything previously produced in the area, as well as its proximity to Pier Street Village and the beach."

The majority of purchasers have been local downsizers and owner-occupiers looking to stay within the Altona community but who previously had limited opportunities to buy a brand-new apartment.

[smartcode_project_cta:default project_id=112195]

Joel Robinson

Spacious Group completes Voyage Altona in Altona's beachside precinct

Homecorp has secured approval for a $360 million apartment development at Budds Beach, paving the way for one of the Gold Coast's most amenity-rich residential projects to launch later this year.

Gold Coast City Council has approved Lýon Residences, a 32-level tower that will deliver 178 two and three-bedroom apartments across a prominent corner site at 8-10 Acacia Avenue and 25-27 Oak Avenue.

The approval comes as developers continue to invest in premium lifestyle-driven apartment projects on the Gold Coast, where owner occupiers are increasingly prioritising amenity as much as apartment size and location.

<a href="https://www.apartments.com.au/new-apartments/l-on-residences-25-27-oak-avenue-surfers-paradise-qld-4217">Lýon Residences</a> has been designed around a resort-style wellness offering, headlined by a Moroccan-inspired spa precinct featuring treatment rooms, a Nordic sauna and steam room, hot and cold plunge pools, a soaking pool and a residents-only juice bar.

The rooftop will include a heated infinity pool and spa, residents' lounge with private kitchen and bar, gymnasium, yoga and Pilates studio, outdoor entertaining areas and barbecue facilities overlooking the Surfers Paradise skyline.

<img alt="Lyon" data-entity-type="file" data-entity-uuid="2d3e29af-8793-486e-a684-52cef862241f" src="https://s3.ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/inline-images/Screenshot%202026-07-15%20at%204.32.26%E2%80%AFPM.png?VersionId=ayG2zpLf3SS6Zy8XmKDcQods4kVWb0gm" />

Homecorp Founder and CEO Ron Bakir said Budds Beach provided the ideal location for the company's latest luxury apartment project.

"Budds Beach represents one of the most unique and sought-after pockets of the Gold Coast, and Lýon Residences has been designed to reflect that sense of rarity and refinement," Bakir said.

The project arrives as wellness continues to become a defining feature of new residential developments both in Australia and internationally.

The latest Global Wellness Institute figures show wellness real estate remains the fastest-growing segment of the global wellness economy and is forecast to exceed $1.8 trillion by 2030. Australia continues to rank among the world's 15 largest wellness real estate markets, with developers increasingly integrating health, recreation and community facilities into apartment projects.

Queensland is also experiencing strong population growth, with the Gold Coast continuing to outperform many other Australian cities as demand for new housing remains elevated ahead of the 2032 Olympic and Paralympic Games.

Bakir said the project had been designed to respond to that shift in buyer expectations.

"Strong population growth and sustained demand across the Gold Coast continue to highlight the need for well-designed new housing supply. Lýon Residences responds directly to this demand while setting a new benchmark for residential living," he said.

Each apartment has been designed to maximise views across the coastline, the Nerang River and the Gold Coast hinterland.

Located just minutes from Surfers Paradise beach and the Broadwater, the development also offers easy access to the light rail network, Broadbeach and Burleigh Heads.

Early site works are underway, with construction expected to commence later this year.

Homecorp approved for Budds Beach apartment tower, Lýon Residences

New apartment developments with uninterrupted, north-facing views over Perth's Swan River are exceptionally rare.

Recognising just how limited those opportunities are, <a href="https://www.apartments.com.au/developers/edge-visionary-living">Edge Visionary Living</a>, one of Perth's most respected builder-developers, targeted <a href="https://www.apartments.com.au/developments/applecross-wa-6153">Applecross</a>, assembling an unrepeatable 6,342 sqm riverfront site on the corner of Moreau Mews and Canning Beach Road to create one of Perth's only new north-facing apartment developments directly overlooking the Swan River.

Today, <a href="https://www.apartments.com.au/buildings/riviere-residences-applecross-59-canning-beach-road-applecross-wa-6153">Rivière Residences</a> offers buyers a unique opportunity to choose between completed residences ready to move into now and off-the-plan homes in the final stage, Rivière West.

[smartcode_project:default project_id=28384 project_image_fid=3823]

Across the completed East and Central buildings, residents are already enjoying the development's luxury amenity, while two of the precinct's hospitality venues are now open.

The completed component of the development gives buyers the advantage of experiencing the finished product firsthand, including its uninterrupted river views, while still having the opportunity to secure a residence in the final stage.

"People are wowed by the view and the quality of the apartments,"&nbsp;Edge Visionary Living Sales Executive, Holly McSweeney, says.

"They're looking for the convenience of lock-and-leave living, but they're not looking to downsize on quality."

[smartcode_project:default project_id=28384 project_image_fid=3826]

The rarity of the development hasn't been lost on prospective buyers, McSweeney says.

For McSweeney, it all comes back to a location that is becoming increasingly difficult to replicate.

"Location, location, location," she says. "We are nestled right on the front of the Swan River. You can never get built out, so wherever you are in Rivière Residences, you've got views of the river forever."

The unique waterfront position has resonated particularly strongly with local downsizers. McSweeney says many buyers are long-time Applecross residents looking to transition from large family homes into a luxury apartment without sacrificing space, quality or the lifestyle they've enjoyed for decades.

<iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/N_FowNW0wu8?si=vb25XFq1wZ-iufAW" title="YouTube video player" width="560"></iframe>

A major focus for Edge in recent years has been resident amenity. Across its apartment portfolio, from beachfront developments in Scarborough to luxury towers in South Perth, the developer has increasingly invested in the spaces beyond the apartment itself.

The strategy has largely been shaped by downsizer demand. Many buyers are moving from large family homes with swimming pools and established gardens. While they're looking to leave the maintenance behind, they don't want to compromise on lifestyle.

At Rivière, <a href="https://www.apartments.com.au/architects/hillam-architects">Hillam Architects</a> designed the resident facilities as an extension of each apartment. A 25-metre heated swimming pool takes advantage of the north-facing river outlook, complemented by a large gym, sauna and steam rooms, private dining spaces, residents' lounges, a cinema, games room, and dedicated wine and whisky rooms.

[smartcode_project:default project_id=28384 project_image_fid=372542]

The waterfront location has also proved to be a major drawcard. Residents are within walking distance of the Raffles Hotel, South of Perth Yacht Club, the Heathcote Cultural Precinct and the cafés, restaurants and boutiques along Ardross Street.

Beyond the location and amenity, McSweeney says many buyers take confidence from Edge's fully integrated development model.

Having delivered apartments across Perth for decades, Edge now designs, develops and constructs its projects in-house, giving the company greater control over quality, delivery and the finished product.

"What I love is when people walk through their apartment for the first time and say, 'This is better than what we imagined,'" McSweeney says. "We hear that all the time."

Completed apartments in the East and Central buildings are now available to inspect by appointment, while Rivière West, the final stage of the precinct, is expected to be completed in the first quarter of 2027.

[smartcode_project_cta:default project_id=28384]

North-facing Swan River views drive demand at Rivière Residences in Applecross

Nearly 60 per cent of apartments at McNab Group's $220 million The Tannery development in Brisbane's West End have sold ahead of the project's public launch, including a suburb-record $2.57 million sale for a two-bedroom apartment.

The early sales campaign has secured buyers for 50 of the project's 87 apartments, highlighting continued demand for larger owner-occupier apartments that combine generous floorplans with premium lifestyle amenities in one of Brisbane's most tightly held inner-city suburbs.

[smartcode_project:default project_id=143337 project_image_fid=374768]

McNab Group Executive Chairman Michael McNab said selling more than half the project before launch reflected changing buyer expectations.

"Selling more than half the project before public sales open tells us buyers are actively seeking apartments that offer something genuinely different," McNab said.

"Today's buyers are looking beyond four walls. They want homes that genuinely enhance the way they live, with spaces that support health, connection and everyday wellbeing."

[smartcode_project:default project_id=143337 project_image_fid=374767]

A key point of difference for the project is the adaptive reuse of the heritage-listed Dixon's Tannery building, which will become The Retreat, a residents-only wellness precinct rather than being redeveloped into additional apartments.

The Retreat will feature a sauna and steam room, hot and cold plunge pools, a commercial-grade gym, Pilates studio, cinema, library, co-working spaces and private dining room. Rooftop amenities will include a swimming pool, landscaped gardens, outdoor entertaining areas and dog-friendly spaces.

[smartcode_project:default project_id=143337 project_image_fid=374760]

Designed by Cottee Parker Architects with interiors by Tom Mark Henry and landscape architecture by Aspect Studios, The Tannery comprises 87 two, three and four-bedroom apartments across 11 levels overlooking the Brisbane River.

Cottee Parker principal Dee Passenger said preserving the original tannery building had been central to the project's design.

"The easy option would have been to maximise the site's development potential with additional apartments. Instead, McNab has chosen to preserve the original tannery as a shared wellness retreat, ensuring this important piece of Brisbane's history remains at the heart of the community."

Passenger said sustainability also played a key role in the design, with materials from the original industrial site salvaged and repurposed throughout the development.

[smartcode_project:default project_id=143337 project_image_fid=374761]

Motiv CEO Carly Cottam said buyers had responded strongly to the combination of larger apartments, wellness facilities and the West End lifestyle.

"We are seeing more buyers looking for homes in the sky that provide the space and functionality of a traditional home, while benefiting from the convenience and lifestyle that apartment living brings," Cottam said.

She said purchasers included both owner occupiers and investors, with demand coming from local buyers as well as interstate purchasers.

Coinciding with the public launch, McNab also announced a partnership with Queensland Ballet, whose neighbouring Thomas Dixon Centre shares historical ties with the original Dixon family.

Located on a 4,465 sqm site at 439 Montague Road, The Tannery overlooks the Brisbane River and is around 10 minutes from the CBD.

Construction is underway, with completion expected in the second half of 2027.

[smartcode_project_cta:default project_id=143337]

More than half of residences sold before public sales as McNab announces significant partnership with Queensland Ballet

McNab's The Tannery nears 60 per cent sold before public release, sets two-bedroom West End record

Iwan Sunito's vision for a landmark mixed-use precinct in Sydney's Inner West has taken a major step forward, with approval granted for the $1.9 billion Five Dock development first unveiled earlier this year.

The approved scheme by <a href="https://www.apartments.com.au/developers/one-global-capital">One Global Capital</a> will deliver an 80,500 sqm mixed-use precinct comprising 840 apartments, integrated hotel accommodation, commercial and retail space, alongside publicly accessible open space designed to create a new destination for the growing suburb.

"This is a significant milestone for One Global Capital and for the future of housing delivery in Sydney," Sunito said.

"The Housing Delivery Authority was established to identify major housing projects capable of delivering meaningful supply more efficiently, and we are delighted that Spencer Street has been recognised as one of those projects.”

He said the declaration reflected the rapid progress achieved since acquiring control of the site.

"In less than seven months we have progressed from taking control of the site to securing entry into one of the NSW Government's most important planning pathways. It reflects the experience of our team, the strength of our consultant group led by Urbis, and our long-term commitment to delivering transformational projects that contribute to Sydney's future."

When the project was revealed earlier this year, Sunito described the opportunity as one of the strongest development sites he had worked on.

"I probably hadn't appreciated the uniqueness of the site until more recently when putting together the concept plans," Sunito said.

"The proximity to the water, and the golf course opposite, is unlike any other part of Parramatta Road. We have a unique position and view corridors over the water that makes this one of the best sites I've worked on."

The development has evolved since its initial announcement, with the approved plans increasing the residential component from the originally proposed 750 apartments to 840 homes while retaining the project's focus on creating an integrated neighbourhood rather than a standalone residential development.

Read more:&nbsp;<a href="https://www.apartments.com.au/news/nsw/a-city-within-a-city-iwan-sunito-flags-1-5-billion-mixed-use-precinct-in-five-dock">"A city within a city": Iwan Sunito flags $1.5 billion mixed-use precinct in Five Dock</a>

The precinct will combine apartments with hotel accommodation, commercial workplaces, retail offerings and public spaces, creating a mixed-use environment intended to serve both residents and the broader Five Dock community. The proposal also continues the collaboration between One Global Capital and internationally recognised architect <a href="https://www.apartments.com.au/architects/koichi-takada-architects">Koichi Takada</a>, whose previous work with Sunito includes Infinity, Arc and Skye North Sydney.

Takada previously said the design was driven by a philosophy of integrating nature into the built environment.

"The concept for this development is born from our design approach to naturalising architecture," Takada said.

"The public realm benefits from biophilic design that integrates generous landscaping, and the development is optimised for natural daylight, airflow and water views to foster wellbeing, sustainability and spaces that foster community interaction."

Sunito has consistently described the project as a "city within a city", with a strong emphasis on creating a destination that extends beyond housing.

"We want to create a development that's not only to be seen, but to be experienced by the whole local community," he said.

The approval comes as Five Dock continues its transformation ahead of the opening of the Sydney Metro West line, with the new Five Dock station set to significantly improve connections between the Inner West, Parramatta and the Sydney CBD.&nbsp;

The precinct will also benefit from its proximity to the Parramatta Road corridor, nearby waterfront parklands and established retail and dining offerings that have made Five Dock one of Sydney's most tightly held Inner West suburbs.

Iwan Sunito secures approval for $1.9 billion Five Dock mixed-use precinct

Heritage Property

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GUEST OBSERVER
The roar of the crowd at the stadium. Jostling to see the New Year fireworks in the public square. Captivated by the band at the pub. Meeting mates outside the train station. These experiences conjure sites of importance for each of us.
As a Melburnian, places that come to mind for me are the MCG, Federation Square, Flinders Street Station and Festival Hall. Sydneysiders could be thinking about the <a href="https://www.propertyobserver.com.au/https://trove.nla.gov.au/work/223371661">Opera House</a>, Central Station, the Enmore Theatre and Homebush Stadium.
It’s people that make these places important. Without crowds, an idling Gabba in Brisbane or an empty Cottesloe Beach in Perth is a less exciting place.
Each of the above places possesses outstanding social value. It’s why state heritage laws and local planning schemes can protect places of community importance.
However, this <a href="https://researchoutput.csu.edu.au/en/publications/contested-space-social-value-and-the-assessment-of-cultural-signi">does not happen enough</a>. Of more than 2,300 items on the <a href="https://heritagecouncil.vic.gov.au/heritage-protection/levels-of-protection/">Victorian Heritage Register</a>, for instance, about 10% are listed for their social value.
Although data are scarce, the numbers are likely similar for heritage lists across Australia. This leaves treasured meeting places – <a href="https://theconversation.com/once-a-building-is-destroyed-can-the-loss-of-a-place-like-the-corkman-be-undone-112864">neighbourhood pubs are a prime example</a> – at risk.
With restrictions on public gatherings, urban heritage places of social significance have more allure than ever. Just as we are distanced from each other, we are separated from these places. Their temporary absence in our lives, and the sense of community and comforting memories we associate with them, only add to their cultural significance.
 
However, heritage typically gives more priority to the historic and aesthetic integrity of older fabric, buildings and structures than to ongoing social and cultural relationships <a href="https://www.researchgate.net/publication/342624259_Place_and_Heritage_Conservation">between people and built places</a>.
A lack of participatory methods to involve the public in heritage decisions is another problem with how authorities and the private sector manage the cultural values of historic places.
Two landmark cases
For more than a century, authorities <a href="https://www.propertyobserver.com.au/https://trove.nla.gov.au/work/220585029">typically safeguarded</a> monumental architecture and places embodying the <a href="https://www.propertyobserver.com.au/https://trove.nla.gov.au/version/44846813">apparent progress of the Australian nation</a>, such as public buildings and memorials.
Since the 1970s, <a href="https://australia.icomos.org/publications/charters/">additional cultural values</a> – social, scientific and spiritual – have been inscribed in heritage practice. Yet, as I explore in <a href="https://search.informit.com.au/documentSummary;dn=997484554716146;res=IELAPA">my research</a>, traditional ideas of aesthetic and historic value have been privileged in conservation. Other significant cultural values have not been treated as equally important.
The introduction of social value saved Flinders Street Station when it was threatened with demolition in 1972 for high-rise development.
<a href="https://images.theconversation.com/files/333975/original/file-20200511-49584-eahqrx.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=1000&amp;fit=clip"><img src="https://images.theconversation.com/files/333975/original/file-20200511-49584-eahqrx.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" alt=""></a>
 Model of Flinders Gate Project, 1974. Wolfgang Sievers/State Library of Victoria (reproduced with SLV permission)
The National Trust wanted to preserve the train station. But its <a href="https://search.informit.com.au/documentSummary;dn=997484554716146;res=IELAPA">committee of architects</a> perceived it as an “architectural monstrosity” because its Edwardian Baroque style was out of favour.
After long deliberations, the National Trust deemed the station a landmark […] a major focal point of Melbourne’s city life [with] the Clocks! section [sic] inextricably bound to the social fabric of Melbourne and Victoria.
<img src="https://images.theconversation.com/files/334232/original/file-20200512-66707-1yumqxu.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" alt="">
The famous clocks overlook the intersection of Flinders and Swanston streets, pictured here in the early 1970s. Rennie Ellis/State Library of Victoria (reproduced with SLV permission)
So Flinders Street Station was protected for its lasting importance to Melburnians. Only later would it be recognised for its architecture.
Despite its social value, <a href="https://www.propertyobserver.com.au/https://www.abc.net.au/news/2017-11-10/science-of-flinders-street-station-new-look-paint/9135080">when the station was repainted</a> in original colours in 2017, there was little public engagement in this decision. <a href="https://www.sciencedirect.com/science/article/pii/S0272494412000424">Research</a> on people’s perceptions of historic places has shown they often prefer agedness and wornness over traditional conservation works that make places look new again: the <a href="https://books.google.com.au/books?id=0y9jCHHdKokC&amp;pg=PA119&amp;lpg=PA119&amp;dq=%22patina+of+age%22+ruskin&amp;source=bl&amp;ots=7C2jBgWES3&amp;sig=ACfU3U2AjpX-Zcee--19v8t1KMOfx76CIQ&amp;hl=en&amp;sa=X&amp;ved=2ahUKEwiZhe_zh67qAhWCyDgGHUEKAtQQ6AEwAnoECDAQAQ#v=onepage&amp;q=%22patina%20of%20age%22%20ruskin&amp;f=false">patina of age</a> has value. <a href="https://www.propertyobserver.com.au/https://www.taylorfrancis.com/books/e/9780429506352">Public participation</a> could have resulted in a different conservation decision based on Melburnians’ preferred colours and textures.
Another landmark case involves the MCG. Authorities rejected a comprehensive heritage listing for the stadium in the 1980s, when the Great Southern Stand was developed, because a listing might have prevented redevelopment.
The MCG designation was reconsidered, however, in the lead-up to the 2006 Commonwealth Games. It then met revised thresholds to be fully state-listed. It was “<a href="https://www.newspapers.com/newspage/126894666/">the matches and public not the buildings</a>” that created the heritage importance.
And to retain the cultural importance of the MCG in the future lives of Melburnians, flexibility on the stands was required. With the support of club members and heritage authorities, the <a href="https://www.propertyobserver.com.au/https://vhd.heritagecouncil.vic.gov.au/places/64493">1928 Members’ Pavilion</a> made way for the new Northern Stand.
<img src="https://images.theconversation.com/files/336626/original/file-20200521-102667-ajzwnp.png?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" alt="">
 Ian Harrison Hill, ‘Demolition of Members’ Stand [Melbourne Cricket Ground]’, photograph, 2004. State Library of Victoria, Pictures Collection, H2004.24/4 (reproduced with the permission of the State Library of Victoria and Ian Harrison Hill)
Social value in the past, present and future
At the MCG, social value was projected into the future, allowing for flexibility during redevelopment.
At Flinders Street Station, social value was perceived as developing in the past. The recent station works demonstrated that, even when public places are heritage-listed, their management often does not include participatory methods.
Neighbourhood pubs, which are being <a href="http://www.theage.com.au/interactive/2017/last-drinks/">rapidly redeveloped</a>, are another form of at-risk public place with great social value. Pubs become important to people for their longevity as gathering places, often more so than for their architecture, facades and interiors.
<img src="https://images.theconversation.com/files/345460/original/file-20200703-33926-1dxq2fv.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" alt="">
 The now-demolished historic Greyhound Hotel in St Kilda had potential to inspire the public realm in future development works. National Trust of Australia (Victoria)
The National Trust is <a href="http://www.trustadvocate.org.au/national-trust-backs-city-of-port-phillip-call-to-protect-social-heritage/">seeking to conserve</a> some pubs. However, authorities have far more power to mandate the continuity of historic places’ built fabric rather than ensuring redevelopments <a href="https://doi.org/10.1080/13527258.2017.1399283">retain community spaces</a>.
Even when this does happen, opportunities can be missed <a href="https://www.heraldsun.com.au/leader/south-east/search-begins-for-venue-managers-for-reborn-london-hotel-in-port-melbourne/news-story/596d9585d7ee7d55c4d697c322a3d11f">to use historic elements of the demolished buildings</a>. Participatory and social approaches to heritage have unrealised potential to guide the design and use of the future public realm.
A major step towards placing people at the heart of heritage would be to mandate and fund a diversity of participatory methods in state and local heritage governance. It’s important, too, to embed community participation across private sector heritage practice. Only by working towards more holistically conserving the broader cultural values of historic places can heritage achieve cultural stewardship for people.<img src="https://counter.theconversation.com/content/138128/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important; text-shadow: none !important;">
<a href="https://theconversation.com/profiles/james-lesh-257650">James Lesh</a>, Postdoctoral Research Fellow, Australian Centre for Architectural History, Urban and Cultural Heritage, <a href="https://theconversation.com/institutions/university-of-melbourne-722">University of Melbourne</a>
This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/why-heritage-protection-is-about-how-people-use-places-not-just-their-architecture-and-history-138128">original article</a>.
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j.ballantyne1990-6AQqhLzZaK

Heritage protection is about how people use places, not just architecture and history

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Following its 12-year restoration, Mill Pond Farm at Braidwood in the NSW Southern Tablelands has been listed for sale by antique collectors Antony Davies and Andrew Gow.
The duo are looking for a property to become a sanctuary for their rescue animals, while also continuing with their collection of vintage cars and horse-drawn carriages.
<img src="https://res.cloudinary.com/dz9xllyip/image/fetch/c_scale,w_580,q_auto:good/https://s3-ap-southeast-2.amazonaws.com/po.images/2019/10/31/braidwood%202%201.jpg" alt="">
They’d previously restored the 1850s Braidwood inn Tidmarsh over 10 years.
Both restored properties have received heritage awards after becoming tourist attractions.
<img src="https://res.cloudinary.com/dz9xllyip/image/fetch/c_scale,w_580,q_auto:good/https://s3-ap-southeast-2.amazonaws.com/po.images/2019/10/31/braidwood%203%201.jpg" alt="">
Kelly Allen at Luton Properties has the listing of the Jembaicumbene property, located 280 kilometres south-west of Sydney.
The 40 hectare estate has fine wool alpacas, carriage horses, goats and sheep.
<img src="https://res.cloudinary.com/dz9xllyip/image/fetch/c_scale,w_580,q_auto:good/https://s3-ap-southeast-2.amazonaws.com/po.images/2019/10/31/braidwood%204%201.jpg" alt="">
This article first appeared in The Sunday Telegraph.
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jchancellor-FAypfDUnLy

Restored Mill Pond Farm at Braidwood listed by antiques dealer

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Multiplex, a global construction company, has completed restoration and refurbishment works on Trades Hall &amp; Literary Institute’s Trades Hall Living Heritage Project, funded by the State Government of Victoria.
The historic three level Trades Hall building in Victoria Street, Carlton. Victoria’s Trades Hall is Australia’s oldest and largest trades hall.
<img src="https://res.cloudinary.com/dz9xllyip/image/fetch/c_scale,w_580,q_auto:good/https://s3-ap-southeast-2.amazonaws.com/po.images/2019/6/26/TRADESHALL_small4.jpg" alt="">
It was constructed in 10 stages with the most significant occurring between 1876 to 1925 and is a prominent Carlton landmark that serves as a hub for union organisation.
The Trades Hall Living Heritage Project was led by architect and heritage consultant Lovell Chen, and focused on conservation works and refurbishment for the main public spaces in the 3,800 sqm heritage-listed building.
Works included the refurbishment to the New Council Chamber and building services upgrades. 
The also refurbishment included the specialist restoration of several of the main interiors, including the Old Council Chamber and the New and Old Ballrooms.
<img src="https://res.cloudinary.com/dz9xllyip/image/fetch/c_scale,w_580,q_auto:good/https://s3-ap-southeast-2.amazonaws.com/po.images/2019/6/26/TradesHall_2019.05_001_small2.jpg" alt="">
The Old Council Chamber officially opened in 1884 and the original 1880's decorative scheme, including significant portraits and elaborate wall treatments, is the work of prominent decorators of the period, C.S. Paterson Brothers.
Works to the New Council Chamber included the recreation of the original footprint resulting in 300 seat auditorium with restored honor boards and murals that had been covered during previous renovations.
The project also saw the construction of modern amenities facilities and a new lift to improve access throughout the building and deliver access to all new areas.
Work commenced in April, 2018 and according to Multiplex 550 people worked on site during construction.
This was one of the first major building projects to benefit from the Government’s Living Heritage Grants Program.
<img src="https://res.cloudinary.com/dz9xllyip/image/fetch/c_scale,w_580,q_auto:good/https://s3-ap-southeast-2.amazonaws.com/po.images/2019/6/26/Tradeshall.jpg" alt="">
The grant funding financed the refurbishment project plus essential conservation and activation works such as roofing works and repairs to the Lygon Street portico.
Multiplex recently delivered the Australian Nursing and Midwifery Federation’s (ANMF) multi-million mixed-use commercial development, located at 535 Elizabeth Street in Melbourne’s CBD.
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Multiplex complete restoration of Australia's oldest trades hall

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Wynyate, a Hawthorn East estate dating back to 1910, has been listed for sale by the company director Dawn Oldham and her landscape gardener partner Jens-Peter Coombes.
The greens surrounding tuck point brick Edwardian on its 1,195 square metre holding have been maintained by Coombes.
<a href="https://www.marshallwhite.com.au/property/27-ryeburne-avenue-hawthorn-east-643721/">The home</a> has four bedrooms and a fitted study for Oldham who sits on a number of listed company boards including financial investment company IOOF.
The original period features have been retained, including large verandahs, coloured leadight glass, timber fretwork and stained timber woodwork.
Marshall White agents Sally O'Connell and James Tostevin have set a May 19 auction with a guide of $4.2 million to $4.6 million.
This article first appeared in The Weekend Australian.
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Century old Hawthorn East estate Wynyate listed

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GUEST OBSERVATION
In the post-war decades, Australian communities invested heavily in church buildings. Like civic centres, swimming pools and shire halls, these buildings made an important contribution to the formation of a modern civic realm in Australia’s growing cities, suburbs and regional communities. Today, dwindling numbers of constituents and the amalgamation of congregations place many post-war church buildings at risk.
And yet – unlike their publicly funded counterparts – these buildings are largely ignored in architectural and heritage discussions. Few church buildings have any form of heritage protection. Could this be because this is an “uneasy heritage”?
Given current crises affecting the churches in Australia, and given the important role of these buildings in the post-war development of our cities, suburbs and towns, a public debate is necessary about their future. Should we allow these buildings to disappear from memory, or should they be preserved and/or repurposed?
For the whole of Australia only about 30 post-war ecclesiastical buildings are included on state heritage registers. It’s a meagre number, given that several thousand churches were built across the country during the 1950s, 1960s and 1970s.
In Queensland alone, over 1,000 were built between 1945 and 1975. Of these, only six are on the Queensland Heritage Register.
Mirroring modern Australia’s emergence
<a href="https://images.theconversation.com/files/212565/original/file-20180329-189813-7wr89q.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=1000&amp;fit=clip"><img src="https://images.theconversation.com/files/212565/original/file-20180329-189813-7wr89q.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=237&amp;fit=clip" alt=""></a>
St Andrews Presbyterian Church (c.1960, architect: Loder and Dunphy) in Gosford, New South Wales, was demolished in 2002. <a class="source" href="http://www.csec.esrc.unimelb.edu.au/image_viewer.htm?CSEC00852,4" target="_blank">Cross-Section, no. 95, Sept 1960</a>, Author provided
In immediate post-war years, modern church building in Australia made a hesitant start. A few small, rather conventional buildings cropped up here and there.
In the 1950s, however, hesitation gave way to optimism and resulted in increasing experimentation in church design. By the 1960s a genuine modern church building boom was under way.
Religious institutions strongly supported the Australian government’s bid to build a modern social welfare state. They not only built community-oriented churches, but also kindergartens, halls, primary and secondary schools, charity outreach centres, hospitals, etc.
From the 1960s churches and their architects increasingly recognised the need to rethink ecclesiastical architecture to cater to (rather than ignore or shun) modern society. This aggiornamento, or bringing up to date, in the religious sphere coincided with architects’ experiments with modern materials and construction technologies and innovative shapes and forms.
As a result, a new “type” of church emerged. This was one more attuned to its (commonly) residential surroundings and more sensitive to its context, both in terms of materiality and scale.
Examples abound, but of note are:
<ul>
<li>Kenmore Presbyterian Church by Robin Gibson (c.1968, Queensland), now Uniting Church</li>
</ul>
<a href="https://images.theconversation.com/files/212566/original/file-20180329-189816-1irq1d4.png?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=1000&amp;fit=clip"><img src="https://images.theconversation.com/files/212566/original/file-20180329-189816-1irq1d4.png?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" alt=""></a>
Kenmore Presbyterian Church (c.1968, architect Robin Gibson) in Brisbane, Queensland. Lisa Marie Daunt (2000), Author provided 
<a href="https://images.theconversation.com/files/212567/original/file-20180329-189810-76c00f.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=1000&amp;fit=clip"><img src="https://images.theconversation.com/files/212567/original/file-20180329-189810-76c00f.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=237&amp;fit=clip" alt=""></a> 
St Christopher’s Catholic Church (c.1968, architect: Paul Wallace) in Anglesea, Victoria. <a class="source" href="http://www.csec.esrc.unimelb.edu.au/image_viewer.htm?CSEC01018,2" target="_blank">Cross-Section no.188, June 1968</a>, Author provided
<ul>
<li>
St Anne’s Church of England by Hely Bell &amp; Horne (c.1965, Como, NSW), which was repurposed in 1997 as a private residence along with its Sunday school building of the same age
</li>
<li>
St Christopher’s Catholic Church by Paul Wallace (c.1968, Anglesea, Victoria), which was damaged in the 1983 bushfires and rebuilt in 1984 to a revised design.
</li>
</ul>
These smaller, contextually sensitive churches that reflect the aggiornamento in the church represent the bulk of post-war modern church buildings in Australia. However, state heritage registers are mostly populated by their more “monumental” siblings.
<a href="https://images.theconversation.com/files/212568/original/file-20180329-189810-17a2cfp.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=1000&amp;fit=clip"><img src="https://images.theconversation.com/files/212568/original/file-20180329-189810-17a2cfp.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=237&amp;fit=clip" alt=""></a>
Holy Trinity National Memorial Finnish Lutheran Church (c.1961, architect: Frederick Romberg of Grounds, Romberg and Boyd) in Turner, Canberra, is on the ACT Heritage Register. Lisa Marie Daunt (2016)
For example, on the ACT register is Grounds, Romberg and Boyd’s 1961 Finnish Lutheran Church. Queensland’s register includes Cairns Cathedral, two churches by Eddie Oribin and a church and school chapel by Karl Langer (listings 601961, 60233, 601589, 602815 and 602816).
And yet it is the smaller, unassuming churches that made the greatest contribution to the formation of our post-war collective realm. More importantly, it is these churches that are under the greatest threat.
<img src="https://counter.theconversation.com/content/94115/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1">So, what is to be done? Is this part of our modern heritage best forgotten, along with the (at times) painful memories it evokes? Or can there be a future for Australia’s unassuming post-war modern buildings that were once the beating hearts of Australia’s urban and suburban communities?
<a href="https://images.theconversation.com/files/214211/original/file-20180411-536-1duguz3.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=1000&amp;fit=clip"><img src="https://images.theconversation.com/files/214211/original/file-20180411-536-1duguz3.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" alt=""></a>
St Monica’s War Memorial Cathedral (c.1968, architect: A. Ian Ferrier) in Cairns is on the Queensland Heritage Register. Ferrier Slide Collection, used with permission, Author provided
Lisa Marie Daunt, PhD Candidate in Architecture, The University of Queensland
This article was originally published on <a href="http://theconversation.com" target="_blank">The Conversation</a>. Read the <a href="https://theconversation.com/uneasy-heritage-australias-modern-church-buildings-are-disappearing-94115" target="_blank">original article</a>.
Main photo: Good Shepherd Chapel (c.1969, architect: A. Ian Ferrier) in Mitchelton, Brisbane, was demolished in 2004. Ferrier Slide Collection, used with permission, Author provided.<a href="https://theconversation.com/profiles/lisa-marie-daunt-456237"> </a>
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Australia's modern church buildings are disappearing: Lisa Marie Daunt

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After-school and vacation care service OSHCare Pty Ltd has leased a heritage building in a waterfront location at Balmain in inner western Sydney where an Australian cult movie was shot.
The historic, two-storey sandstone building at <a href="https://raywhitecommercialinnerwest.com.au/nsw/balmain/937521/" target="_blank">101 Mort Street</a> was used to film parts of the 1974 Australian biker movie ‘Stone’. 
OSHCare has taken out a three-year lease with a five-year option. The net rental is $125,000 per annum.
The deal was negotiated by Ray White Commercial’s Tim Morrison on behalf of a private investor owner.
The 300 sqm building is a heritage-listed property.
“This property was originally the Forth &amp; Clyde Hotel, an integral part of the ship building and industrial heritage of this Balmain waterfront location,” said Morrison.
The building is now used as professional offices, he said.
“The building is close to Mort Bay Park, Thames Street Wharf as well as Balmain's well-known pubs, restaurants and retail shopping precinct with easy access to bus and ferry.”
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jonathanchancellor-7SQnKwU6yx

Afterschool service OSHCare leases Balmain building

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A two bedroom apartment in a historic Melbourne CBD building has been listed by Daniel Wilson and his wife Leah, owners of Huxtaburger.
Their third-floor unit has two bedrooms, two bathrooms and a study nook.
There is lift access to a basement car park.
Kay &amp; Burton agent Tom Staughton suggests a price guide between $1 million and $1.1 million.
The 14/2 Exhibition Street offering goes to March 4 auction.
<img src="https://res.cloudinary.com/dz9xllyip/image/fetch/c_scale,w_580,q_auto:good/https://s3-ap-southeast-2.amazonaws.com/po.images/2017/02/24/melb-1.jpg" alt="">
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Huxtaburger owners list historic Melbourne apartment

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A rundown cottage in Redfern has his the market with $3 million hopes.
The rare single style Georgian house sits on 507 sqm of land, almost five times the size of other lots in the suburb.
Most of Redfern's slim terraces are squashed into blocks of about 100 sqm.
<img src="/images/2016/10/13/Redfern3.jpg" alt="" width="472" height="267">
Known as Dascombe Cottage, <a href="https://www.realestate.com.au/property-house-nsw-redfern-123747590" target="_blank">46-48 Burnett Street</a> with its peeling paint and brick bathroom, is part of the original estate of William Redfern, the suburb's namestake.
The heritage listed building currently occupies around a quarter of the 507 sqm land parcel. 
The mid-Victorian-era home dates back to at least the mid-1850s and is one of the few examples of property that age left in the area, according to University of Sydney heritage expert Professor Paul Ashton.
While investors and homebuyers in Sydney scramble over old homes on prime real estate, this rundown home comes with a caveat.
Extra stories cannot be added to the home and changes cannot be made to the facade unless they are restoring original features, according to the Local Environment Plan.
<img src="/images/2016/10/13/Redfern1.jpg" alt="" width="467" height="274">
A spokesperson for the City of Sydney council says the property should be retained and conserved.
The Burnett Street property through BresicWhitney's William Phillips and Shannan Whitney goes to auction November 5.
William said he had never seen a property like it before: “Never. Not of this age, not on a block of land this big.”
“We have had around 20 groups through so far.” Most of the inquiries so far have come from developers looking to subdivide and locals looking to build, with the potential to put a new home alongside the existing building.
He said the house was habitable in its current state: “It’s liveable – it’s just very tired.” He suggests any plans that buyers had for the property would need to be discussed with council.
A relatively untouched 350 sqm warehouse on George Street sold for$3,615,000 late last year.
 
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Crumbling Redfern shacks hit the market at $3 million

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A refurbished heritage community and arts centre in East Sydney, on the corner of Burton and Palmer streets, is slated to re-open late 2016.
The former Heffron Hall community centre will also be renamed to the East Sydney Community and Arts Centre and will feature improved access, more hire spaces and out-of-school hours facilities and a new public artwork titled S(w)ing by Turpin + Crawford Studio. The neighbouring Albert Sloss Reserve will be upgraded with a new playground, landscaping and seating.
 Monica Barone, chief executive officer, City of Sydney said the refurbished centre will provide a hub of community activity and events when it opens.
“We have retained heritage features of the original Heffron Hall while adding accessible facilities and more space for community activities in this popular inner city area,” she said.
“The centre and neighbouring reserve will become a much-loved hub for the East Sydney, providing interesting and inspiring activities for everyone in the heart of our inner city.”
The neighbouring park will get a slippery dip, rope-climbing tunnel, basket swing and other features.
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Heritage East Sydney arts centre refurbishment nears completion

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GUEST OBSERVER
The announcement by the NSW Government that the Sirius Building in the Rocks will not receive heritage listing opens the way for a sympathetic yet modern replacement.
The Minister for Heritage, Mark Speakman, has not supported the nomination of the Sirius Building in the Rocks as a state heritage item.
The Urban Taskforce agrees with the Minister that the building is of dubious heritage value and that a new building could yield significant funds for social housing.
We are however concerned by statements by the Minister for Finance, Services and Property, Dominic Perrottet that a replacement building should be made of brick and stone. The current Sirius Building was very innovatory in its day and while it is in the brutalist architectural style that many people are not comfortable with, it did attempt to be of its time rather than a pastiche of the past. 
It is important that a replacement building is about the spirit of today while understanding its context.
A good example of the blending of new and old is demonstrated by the new building over the ‘Money Box’ building in Martin Place. The modern interpretation of the proportions and scale of the existing façade have been carried into a modern glass office building set back from the old façade. The 5 Martin Place project last week won the Urban Taskforce Urban Renewal Development Award at the Development Excellence Awards 2016.” 
While The Rocks is a very special precinct it is important that new architecture and structures represent the aspirations of today while respecting the sensitive context. 
The site of the Sirius Building is adjacent to the Sydney Harbour Bridge approach and this heritage structure must also be respected.
Chris Johnson is chief executive officer of property development industry group Urban Taskforce and can be contacted <a href="https://www.urbantaskforce.com.au/index.php?option=com_content&amp;view=article&amp;id=97&amp;Itemid=126#.Vdaart55dFI" target="_blank">here</a>. 
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