The Victorian Government has secured the passage of the Building Legislation and Treasury Legislation (Tax Relief) Amendment Bill 2026, introducing a suite of reforms aimed at improving consumer protection and confidence in the apartment market.

Resilience Insurance, Australia’s leading Latent Defects Insurance (LDI) provider, has welcomed the move.

The LDI elements of the Bill passed with bipartisan support and now moves to the Legislative Council where debate and passage are expected later this month. It represents a significant milestone in the national shift toward stronger, longer-term protection for apartment buyers.&nbsp;

The reform would deliver practical benefits across the housing system. Apartment owners will have stronger protection if major defects emerge, developers and builders will have a clearer quality framework to work within, and the State will reduce the risk of serious building failures becoming a long-term financial and social burden for households, communities and government.&nbsp;

LDI helps support apartment delivery while providing stronger protection for buyers and encouraging better construction outcomes.&nbsp;

Resilience LDI provides apartment owners with 10 years of insurance-backed cover for major structural defects from completion, with direct claim access to the insurer. This means owners are not required to first pursue developers or builders through costly legal action before accessing protection.&nbsp;

Resilience Insurance has been operating in Australia since 2022 and has already insured hundreds of development projects covering many thousands of apartments across Australia.&nbsp;

At approximately 1.8 per cent of build cost, it is a cost-competitive alternative to the traditional two per cent Strata Bond, bond while delivering significantly broader and longer protection.&nbsp;

“The Victorian Lower House vote shows that reforms like this succeed when they are practical, evidence-based and supported by industry," says Corey Nugent, CEO of Resilience Insurance.

"Victoria is moving quickly on a reform that will make a real difference for apartment buyers, while supporting better building outcomes and greater confidence in apartment delivery.

“This is step one. We look forward to the Bill completing its passage through the Legislative Council and to working with government and industry to implement the framework effectively.”&nbsp;

Fast Facts: What is Resilience LDI?&nbsp;

<ul>
	<li>Resilience Latent Defects Insurance (LDI): Covers major structural defects for 10 years from completion.&nbsp;</li>
	<li>Consumer-first: Direct claim access, no need for lengthy legal action.&nbsp;</li>
	<li>Cost advantage: At approximately 1.8% of build cost, LDI is typically priced below the traditional 2% Strata Bond while offering broader protection.&nbsp;</li>
	<li>Market leader: Resilience Insurance is the first approved LDI provider in NSW.</li>
</ul>

The Building Legislation and Treasury Legislation (Tax Relief) Amendment Bill 2026 has passed the Victorian Lower House, putting Victoria on track to become the first state to legislate an industry workable LDI framework as a formal alternative to the Strata Building bond. 

Joel Robinson

10-year Latent Defects Insurance for new apartment buyers set to land in Victoria

Just a few months after acquiring a prime Broadbeach site on the corner of First Avenue and Surf Parade, family-run developer <a href="https://www.apartments.com.au/developers/raptis">Raptis</a> has filed fresh plans for a new apartment development.

Raptis is seeking to deliver a <a href="https://www.apartments.com.au/new-apartments/17-19-first-avenue-broadbeach-qld-4217">29-storey tower with 73 apartments</a> on the 818 sqm site. It will be the developer's seventh project in the suburb, as they are approaching completion of The Sterling on George Avenue.

There will be a pool, barbecue and outdoor dining area, residents lounge and dining, sauna and steam room, gym, and a Yoga and Pilates studio.

<img alt="Raptis" data-entity-type="file" data-entity-uuid="b554da3f-7344-49aa-b1c9-44cf459af0d7" src="https://s3.ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/inline-images/Screenshot%202026-06-05%20at%2010.41.45%E2%80%AFAM.png?VersionId=zzjWu1iO1wnuYv4EV4fyOyf5nSXjGYut" />

Raptis Joint Managing Director, Evan Raptis, says they remain&nbsp;committed to developing quality infill sites across the Gold Coast in the lead-up to the 2032 Brisbane Olympics.

"This project continues our long track record of delivery in Broadbeach, and we look forward to bringing another premium development to this thriving precinct."

The announcement follows strong delivery momentum for Raptis, with The Sterling Broadbeach nearing completion and construction well underway on the final stage of the Waterpoint community adjacent to Harbour Town. The developer's continued investment in the Gold Coast reflects confidence in the region's apartment market fundamentals, underpinned by sustained Southeast Queensland population growth.&nbsp;

The outlook for the region is further bolstered by infrastructure investment tied to the Brisbane 2032 Olympic Games, which is expected to drive continued economic and population growth across the SEQ corridor.&nbsp;

Subject to a favourable response from Gold Coast City Council, construction on the new First Avenue tower is targeted to commence before the end of 2026.&nbsp;

Read more:&nbsp;<a href="https://www.apartments.com.au/news/qld/it-s-all-in-the-family-four-decades-later-raptis-continues-to-shape-the-gold-coast-skyline">It’s all in the family: Four decades later, Raptis continues to shape the Gold Coast skyline</a>

Read more: <a href="https://www.apartments.com.au/news/qld/raptis-secures-prime-surf-parade-site-for-next-broadbeach-apartment-development">Raptis secures prime Surf Parade site for next Broadbeach apartment development</a> 
&nbsp;

Gold Coast developer brings seventh Broadbeach project to market, targeting construction commencement before year end

First look: Raptis lodges plans for new 29-storey Broadbeach tower 

Brisbane development veteran Kevin Seymour's Seymour Group is set to deepen its presence on one of Brisbane's most tightly held riverfront addresses, lodging revised plans for a luxury apartment development on Oxlade, just a few doors down from The Oxlade, which it completed in 2024.

The <a href="https://www.apartments.com.au/new-apartments/70-72-oxlade-drive-new-farm-qld-4005">new project at 70-72 Oxlade Drive</a>, directly north of The Oxlade, will have 27 apartments across a seven-storey building&nbsp;overlooking the Brisbane River and Merthyr Park. It's a revision from a 2021-approved design.

Designed by bureau^proberts, the project has evolved from the previously approved 26-apartment scheme, introducing an additional penthouse level while maintaining a low-density, boutique character. The development will comprise 26 three-bedroom apartments and a single four-bedroom penthouse, supported by two basement levels with 86 car spaces and 34 bicycle spaces.

The architectural response is centred around two distinct building forms separated by a landscaped open-air atrium.&nbsp;"This dual composition captures and embraces Brisbane’s subtropical environment whilst breaking down built form and scale," the submission to the Brisbane City Council noted.

<img alt="First look: Seymour Group returns to Oxlade Drive with revised riverfront apartment plans in New Farm" data-entity-type="file" data-entity-uuid="c12d84d0-bc11-4067-b46f-5bd2d786a34d" src="https://s3.ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/inline-images/new%20farm%20landscape.png?VersionId=YEPc2k5CAdh6aAPlu4uVpgZadh4MEfRd" />

A defining feature of the design is a deep landscaped void running through the centre of the building, creating what bureau^proberts describes as a "natural ravine" that enhances airflow, daylight penetration and resident amenity. The design report notes that the separation of the two building volumes is intended to maximise natural light, cross-ventilation and outlook while strengthening connections to the surrounding riverfront setting.

Curved balcony edges, integrated planting and extensive landscaping throughout the façade reinforce the subtropical design approach. The building's façade is softened by elevated gardens and planter beds, creating a green edge that complements the established landscape character of Oxlade Drive and neighbouring Merthyr Park.

New Farm has become one of Brisbane's most sought-after suburbs for developers delivering premium downsizer-focused apartments.

GRAYA has been particularly active in the precinct, completing both Chalk and York in recent years, while construction of Moray House, being delivered for Spyre, is now nearing completion. Architect-turned-developer Joe Adsett recently launched <a href="https://www.apartments.com.au/new-apartments/arcilla-new-farm-by-joe-adsett-28-maxwell-street-new-farm-qld-4005">Arcilla on Maxwell Street</a>, an exclusive collection of just nine apartments.

First look: Seymour Group returns to New Farm's Oxlade Drive with riverfront apartment plans

A new residential tower will be the first piece of a broader mixed-use precinct set to reshape a prominent Newcastle West site, with local developer <a href="https://www.apartments.com.au/developers/gwh">GWH</a> bringing its <a href="https://www.apartments.com.au/new-apartments/cambridge-quarter-newcastle-west-12-denison-street-newcastle-west-nsw-2302">Cambridge Quarter</a> vision to market.

The first release, Tempo, will introduce 87 apartments across a 24-storey tower, marking Stage 1 of the residential component of a larger urban regeneration project planned for the western end of Newcastle's city centre, encompassing the former Cambridge Hotel site.

Positioned on Denison Street, Tempo has been designed as the inaugural building within Cambridge Quarter, a precinct that will ultimately combine apartments, retail activation and revitalised public spaces including the revamping of the Cambridge Hotel.

[smartcode_project:default project_id=135876 project_image_fid=368853]

The tower will comprise a mix of one, two and three-bedroom apartments, including layouts with multipurpose rooms, catering to a broad cross-section of owner-occupiers. Apartment sizes range from around 60 sqm to 192 sqm, with a number of residences oriented to capture views across Newcastle Harbour, the city skyline and coastline.

GWH has emphasised liveability in the design, with open-plan layouts extending to generous balconies and terraces. Residents will have a choice of two interior palettes, while specifications include engineered stone benchtops, SMEG appliances, full-height bathroom tiling and secure building access. Premium upgrade packages will also be available.

Multiple rooftop resident retreats will provide communal outdoor space overlooking the harbour and city, offering an elevated amenity layer above the activity of the precinct below.

[smartcode_project:default project_id=135876 project_image_fid=368851]

The broader Cambridge Quarter vision extends beyond the residential tower itself. Ground-level retail activation and landscaped public areas are planned throughout the precinct, creating a walkable neighbourhood environment connected to the surrounding renewal of Newcastle West. The Cambridge Hotel is also earmarked for future redevelopment into a family-friendly hospitality venue integrated with the new precinct.

The project is strategically positioned within walking distance of Newcastle Interchange, providing access to light rail, regional rail services and direct connections to Sydney. Residents will also be close to Honeysuckle, Newcastle Harbour and the city's beaches and coastal walkways.

[smartcode_project:default project_id=135876 project_image_fid=368852]

For GWH, Cambridge Quarter represents one of its most significant Newcastle developments to date. The locally based developer, which has operated in the Hunter region since 1995, describes the project as a new chapter in the ongoing transformation of Newcastle West.

GWH Executive Director Jonathan Craig said the project had been shaped by a focus on creating lasting community connections.

"We take pride in creating places that last. Spaces where people feel connected, comfortable and a genuine sense of belonging," Craig said.

"Cambridge Quarter is something we are truly proud of, a place shaped by local knowledge, built with care and designed to be part of Newcastle's next chapter."

[smartcode_project_cta:default project_id=135876]

GWH unveils first release at landmark Cambridge Quarter precinct in Newcastle West

<a href="https://www.apartments.com.au/developers/ss-projects">S&amp;S Projects</a>,&nbsp;Rainbow Bay's busiest developer,&nbsp;has officially lodged plans for the largest development in its booming local portfolio, seeking approval for a further 88 apartments on Boundary Street.

The proposal&nbsp;at <a href="https://www.apartments.com.au/new-apartments/209-213-boundary-street-coolangatta-qld-4225">209–213 Boundary Street, Coolangatta</a>,&nbsp;marks the next chapter in the developer's transformation of the southern Gold Coast beachside precinct. It will be its fifth in the area, having already delivered Flow, Awaken and Esprit, while construction continues on the 38-apartment Radia. The new project would rise 57 metres above a consolidated 1,518 sqm site, on the same street as Radia and Esprit.

&nbsp;

Designed by <a href="https://www.apartments.com.au/architects/cottee-parker-architects">Cottee Parker</a>, the proposed development comprises 88 two and three-bedroom apartments across a contemporary podium-and-tower form that integrates extensive landscaping from street level through to the rooftop.

The tower would be delivered above a basement and multi-level podium accommodating resident and visitor parking, with the residential component commencing from level three. The design incorporates cascading planting throughout the façade, landscaped podium edges, and deep planting zones along the Boundary Street frontage.

<img alt="First look: S&amp;S Projects lodges plans for 88-apartment wellness tower at Coolangatta's Boundary Street" data-entity-type="file" data-entity-uuid="677e6615-b5c0-4b6c-b4f9-efb14fcde1a6" src="https://s3.ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/inline-images/ss%20da%20pers.png?VersionId=YOnPKQm7IFXv0M5H326djEpxk80500Hi" />

A key feature of the development is its expansive rooftop wellness and recreation precinct. Plans reveal a resort-style pool deck, gymnasium, sauna, steam room, hot and cold plunge pools, rooftop terraces, barbecue areas and landscaped relaxation spaces positioned to capture views across the southern Gold Coast coastline.

The rooftop wellness focus builds on the vision S&amp;S Projects first outlined when it acquired the site for $20.25 million last year.

"We are taking every advantage to create a truly unique rooftop wellness experience with a natural feel for residents, offering stone features throughout and an underlying theme that emulates a botanical garden," S&amp;S Projects founder and director Paul Gedoun said at the time.

The proposal seeks a 57-metre building height, representing a 50 per cent uplift on the site's mapped 38-metre height limit. Planning documents argue the additional height is consistent with recently approved and emerging towers in the immediate Boundary Street and Rainbow Bay precinct.

Urbis, acting as planning consultant, said the development would provide "88 dwellings, comprising a mix of two and three-bedroom apartments, contributing to housing choice and supply within an established medium to high-rise coastal urban neighbourhood."

The scheme has undergone extensive pre-lodgement consultation with the City of Gold Coast, with the design refined following feedback relating to architectural expression, landscaping, traffic access and podium treatment.

<img alt="S&amp;S" data-entity-type="file" data-entity-uuid="0a2d70fd-62ac-4b83-97c6-b798fc1243dd" src="https://s3.ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/inline-images/Screenshot%202026-06-05%20at%209.16.31%E2%80%AFAM.png?VersionId=yHmghUwKM3IVGpBktQU1mE.0Lpf3WimG" />

The architectural team is led by Brisbane-based Cottee Parker, one of Australia's most active residential design studios, with landscape architecture by Dunn + Moran. The consultant team also includes ADG Engineers, Windtech and Acoustic Works.

S&amp;S Projects has become one of the most influential private developers operating on the southern Gold Coast. Since entering Rainbow Bay in 2022, the company has assembled a portfolio exceeding $1 billion in end value, establishing itself as a key player in the area's evolution into a premium apartment destination. Pezet Matheson will again handle the sales for S&amp;S.

Coolangatta is entering another wave of apartment development, following the delivery of several prominent residential projects in recent years.

John Kearney's Immerse Projects will launch&nbsp;<a href="https://www.apartments.com.au/new-apartments/kaiya-kirra-beach-5-haig-street-coolangatta-qld-4225">Kaiya on Haig Street</a>&nbsp;soon, meanwhile, Palm Beach-based Sherpa Property Group is preparing to bring its debut Coolangatta development, <a href="https://www.apartments.com.au/new-apartments/flourish-viver-87-griffith-street-coolangatta-qld-4225">Flourish Viveré</a>, to market later this year, subject to approvals.

First look: S&S Projects proposes 88-apartment wellness tower at Coolangatta's Boundary Street

Street Art

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Following in the footsteps of creative cities like London, New York and Berlin, Sydney is fast developing a reputation for its increasingly rich street art scene.
Now, leading property developers are making their own contribution through the use of street artists and creatives on their developments.
One such example is Sydney-based Coronation Property, with the company engaging award-winning street art specialists Authority Creative and renowned artists Elliott “Numskull” Routledge and Shannon Crees to create an 80-metre long street art mural surrounding their latest development, Charlie Parker, located on the corner of Charles and Parkes streets in Harris Park.
The art deco-inspired building, designed by leading architects Francis-Jones Morehen Thorp (fjmt), will span 22 storeys and feature just 111 boutique apartments, as well as a terrace-level open-air pool and gym, and a ground floor residents’ library and lounge.
Envisioned as a destination for creative types, Charlie Parker will have art woven into its very fabric, with Routledge and Crees joining contemporary Sydney artists, Gillie and Marc, who created the Charlie Parker character – an iconic half man, half elephant sculpture – and interior stylist Shannon Vos, winner of 2014’s The Block: Glasshouse, in making a collaborative contribution to the development.
Routledge and Crees’ work represents the blending of the two artists’ very different styles to create a vibrant, large-scale painting that wraps the entire site.
Their graphic work, which came together over the course of a week in October and draws inspiration from the Charlie Parker character created by Gillie and Marc, will be one of the first ways in which the project will make an impact on the public – and so far, the response has been extremely positive, says Crees.
<img src="https://res.cloudinary.com/dz9xllyip/image/fetch/c_scale,w_580,q_auto:good/https://s3-ap-southeast-2.amazonaws.com/po.images/2017/11/15/Art2.jpg" alt="">
“The community has responded really well to the bold patterns and bright colours of blue, pink and yellow, with the artwork literally stopping traffic and heaps of locals engaging with us over the course of the week,” she explained.
Christopher Skyner, director at Authority Creative, says Coronation Property is leading the way in integrating public art with its developments.
<img src="https://res.cloudinary.com/dz9xllyip/image/fetch/c_scale,w_580,q_auto:good/https://s3-ap-southeast-2.amazonaws.com/po.images/2017/11/15/Art1.jpg" alt="">
“This is the third project that we’ve worked with Coronation Property on, following Liverpool’s The Paper Mill and Parramatta’s 8 Phillip Street, and I have to say, the Coronation team has helped to shine further light on our industry,” said Skyner.
According to Aras Labutis, director of Urban Transformations and Strategy at Coronation Property, street artists have a relevant voice in property development, both now and into the future.
“Inviting street artists to collaborate on our property developments has been hugely beneficial for all involved, and it has helped to reshape public opinion of this sometimes-undervalued art form,” said Labutis.
“There’s a big difference between street art and graffiti, which is the association most people make straight away, and this is confirmed by many major institutions now embracing street art and engaging companies such as Authority Creative to assist with activations.”
Prices for apartments at Charlie Parker start from $475,000 for a one bedroom suite, $567,000 for a one bedroom residence, $785,000 for a two bedroom and $898,000 for three bedroom apartments.
There are two four bedroom penthouses also available.
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jrobinson-rf4aSBido9

Street art brings a new dimension to Charlie Parker development in Harris Park

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<img src="https://counter.theconversation.edu.au/content/78177/count.gif?distributor=republish-lightbox-advanced" alt="The Conversation" width="1" height="1">
GUEST OBSERVER
Tourists are drawn to cities by a myriad of attractions and activities.
Some cities are blessed with iconic attractions that are on every visitor’s “must see” list – the Opera House and Harbour Bridge in Sydney, for example. 
Other cities rely on a more eclectic mix of “sights and sounds” to lure increasingly well-informed and diverse visitors. For instance, Australia’s second-largest city, Melbourne, has at various times promoted itself as the nation’s “sports and events capital”, the “arts and culture capital” and, more recently, as the “street art capital”. 
Street art, also known as graffiti, has not always had strong community support. The proliferation of the “art form” has many strident critics. For example, Graffiti Hurts spokesman Scott Hilditch complained that funding a mobile phone app to guide users around Melbourne street art sites would glorify graffiti vandalism. 
Yet there is no denying the growth of street art and the popularity of sites around inner-city Melbourne. On a sunny afternoon in the city’s laneways, you are likely to see a range of local and international visitors, some posing for photos in front of freshly painted walls, others passing by on their way to a nearby cafe for a flat white. 
You may see see local “artists” guiding groups on street art tours. You may even see newlyweds looking for that quintessentially Melbourne photo for their wedding album. 
 
Despite questions about the legality, and perhaps morality, of street art, its popularity is undeniable. Melbourne’s laneways and their street art have become a major drawcard. In a 2008 Lonely Planet poll, Melbourne’s laneway street art was voted Australia’s top “cultural attraction”. 
If social media counts (which it most certainly does), Hosier Lane, the epicentre of Melbourne street art, has arguably become the city’s premier tourist destination. It attracts significantly more Instagram hashtags than traditional destinations like Melbourne Zoo or Federation Square. 
Regardless of social and political disapproval, the proliferation of Melbourne’s street art does provide a point of distinction in an era of growing competition between cities.
City destinations are having to find new and creative ways to distinguish themselves from the rest. Numerous local and international websites, blogs and books have recognised Melbourne as Australia’s “street art capital” over the past decade. 
In turn, street art images have been selectively packaged and promotedto boost the city’s “creative” and “vibrant” image. The Melbourne City Council website recognises “the importance of street art in contributing to a vibrant urban culture”, and acknowledges:
Melbourne’s street art has become internationally renowned and has become an attraction for local and overseas visitors experiencing Melbourne’s creative ambience.
Despite this, the council seems at pains to differentiate between “graffiti” and “street art”. Melbourne City has a web page explaining to both artists and property owners the legalities of street art. 
The council refers to research and community consultations as the basis for its Graffiti Management Plan. According to its “Street Art” webpage, these revealed that:
… most people do not like graffiti ‘tagging’ … However, many people appreciate ‘street art’ such as larger, more artistic pieces, or murals placed in appropriate locations with the required permission.
However, trying to separate the two is problematic. Many street artists engage in both forms of “writing” – the term street artists use to describe their production of graffiti or street art. 
Although it’s broadly recognised by the City of Melbourne as adding to the city’s cultural aesthetic, relatively little is understood about the economic value of street art. Measuring its economic value to the city is challenging. But creative tourism forms such as this clearly have their merits as tourists increasingly seek out “alternative public spaces” in search of creative landscapes and authentic experiences. 
Thus, it’s possible that creative tourism is more valuable than conventional tourism. 
Certainly, Melbourne is increasingly well known for its “laneway galleries”, however challenging the management of this ephemeral attraction might be for governments.
Ryan Jopp is lecturer in Tourism and Management, Academic Director (Education Quality and Assurance), Swinburne University of Technology and author for The Conversation. He can be contacted <a href="https://theconversation.com/profiles/ryan-jopp-379405" target="_blank">here</a>.
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jchancellor-FAypfDUnLy

Melbourne’s love-hate relationship with being Australia’s ‘street art capital’

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A new piece of street art has been unveiled opposite Etihad Stadium that is in stark contrast to its drab surrounds. The poorly activated surrounds of Etihad Stadium has been given a boost with Melbourne developer Capital Alliance commissioning internationally recognised street artist <a href="http://r-o-n-e.com/">Rone</a> to create a mural overlooking the sporting venue.

The result is a new 140sqm edifice adoring <a href="/buildings/m-docklands-679-la-trobe-street-docklands">M Docklands</a>, a new five star hotel and residential complex which will officially open during January 2016.

Although Docklands carries varying forms of public art, Rone's Edge of your seat is considered the first ever piece of street art to land in Docklands. With the art medium commonly seen throughout the Hoddle Grid, Docklands' first addition is a welcome boost to the urban realm and the result of 250 hours of labour.

Edge of your seat is a continuation of Rone's penchant for <a href="http://r-o-n-e.com/artwork/">paintings of glamorous women</a>, while attempting to create an iconic form of urban art with a strongly emotional bent, according to the artist's website.

<h2>What they say</h2>

<blockquote>
This piece celebrates the connection to the Melbourne sport scene and captures the transcendence of supporters in moments of high anticipation. The challenge was to capture this emotion and the expressions on the fans’ faces, as they passionately support their team in victory or defeat.
<cite>Rone, Artist</cite>
</blockquote>

<blockquote>
We’re thrilled to combine these three pillars of Melbourne’s identity in one piece of art, with one of our city’s finest artists celebrating sport on the side of a new five star hotel.
<cite>Mohan Du, Managing Director, Capital Alliance</cite>
</blockquote>

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/image169.jpg" rel="gallery-all" title="Marking the piece's completion"><img alt="" class="image-article-full-width-580px" height="387" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/image169.jpg?itok=moqpPvNW" title="Marking the piece's completion" width="580"></a>

<figcaption>Marking the piece's completion</figcaption></figure><h2>Comment: none too soon</h2>

Telstra Dome, Etihad Stadium or whatever guise the venue has taken over its existence must surely be one of Melbourne's most poorly conceived modern additions in terms of both design and influence upon the immediate urban realm; essentially the venue is a non-urban design in a very urban setting.

Its shortcomings have been compounded by many of the surrounding buildings which have reciprocated, in effect creating an inactive chasm and a very harsh built form environment for pedestrians/sporting fans who traverse the precinct.

Both M Docklands and its sister building Lacrosse in many respects provide an excellent human scale experience relative to other buildings surrounding Etihad Stadium. Engaging podium design, permeability and visual intrigue have thankfully not been lost, with Rone's Edge of your seat adding further diversity where it matters: at ground level.

At some point in the future, Etihad Stadium will receive a much needed overhaul, but until that day arrives pending large-scale developments neighbouring the stadium such as AZX Group's 685 La Trobe Street and Salta's <a href="/news/feeling-at-home-next-to-the-dome">695 La Trobe Street</a> have the opportunity to further the decent public realm outcome achieved by M Docklands, or further slide the precinct into a design 'abyss' for lack of a better term.
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silvermb

Feeling at home next to the dome

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It's been quite a few months since we delivered an article highlighting a suburb's street art, let alone the powerhouse that is Fitzroy which was closer to the turn of the year. In the proceeding months many a new mural has been delivered along Brunswick Street and surrounding streets, laneways and cul-de-sacs, reaffirming Fitzroy as the location for mural street art in Melbourne.

Aside from highlighting the best work these artists with their magnificent (or contorted) minds can muster, the murals - as opposed to tagging or wanton 'graffiti' - have added immeasurably to the streetscape by bringing a heightened level of interest from pedestrians.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/img_2842.jpg" rel="gallery-all" title="In full swing last week"><img alt="" class="image-article-full-width-580px" height="816" src="/sites/urbanmelbourne.info/files/styles/article_full_width_580px/public/pictures/article-images/img_2842.jpg?itok=WS80iGBT" title="In full swing last week" width="580"></a>

<figcaption>In full swing last week</figcaption></figure>While laneway art continues unabated in Fitzroy, larger, grander murals look to have taken a more prominent position during the course of 2014 with the apparent support of City of Yarra. Visible from many a side street in addition to Fitzroy Street, the large murals have proliferated and in turn added the the unique dynamic surrounding the area and suburb in general.

Click the images below to gain a greater perspective of what's new since our last visit, and above all else enjoy!
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What's new in Fitzroy

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I ventured down to Bridge Road recently with the intention of wandering through the area, capturing the sights of the popular inner city strip. Passing through some neighbouring streets, I was confronted with some interesting street art.
Street art in addition to the rich existing streetscape makes for a great urban environment, although Bridge Road and its surrounds - like so many areas - is under transformation with increased apartment development.
Enjoy a few photos I took along the way.
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melbournee12

Richmond + Bridge Road

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Another chapter today in the ever evolving artwork that is Hosier Lane which of late has begun a vertical expansion, elevating the visual delights to a point where they can be seen from afar.
Under the auspices of <a href="http://hosierrutledge.wordpress.com/" target="_blank">Hosier Inc</a> and with funding from Melbourne City Council, <q cite="http://hosierrutledge.files.wordpress.com/2014/02/19_2_14_media_release_hosier_inc__paint_up.pdf">Melbourne-based artist Adnate will transform Australia's most iconic laneway, painting a significant wall that has never before been available to any artist. This is the first installment in a series of major artworks to be commissioned by local community association Hosier Inc. Paint Up! is part of an ongoing program of activities designed to activate the laneways and create a safe and engaging environment for all to work, live, visit and enjoy the area.</q>
<a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/wednesdaymorning003.jpg" rel="gallery-all" title="Works underway as seen from Hosier Lane. Image © David Russell"><img alt="" class="image-article-full-width-580px" height="773" src="/sites/urbanmelbourne.info/files/styles/article_full_width_580px/public/pictures/article-images/wednesdaymorning003.jpg?itok=RETuobIf" title="Works underway as seen from Hosier Lane. Image © David Russell" width="580"></a>
The associated PDF press release is <a href="http://hosierrutledge.files.wordpress.com/2014/02/19_2_14_media_release_hosier_inc__paint_up.pdf" target="_blank">here</a>.
Works on the 1945 McDonald and Company building at 165 Flinders Lane we undertaken in recent weeks. Whether further works are applied to McDonald and Company or the adjoining Forum Theatre remains to be seen.
The results of stage one are below along with the comings and goings on Hosier Lane &amp; Rutledge Lane during a typical Sunday afternoon.
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Paint Up! Hosier Lane reaches for the sky

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Time today for another installment of some of Melbourne's best street art. As the title suggests, a pocket of Collingwood bound by Johnston Street, Alexandra Parade, Wellington Street and Smith Street forms the boundary in which today's photo tour is located.
The area is also subject to a number of quality small and medium sized property developments, but for the purposes of today the subject matter is that which is visible for all to see.
From random skeletal figurines to totem poles to a 15 metre long mural in the most unusual of places, this area of Collingwood is supremely interesting. Enjoy.
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